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A GEORG JENSEN `EVE 314` WHITE DIALED LADIES WRISTWATCH designed by Nicolas Barth Nussbaumer, the circular dial void of markers except for a single small diamond at 12 o`clock, with an oval and rectangular linked bracket, marked to the case reverse. 2.8cm (to Crown, in a branded case. Generally good.
A CHARLES I TYPE 30-HOUR STRIKING BRASS LANTERN CLOCK late 17th century, having a doomed bell top with strap supports pierced foliate gallery (marked William Almond in Lothbury, London) and circular chapter ring with Roman hours framing foliate engraved decoration, with weight , pendulum and later bracket. 32cm(h) Some later and associated parts, viewing advised
A LATE VICTORIAN OAK-CASED TRIPLE-FUSEE DOUBLE CHIME BRACKET CLOCK of large proportions, having a stipple carved stepped caddy top, rectangular glazed door flanked by turned and carved Corinthian columns with spirally fluted detail and stepped plinth base with stylised petal carving, the dial with three subsidiary silvered dials for chime/silent, slow/fast and eight bell/four gongs over the chapter ring of Roman hours and Arabic minutes, enclosing the three winding apertures, all enclosed by applied ornate gilt-metal cherub and foliate decoration, the triple-fusee brass movement marked 4722. 66.5cm(h) x 44.5cm(w) x 32.5cm(d) The caddy top loose with lower part re-attached^ minor marks and scratches^ minor wear to dial^ once having a presentation plaque to the platform base.
AN 18TH CENTURY OAK AND WALNUT CHEST OF DRAWERS having a rectangular top, flared frieze, three short and three long crossbanded drawers, each with later brass backplates and handles, raised on bracket feet. 98cm(h) x 100cm(w) x 50cm(d) The top being an old replacement with some patched repairs to the rear^ replacement handles^ repairs to feet^ some veneer repairs^ moulding depletions etc.
AN 18TH CENTURY OAK PRESS CUPBOARD possibly Welsh, having a bowed inverted break-front cornice, dentil frieze, two double fielded panel cupboard doors and fluted columns, the lower stage with two faux drawers and two deep drawers, raised on bracket feet, the whole later profusely carved with foliate and mythical beast designs. 183cm(h) x 157cmw) x 61cm(d) Some knocks and depletions^ later carving.
A LATE VICTORIAN CARVED AND STAINED OAK BUREAU having a shaped and carved three-quarter gallery over the fall-front, one long drawer, three short drawers and cupboard door, the drawers with integral lion mask handles, carved throughout, on bracket type feet with castors. 114cm(h) x 91cm(w) x 46cm(d) Marks^ stains and scratches^ some splits^ loose strengthening bars to the back.
A GOOD QUALITY REPRODUCTION OAK DRESSER AND RACK having a moulded cornice, shaped canopy, two shelves linked by end cupboards with drawers, between shaped ends, the lower stage having a moulded rectangular top, three frieze drawers each with brass bale handles and three fielded panel doors below, raised on bracket feet. 205cm(h) x 168cm(w) x 46cm(d) Minor marks and scratches^ generally excellent.
A 19TH CENTURY MAHOGANY CHEST OF DRAWERS having a rectangular strung and crossbanded top with rounded corners, a slender blind frieze drawer with two short and three long graduating, cockbeaded drawers below, each with moulded oval backplates and bale type handles, raised on bracket feet. 119cm(h) x 123cm(w) x 52.5cm(d) Splits to top^ sides and some veneers^ marks^ stains and scratches.
A GEORGE III MAHOGANY BATCHELOR`S CHEST OF DRAWERS having a moulded rectangular top, brushing slide and four cockbeaded graduating drawers, each with shaped and pierced brass escutcheons, back plates and bale handles, raised on bracket feet. 78cm(h) x 61cm(w) x 41cm(d) Marks and scratches^ some wear^ edge and corner knocks but generally good.

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