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A small inlaid Edwardian mahogany ladies writing bureau with stainwood banding, the fall front enclosing a simply fitted interior of two drawers and pigeon holes over three long graduated drawers on bracket shaped supports, 2ft wide approximately, together with a reproduction mahogany occasional table in the form of a Georgian twin pedestal dining table, raised on tripod supports
A Victorian mahogany toilet mirror of oval form with scrolled foliate bracket supports, a 19th century mahogany revolving piano stool with upholstered seat, raised on ring turned and tapered supports, a later Edwardian foot stool with turned spindle gallery, a mahogany side table fitted with a frieze drawer, a contemporary wall mirror of rectangular form with moulded frame and bevelled edge mirror plate, and a Georgian mahogany open elbow chair in the Hepplewhite style, the shield shaped back with pierced Gothic tracery comb splat over a serpentine upholstered drop in seat, raised on square cut and moulded forelegs united by stretchers
A collection of miscellaneous items to include a coopered oak bucket with loop handle, a wire work basket, a papier mache bowl with floral detail, a vintage tin slipper pan with painted finish, a cast iron wall bracket with cockerel surmount, two large glass jars, an Indian hardwood box with iron fittings, and three graduated wooden boxes (believed to be for cake transportation)
A brass vessel of rounded form with looping handle with pierced lid, raised on a copper foot (possibly Dutch) together with a quantity of brass candlesticks, some with timber columns, a heavy brass desk lamp, the circular foot with floral detail supporting a plain column, a split work iron ceiling lantern, a brass stand/bracket loosely in the Art Nouveau style raised on tri supports, etc
A selection of antique Japanese and other lacquerwares to include good quality late 19th century folding wall bracket with hinged brass plates and clasps, the japanned ground interspersed with highly detailed hand painted scenes of figures at work within foliate landscapes, etc, 26 cm tall, 34 cm wide, together with a similar wall bracket detailed with chinoiserie decoration, a hand mirror with lacquered case detailed in gilt depicting figures and buildings underneath a leafy canopy, two panels with foliate decoration and other mother-of-pearl inlay, a shallow bowl with mother-of-pearl decoration, probably Chinese, etc (6)
A FRENCH NAPOLEON III GILT BRONZE DESK STAND, by Ferdinand Barbedienne, Paris, c.1870, the quatrefoil stand surmounted with a bust of Napolean I, the surface decorated in bas relief with figures and animals and other motifs in the Grecian style, fitted with two large bulbous oval inkwells with blue glass liners and another inkwell, the entire raised on scroll bracket legs and paw feet, 49 x 30 x 30cm high; together with a matching paper knife in the form of a Greek sword, 33 cm long. Stamped F. Barbedienne, FONDEUR, the paper knife also signed F. Levillian.
A MAHOGANY AND SATINWOOD CROSS BANDED AND EBON STRUNG CORNER CABINET, 19th century, with broken swan neck pediment with inlaid flower heads and oval patera to the centre with dentil inlaid cornice, the frieze interspersed with oval shell paterae and geometric designs above a pair of astragal glazed doors, canted sides and bracket feet. 243cm high x 108cm wide
A George III silver teapot and stand, William Fountain & Daniel Pontifex, London 1793, of straight sided oval form with chased banded decoration, stained green ivory pineapple finial and eboised handle, 16.5cm high, the stand with conforming decoration and raised on four bracket feet, 17.5cm wide, total weight 24.8ozt (2)
A mid 19th Century mahogany eight day longcase clock, the 13.5" square arched enamel dial with Roman numerals, minute track and subsidiary dial, signed Robert Hall Late Stacey, Worksop painted with figures feeding chickens to arch and houses and bridges to spandrels, eight day bell striking four pill;ar movement, the hood with broken scroll pediment over a glazed door flanked by baluster turned freestanding supports over a trunk with hinged door with shaped top on box base raised on bracket feet, bears Robert Hall paper label inside case. With pendulum and weights, replacements elements to case. 235cm high.
An 18th century twin fuse eight day bracket clock, the silvered Roman numeral dial, signed Charles Clay of London, with a matted brass centre with date aperture, all below a silent/strike dial flanked by music playing putto, the movement with turned pillars, engraved back plate and movement striking on a bell, all in an ebonised case with inverted bell shaped top with brass loop handle, 40cm to top of the handle (possibly converted from a repeating movement and with overhaul to case)
A late Georgian mahogany estate bureau bookcase, the upper section with panelled double doors enclosing a compartmental interior, with pigeon holes, shelves and drawers, all above the fall-front fitted with stepped interior around a central well, further fitted below with an arrangment of drawers above bracket feet, height 222cm and width 107cm.

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177908 item(s)/page