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Lot 748
A Large & impressive 19th century mahogany 2 section housemaids cupboard/dresser,with break-front upper part, 4 fielded panelled cupboard doors above a base fitted with 12 drawers with turned wood handles, small oval inlaid panels, reeded columns, raised on bracket feet, width 7' 7", height 7' 2", depth 1' 9"
Lot 77
A 19th century French Boullework and ormolu mounted bracket clock, surmounted by a putti holding a staff, the arched scroll design case mounted with a mask of Father Time and foliate feet, the dial with enamelled chapters, the twin train movement with countwheel striking on a bell, back plate stamped 2678 A.H. 54cm high
Lot 317
AN ANTELOPE HORN AND SILVER TABLE LIGHTER, the horn having plain silver end caps with single scroll supports attached, the end of the cap with semi circular silver bracket supporting a silver ring which holds the removable globular or 'bomb' shaped lighter with screw off lid with central aperture for the wick, hallmarked London 1933
Lot 50
A VICTORIAN MAHOGANY CASED ROLLING MOON DIAL LONGCASE CLOCK by David Jones, Bethesda, the painted dial set with Roman numerals, subsidiary seconds dial and date aperture before a twin wind pendulum driven movement (pendulum and weights included), striking on a bell, the case hood with broken swan neck pediment, single glazed door with half cut twist pillars and flanking outer pillars, the rectangular trunk door with twin arch panels, turned and twist outer pillars, the trunk base with twin arched pillars and canted corners on a bracket foot base, 229 cms high, 68 cms wide
Lot 37
A REPRODUCTION MAHOGANY DISPLAY CABINET, the arched top with Sheraton fan inlay, a single glazed door glazed with thirteen astragal panels, with interior glass shelves and boxwood inlay, over a single drawer, single door cupboard base with repeating Sheraton style inlay, on corner bracket feet, 193 cms high, 56 cms wide, 40.5 cms deep
Lot 53
A GEORGE III OAK LONGCASE CLOCK, the 14 ins square dial set with Roman numerals, subsidiary seconds dial and date aperture, with gilt highlighted shell painted spandrels and the name Williams???, set before a twin weight pendulum driven movement striking on a bell (pendulum and weights included), the hood with broken swan neck pediment above a single glazed door and flanking half cut turned pillars, the rectangular trunk door with ivory escutcheon and repeating side pillars with a chamfered step to the trunk base, with corner bracket feet, 218 cms high, 57 cms wide
Lot 51
A VICTORIAN MAHOGANY ARCHED DIAL LONGCASE CLOCK by S J Bibby, Carnarvon, the well painted dial set with Roman numerals and Arabic subsidiary seconds and date dials, moon painted arched top with flanking globe decoration, the spandrels with various depiction of ladies in period dress, the winding apertures before a twin weight pendulum driven movement, striking on a bell (pendulum and weights included), the case hood with broken swan neck pediment, glazed door and half cut pillar decoration with turned flanking edge pillars, the shaped top trunk door with turned and reeded pillars, the stepped trunk base having twins shaped panels and decorative canted sides, the corner bracket plinth with decorative apron, 205 cms high, 74 cms wide
Lot 299
A MAHOGANY THREE TRAIN BRACKET CLOCK, the arched silvered dial set with Roman numerals, with slow/fast chime/silent subsidiary dials before a brass pendulum driven movement, with five rod hammer strike chime, the case dome topped with carry handle, door flanking quarter cut pillars having brass inlay and caps on a stepped base with brass squat bun feet, 34 cms high plus handle, 28 cms wide
Lot 2290
12th century AD. A gilt-bronze rotating mount comprising an arched fish extending its mouth to grip its own tail above a D-section neck and beast-head finial gripping a pierced lug; the fish's body pierced behind the gills to accept a rivet securing a looped bracket to the reverse; hatched detailing and texturing to the fish, neck and beast's head. See Zarnecki, G., Holt, J. & Holland, T. English Romanesque Art 1066-1200 London, 1984 for discussion. 11 grams, 47mm (1 3/4"). Fine condition.Property of a Canadian lady; acquired 1970s-1990s. [No Reserve]
Lot 2295
13th-15th century AD.A mixed group of bronze harness pendants comprising: one cruciform with hatched spandrels, central cruciform void, some gilding; one comb-shaped, gilt one with square pendant and hinged bracket, lion passant gardant; one a gilt discoid plaque with eight radiating lobes, reserved cross and foliage on enamel field; one a vertical gilt bar with notched edges, hook terminal. See Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101 Dereham, 2002 for discussion. 39 grams total, 16-66mm (3/4 - 2 3/4"). Mainly fine condition.Property of a Canadian lady; acquired 1970s-1990s. [5 No Reserve]
Lot 494
Late 7th-early 9th century AD. A gilt-bronze openwork bracket or fitting comprising: a D-shaped plaque with incised running zigzag to the upper face, waisted openwork plate formed as three cells flanked by S-coiled beasts; the upper beasts with one raised three-toed forelimb, D-shaped facing mask with pellet eyes, hatched detailing to the body, tribract to the shoulder, clubbed tail; the lower beasts similar with piscine details; the upper and lower cells D-shaped, the central one a lozenge, with a column of a hatched fish between; pierced at the upper corners and lower cell, two lateral pierced attachment lugs; ferrous remains, lug and part of a separate riveted bronze plate to the reverse. See Webster, L. & Backhouse, J. The Making of England. Anglo-Saxon Art and Culture AD 600-900 London, 1991; Wilson, D.M. Catalogue of Antiquities of the Later Saxon Period, Volume I: Anglo-Saxon Metalwork 700-1100 in the British Museum, London, 1964. Recorded with the Portable Antiquities Scheme with reference number DENO-4207C5; accompanied by a print out of the PAS report. 84 grams, 87mm (3 1/2"). Fine condition. Found Nottinghamshire, UK; 2013. The mount is unusual although its decoration and manufacturing technique point to an origin in Britain in the 7th-9th centuries. Its D-shaped upper face or ledge indicates that it is not the standard flat form of scabbard or harp fitting. The cells were probably intended to accept a glass inset gem or millefiori panel, although the inner panel of the central cell shows signs of having been gilded. The upper beasts show strong Irish influence in their design, which is found elsewhere in Northumbrian art in the 8th-9th century as for example on the brow fittings of the Coppergate helmet (Webster & Backhouse, item 47"). Similar heads in profile appear on the scabbard chapes from the St. Ninian's Isle Treasure (Wilson, plate IV"). The overall design of the piece is tentatively identified with the 'fish flanked by birds' motif seen for example in the Staffordshire Hoard, probably of later 7th century date.
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