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An Edwardian giltmetal-mounted mahogany three train quarter chiming bracket clockThe ogee case with brass carrying handle surmount, above a glazed panel door, with inset arched brass edge, pierced spandrels and flanked by fluted quarter-columns, the sides with pierced brass grille panels, on a stepped foot and ogee bracket feet, the 8in. arched brass dial, with engraved brass plate, moonphase to the arch and with two subsidiaries 'CHIME ON SIX BELLS/ CHIME ON EIGHT BELLS' and 'CHIME/SILENT', with silvered chapter ring and pierced steel hands, the three train fusée movement chiming on a carillon of eight bells, with anchor escapement and foliate engraved backplate, inscribed in an oval Cornelius Herbert / One London Bridge55cm high
A George III ormolu-mounted, mahogany and satinwood crossbanded quarter chiming three train bracket clockBy John Thwaites, Clerkenwell, London, No 2697, circa 1801The arched case with triple satinwood outlined pads, surmounted by an urn finial and with two bearded masks, above arched glazed bevelled glass door, each side with an arched bevelled glass panel, on a stepped plinth and ogee bracket feet, the 8in. arched silvered dial with strike/silent to the arch, above Roman chapters and calendar subsidiary, signed John Thwaites, Clerkenwell, London, No 2697, with finely pierced blued steel hands, the three train fusée movement, numbered to the front plate, and signed in an oval to the backplate, with anchor escapement and chiming the quarters on a carillon of eight bells, the shaped plates with engraved outline49cm highProvenance:Professor Hans Bertele von Greadenberg (d. 1984)Thence by direct descentJohn Thwaites was the son of Ainsworth Thwaites, the founder of Thwaites and Reed in 1740. Apprenticed in 1772, he received his freedom in 1782. The partnership of Thwaites and Reed were wholesalers to the clock trade throughout the late 18th and 19th century.
A giltmetal-mounted fruitwood bracket clockThe movement by Joseph Windmills, LondonThe bell-top case with a brass carrying handle and four flaming finials above a moulded pediment, with glazed panel door to the front and back, with gilt brass panels to each side, the 8in. arched brass dial with strike/silent in the arch, above pierced spandrels and brass chapter ring, enclosing a matted centre,signed Joseph Windmills, London in two shaped cut-outs, blued steel pierced hands and calendar aperture, the twin train fusée movement with verge escapement and strike on a bell, case and movement possibly associated55cm high
A George II gilt brass-mounted bracket clockBy David Fitzschkaw, LondonThe bell-top case with a brass carrying handle, above a moulded pediment, with glazed panel door to the front and back, glazed side panels, the 7in. arched brass dial with strike/silent in the arch, silvered chapter ring, matted centre with false pendulum aperture and calendar aperture, the twin train fusée movement with anchor escapement, formerly verge, with engraved signed backplate (evidence of former quarter repeating work), striking on a bell48cm highFitzschkaw appears unrecorded. However, see Journals of the House of Commons, volume 15, 25 Martii, 1707, which includes 'David Fitzschkaw, son of Tobias Fitzschkaw, by Justina his wife, born at Schneeberg in Saxony' for naturalisation approval.
A giltmetal-mounted ebonised table clockTh movement inscribed John Berry, LondonThe case with a bell top surmounted by a brass carrying handle, above front door with arched glazed panel, with glazed sides and back door, on plinth base and four ogee bracket feet, the later 7in. arched brass dial with two subsidaries in the arch for strike/silent and slow/fast, above a silvered chapter ring, enclosing a matted centre with false pendulum and calendar aperture, the twin train fusée movement with verge escapement, florally engraved backplate and engraved John Berry London within a shaped rectangle, the movement late 18th century with restorations and replacement, the case associated and of the period, restorations, the dial later51cm high
A George III ebonised bracket clock with alarmBy John Leroux, LondonThe arched case with a pineapple finial and moulded cornice, the 5 1/4in. dial signed J. Leroux, London, in the arch with silvered chapter ring and pierced brass spandrels, the twin train fusée movement striking the hours on a bell, with verge escapement and alarm train, with alterations and repairs34cm highJohn Leroux is recorded at Charing Cross in 1744. A member of the Clockmakers' Company 1781-1808
A giltmetal-mounted quarter repeating ebonised bracket timepiece By John Ebsworth, London, the movement late 17th century, in a replica caseThe case with a domed top above scrolled handle and pierced mount with four vase finials, with glazed front door and pierced sound fret, glazed bar door and a glazed panel to each side, the 6 3/4in. square brass dial, with cherub mask spandrels, silvered chapter ring with large trefoil intersectors, blued steel pierced hands, matted centre with engraved centre rose, harboured winding aperture and calendar aperture above the VI, the fusée movement with four finely turned pillars, latched to teh plates, with verge escapement and one-in-passing strike, signed backplate with floral engraving, with vertically mounted bells, the dial possibly replaced38cm highJohn Ebsworth is recorded as apprenticed in 1657, a member of the Clockmakers' Company from 1665 until his death in 1699.See Sunny Dzik, Engraving on English Table Clocks, Oxford 2019, p. 58, Fig. 5.14 for another backplate signed Ebsworth with the same distinctive tulips.
A Regency mahogany bracket clockBy Ellicott & Taylor, London, circa 1820The arched case with a pad top, above grille sides and two carrying handles, the arched door with circular convex glass, with 8in. white enamel dial signed ELLICOTT & TAYLOR, ROYAL EXCHANGE, pierced latten hands, brass pendulum adjustment dial and strike silent above the XII, the twin train fusée movement with unusual fine pendulum adjustment, striking the hours on a bell, with signature in an engraved oval with engraved outline backplate43.5cm highEllicott & Taylor are recorded at Sweeting's Alley, Cornhill 1811-30, the origin of the firm starting with John Ellicott (d. 1733)
A mahogany cased three train quarter chiming bracket clockThe bell-top case with a brass carrying handle, above a moulded pediment with glazed panel door to the front and back and glazed sides, the 8in. arched brass dial with strike/silent to the arch, above circular silvered chapter ring, inscribed, enclosing a matted centre with calendar ring, the three train fusée movement quarter chiming on eight bells, signed Philp, London, with anchor escapement and strike on a bell, the movement late George III, the dial and case probably Edwardian 54cm high
A giltmetal-mounted ebonised bracket clockInscribed George Clarke, LondonThe inverted bell-top case with a brass carrying handle, above a panel door with glazed arch, the back door similar, the sides each with two glazed panels, on plinth base and ogee brass feet, the 7in. arched brass dial with strike/silent subsidiary to the arch, above silvered chapter ring enclosing a matted centre, with blocked false pendulum aperture, above signature arc and calendar aperture below, the twin train five-pillar chain fusée movement with anchor escapement (converted from verge), florally engraved backplate signed Geo Clarke Leadenhall Street, London, formerly quarter repeating; the dial regilt, case and movement associated, elements replaced47cm high
An Edwardian brass-mounted ebonised quarter chiming bracket clockThe dial inscribed Wm. Scafe, London, circa 1900The arched case surmounted by a single pad and a brass carrying handle, above the 8in. arched brass dial with a subsidiary in the arch for CHIME/NOT CHIME, silvered chapter ring, inscribed Wm Scafe, London about the VI and enclosing a matted centre with blued steel hands, the three train movement with quarter striking on a carillon of eight bells, with triple chain fusée and hour strike on a further bell46cm high
A parcel gilt and black lacquered bracket clock The dial signed William Terry, early 19th century and later With an arched pediment above 12in. circular brass dial, silvered chapter ring, signed William Terry, calendar sector and engraved centre, with twin train fusée movement and anchor escapement 59cm high Loomes records a number of William Terrys working in Yorkshire during the early 19th centuryThe case and movement are associated.
A Regency gilt brass-mounted mahogany and cut brass-inlaid bracket clockThe chamfer top with pineapple finial above a stepped pediment, the brass glazed bezel flanked by a handle and pierced grille panel to each side, the 8in. white-painted dial with spade hands, the twin train fusée movement with anchor escapement and strike on a bell, on claw feet51cm high
A gilt brass-mounted ebonised bracket timepiece with alarm The movement by William Webster, London The inverted bell-top case with a brass carrying handle above four vase finials, with panel door and glazed arched panel, the back similar, the sides each with a pierced fret sound panel above an arched glazed panel, on plinth base and block feet, the twin train five-pillar fusée movement with engraved backplate and later anchor escapement, formerly quarter repeating; restorations, case and movement possibly associated 48cm high
A rare Chinese ormolu and paste-set mantel clock In the style of John Mottram or Henry Borrell, case and movement Guangzhou workshops, 19th centuryThe case with an arched pediment and turned finial on a foliate mount, above canted scrolled angles with beaded and foliate pierced brackets, the front and sides with engraved decoration, the back door with a pierced panel, paste-set bezel with convex glass, above the 4in. circular white enamel dial with Roman numerals, gilt spade hands and sweep centre seconds, the twin train chain fusée movement with verge escapement and scroll engraved backplate37cm highCOMPARATIVE LITERATURE: Ian White, English Clocks for the Chinese Markets, Ticehurst 2012, p. 223, pl. 8.12Richard Barder, The Georgian Bracket Clock 1714-1830, Woodbridge 1993, p. 173, pl. 29It was the Emperor Kangxi (d. 1722) who developed a strong interest in watches and clocks, building a large collection. However, his grandson, Qianlong, whose dynasty spanned most of the 18th Century (1735-1795), with a huge budget, collected throughout his 60-year reign. This resulted in a substantial expansion for English merchants and makers. An observation by the missionary Valentine Chalier in 1736 ' As for clocks, the Imperial palace is stuffed with them…..there must be more than 4000 from the best masters of Paris and London…'. As Dr. White notes in his extensive book English Clocks for the Eastern Markets, Qianlong was simply the greatest collector of Western clockwork there has ever been. From the 1750s onwards, commercial activity in the West focused on objects that could be exported to ease the balance of payments between East and West, fuelled by the heavy demand in the West for exotic Asian wares, such as porcelain, textiles, lacquer and of course tea. The form of case is known as the 'scroll angle' design and was most used by Henry Borrell and John Mottram.Two similar clocks, with variations to the one offered, were sold at Christie's, Hong Kong, Magnificent Clocks for the Chinese Imperial Court from the Nezu Museum, 27 May 2008, lot 1512 & 1515. Another similar by Mottram was sold at Sotheby's, New York, 6 December 2011, lot 284.
A Fine French ormolu-mounted, boulle and cut brass-inlaid mantel clockIn the Regence style, after André-Charles Boulle, second half 19th centuryThe stepped pediment surmounted by four small and four larger flaming vase finials, the domed pediment with satyr masks above a moulded arch with shaped glazed panel door and flanked to each corner by a caryatid above a scrolled bracket resting on recumbent horses, the 8 1/2in. circular brass dial with enamel plaquettes and blued steel hands, above a frieze cast with figures emblematic of the arts, the twin train movement inscribed Denis Millard A Paris, with countwheel strike and anchor escapement, with tapering baluster pillars, on a conforming serpentine-shaped plinth with drapery apron81cm high overall
A fine old 19th c. flame Mahogany Linen Press/cupboard, the opposing upper doors revealing an interior with a hanging rail, standing on a base with two long drawers and a pair of faux short drawers forming the front of a well to the base, the whole standing on bracket feet, 49 1/2" wide x 78 7/8" high x 24" deep.
Georgian style walnut tall boy, projecting cornice over two short and three long graduated drawers, moulded edge to base above brushing slide and three long graduated drawers, enclosed by canted corners, raised on ogee bracket feet, W77cm, H166cm, D44cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
18th century oak bureau bookcase, projecting dentil cornice over two astragal glazed doors with gadroon decoration, enclosing three adjustable shelves, fall front compartment to base fitted with drawers and cubby holes, two short and three long graduating drawers, on bracket feet, floral scroll and dragon carved decoration throughout, W115cm, H235cm, D53cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Early 19th century painted pine linen press, projecting cornice above two paneled doors, three graduating cock beaded drawers to base, raised on shaped bracket feet, W111cm, H226cm, D47cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Regency mahogany bow fronted chest of drawers, two short and three long graduating drawers, inlaid boxwood and ebonised stringing, shaped apron, splayed bracket feet, W104cm, H103cm, D53cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Late 18th century walnut herring banded cupboard, moulded rectangular top above two fielded paneled figured doors, enclosing three adjustable shelves, bracket feet, W122cm, H150cm, D36cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
George III mahogany linen press, projecting cornice above two Dutch paneled doors enclosing hanging rails, two short and one long drawer to base, on bracket feet, W125cm, H188cm, D62cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Early 19th Century mahogany bureau, fall front enclosing well fitted interior, including pigeon holes and nine small drawers, above four long graduating drawers, on bracket feet, W96cm, H106cm, D47cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Georgian style mahogany twin pedestal writing desk, the moulded rectangular top with inset writing surface, above one long and four short drawers, and two double drawers to base, on shaped bracket feet, W123cm, H77cm, D49cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Georgian style oak floor standing corner display cabinet, projecting dentil cornice over astragal glazed door enclosing three shaped shelves, panelled cupboard to base, shaped bracket supports, W90cm, H188cm, D52cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Late 20th century solid oak Georgian style chest, rectangular moulded top above two short and three long graduating oak lined drawers, enclosed by quarter round fluted pilasters, raised on Ogee bracket feet, W100cm, H85cm, D52cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
19th century elm and ash Thames valley Windsor arm chair, hoop back, turned splats, dished seat, turned supports, (W55cm) together with a scrubbed stained pine three tier wall bracket, 5W50cm) Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
George III mahogany longcase clock, swan neck pediment with pierced fretwork above checker plate inlay and shell motif, reeded pilasters with ormolu capitals, arched cross banded trunk door with boxwood string inlay, enclosed by canted sides, raised on shaped bracket feet, the white enamel dial having Roman numeral chapter ring, with subsidiary seconds hand and date aperture, and floral painted spandrels, the eight day movement striking the hours hammer on bell, stamped 'Osborne's Manurfactury, Birmingham' W58cm H240cm, D27cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

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177913 item(s)/page