A 1920's Art Deco French walnut cabinet by Dominique of Paris, the caddy top with silver plated banding above two parquetry inlaid doors with angular brass handles opened to reveal a pigeon holed interior, raised on stepped bracket feet, 120.5 cm wide x 145 cm high (Provenance: commissioned and installed in Bibury Court, Gloucestershire circa 1926) CONDITION REPORTS A stain to the centre of the top surface, bubbling veneer and small loss of veneer in it as well. There is a possible repair to the top surface as well as ring marks, white paint splattered marks and scratches. There are some larger chips to the back edge - see images. To the left hand door at the top there is a small loss - see images, and there are also some minor scratches to the door, including one longer horizontal scratch, roughly half way down. There is some ink all over, some impressed marks, some light scratches and some very small chips to the edges. When looking at the back there is a small gap where the top surface is coming away from the body, so will need a little attention. some general signs of wear and tear throughout
We found 177908 price guide item(s) matching your search
There are 177908 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
177908 item(s)/page
A George III serpentine fronted mahogany chest of four graduated drawers, the shaped top above four graduated drawers with brass embossed oval handles with a shaped apron, on splayed bracket feet, 110.5 cm wide CONDITION REPORTS Split to top emanating from the left hand side towards the middle running approximately a third of the way along the length of the chest.. Losses of veneers to the front - see images. Particularly deep scratches, impressed mark to the top along with a dark black mark, various scratches, scuffs and small chips etc throughout to the top. First drawer split to the base of it, paper has been stuck on and later removed with evidence of some remaining. Chips and losses to the moulded edges of all drawers. Loss of veneer to the apron all over to the front small chips, scratches, impressed marks, dark marks etc. To the right hand side of the front - considerable damage to the veneer and structure - see images all the way down, similar to the left hand side at the front. Right hand side - various impressed marks, chips, scratches, etc, damage to the veneer to the base and similar to the left hand side. Back board - various splits and evidence of old repair using canvas. Some woodworm holes, general signs of wear and tear through age and use.
A George III mahogany bookcase cabinet, the upper section with moulded and Greek key decorated cornice, over two astragal glazed doors enclosing adjustable shelving over a sloping fall, opening to reveal a fitted interior with central mirrored door, flanked by Deed drawers, pigeon holes and banks of four drawers over two drawers and two cupboard drawers to bracket feet, 111 cm wide x 232 cm high CONDITION REPORTS A small piece of Greek style moulding missing to the back left hand top corner and damage to the other moulding on the back top hand right corner. One pane of glass has been cracked - see images. There is only one shelf. To the top of the base there is moulding missing down the right hand side - see images - and half way down the base some moulding missing. To the back there is also a crack down both sides of the base. Mirrored interior door is silvered, some missing handles to the interior compartments. Left hand drawer is missing some moulding. The two doors do not quite fit properly and there are also two linen press style drawers to the base. the back foot is off but still present. All over various small scratches impressed marks, small chips to the edges and general signs of wear and tear throughout consistent with age and use.
An early 19th Century eight day mahogany cased Longcase Clock (Irish), the 12" cream painted dial with Roman numerals and signed E Shirtsinger, Dublin, the subsidiary seconds hand dial below the 12 o'clock marker, the dome topped hooded door above a flame mahogany veneered shaped trunk door, raised on ogee style bracket feet, 191cm high, (veneers away and some splitting etc.,)
A George III period oak cased eight day Longcase Clock, the wavy style pediment flanked by two brass urn finials and above an 11" brass dial with Roman numerals and signed WILLm Dyer, Barnstable, above an interesting maritime engraving with clipper coming into land and all flanked by pierced gilded spandrels, rectangular mahogany crossbanded trunk door and raised on bracket feet, 207cm wide
An 18th Century walnut Chest on Chest of slender proportions (in the middle of a restoration project), the cavetto cornice above two half width and two full width drawers with herringbone banding and further over a similar later arrangement of two half width and two full width drawers (raised on bracket feet), 100cm wide x 174cm high
A late 18th Century mahogany Linen Press, the dentil cornice above a fluted frieze headed with roundel's, further over two panelled doors enclosing original slides and two half width and two full width graduated drawers with brass swan neck handles, raised on bracket feet (generally in an untouched condition and in need of light restoration), 129cm wide x 58cm deep x 176cm high
An early 18th Century walnut Chest on Chest Top, cushion moulded drawer, two half width and three full width graduated figured walnut drawers within 'D' shape mouldings on top of a later mahogany and banded Chest Base with the same configuration and raised on bracket feet, (for full restoration), 106cm wide x 180cm high
Good English ebonised original verge bracket clock, the movement with engraved back plate striking on a bell, the 7" brass arched dial signed Josef Clarke, London on a shaped plate below a pendulum aperture and above a square calendar aperture, also with subsidiary strike/silent dial to the arch, within a stepped case with gilt highlights, surmounted by a caddy top and brass carrying handle, 20" high
Good double fusee bracket clock movement, the engraved back plate and 6" brass arched dial signed Thomas Or, Tong, on a silver recess to the arch between subsidiary seconds and strike/silent dials, the silvered principal chapter ring enclosing a matted centre, pendulum and calendar apertures
English hook and spike brass lantern clock, signed George Harris of Frittwell to the foliate engraved dial centre with single iron hand, enclosed by a brass chapter ring, surmounted by pierced dolphin and foliate frets, strapwork bell and finial, 15.5" high (with later oak bracket, two weights, chain and pulleys)
Good English mahogany double fusee verge triple pad top bracket clock, the 8" cream painted arched dial signed James McCabe, London, with subsidiary strike/silent dial to the arch, the five pillar movement also signed Jas McCabe, London to the back plate within spiral engraved borders, within a stepped rounded arched triple pad top case with brass carrying handle, 17.5" high (pendulum and keys)
English ebonised triple fusee bracket clock in need of restoration, the 6.75" brass rounded arched dial signed Payne & Co, 163 New Bond Street, London no. 3455 on a shaped plate to the arch over subsidiary slow/fast and chime/silent dials above a silver chapter ring enclosing a matted centre, the movement with half deadbeat escapement, chiming the quarters on eight bells and striking the hours on another, also signed on the back plate (with pendulum and keys) (at fault)
English mahogany double fusee verge bracket clock (in need of restoration), the 8" silvered arched foliate engraved dial signed William Johnson London, the movement playing on six bells and striking on another, with finely engraved back plate, within a stepped case with caddy top and brass carrying handle, 22" high (pendulum and winding key) (at fault)
English mahogany triple fusee boardroom bracket clock, the substantial movement playing on a nest of eight bells, chiming on four gongs and striking on another, the 7.5" brass arched dial with silvered chapter ring enclosing a matted centre and with strike/silent, fast/slow and chime on eight bells/Westminster chime subsidiary dials to the arch, within a stepped case with applied gilt metal mounts, surmounted by a caddy top and five pineapple finials, 28.5" high (pendulum and winding keys)
English ebonised double fusee bracket clock, the movement back plate with chinoiserie engraved decoration, the 8" brass arched dial signed Thomas Gardner, London on a silvered shaped plate to the matted centre with false bob pendulum and date apertures, also with a strike/silent dial to the arch, within a stepped case surmounted by a caddy top and brass carrying handle, 25" high overall (pendulum and key)
English mahogany double fusee bracket clock, the 8" white dial (restored) and engraved movement back plate signed J.F. De La Salle, Canon Street, London, with pull repeat, within a brass bound rounded arched stepped panelled case, with ornate ormolu handle, 18" high; also with shaped wall bracket in the form of a carved grotesque head, 12" high
Good English ebonised double fusee verge pad top bracket clock, the 7" circular white enamel dial (restored) signed Tregent, London, the movement back plate finely engraved with scrolling foliage, within a rounded arched pad top case with ormolu handle, 16" high (pendulum and keys) (at fault)
Fine English ebonised and ormolu mounted triple fusee verge bracket clock, the 6.75" silvered chapter ring enclosing a finely engraved foliate centre with calendar aperture, under two subsidiary chime/not chime and Lass of the Hill/A Song/An Air/A Minuet tune selector dials either side of a shaped plate possibly inscribed F.R & S , London, the verge movement with fine foliate engraved back plate and pull repeat playing on a nest of ten bells and striking on another within a stepped case with wavy glazed door flanked by canted sides applied with foliate torso ormolu mounts, upon foliate scrolling cast feet and surmounted by a caddy top with five urn finials, 24.5" high (pendulum and keys)
Fine impressive English ebonised triple fusee massive bracket clock, the 11" silvered chapter ring signed J.C. Jennens, London enclosing a matted centre over an arched panel applied in relief with the figure of Father Time seated over a silvered plaque inscribed Tempus Fugit, the substantial movement with pull repeat and playing on a nest of eight bells, with hourly strike on a gong, the stylised foliate engraved back plate also signed J.C. Jennens, London, with locking pendulum and sunburst engraved bob, within an impressive ormolu mounted stepped case with moulded arched square caddy top surmounted by a pineapple finial, 38" high (pendulum, winding and door keys) *This clock is in superb condition after a recent complete professional overhaul. This clock is illustrated in Britten's - Old Clocks & Watches, ninth edition, page 500, where it is listed as 'Jennens, J.C., c1790, London, chiming bracket clock (The Hague)'
Good English small fruitwood verge bracket clock, the 4" convex cream dial and movement back plate signed Bowen, Long Acre, with pull repeat and striking on a large bell, within a stepped rounded arched case with ormolu pillars, surmounted by four ball finials and a brass carrying handle, 12" high (pendulum and keys) (at fault)
Good English ebonised double fusee bracket clock, the pull repeat movement striking on a bell signed James Reynolds, London to the backplate, the 6" silvered arched dial also signed James Reynolds, London within a stepped ebonised case inlaid with brass lines and with pierced fish scale fret side panels, brass carrying handle and surmounted by an architectural stepped top with brass urn finial, 16" high (pendulum and keys)
Good English ebonised single fusee verge bracket clock, the 7" brass arched dial signed William Hill Junior, Walsingham on an arched shaped plate to the matted centre with false pendulum bob and calendar apertures enclosed by a silvered chapter ring underneath a moon phase to the arch, the movement with pull repeat, finely foliate engraved back plate, playing on a nest of six bells and striking the hours on a larger bell, within a stepped case surmounted by a caddy top and brass carrying handle, 20.5" high (pendulum and keys) (at fault)
Good English ebonised double fusee verge bracket clock, with foliate engraved back plate and locking pendulum, the 7" white ceramic dial with Roman and Arabic numerals, also with an outer date ring, within a stepped brass bound case surmounted by a caddy top and brass carrying handle, 17" high (pendulum and keys)
English ebonised double fusee verge five pillar bracket clock, the 8" cream painted dial signed Chas. Haley, London, with subsidiary seconds and strike/silent dials to the arch, the movement with pull repeat, finely engraved back plate and locking pendulum, within a stepped case surmounted by a caddy top with four acorn finials and brass carrying handle, 21" high (pendulum and keys) (at fault)
English mahogany double fusee bracket clock, the 7" convex cream dial and movement back plate signed George Yonge, Strand, London, with pull repeat, locking pendulum and striking on a large bell, within a rounded arched panelled case inlaid with brass lines, 14" high (pendulum and door key)
Walnut two train bracket clock striking on a gong, the 6.5" brass arched dial signed John Smith, London to the foliate engraved centre enclosed by a silvered chapter ring and surmounted by a moon phase aperture to the arch, within a stepped case surmounted by a caddy top with four acorn finials and brass carrying handle, 18.5" high (pendulum)
French tortoiseshell and ormolu mounted two train bracket clock, the Vincenti movement striking on a bell in the arch, the 8" circular engraved dial with Roman cartouche enamel numerals over a pierced foliate embellishment, within a rounded arched case surmounted by a caddy top with four flaming brass finials, 23.5" high
Good French tortoiseshell and silver inlaid double fusee bracket clock, the 8.5" shaped circular gilt metal dial with Roman and Arabic cartouche enamel numerals, over a plaque signed Le Roy á Paris, with pierced foliate spandrels, upon a red silk lined dial plate, the English movement with locking pendulum striking on a bell, within an ornate foliate inlaid case surmounted by an arched pediment and three engraved gilt metal finials, 21.5" high
Good French ormolu and bronze figural two train mantel clock, the movement with outside countwheel striking on a bell, the 3.75" gilt dial inset into a tree stump and attended by a man standing in a robe and holding a club, over a stepped base with finely cast egg and dart ormolu frieze, upon four bracket feet, the front two cast with lions, 22" high (pendulum and key)
Mahogany Gothic style triple fusee bracket clock, the movement striking on a gong and playing on a nest of eight bells, the 8" silvered dial signed J & M.B. Warry, Bristol below a subsidiary strike/silent dial, within a stepped case surmounted by a carved architectural cornice, 25" high (pendulum)
English mahogany double fusee bracket clock, the pull repeat movement signed John Walker, London, no. 4090 striking on a large bell, the 8" circular dial signed John Walker, 68 Cornhill & 230 Regent Street, London, no. 4090, within a brass inlaid stepped case surmounted by a stepped gadrooned caddy top and brass acorn finial, 20.5" high (pendulum)
Loading...-
177908 item(s)/page