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Click here to subscribeAN OAK LONGCASE CLOCK by William Noke, Bridgnorth, the eight day movement with anchor escapement striking on a bell, 11 1/4"" square brass dial with Roman and Arabic numerals, mottled centre chased with birds, with seconds dial and calendar aperture, the case with moulded cornice on turned columns, arched door, panel base and bracket feet, later carving throughout, 82"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK signed J Murry, Aberdeen, the eight day movement with anchor escapement striking on a bell, 12"" arched dial with Roman and Arabic numerals, painted with flowers and with a ship in the arch, the case with scrolled pediment on fluted Corinthian columns, arched banded door flanked by wrythen quarter columns, banded base and bracket feet, 86"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK signed Thomas Crawshaw, Retford, the eight day movement with anchor escapement striking on a bell, 13"" arched dial with Arabic numerals, painted signature banner and spandrels, the arch with automaton depicting Adam and Eve in the Garden of Eden, the mahogany case with boxwood stringing, scrolled pediment with brass finials on fluted Corinthian columns, arched door with oval flame panel, similar canted base and bracket feet, 95 1/4"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK, signed John Miller, Preston, 18th century, the eight day movement with anchor escapement rack striking on a bell, 13"" arched brass dial with Roman and Arabic numerals to silvered chapter ring, seconds dial and calendar aperture, the arch with silvered roundel engraved with an eagle and inscribed ""Tempus Fugit"", the case with arched moulded cornice and verre eglomise frieze on plain turned columns, quarter veneered arched door, flanked by quarter columns, canted base and bracket feet, 87 3/4"" high (Illustrated)
A GEORGIAN MAHOGANY BUREAU CABINET, 18th century and later, the dentil moulded broken pediment over ogee panelled door enclosing shelving and thirteen small drawers centred by a cupboard, candle slide below, the fall front enclosing fitted interior, four long drawers below with pierced brass drop handles, moulded base and bracket feet, 28"" x 20 1/2"" x 77 1/4"" (Illustrated)
A VICTORIAN BURR WALNUT AND EBONISED CREDENZA of D form with gilt metal mounts, moulded edged top, panelled door with stringing and centred by foliate marquetry and enclosing a velvet lined interior, flanked by turned and block pilasters and flanked in turn by a glazed door, moulded base and bracket feet, 65 1/2"" x 15 3/4"" x 40 1/4"" (Illustrated)
A MAHOGANY TWO STAGE BOOKCASE, 1900, of Georgian design, the moulded cornice with pierced fret broken pediment, over blind fret frieze, two astragal glazed doors enclosing adjustable shelving, the protruding base with two frieze drawers with gilt brass drop handles, over two cupboards, shaped apron and bracket feet, 49"" x 20 3/4"" x 95 1/2
20th Century black lacquer and chinoisserie bracket clock, F.W. Elliott Ltd., the dome top mounted with brass carrying handle, having single glazed door opening to reveal, brass plated dial applied with silvered chapter ring, having black roman numerals, bordered by a minute track, blued steel hands, the black case heightened in gilt with figures and buildings, raised on four brass bun feet, twin train movement, 17cm wide x 25cm high including handle
GEORGE III MAHOGANY REPEATING BRACKET CLOCK, SMART & DENNETT, LONDON, 3RD QUARTER, 18TH CENTURY the two fusee movement with verge escapement, engraved back plate numbered 2143, fronted by brass dial with date aperture silvered chapter ring, makers label and strike/silent ring in the arch in bell top case surmounted by gilt bronze pineapple finials and bale handle, height 19./5"" — 49.5 cm.
Middle Eastern pierced brass box in the Safavid style, having gilt inlay, the lid centering a cartouche with Islamic calligraphy surrounded by birds and foliate decoration, the sides of the box having Islamic calligraphy and foliate decoration, the interior lined in red velvet and the whole rising on bracket feet 7""h x 14""w x 11""d. Provenance: From the estate of Edward Gerber
George III mahogany double mule chest, executed in quartersawn oak and mahogany, third quarter 18th century, the rectangular case fitted with a hinged top opening to a partially fitted storage cavity fronted by the top two rows of faux drawers, each side having two working drawers, all accented with mahogany banding and flanked by reeded pilasters, the whole rising on ogee bracket feet, 41.5""h x 70""w x 22""d. Provenance: Anthony Nielsen Antiques, High Street Burford UK (invoice in office)
English tall case clock executed in the Gothic taste, having a mahogany case with brass finials surmounting the glazed door opening to the polychrome dial with Roman hour markers, having a moon phase window and date window, the lower inlaid case with a highly figured door accented with an applied trefoil, and rising on bracket feet, 96""h x 21""w x 10""d
Chinese hardwood and huanghuali table, the upper portion in the form of a kangzhuo with four floating panels and a shaped apron carved with phoenix, accented by bracket form dragon spandrels and braces, raised on `extended` straight supports with bulbous terminals, 34.25""h × 41.25""w × 25.25""d. Provenance: From the estate of Edward Gerber
A William IV mahogany bracket clock, the case with applied flowerhead mouldings and brass inlays, the convex white enamel dial lacking glass bezel, signed Hughes Frith Street Soho, having twin winding holes for an eight day brass chain driven fusee movement with anchor escapement,pull hour repeat and striking on a bell, further signed to the backplate, the case with further lattice brass grilles, raised on lacquered brass ball feet, h.45cm
A Kieninger of Germany mahogany cased musical bracket clock, in the 18th century style, having arched brass dial with rolling moonphase, silvered main dial with Arabic numerals, subsidiary seconds dial and date dial, the corners with strike/silent indicators and having three winding holes for an eight day three barrel going musical movement striking on nine bells, signed to the backplate, the immaculate case with bevelled glazed panels throughout, raised on brass ogee feet, h.38cm
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