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Lot 70
Reproduction yewwood veneer extending twin pedestal dining table, with central stretcher, outswept reeded legs with paw castors together with a set of six Hepplewhite style shield back dining chairs with upholstered backs and drop-in seats, 200cm long together with a matching sideboard with three frieze drawers, with cupboards below on bracket feet, 152cm long
Lot 272
LATE GEORGE III LONG CASE CLOCK, BY J. HARROP, MANCHESTER CIRCA 1800 the painted moonphase dial with an 8-day bell striking movement, the fret carved broken swan neck pediment above a fluted frieze and gothic arched door, flanked by cluster columns, raised on ogee bracket feet 55cm wide, 243cm high
Lot 357
GEORGE II MAHOGANY LIBRARY BREAKFRONT BOOKCASE CIRCA 1740 the broken swan-neck pediment centred by a coronet finial, above a stiff leaf and foliate scroll carved frieze and two astragal glazed panel doors enclosing a later shelved interior, the lower section with three frieze drawers above four panelled cupboard doors, raised on a stepped plinth base with shaped bracket feet 175cm wide, 254cm high, 62cm deep Provenance: Kinnaird Estate, Dunkeld, Perthshire.
Lot 363
GEORGE II OAK AND POLLARD OAK CHEST-ON-CHEST MID 18TH CENTURY in two parts; the dentil molded cornice above two short drawers and three long cock-beaded drawers flanked by fluted quarter columns; the lower section with three long graduated drawers, raised on bracket feet 94cm wide, 160cm high, 55cm deep
Lot 386
GEORGE III MAHOGANY CHEST-ON-CHEST CIRCA 1760 in the Chinese Chippendale taste, the moulded cornice over a blind fret carved frieze above two short and three long graduated drawers flanked by blind fret carved angles; the lower part with a mahogany slide and three long drawers, raised on shaped bracket feet 107cm wide, 189cm high, 54cm deep
Lot 241
A late 19th/early 20th Century French lacquered brass and jewelled mounted mantel clock with leaf moulded decoration, the circular dial with Arabic numerals to a twin train movement striking on a gong, housed within an architectural type case with turned baluster pillars surmounted by an Etruscan style finial on bracket supports, 30 cm high
Lot 525
A late Victorian ash, marquetry and parquetry inlaid wardrobe in the Aesthetic taste, the moulded pediment with dentil decoration above a frieze with floral medallion and simulated stud work inlay, the central mirrored door and left hand cupboard door similarly decorated and opening to reveal four linen shelves above two short and two long drawers, the right hand drawer opening to reveal a hanging space and single shelf, raised on a bracket foot base, 171 cm wide x 211 cm high
Lot 47
A FINE AND RARE 32 BORE CAUCASIAN SILVER-MOUNTED MIQUELET-LOCK RIFLE, RUSSIAN PROVINCIAL SILVER MARKS, DATED 1854 with tapering barrel of `hog`s back` form, retained by four pierced and chased silver bands, each stamped with assay mark, fineness mark and maker`s mark, rifled with eight grooves, inlaid with slender gilt lines at the breech and muzzle and with traces of an inscription towards the median, raised `peep` sight, the tang overlaid with a piece of nielloed and gilt silver, flat lock of characteristic form stamped with a maker`s mark, figured hardwood, perhaps maple, full stock (the fore-end with a minor repair, inlaid with a pair of small plaques of bone inset with brass and hardwood on either side of the tang, ivory butt-cap retained by a pierced shaped silver bracket, the grip bound with plaited silver wire, and original iron ramrod (sling swivels missing) 108.5cm; 42 3/4in barrel
Lot 125
RARE AND IMPORTANT NORTH EUROPEAN ARMET, CIRCA 1500, PROBABLY FLEMISH, CONVERTED TO FUNERARY USE IN ENGLAND IN 1677 with medially-ridged hemispherical skull extending downwards at the nape as a medial strip, fitted at its brow with a high reinforce, at its apex with a later spike for the attachment of a funerary crest, at each side with a pivoted demi-visor and a pair of hinged cheek-pieces supporting a pair of later gorget-plates, its front edge bordered by lining-rivets, the brow-reinforce rising at the centre of its upper edge to a cusp, pierced at its front with a pair of lace-holes and formed at its lower edge with a projecting angular inward turn serving as the upper edge of a vision-slit, the cheek-pieces well shaped to the chin and nape, overlapped and fastened by a stud at the point of the former, cut with a deep U-shaped face-opening bordered by lining-rivets, pierced over each ear with five small hearing-holes, and fitted at their lower edges, in place of a mail aventail, with a pair of funerary gorget-plates, the front one centrally divided and joined by a riveted internal strip (detached at one side), the visor with hinged arms (the right hinge later re-attached externally), formed at its upper edge with a projecting angular inward turn serving as the lower edge of a vision-slit, and pierced at the right with five vertical ventilation-slots and a hole for a missing lifting-peg, and retaining substantial traces of funerary painting consisting, on the cheek-pieces, of alternating foliate scrolls of gold within a linear border of the same colour on a black ground, and, elsewhere, with foliate scrolls and flowerheads of red within linear borders of the same colour on a gold ground (heavily patinated overall) Provenance From the tomb of Sir Thomas Hook, St Lawrence`s Church, Wootton St Lawrence, Hampshire. Exhibited On loan to the Royal Armouries, H.M. Tower of London, and Leeds, (AL 37). Literature F. H. Cripps Day, "A List of Churches Containing Armour" in Laking 1920-2, Vol. V, p. 187. Victoria County Histories (Hampshire), Vol. IV, p. 242. The Wootton St Lawrence armet hung until recent years over a bracket in the church, marked with the initials T. H. of Sir Thomas Hooke, died 1677, whose monument it formed. He acquired Tangier Park in 1660 and built a house there in 1662, which his son sold in 1710. Although broadly conforming to the Italian fashions of about 1440-1520 (see Blair 1958, pp. 86-91 & 133, figs 117-8; and Laking 1920-2, Vol. II, pp. 71-98, figs 428-41), the Wootton St Lawrence armet, like all other examples of its kind preserved in English churches, lacks the marks usually found on Italian-made armour of that period. It further differs from its Italian counterpart in having ventilation-slots pierced in the right of its visor and hearing-holes in each of its cheek-piece. As such slots and holes are a common feature of Flemish armets and close helmets of the early 16th century, mostly deriving from English churches (for example, Laking 1920-2, Vol. II, figs 443 & 445-7), it seems probable that the Wootton St Lawrence armet, like much armour used in England in its time, would likewise have come from the Low Countries. The strong shaping of its cheek-pieces to the chin and nape, and the depth of the face-opening cut into their front edges suggest that Wootton St Lawrence armet dates from no earlier than the last decade of the 15th century, whereas the uncovered hinges of the arms of its visor and the turned rather than flanged edges of its vision-slit suggest a date no later than the second decade of the 16th century. Closely relating to the Wootton St Lawrence armet, is one in St Mary`s Church, Mablethorpe, Lincolnshire, lacking its visor and cheek-pieces (G. F. Laking 1920-2, p. 206, figs 1672a & b). It has precisely the same form of skull, the same form of brow-reinforce and the same form of piercings over the ears as the former. Other armets are recorded in the churches at Beverly, Yorkshire; Buckland, Berkshire; Hawstead, Suffolk; Aldenham, Herts; and Cobham, Kent (G. F. Laking 1920-2, Vol.II, figs 442a, b, d, & e; & Vol. V, figs 1580a-c, 1594a-b & 1801.
Lot 183
A CUT GLASS "SWAN" CONDIMENT to match previous lot, London import mark 1958, modelled with head forward, 4 1/4" wide, a similar pair, unmarked and possibly plated, together with a Dutch oval salt dated 1910 with clear glass liner, the body pierced and chased with roses amongst foliate scrolls, on bracket feet, 2 1/2" wide (4)
Lot 262
A VICTORIAN CENTREPIECE, maker Mappin & Webb, Sheffield 1881, the trumpet shaped clear glass vase etched with ivy leaves and issuing from fern fronds, clear glass dish below raised on a tree support with a stag at its base, the circular base pierced with a band of fern fronds, on scrolled bracket feet, 20" high, 48ozs 10dwts
Lot 805
A FRENCH "BOULLE" MANTEL CLOCK, c.1900, the twin barrel movement striking on a gong stamped Marti et Cie, and numbered 2846, 6 1/2" cast gilt metal dial inset with enamel plaques with Roman numerals, in balloon shaped ebonised and red ground case with gilt metal mounts, pierced scrolled surmount, on bracket feet, 13" x 25"
Lot 808
A FRENCH CARRIAGE CLOCK, 20th century, the twin barrel movement with repeater striking on a gong, the white enamel dial with Roman and Arabic numerals inscribed "L`Epee, Saint Suzanna France", secondary calendar dial, in brass corniche case with loop handle and bracket feet, 7 1/4" to tip of handle
Lot 821
A GEORGE III MAHOGANY BUREAU BOOKCASE, c.1800, crossbanded with stringing, brass trimmed astragal glazed doors enclosing adjustable shelving, fall front enclosing the usual fitted interior, the associated base with four long drawers below with turned wood handles, shaped apron and bracket feet, 40 1/4" x 23" x 95"
Lot 822
AN EDWARDIAN SATINWOOD COMPOSITE PART BEDROOM SUITE with stringing and comprising a serpentine dressing table with frieze drawer over kneehole flanked on either side by two small drawers, brass ring handles, raised on square legs with splayed feet, 48" x 23 1/2" x 30 1/4", matching wash stand with veined grey/white marble top, a tallboy fitted with slides and drawers enclosed by two arched panelled doors, shaped apron and splayed bracket feet, 40" x 20" x 60 3/4", and a bedhead with triple arched top, the frieze inlaid with festoons centred by urns, six panels below with inlaid ovals, on square supports, 85 3/4" x 51 1/2" (4)
Lot 825
A VICTORIAN EBONISED AND BOULLE MARQUETRY PIER CABINET with gilt metal mounts and inlaid with brass and white metal strapwork on a red ground, the top with leaf cast edging over frieze with term supports, glazed door enclosing shelving, shaped apron and bracket feet, 33 1/4" x 13 1/2" x 45 1/4"
Lot 836
A MAHOGANY AND BRASS MOUNTED BIEDERMEIER SECRETAIRE A ABATTANT, 19th century, the stepped flared top over frieze drawer with oval brass drop handles, panelled fall front revealing fitted architectural style interior with satinwood banding and stringing, and deep drawer below over a base drawers with flared end, on bracket feet, 39" x 18 3/4" x 53"
Lot 848
A GEORGE III MAHOGANY BOOKCASE, late 18th century, the cavetto moulded cornice over two astragal glazed doors enclosing adjustable shelving on moulded base, 44 3/4" x 14 1/4" x 38 1/4", raised on an associated chest with three small frieze drawers over three long drawers, brass drop handles, moulded base and bracket feet, 44 1/4" x 21" x 39"
Lot 864
A GEORGE III OAK DRESSER, 18th century, the associated delft rack with moulded cornice, pierced and scrolled frieze, three moulded edged shelves flanked on either side by four small shelves, the base with mahogany banding and comprising central drawer over cupboard door with arched panel, flanked on either side by four drawers, brass drop handles, canted angles with mahogany quarter columns, panelled sides, moulded base and ogee bracket feet, 79" x 23 1/4" x 85"
Lot 875
A GEORGE III PAINTED SATINWOOD CHEST, 18th century, of serpentine form with brushing slide of four long drawers having brass ring handles, quarter veneered top painted with a figure scene and floral festoons, the sides and fascia with similar festoons, moulded base and bracket feet, 33" x 20" x 31 3/4"
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177908 item(s)/page