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An 18th Century oak and mahogany cross-banded long-case clock with an eight day movement striking on a bell. The 12" brass dial mounted with pierced figural spandrels, silvered Roman and Arabic chapter ring, subsidiary seconds dial and date aperture, signed Jn Cooper, London. All over a long shaped trunk and raised to a bracket plinth, 218cm high. ILLUSTRATED
A mid 18c. 8 day walnut cased Longcase clock. The brass arched dial style with silvered Roman numeric chapter ring with date aperture strike/silent feature signed "Stumbels, Totnes" fitted in carved wood with eagle finials raised above a cross banded trunk door flanked by quarter columns, the whole on bracket feet. Approx. 238 cms high. It is widely believed that William Stumbels was one of the greatest clock makers outside of London. Various examples of his work exist in Museums in the South West of England.
A Royal Worcester Porcelain Fruit Painted Cabinet Plate, F Higgins, mid 20th century, of bracket circular outline, centrally painted with a vignette of two apples, brambles and flowers, signed, within a yellow and pink scroll edged panelled border enriched heavily in gilt, black printed crown and wheel mark, and numbered 8346W, 23cm diameter
A Victorian Epergne and Stand, Stephen Smith, London 1865, the circular mirrored plateau applied with trailing vines supporting a gadrooned spool base raised on three acanthus and anthemion bracket feet, the four bowl stand modelled as an oak tree with a young boy on horseback and a resting cow beneath, presentation inscription TO HUGH MILLER ESQ MD FROM THE FACULTY OF PHYSICIANS AND SURGEONS GLASGOW ... 1864, 79cm high, 146oz 7dwt free
A Pair of Bronze and Ormolu Figural Candlestands in Greek Revival Style, circa 1850-70, each modelled as a bearded classical hero holding a vase on his head supporting a triangular "oil lamp" bracket with triple campana nozzles linked by chains, on a black and red marble canted square plinth on winged paw feet, 44cm high
A George III Mahogany Knife Box, circa 1775, of typical canted and serpentine fronted form, with boxwood edge stringing, opening to reveal the original interior, raised on a bracket foot, 37cm high; containing A Collection of Cutlery and Flatware, as follows, a group of six pewter slip-top spoons (each bearing ink written paper auction labels, 1915), some with London crown and rose mark, nine ebony handled three-prong forks, a set of six pistol handled knives with pecten shell motifs, twenty-seven assorted other pistol handled knives, including a carving knife, and seven other knives, varying condition
A Rosewood Striking Bracket Clock, C H Cox, Leamington, circa 1850, case with arched pediment, lion ringed side carrying handles and glazed viewing windows, base raised upon bun shaped feet, 8-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement secured by brackets, later seatboard, 43cm high
A Mahogany Striking Table Clock, circa 1820, the nicely figured case with a single pad arched top and carrying handle, pierced brass side frets and repeat cord, moulded rectangular base raised upon bracket feet, 8-inch painted arched dial with Roman numerals and bearing inscription Tho Southall, Stafford, the arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, movement backplate with engraved floral and scroll work and numbered 416, movement secured by brackets, bob pendulum, 48cm high
A French Regence Striking "Boulle" Bracket Clock, signed Roquelon A Paris, the highly elaborate case surmounted with a figure of father of time, waisted case with scroll gilt mounts and glazed side viewing windows, the glazed door decorated with winged cherubs and raised upon scroll worked feet, 9-1/2-inch cast dial with twelve Roman enamel cartouches and a central enamelled plaque signed Roquelon a Paris, twin barrel movement with square shaped plates, anchor escapement, numbered outside countwheel striking on a top mounted bell for the half hour strike and for the hours, movement lower backplate with matching signature, later pendulum with sun burst bob, 87cm high, together with matching "boulle" gilt mounted wall bracket, 33cm high
An Ebonised Quarter Chiming and Repeating Table Clock, signed William Wheatley, London, circa 1750, the bell top case with five gilded finials, side carrying handles and pierced sound frets, pull repeating cord, caryatid mounts to the canted corners, moulded base with brass bracket shaped feet, 8-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture, mock pendulum aperture, recessed silvered plaque signed William Wheatley, London, the arch with strike/silent selection, the substantial triple fusee movement with verge escapement, quarter chiming and repeating with eight hammer striking a nest of eight bells and a further hammer striking a bell for the hours, movement secured by brackets, movement backplate fully engraved with foliate scroll work, bob pendulum, 58cm high

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177908 item(s)/page