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Lot 1098
A 20th Century mahogany mantel clock with eight day chiming movement, the square silvered dial and chapter ring with Roman numerals cornered by pierced mask and scroll spandrels, the caddy top with brass carrying handle, on a rectangular base and bracket feet, with a key and pendulum, together with an oak cased mantel clock with eight day movement striking on a gong.
Lot 1099
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with rolling moon above silvered chapter ring with Roman numerals, subsidiary seconds dial, date aperture and inscribed `Willm Arundell, London` cornered by pierced coat of arms spandrels, the arched hood with glazed door flanked by reeded columns, the arched trunk door inlaid with a ram`s mask and foliate pendant flanked by reeded quarter columns, on a similarly decorated base and bracket feet, height approx 220cm, with a pendulum and two weights (faults).
Lot 1100
An Edwardian rosewood bracket clock with eight day twin fusee movement chiming on eight bells and striking on four gongs, the brass break arch dial with subsidiary `chime/silent`, `slow/fast` and `chime on eight bells/Westminster` indicators above a silvered chapter ring with Roman numerals framing a matt centre, cornered with pierced gilt spandrels, the arched case with brass pineapple finials above inlaid urns and scrolling foliage, flanked by a pair of pierced fret panels, on a plinth base and brass winged paw feet, the back door applied with paper label inscribed `E. Anderson, James St., Harrogate, Goldsmith & Jeweller`, height approx 47cm, together with pendulum.
Lot 1105
A mid-18th Century ebonized bracket clock with eight day movement striking on a bell, the brass break arch dial with matt centre, mock pendulum and date aperture, within a silvered chapter ring, beneath a strike/silent indicator and silvered arch inscribed `William Scafe, London` cornered with cast and pierced floral and scroll spandrels, the backplate engraved with scrolling foliage and signed `Wm Scafe, London`, the case with caddy top and brass carry handle above glazed doors and pierced fret panels, on a plinth base and bracket feet, height approx 49cm, together with pendulum, winder and key (faults and alterations).
Lot 1110
An 18th Century and later oak longcase clock with eight day movement striking on a bell, the square brass dial with silvered chapter ring inscribed `Esaye Fleureau, London`, framing a matt centre with subsidiary seconds dial and date aperture, cornered with cast gilt mask and scroll spandrels, the later case with two brass finials above a moulded pediment, glass door and columns, the trunk with rectangular door on a plain base and bracket feet, height approx 184cm, with a pendulum and two weights (alterations and restoration).
Lot 1119
An early 20th Century brass cased carriage clock with eight day repeating movement striking on a gong, the white enamel dial with Roman numerals and inscribed `Bracher & Sydenham Reading`, the four glass case with reeded swing carry handle above chamfered corner columns and a moulded base with bracket feet, height approx 17cm.
Lot 1131
A late 19th Century Black Forest carved softwood cuckoo clock with eight day movement, the dial applied with Gothic bone Roman numerals, the architectural case carved and pierced with birds amongst fruiting vine, on a rectangular fenced base and bracket feet, height approx 47cm, bearing `G Spiegelhalter & Co` paper label to back of case.
Lot 1135
An early 20th Century ebonized bracket clock with three train eight day movement chiming and striking on eight bells and a gong, the silvered arch dial with `chime/silent` indicator above Roman numerals, within engraved borders of foliate scrolls, the case with moulded arch pediment, surmounted with a brass carry handle, above pierced brass fret panels on a moulded rectangular base and bracket feet, height approx 54cm, together with a pendulum.
Lot 1137
A late 19th Century Continental Gothic oak bracket clock with three train eight day movement striking on eight bells and a gong, the silvered dial with Roman numerals and engraved with scrolling foliage, the Gothic arched case with three hexagonal spire finials, above turned columns and pierced fret panels on a rectangular base with a band of arched tracery and turned feet, height approx 64cm, together with a pendulum.
Lot 1138
An early 20th Century mahogany cased mantel clock with eight day movement striking on a gong, the enamel dial with Arabic numerals and inscribed `S. Smith & Sons, 9 Strand, London`, the arched cased with brass inlaid corners and recessed panels, on a moulded plinth base and bracket feet, height approx 31.5cm, together with a pendulum.
Lot 1141
An early 19th Century mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with rolling moon above Roman numerals, subsidiary seconds and date aperture, the hood with moulded arch pediment above a glazed door flanked by spiral reeded columns, the trunk with line inlaid rectangular door flanked by spiral reeded quarter columns on a plain base and bracket feet, height approx 209cm together with pendulum and two weights.
Lot 1145
A George III mahogany bracket timepiece with fusee movement, the painted arch dial with Roman numerals and inscribed `Edgar & Co, Pont Street, Belgrave Square`, the arched case inlaid with satinwood paterae and boxwood stringing, flanked by gilt brass pierced scale fret panels, on a rectangular base and bun feet, height approx 44cm, together with pendulum.
Lot 1146
A Victorian ebonized and walnut mantel clock with eight day movement striking on a bell, the circular white enamel dial with Roman numerals, the ebonized and walnut case with reeded borders cornered with brass foliate motifs, on bracket feet, together with a pendulum, and a Smiths electric bedside clock, within a Bakelite case.
Lot 1173
An 18th Century oak longcase clock with thirty hour movement striking on a bell, the brass square dial with single hand and matt centre, framed by a silvered chapter ring with Roman numerals and inscribed `Cornish, Westrum`, cornered with pierced and cast flower and scroll spandrels, the hood with moulded pediment above a glazed door, the trunk with plain rectangular door above a plain base and bracket feet, height approx 200.5cm, together with pendulum and weight (restoration and alterations).
Lot 2025
A George III figured mahogany linen press, probably by Gillows, the dentil moulded pediment with a drop finial and stop fluted frieze above a pair of moulded panel doors enclosing five sliding trays, the base fitted with two short and two long drawers, on bracket feet, height approx 191cm, width approx 128cm.
Lot 2289
A George III mahogany swing frame mirror of large proportions, the moulded rectangular frame flanked by a pair of block supports, the serpentine fronted base fitted with three drawers, the canted corners carved with foliate pendants, raised on ogee bracket feet, height approx 83cm, width approx 62cm.
Lot 22
Horology -thirteen volumes, Including;- Cescinsky, Herbert & Webster, Malcolm R. ENGLISH DOMESTIC CLOCKS Antique Collectors` Club, Woodbridge 1991 (dj); Barder, Richard C.R. The GEORGIAN BRACKET CLOCK 1714-1830 Antique Collectors` Club, Woodbridge 1993 (dj); Lloyd, Alan H. SOME OUTSTANDING CLOCKS OVER 700 YEARS Antique Collectors` Club, Woodbridge 1981, (limited edition reprint numbered 360 out of 1000, no dj) and Loomes, Brian The Early CLOCKMAKERS of Great Britain N.A.G. Press Ltd, London 1981 (dj).
Lot 23
A selection of brass longcase, table and bracket clock case mount castings, 17th/18th century design, mid to late 20th century. Including a pair of early pattern Corinthian column capitals and bases, festoon swag and other longcase hood mounts, Knibb and Tompion pattern table clock mounts and a small quantity of other related items.
Lot 30
An unusual French miniature carriage clock with silent hour repeat, Retailed by Howell James and Co., London, late 19th century. The single train movement with replaced platform lever escapement and hour repeat mechanism on a bell operated via a plunge button to the top of the case, the rectangular white Roman numeral dial with retouched retail signature HOWELL JAMES & Co., TO THE QUEEN to lower margin, the frosted gilt bevel-glazed case with hinged carrying handle above moulded top with canted angles and channel-cut uprights, on conforming ogee moulded base, 8cm high excluding handle. This unusual carriage clock utilises a system similar to those used on some 18th century bracket timepieces in order to repeat the last hour on demand only. This system is often termed a `silent` repeat as the clock does strike during normal operation. The action of depressing the plunger to the top of the case winds a spring which powers the mechanism, hence the absence of a standard second striking barrel within the movement.
Lot 61
An early Victorian walnut drumhead bracket clock, Daniel Desbois, London, circa 1840. The five pillar twin fusee gong striking movement with anchor escapement and pendulum holdfast to the backplate signed Desbois, Grays Inn Passage, London to centre, the eight inch circular single sheet silvered brass Roman numeral dial signed DESBOIS, LONDON near the XII numeral and with blued steel hands within hinged brass glazed bezel, the case with drum section supported on foliate carved volutes with recessed rectangular panel fronted plinth base beneath, on skirt base with squab feet, 44cm (17.25ins) high. Daniel Desbois is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1800-40.
Lot 62
A Regency inlaid mahogany bracket clock, Barraud, London, early 19th century. The unusual circular five pillar twin chain fusee bell striking movement with anchor escapement and pendulum with holdfast attached to the base of the case, the border engraved backplate signed BARRAUD, Cornhill, LONDON to a conforming oval cartouche, the 7 inch cream Roman numeral circular convex dial with repeat signature to centre and gilt spade hands within a convex glazed engine-turned brass bezel, the arch shaped case with hinged brass carrying handle above ebony edged front with scroll line bordered panel beneath dial, on moulded skirt base with brass ball feet, 40.5cm (16ins) high excluding handle. The current lot is probably by Paul Philip Barraud who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as becoming a Liveryman of the Clockmakers` Company in 1796 and appointed Master in 1810. He is listed as a fine watch and chronometer maker who worked in partnership with W. Howells and G. Jamison for making Mudge`s timekeepers. He had two sons; Frederick Joseph (worked 1806-25), and John (worked from 1813), with whom he formed a partnership in 1811 which presumably lasted until his death in 1820.
Lot 63
A Regency brass mounted ebonised single pad-top bracket clock, Barraud, London, early 19th century. The five pillar twin chain fusee bell striking movement with anchor escapement and pendulum holdfast mounted on the backplate, the 8 inch circular convex white painted Roman numeral dial signed BARRAUD, LONDON to centre and with blued steel spade hands, the break-arch case with hinged carrying handle to the brass-edged pad top above front door applied with cast brass bezel with convex glass above fishscale frets to lower quadrants, the sides with conforming rectangular sound frets, on moulded base with brass bracket feet, (rear door lacking, case part-disassembled for restoration), 39cm (15.5ins) high excluding handle. Paul Philip Barraud is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as becoming a Liveryman of the Clockmakers` Company in 1796 and appointed Master in 1810. He is listed as a fine watch and chronometer maker who worked in partnership with W. Howells and G. Jamison for making Mudge`s timekeepers. He had two sons; Frederick Joseph (worked 1806-25), and John (worked from 1813), with whom he formed a partnership in 1811 which presumably lasted until his death in 1820. The movement of the current lot is particularly well made with thick plates, chain fusees and crisply turned pillars.
Lot 64
An Edwardian oak quarter chiming mantel clock, Retailed by J.W. Benson, London, early 20th century. The eight-day triple train movement with anchor escapement, chiming the quarters on four gongs and striking the hour on a further larger gong, the backplate with applied oval R.&C. trademark for Richard et Cie, the 5.5inch circular silvered Roman numeral dial with blued steel hands and signed J.W. BENSON, Ludgate Hill, LONDON to centre, within a cast brass bevel glazed bezel, the case with shallow hipped upstand above stepped cavetto cornice and brass crescent shaped drop handles over foliate pierced rectangular sound frets to sides, on cavetto moulded skirt base with brass bracket feet, 36cm (14.25ins) high.
Lot 65
An unusual brass inlaid bracket timepiece of large proportions, Thomas Johns, Cerne Abbas, circa 1825. The four pillar single fusee movement with anchor escapement and `A` shaped plates, the 12 inch circular single sheet silvered brass Roman numeral dial signed Thomas Johns, CERNE to centre, with Arabic fifteen minutes and pierced steel hands within cast brass bezel fitted with convex glass, in a break-arch case with brass line bordered shaped panels incorporating a fleur-de-lys decorated lozenge beneath dial, the sides with brass ring handles above arched brass fishscale sound fret, on ripple moulded skirt base with further line inlay to front and brass ball feet, 53cm (21ins) high. Thomas Johns is recorded in Loomes, Brian Watchmakers & Clockmakers of the World as working from Cerne Abbas 1824-48.
Lot 69
A Regency brass inlaid mahogany bracket clock, Unsigned, early 19th century. The five pillar twin fusee bell striking movement with anchor escapement and pendulum holdfast to the decorative border-engraved shouldered backplate, the 8 inch circular white painted Roman numeral convex dial with unusual scroll pierced blued steel spade hands and cast brass bezel, the triangular pedimented case with brass pineapple finial to the stepped plinth upstand above foliate scroll inlaid infill over dial and conforming shaped panel to apron, the sides with brass ring handles above brass Gothic tracery rectangular sound frets, on rosette decorated skirt base with brass ball feet, 44cm (17.5ins) high excluding finial.
Lot 70
A Victorian mahogany bracket timepiece, Higgins, London, mid 19th century. The four pillar single fusee movement with anchor escapement and Vulliamy-type wide jaw suspension for the heavy bob pendulum, the 8 inch circular silvered Roman numeral dial with blued steel fleur-de-lys hands and signed HIGGINS, 10 Ernest St. REGENTS PARK to centre within a glazed cast brass bezel, the shaped-top case with stylised fan and rosette infill to pediment and brass grille inset rectangular side frets above central panel flanked by carved foliate scrolls fronting the shaped outline side sections to apron, on skirt base with compressed bun feet, 48cm (19ins) high. The current lot is probably by William Higgins who is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in London 1839-51.
Lot 73
A French gilt metal mounted verde antico marble mantel clock, Lefebvre and Fils, Paris, late 19th century. The eight-day bell striking movement stamped LEFEBVRE & FILS, PARIS to backplate and with marble dial applied with gilt Roman numerals within a glazed hinged bezel, the plinth-form case with moulded top above recessed patinated metal figural relief frieze panels cast with standing Classical robed figures continuing to the sides decorated with war chariots, on cavetto moulded base with gilt scroll cast splayed bracket feet, (designed to take a bronze sculptural surmount), 22.5cm high. Provenance: The Late Mr Michael Stoop.
Lot 82
An early Victorian mahogany four-glass mantel clock with later wall bracket, Porthouse, London, circa 1840. The five-pillar twin fusee bell striking movement with shouldered plates and anchor escapement, the 5.25 inch square single-sheet silvered brass Roman numeral dial signed PORTHOUSE, Northampton Square, LONDON to centre with blued steel Breguet hands and fine foliate scroll engraved decoration to spandrels, the case with bevel glazed tablet upstand above cavetto and ripple moulded cornice and bevelled side glasses, on slender ogee shaped plinth base with moulded skirt and disc feet, 33cm (13ins) high; with later purpose-made wall bracket with conforming moulded platform above a scroll shaped support, 53cm (21ins) high overall. Provenance: The property of a private collector. Thomas Porthouse is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London c1820-60, Baillie notes in his entry that Thomas Porthouse was Turret Clockmaker to The Admiralty.
Lot 84
A Regency brass mounted ebonised miniature bracket timepiece, Dwerrihouse & Carter, London, circa 1820. The four pillar single fusee movement with arched plates, anchor escapement and signed Dwerrihouse & Carter, Berkeley Square to the lower margin of the backplate, the 4 inch circular white enamel Roman numeral dial with blued steel spade hands and cast lacquered brass glazed bezel, the arched case with hinged carrying handle above moulded brass bordered front incorporating a lozenge shaped decorative panel beneath dial, on cavetto moulded skirt base with squab feet (case distressed and lacking rear door), 25cm (10ins) high excluding handle. Dwerrihouse and Carter are recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Berkeley Square, London 1802-23.
Lot 85
A fine Regency rosewood quarter striking bracket clock, Simmons, London, circa 1820. The five pillar twin chain fusee movement with anchor escapement, ting-tang striking the quarters on a pair of graduated bells and striking the hour on the larger of the two, the shouldered backplate with pendulum holdfast and signed Simmons, LONDON to lower margin, the 6 inch square silvered brass Roman numeral dial with blued steel Breguet hands and repeat signature to centre within a canted surround, the chamfer-top case with edge ribs to the hipped upstand above canted angles and rectangular fishscale pierced sound frets to sides, on plinth base with gadroon moulded skirt, (lacking finial and feet), 34cm (13.5ins high). Ebenezer Simmons is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1815-25
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177913 item(s)/page