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Oak dining room suite by Owen Scrumby made for George Trevelyan comprising a rectangular oak dining table, six rectangular back dining chairs including two carvers, each with rectangular moulded panels and slip in seats and a matching sideboard with three drawers above cupboards, enclosed by four doors and three drawers below, on shaped bracket feet, complete with original plans
A REGENCY MAHOGANY AND BRASS-MOUNTED BRACKET CLOCK, the four pillar repeater movement striking on a bell, with circular white painted dial, Roman numerals, the rectangular section case decorated with cog bands, surmounted by a moulded and cushion fluted rectangular pediment with brass pineapple finial, twin brass ring handles with stamped backplates to the sides above pierced fabric backed rectangular fishscale panels, rectangular plinth, four ball feet, 51.5cm high. See illustration
A GEORGE III FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, the eight day movement striking on a bell, the painted square dial with calendar arch and phases of the moon secondary dial, signed Higginbotham, Macclesfield, the hood with a swan neck pediment, the glass door flanked by square section pilasters, over an inlaid frieze and shaped trunk door, on bracket feet, 226cm high. See illustration
A GEORGE III MAHOGANY LONGCASE CLOCK, BY DAVID PATERSON, Sunderland, the eight day movement striking on a bell, the brass dial with silvered chapter ring, Roman and Arabic numerals, centrally engraved and with secondary seconds dial and calendar aperture, further embellished with cast spandrels and with a painted phases of the the moon dial to the arch, the glazed hood surmounted by a swan neck pediment and flanked by brass capped pillars, the shaped trunk door flanked by a quadrant pillars and on a moulded box base, bracket feet, 247cm high. See illustration
AN 18TH CENTURY AND LATER WALNUT AND MAHOGANY CHEST OF DRAWERS, the oblong top inlaid with a later oval satinwood and rosewood panel of a stylised bird surrounded by foliate scrolls, with conforming quadrant corners, within a feather banded border, with four full width crossbanded and featherbanded drawers, each with brass swing handles to fretwork backplates, the lower drawer centred by a concave arch inlaid with a sunburst, on later ogee bracket feet, 97cm high x 103cm wide x 56cm deep
AN EARLY 18TH CENTURY WALNUT CROSSBANDED AND FEATHER BANDED KNEEHOLE DESK/DRESSING TABLE, the top with a moulded edge and rounded corners, over a secretaire drawer, fitted with an arrangement of drawers and pigeon holes, the kneehole with a recessed cupboard and apron drawer, flanked by three further drawers to each side, on bracket feet, 81cm high x 79cm wide x 50.5cm deep. See illustration
A GEORGE III FIGURED MAHOGANY SECRETAIRE BOOKCASE, the upper section with a dentil cornice over a pair of panelled doors, each inlaid with corner fan paterae, within cockbead moulding, the base with a deep secretaire drawer, modelled as two full width drawers, the interior fitted with an arrangement of pigeon holes and drawers around a centre cupboard, over three further graduated drawers, each with brass swing handles, on bracket feet, 215cm high x 115.5cm wide x 55cm deep. See illustration
A GEORGE III BLEACHED MAHOGANY, CROSSBANDED AND INLAID CHEST OF DRAWERS, the oblong top crossbanded in rosewood, over an inlaid frieze, the two short and three long drawers with stamped oval backplates and swing handles, on bracket feet, joined by a shaped apron, 107cm high x 100cm wide x 45cm deep
A GEORGE III FIGURED MAHOGANY LINEN PRESS, having a moulded cornice above two indented panel doors, the interior fitted with three pull slides, above two short and two long graduated cockbeaded drawers with brass cast handles, shaped apron and on splayed bracket feet, 181.5cm high x 124cm wide x 51cm deep. See illustration
A LATE GEORGE III OAK DRESSER, the raised superstructure with three open plate racks surmounted by a moulded cornice, the base with a rectangular top above three drawers and two cupboard doors, flanking a small drawer and further cupboard door, with later brass handles, bracket feet, 163.5cm wide x 46.5cm deep x 204cm high. See illustration
ROBIN NANCE OF ST IVES An Arts and Crafts oak dresser and rack, having a quarter-moulded cornice and chamfered frieze above a planked back and two shelves, two drawers with turned handles and two indented panel cupboard doors below, shaped apron and bracket feet, paper label to back, 122cm wide x 191cm high. See illustration
A late 19th century ebonised quarter chiming bracket clock, the domed case with flaming torch finials above arched dial set with silvered chapter ring housing twin fusee eight day movement beneath chime/silent and Cambridge chimes/chime on eight bells dials, set with foliate scroll gilded spandrels and flanked by fluted brass freestanding columns to a stepped base and brass bracket feet, height 46.5cm.
A George III mahogany secretaire bookcase, the upper section with stepped cornice above ebony inlaid frieze and two glazed doors enclosing adjustable shelves, the base with central fitted secretaire drawer flanked by twin deep drawers and three long graduated drawers above bracket feet, width 124cm, height 242cm.
Collection of Horological (clock) books: To include, The Grandfather clock by Edwardes, Old Clocks by Wenham, The Early Clock Makers of Great Britain by B Loomes, Clocks; an owners handbook by R Good, The Watch Collection by S H Burton, The British Jeweller and Watch Buyer 1974, Watch Collecting K Ullyett, English Country Grandfather Clocks by R C R Barder, Musical Boxes by A W J G Ord-Hume, English Bracket and Mantel Clocks by A Nicholls, Hobsons Choice, signed by the author, Clock Collecting by E Brunton, How Time is Measured by P Hood, How to make a simple 16th Century style clock by J Wilding, Skeleton Clock by H B Royer-Collard. (15)
An early 19th century Colonial teak and brass bound travelling trunk, fitted with arcaded interior to the lid and a series of lidded compartments and lift out trays, the brass inlaid front fitted with a long pen or brush drawer, on shaped apron and bracket outline feet, 61 x 90 x 50cm (24 x 35 x 20in)
A Regency mahogany and brass mounted bracket clock, backplate signed William Brooke, Westminster the altered case with stepped pediment and recessed spandrels around the 8inch enamel dial, indistinctly signed `... Brooke..`, with Roman numerals and twin fusee movement, adjustable pendulum, rectangular brass scale side frets below lion mask ring handles, all upon disc feet, losses and damage to case, possibly a marriage, 44cm high
Coates, Horncastle, a mahogany longcase clock of small proportions the moulded hood with swanneck pediment above signed 7¼ inch (18.5cm) brass dial, the twin weight 8 day movement probably associated, the trunk with lancet top door and mock stonework sides to the base, all on bracket feet, 19th century and adapted, 140cm high
A GEORGE III MAHOGANY MUSICAL BRACKET CLOCK signed on the painted dial Robert Wood London^ with subsidiary seconds dial and CHIME & STRIKE/SILENT and GOD SAVE YE KING/RULE BRITANNIA dials to the arch^ the triple fusee movement with anchor escapement and carillon of ten bells^ engraved backplate signed as the dial and adjustable pendulum in brass mounted^ arched case with concave sided pediment^ urn finials^ side handles and fishscale frets^ the glazed door flanked by stop fluted pilasters^ on moulded plinth and ogee feet^ 60cm h Robert Ward specialised in musical clocks^ supplying other makers such as Thomas Delaselle and Simeon Shole or^ as in this case^ fully signing them himself. A similar example^ with verge escapement and playing six tunes^ was sold Bonhams^ 7 July 2009^ lot 95. ++...the gilding on the brass mounts heavily discoloured but not regilt^ the fretwork on the back door damaged damaged and backed at later date with wood^ the thin projecting lip of the door chipped

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177913 item(s)/page