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Lot 93
GEORGE VI SILVER FOUR PIECE TEA SERVICE STOWER & WRAGG LTD., SHEFFIELD 1938 comprising teapot, water pot, sugar and cream, each of tapered oblong form with angular handles, engraved with nads of scrolling foliage, on four bracket feetthe teapot26cm wideQty: approx. 1960g grossNo tray in this lot.Condition generally good. Appearance of regular cleaning. Teapot and coffe pot covers are very slightly not flush.Very slight nobles to both sugar bowl and coffee pot.
Lot 199
PAIR OF GEORGE III IRISH SILVER WAITERS SAMUEL BEERE & JAMES MOOR, DUBLIN 1818 each of circular form with central Heron armorial inscribed MON DIEU EST MA ROCHE, within an engraved border of scrolls, foliage, mythical beast masks, and flaming urn detail, scrolling foliate cast rim, on four paw bracket feet22cm diameterQty: approx. 1184g grossCondition generally good. Softening to engraved detail through years of cleaning. Some minor misshaping to cast detail to rim, again as per age and use. Otherwise no noteworthy damages, though light wear as per age and use. Very slight wobble to one. Additional images now available.
Lot 448
A George III oak eight day longcase clock, the five pillar bell striking movement with 12 inch square brass dial with subsidiary seconds, calendar aperture and signed 'Tho's Baldwin, Andover' to the scroll engraved centre within Roman numeral chapter ring and with rococo scroll cast spandrels, in a case with swan neck pedimented upstand to hood over crossbanded rectangular trunk door and conforming plinth base with bracket feet, 216cm high
Lot 2
A 19th century mahogany linen press, the upper section having a pair of fielded doors opening to reveal a hanging space (originally would have had drawers but now removed), the base fitted with two short drawers over two long drawers, on bracket feet, af, height 80ins, width 50ins, depth 23ins
Lot 2188
A George III mahogany chest-on-chest, fitted with an arrangement of oak-lined drawers and a brushing slide with original brassware, raised on bracket feet, height 185cm, width 110cm, depth 59cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2533
A late 19th/early 20th century giltwood wall bracket, the demi-lune top raised on five finely carved feather supports, height 29cm, width 27cm. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2141
A late Victorian mahogany side table, fitted with two frieze drawers, on turned legs, height 71cm, width 91cm, depth 46cm, together with an early/mid-19th century mahogany swing frame mirror, the bowfront base fitted with two drawers, on bracket feet, width 50cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2509
A late 19th century giltwood wall bracket of stiff leaf tapering form, height 31cm, width 26cm, together with a group of four carved giltwood foliate wall mouldings. Provenance: the property of Donald Church.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2142
A Victorian painted pine trunk, the hinged lid revealing a candle box, on bracket feet, height 52cm, width 90cm, depth 44cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2519
An early George III figured mahogany tea caddy of bombé form, the pagoda moulded lid with a gilt brass foliate handle, raised on ogee bracket feet, width 26cm (some repairs). Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2534
A George III figured mahogany tea caddy, the interior fitted with three removable tin canisters, on ogee bracket feet, width 26cm. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 64
A Dutch Mahogany Demilune Side TableLate 18th CenturyHeight 29 1/4 x width 30 x depth 16 1/4 inches.This lot is located in Chicago.Provenance:Jeremy Ltd., London, 14 April 1983 (with invoice)Appears to be in overall good and stable condition. Old splits inside the drawers. Original brasses. Later bracket added at the back. Oak construction.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Lot 167
A Louis XV Gilt Metal Mounted Green-Painted Bracket Clock and BracketCirca 1745, the Bracket ModernHeight of clock 31 x width 15 inches; height of bracket 13 1/2 x width 16 3/4 x depth 5 3/4 inches.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Lot 96
A Pair of Vincennes Gilt-Metal Mounted Porcelain Orange Tubs (Caisses a Fleurs Carrees, 2eme Grandeur) Fitted with Porcelain Flowers on Papier-Mâche StemsThe Porcelain Pots 1755one bearing blue interlaced Ls enclosing date letter B and unidentified flower painter's mark O, the other with a mark of four dots forming a lozenge for Fontaine, the finials later metal replacements, the porcelain flowers also of later date; each square tub on bracket feet with each panel painted in colors with a loose bouquet within a camieu bleu trailing vine, fitted with papier-mâche-wrapped metal stems, paper leaves and porcelain flowerheads issuing from the papier-mâche €˜earth'.Height of cache pots overall 5 5/8 inches; height overall (including plants) 15 1/2 inches.This lot is located in Chicago.Provenance:Carlton Hobbs, London, 8 July 1996 (with invoice)Note:The present flowerpots are in the shape of the large square tubs designed specifically to hold orange trees. They were produced at both Vincennes and at Sevres in a variety of sizes of which the present pair are an example of the second largest. A pair of orange tubs, similar in size and decoration to the present two, both with blue interlaced Ls and the painter" mark of a comma for Charles-Louis Mereaud, one also with date letter G for 1760, is in the collection of The Metropolitan Museum of Art, Gift of Barbara Lowe Fallas, 1964 (64.159.2a, b, .3a, b).The flower painting on the present caisses carrees is by Jacques Fontaine (active 1752-1807), recorded at Vincennes and Sevres as a painter specializing in flowers, figures, patterns and the highly specialized techniques of cameo decoration popular in the late 1770s and 1780s. He is also recorded as a gilder. His younger sister Mlle. Marie-Louise Fontaine also used a similar mark, but as she is recorded as a painter specializing in flowers and patterns from 1777-1794, the mark on the present orange tubs cannot be hers.There is a very slight difference in size that is so minimal that it is fair to assume them to be a pair. The one with the more robust flower painting (painter O) has firing issues €“ the side with the yellow tulip bows out a bit, one of its leaves is snapped off. As mentioned, all finials are metal replacements €“ wear to gilding. A crack is visible to the inner angle of the smaller pot. They could benefit from cleaning but in overall presentable condition.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Lot 39
A George III Gilt Bronze Mounted Ebonized Fruitwood Bracket ClockDial Signed William Edwards, London, Circa 1765the twin train movement with strike/silent dial and date aperture.Height 19 1/4 inches x width 11 1/2 x depth 8 inches.This lot is located in Chicago.Provenance:Malcolm Franklin, Inc., Chicago, 12 June 1973 (with invoice)Some rubbing to the ebonization. The door formerly with an eschutcheon. Tarnishing to metal work. Scattered loss to the ebonization and cracking to the case as to be expected. Missing left side molding to top. The backplate with 18th century scrolled engraving to the works.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Lot 97
A Vincennes Bleu Celeste Plein Porcelain Sugar Bowl and Cover (Pot a Sucre 'a Cerceau' ou 'a Cuvier', 1ere Grandeur)Circa 1754 bearing blue interlaced Ls enclosing date letter A, incised 3; of flaring cylindrical form, the conforming cover with bracket finial, the finial and molded edges gilt, with gilt dentil rims.Height 4 1/2 x width 5 inches.This lot is located in Chicago.Provenance: Dragesco-Cramoisan, Paris, June 1996 (purchased at the International Ceramics Fair, London)Note:The Sevres archive retains a drawing dated 19 February 1753 that corresponds to the present Vincennes form, describing it as an accompaniment to both a gobelet 'a cuvier' and a gobelet 'a cerceau' (2011.3.249.1, reproduced here). A simplified variant without the molded banding also exists, designed to pair with a gobelet a la reine. The present bleu celeste plein pot a sucre 'a cerceaux', made the following year (1754), is covered in the first ground color produced by the factory, famously used for the first service made for King Louis XV of France, patron of the factory. It displays the lovely 'cloudy' yet translucent quality for which early bleu celeste is so prized.Of the 42 sugar bowls of this rare model recorded, the present lot and the pot exhibited at the Grand Palais in a seminal exhibition of Vincennes porcelain held October 1977- January 1978 would appear to be the only survivors. Later sold in The Arts of France, Christie's, New York, 16 November 2000, lot 113, this second pot, decorated with loose bouquets (fleurs detachees) between blue-line-and-gilt-dash banding, is an example of one of the least expensive versions-flower-decorated examples were priced at 18 livres. The present lot is an example of the most expensive version, priced at 54 livres for a sugar bowl covered overall with a turquoise sky blue (bleu celeste plein) ground. Cf. Porcelaines de Vincennes, les origins de Sevres, Exhibition Catalogue, Grand Palais, 14 October 1977-16 January 1978, no. 184.Photo Credit: © RMN-Grand Palais / Art Resource, NYIn very good condition with negligible wear to gilding on cover finial. Having some wear to gilt dentil rim of the bowl from rubbing by the cover.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Lot 807
A George III oak and mahogany cross banded bureau bookcase, the outswept pediment over a pair of doors enclosing two shelves, above a fall flap opening to reveal one long and eight short drawers, and four recesses, over four long graduated drawers, raised on bracket feet, 209cm high, 100.5cm wide, 52cm deep.
Lot 31
A Christiaan Huygens burr walnut table clock, the oval brass dial with silvered chapter ring bearing Roman numerals, date day apertures, the upper phase with month and astrological dial, fronted by a constellation dial, chapter ring showing the comparable times for various cities and countries across the world, strike silent lever, eight day movement with rod chime strike, number 1050-023, clock number S29, serial number 1401, the case of domed form, raised on brass bracket feet, certification and information leaflets, 28cm high, 33cm wide.
Lot 124
GRISAILLE-DECORATED HEXAGONAL BRUSH POT QIANLONG MARK BUT LATER 乾隆款 墨彩山水圖六方筆筒 each side painted with shanshui landscape within gilt-filled iron-red frames, the interior and base covered with turquoise glaze, all supported on six bracket feet, the base inscribed with a six-character Qianlong mark in iron-redDimensions:15.6cm high
Lot 13
HARDWOOD CHEST OF DRAWERS 20TH CENTURY 二十世紀 硬木斗櫃 with two left and one right drawers above two panel doors, opening up to further ten drawers, raised on bracket feetDimensions:84cm wide x 83.5cm high x 49.5cm deepProvenance:Provenance: By descent- Private Scottish collection, Harrietfield, Kelso; previously from the family estate bought 1847, Newton Don, Kelso
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177988 item(s)/page