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Lot 2000
An early 19th century mahogany satinwood inlaid and ebony longcase clock with a 33cm white arched dial, signed 'G Monks, Prescott', with subsidiary seconds and date aperture, painted with birds, rose and flower spandrels, the arch painted with a bird perched among strawberries, the two train eight day movement with anchor escapement, rack striking on a saucer bell, the case with a swan neck cresting, glazed panels, fluted columns, the trunk with an ebony and satinwood inlaid frieze above a shaped long door, veneered with well figured wood, fluted quarter columns, raised upon a plinth base and ogee bracket feet, with two weights and a pendulum, 225cm NB Paper label attached to door notes George Monks of Prescott was established as a clockmaker by 1773 and his relationship with the Church Wardens at Prescott and a note his shop was situated in the Marketplace. (illustrated)
Lot 2002
A George III oak and mahogany crossbanded longcase clock with a white enamel arched dial, indistinctly signed 'J. O. Sanger with subsidiary seconds and date aperture, Roman and Arabic numerals, the spandrels painted with flowers and fruit, the lunar calendar painted with masted vessels, the two train eight day movement with anchor escapement, rack striking on a saucer bell, the well proportioned case with a swan neck cresting, with fluted hood columns with a well figured crossbanded long door, fluted quarter columns, raised upon a panel plinth base and ogee bracket feet, with two weights and a pendulum, 214cm (illustrated)
Lot 2003
A late 18th/early 19th century carved oak longcase clock with a 34cm brass and silvered dial, signed 'T. Whipp, Rochdale', with subsidiary date aperture, Roman and Arabic numerals, cast mask and leaf spandrels, the single train thirty hour movement with outside countwheel striking on a gong, the case with a cavetto cornice above brass capped hood columns, the trunk with an arched leaf and fruit carved door above a foliate carved and panelled plinth, raised upon ogee bracket feet, 193cm (possibly later carved) (illustrated)
Lot 2005
An early 19th century oak and mahogany crossbanded longcase clock with a 33.5cm brass dial, signed 'T Read, Tarporley', with subsidiary seconds and outer ring calendar, Roman and Arabic numerals, cast rococo and flower spandrels, the two train eight day movement with anchor escapement rack striking on a saucer bell, the case with a cavetto cornice above a painted frieze, the trunk with a crossbanded door, fluted quarter columns, raised upon a panel plinth base and bracket feet, with two weights and a pendulum, 199cm (illustrated)
Lot 2007
An 18th century oak longcase clock with a 30.5cm, 12in brass dial, signed 'Peter Walker, St Katherine, Fecit', the outer calendar signed 'Peter ROVPE' with Roman and Arabic numerals, subsidiary seconds lacking pointer, date aperture, cherub and coronet spandrels with a border, the two train eight day movement with anchor escapement, rack striking on a saucer bell lacking, the oak case with a cavetto cornice above a frieze carved EDE,Q1703 gilt composition columns, the trunk carved with a vase of leaves and flowerheads, raised upon a plinth base similarly carved, shaped bracket feet, with a pendulum 208cm, (possibly later carved) (illustrated)
Lot 2009
A 19th century carved oak longcase clock with a 30cm brass dial, signed 'Will Snow', no.452 with date aperture, cast rococo spandrels, the single train thirty hour movement with outside countwheel, striking on a bell, the case with a cavetto cornice above a leaf carved frieze, the trunk carved with a sunburst, grapes and leaves, raised upon a carved plinth base and shaped bracket feet, with a pendulum and weight, 214cm (illustrated)
Lot 2080
A George III inlaid mahogany bureau, the hinged sloping fall front enclosing a particularly attractive inlaid fitted interior, above two short and three long graduated cock beaded drawers flanked on either side by fluted quartered pilasters, raised on shaped bracket feet, width approx 117cm
Lot 2095
An 18th/19th century carved and panelled oak sideboard, the raised back featuring four Saints and Jesus Christ carved in relief to domed panels, comprising St Matthew, St Mark, St Luke and St John, flanked by various creatures and motifs, the base section fitted with three frieze drawers flanked by male masks, above two cupboard doors and central panel carved with iconic religious figurative subjects, flanked by carved guilloche uprights, raised on shaped bracket feet, width approx. 86cm (illustrated)
Lot 2096
A Georgian oak breakfront housekeeper's cupboard, the moulded cornice above two central fielded panelled doors flanked by quartered pilasters and two further fielded panelled doors and two further quartered pilasters, the base section fitted with two further fielded panelled cupboard doors surrounded by an array of dummy and working drawers, raised on shaped bracket feet, width approx. 230cm
Lot 10
A Victorian burr walnut mantel clock by Lenzkirch, no358062, with a 15cm silvered chapter ring, winged masked spandrels, the two train movement stamped Lenzkirch, striking on two gongs, the case with an architectural pediment, leafy fluted frieze, outset leaf carved corbels, raised upon a plinth base and bracket feet, 35cm (illustrated)
Lot 23
A Victorian oak and brass embellished mantel clock with a 16cm brass dial with a silvered chapter ring, Roman numerals, winged masked spandrels, the two train Lenzkirch movement no224080 striking on two gongs, the architectural case applied with a maiden and flowers above outset gilt metal cast columns above a tablature applied with musical instruments, scrolls and leaves, raised upon a plinth base and bracket feet, height 47cm, width 23.5cm
Lot 314
An Art Deco walnut chest, with five drawers, mounted with chrome and ivory handles, raised on shaped bracket feet, 76cm wide 50cm deep 119.5cm high CONDITION REPORT: Some scuffing to the top, sides and front edges. Veneer loss to the lower apron of the chest. Area to the top has been 'painted in'.
Lot 384
A mahogany bureau, designed by Walter Francis Crittall and made by Ernest Beckwith, in two parts, with a three-quarter gallery over a fitted interior of pigeonholes and drawers around a central cupboard, above an arrangement of seven drawers, on carved bracket feet, 112cm wide 54cm deep 116cm high. Walter Francis Crittall (1887-1956), of the famous steel window making firm designed in a highly individual style. He was much influenced by Art Deco, but with roots in the Arts and Crafts movement. Ernest Beckwith was a cabinetmaker from the town of Coggeshall in Essex. They collaborated over forty years to make a highly original series of pieces of furniture, mainly for the homes of the Crittall family. Crittall's notebooks contain hundreds of designs for articles of furniture, only a small proportion of which were ever built. He considered his furniture making as a hobby that could be turned to practical ends. When Crittall's home, New Farm, was sold in 1987, several articles of furniture designed by Crittall and Beckwith were sold.
Lot 20
A George I oak fall front bureau. The sloped front opening to reveal a central cupboard flanked by a waterfall arrangment of pigeon holes and drawers, the central slide retracting to reveal a well. Over two short drawers and two long. On bracket feet, with brass plate drop handles. 36 x 20 x 38"
Lot 95
An Edwardian Scottish mahogany and satin birch George III style fall front bureau. The sloped front opening to reveal a fitted interior with central cupboard and an arrangement of pigeon holes, drawers and secret compartments, above four graduated long drawers with brass swan neck handles. On bracket feet. Bears bone makers plaque for John Taylor & Son Edinburgh Ltd, Cabinet Makers, Edinburgh.
Lot 52
A late 19c French mantel clock in a brass case with fluted corinthian columns flanking the 4.5"diam brass dial. The case top is cushion shaped with a central squat finial and there is a cast panel depicting a stag hunt below the dial. The base is stepped with a band of gadrooning and bracket feet. The circular movement is rack striking on a gong and is marked with Achille Brocet`s trademark, 15" tall overall.
Lot 54
A mid 19c English double fusee bracket clock in cast brass Gothic revival case, the front and sides covered in Gothic tracery and having a crenellated top with central finial. It has cast bracket feet in the form of foliage (one detached) and the 5.5"diam silvered dial has Roman numerals and a cast brass bezel (glass missing), the double fusee movement is train driven and has an anchor escapement and is rack striking on a bell. The clock stands 16" tall overall.
Lot 342
A 19c Hepplewhite style mahogany linen press, the upper section fitted with four pull out linen shelves and enclosed by two panelled doors decorated with oval urn coloured wood motifs and ribbon, under a dentil moulded cornice and supported on a base with two short and two long graduated drawers on bracket feet, 51"w, 75"h.
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177913 item(s)/page