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Lot 431
Late Regency mahogany bracket clock, by Adam Thomson, New Bond Street, London, circa 1830, architectural case, 20cm silvered dial, signed and with Roman numerals, glazed door to the rear and gauze sound panels to the sides, enclosing a double fusee movement, signed on the back plate and striking on a gong, with pendulum and winding key, all raised on a plinth base, height 46cm, width 30cm, depth 17.5cm; also a later mahogany wall bracket (2)Please note our special conditions of sale regarding clocks and watches
Lot 490
Winterhalder & Hoffmeier mahogany mantel clock, domed case with boxwood line inlays, silvered arched dial with regulator to the arch and scroll engraved detail, the movement signed 'W&H SCH.' and numbered '4', striking on two gongs, all raised on brass bracket feet, height 27.5cm Please note our special conditions of sale regarding clocks and watches
Lot 491
Winterhalder & Hoffmeier brass lantern style bracket clock, having a domed top with a bell over a dial with silvered chapter ring, matted centre, columnar corners with sunburst motifs to the side panels, the back with a further bell, marked 'W&H SCH' and numbered '1', all raised on turned ovoid ball feet, height 40cmPlease note our special conditions of sale regarding clocks and watches
Lot 540
Welsh mahogany eight day longcase clock by Griffith Davies of Dolgellau, the hood with wrythen and turned columns flanking a 13.5 ins painted square dial with painted ruin spandrels and painted birds to the centre, subsidiary seconds and Roman numerals, the movement striking on a bell, the trunk with further wrythen columns flanking a rosewood crossbanded door, over a crossbanded flame mahogany box base raised on bracket feet, original paper label attached to the back, height 228cmPlease note our special conditions of sale regarding clocks and watches
Lot 541
Late Victorian mahogany music cabinet, circa 1890, having an upper shaped shelf over a bevelled glass rectangular mirror, pull down bevelled glass door opening to sheet music shelves, over a carved panel fall front music rack, all raised on ogee bracket feet with concealed pot castors, width 49cm, height 126cm
Lot 566
Queen Anne style walnut small chest of drawers, early 18th Century with later restorations, the top with quarter veneers, crossbanded and with four long graduating drawers with later brass swan neck handles and cast brass escutcheons, raised on bracket feet, width 87cm, height 82cm, depth 45cm
Lot 572
Scottish mahogany eight day longcase clock, circa 1820, the hood with two brass finials flanking a painted 14 ins circular dial, signed John Etches, with Roman numerals, four pillar movement striking on a bell, the trunk with a feathered mahogany oval inlaid door, within reeded pilasters, over a feather mahogany box base, crossbanded and with bracket feet, height 200cm Please note our special conditions of sale regarding clocks and watches
Lot 589
George III mahogany eight day longcase clock, the hood with fluted pilasters flanking a 13 ins brass square dial, signed to the centre John Craig, Garrigll, within a chapter ring with Roman numerals, the movement striking on a bell, over a trunk with a flame mahogany door within reeded quarter pilasters, canted box base with ogee bracket feet, height 223cm Please note our special conditions of sale regarding clocks and watches
Lot 593
George III mahogany bureau, circa 1780-1800, figured mahogany slope front opening to a fitted interior with central cupboard door drawers and pigeonholes, and fitted with two short and three long graduating drawers with later cast brass handles, raised on ogee bracket feet, width 115cm, height 110cm, depth 55cm
Lot 610
Regency mahogany linen press, circa 1810-20, moulded cornice over two recessed oval panel flame mahogany doors, opening to hanging space, over a base fitted with three false drawers and one real drawer, with later metal ring handles, raised on splayed bracket feet, width 125cm, height 190cm, depth 56cm
Lot 623
Rare dwarf longcase clock, by Lawson & Son, Hindley, early 19th Century, the hood with swan neck pediment and three turned finials, over reeded pilasters flanking a painted 9.5 ins square dial, signed (rubbed), with Roman numerals, 30 hour four pillar movement, the trunk inlaid with panels of satinwood and ebony stringing, over a box base with canted corners and bracket feet, height 159cmPlease note our special conditions of sale regarding clocks and watches
Lot 643
Late Victorian mahogany and inlaid inverted breakfront wardrobe, having a dentil inlaid cornice and ebony and boxwood chequerboard stringing throughout, fitted with two flame mahogany recessed panel doors opening to shelves, above four flame mahogany drawers with cast brass laurel leaf handles, flanked with shaped bevelled glass mirrored doors, opening to hanging spaces, one side with a further drawer, all raised on a shaped apron base with bracket feet, width 192cm, height 212cm, depth 56cm
Lot 646
Late George III mahogany and inlaid linen press, circa 1800, having a cavetto moulded cornice over a frieze centred with an inlaid amboyna panel over two flame mahogany doors, crossbanded with rosewood and with satinwood, boxwood and ebony herringbone inlays and opening to hanging space, the base fitted with two false short drawers over one real long drawer, with later brass swan neck handles, conch shell inlaid apron, raised on splayed bracket feet, width 127cm, height 194cm, depth 56cm
Lot 558
A 20thC oak bedroom suite, with Gothic tracery and linenfold carved panelling, comprising a double wardrobe, raised on bracket feet, 188cm H, 130cm W, 56cm D, double headboard, dressing table, the mirror over a single drawer flanked by cupboard doors raised on trestle supports, 128cm H, 146cm W, 44cm D, smaller wardrobe, 168cm H, 111cm W, 49cm D, together with a pot cupboard and a dressing table stool. (6)
Lot 972
Two 19th century iron trivets, largest 40 cm x 40 cm. CONDITION REPORT: The larger of the two trivets is all over rusty. The bottom bar beneath the ledge has some losses to the bottom edge. There is also one perforation on the left hand side of the same bar. The hanging bracket is in good condition all round. There is no evidence of any repair. The second trivet is partially black painted and again has no repairs or restoration. Rust is showing through the paintwork. The trivet is loose at the hinge as one would expect.
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177993 item(s)/page