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Lot 147
Five books to include: Westmorland Church Notes, Bellasis Edward, published by T. Wilson, Kendal, 1888 A Memoir of the Forty-Five, The Chevalier de Johns, Folio Society, 1958 The Lonsdale Magazine, published by A. Foster, 1820/1 Who's Who in Cumberland and Westmorland, 1937 Transactions of the Cumberland and Westmorland Antiquarian, published by T. Wilson, Kendal, 1976
Lot 315
Fine binding Guizot, M "L'Histoire d'Angleterre...", Paris 1877, two volumes, plates, full red morocco, heavily decorated with the British Royal Coat of Arms, raised bands and decorations to backstrip, both boards decorated, aeg, corner of volume one bumped, some rubbing to backstrip Scott, Keltie J"The World-Wide Atlas of Modern Geography, Political and Physical...", W & A K Johnston 1906, 7th edition, numerous coloured maps, half leatherVan Der Post, Laurens"A Story Like the Wind", Hogarth Press 1972, dust jacket, not price clipped various children's books including Beatrix Potter"The Book of Psalms" The Haymarket Press 1930, colour plates tipped in, woodcut headers, folio, this edition has been printed at the Alcuin Press, Chipping Camden, Gloucestershire, limited to number 875 copies (no number given), cream cloth, dust jacket, not price clipped and assorted other books (1 box)
Lot 328
H W Wilson"With the Flag to Pretoria" two volumes, spines faded, folio"Celebrities of the Army" edited by Commander Chas N Robinson RN, George Newnes 1900, colour plates, pictorial red cloth, folio, bound copies of The Navy and Army Illustrated for 1896, library stamps from A Rellie Kings Arms Cirencester, pictorial cloth, folio"The Transvaal War Album", The British Forces in South Africa, printed by George Newnes, photographic illustrations, red cloth, gilt titles, folio, a First World War handbook lacking title pages, but instructions for machine gun drill, pack saddlery drill, etc, limp cloth, small 8vo, two volumes of "How Britannia Came to Rule the Waves", pictorial cloth and three other volumes (1 box)
Lot 2
Adami Anton Filippo. Odi panegiriche a Cesare. In Firenze: A spese dell'Erede Paperini all'insegna di Pallade ed Ercole, 1755. Folio (383x263 mm). [2], LXXXIX, [3] pages. Engraved frontispiece. Engraved vignette on the title-page, with later hand-colouring. Engraved initials, hand- and tailpieces. Uncut copy. Stains and light foxing, more intense at the end of the volume. Printed correction on a paper label pasted on p. XV. Contemporary paperboards. Scattered stains, defecs at the spine, lacking the rear cover. First edition of this work by Adami, born in Livorno at the beginning of 18th Century. He studied in Rome and, after the military career he became antiquarian.In-folio (mm 383x263). Pagine [2], LXXXIX, [3]. Antiporta calcografica, impressione calcografica al frontespizio, dipinto successivamente. Frontalini, finalini e iniziali animate calcografiche, alcune delle quali successivamente colorate. Esemplare in barbe ad ampi margini. Aloni e lievi fioriture diffuse, che tendono ad intensificarsi alla fine del volume. Antica correzione con applicazione di tassello cartaceo al recto di p. XV. Legatura in cartonato coevo. Aloni diffusi, mancanze al dorso, manca il piatto posteriore. L'Autore, nato a Livorno nel primo decennio del XVIII secolo, dopo aver studiato a Roma esercitò in un primo tempo il mestiere delle armi. Dopo aver vestito l'abito di cavaliere del Militare Ordine di S. Stefano, ricoprì la carica di provveditore dell'Arte dei medici e degli speziali di Pistoia e nel 1761 fu nominato senatore dal granduca di Toscana. Socio della Colombaria, membro dell'Accademia Etrusca, dei Georgofili e di altre accademie, fu eletto dall'Arcadia di Roma custode della Colonia fiorentina. Vasta fu la sua produzione letteraria che abbracciò diversi campi del sapere.
Lot 27
Cappi Alessandro. Luca Longhi illustrato... Edizione di quattrocento venticinque esemplari con tavole in sul rame e in sull'acciaio. Ravenna: Pei tipi del V. Seminario Arcivescovale, 1855. Large folio (528x350 mm). [4], 186, [6] pages. 7 engrved plates hors texte. Contemporary half-leather. Spine with eight raised band, gilt tooled, title lettered in gold. Covers somewhat abraded, minor losses. A fine, wide-argined copy. Foxing throughout. Spotted the outer margin of fols. 135-186, and the last six leaves.In-folio grande (mm 528x350). Pagine [4], 186, [6], con 7 carte di tavole su rame e acciaio fuori testo. Mezza pelle coeva. Dorso a otto nervi, con titolo, filetti e fregi al dorso. Piatti con qualche abrasione e minime mancanze, fioriture diffuse, alone al margine esterno delle carte 135-186 e delle ultime sei carte. Bell'esemplare ad ampi margini.
Lot 37
Crescenzi Romani Giovanni Pietro (de). Presidio romano overo Della milizia ecclesiastica Et delle Religioni sì Cavalleresche, come Claustrali libri III. Dove con varietà di dottrina, e con erudizione sagra, e profana non meno a' Predicatori, ed Accademici, che à gli Storici acconcia...Aggiuntevi le memorie di molte Illustri Famiglie,... Piacenza: Per Gio. Antonio Ardizzoni, Stampatore Camerale, 1648. Three parts in one volume, folio (320x216 mm). [24], 530, 136, 69, [3] pages. Text in two columns. Woodcut printer's device on the title-page. Woodcut decorated initials, head- and tailpieces. Careful repair to the title-page, with loss of a few letters, foxing throughout, some leaves brownes. Contemporary vellum over pasteboards, spine with title in gold on lettering-piece, and the inked Lupo d'Olmeto il venerabile libri cinque di don Pjo Rossi.Tre parti in un volume In-folio (mm 320x216). Pagine [24], 530, 136, 69, [3]. Segnatura: a-c⁴ A-Xxx⁴, A-R⁴; A-I⁴. Marca tipografica al frontespizio: leone su roccia, con il motto 'Vias tuas domine'. Frontalini, finalini e capilettera xilografici. Testo su due colonne. Abrasione restaurata al frontespizio con perdita di alcune lettere, fioriture diffuse, diverse carte brunite. Pergamena rigida coeva, con tassello e titolo in oro al dorso, vergato al dorso: 'Milizia Ecclesiastica' e '1648', taglio rosso. A pagina 407 si trova 'Lupo d'Olmeto il venerabile Libri cinque di don Pjo Rossi'. Timbro al frontespizio e alla pagina 68 della terza parte.
Lot 48
Epitalamio. Il congresso negli Elisi poema per le augustissime nozze di Ferdinando infante di Spagna, e Maria Amalia arciduchessa d'Austria duchi di Piacenza, Parma, Guastalla ec. ec. ec. umiliato alle loro altezze reali dalla Comunita di Piacenza. Piacenza: presso Andrea Bellici Salvoni, impressore di S.A.R., 1769. Folio (355x250mm). [8], CXXXIV, [2 blanks] pages. Engraved frontispiece. Large engraved vignette on the title-page, nine engraved headpieces and decorated initials; engraved tailpiece. Contemporary half-leather, marbled covers. Spine richly gilt tooled, title in gilt on lettering-piece. Some abrasions and losses to covers. Elegant edition, containing eight poems - each composed by a different authors -, celebrating the sumptuous wedding of Archduchess Maria Amalia with Ferdinand Duke of Parma. Pinto 1441.In-folio (mm 355x250). Antiporta calcografica, Pagine [8], CXXXIV, [2 bianche]. Segnatura: *4 A-D4 E-M6 N4. Con inoltre una grande vignetta in rame al titolo, nove testatine calcografiche accompagnate da altrettanti capilettera pure in rame ed un bel finalino inciso. Legatura coeva in mezza pelle, dorso a nervi con ricchi fregi in oro e tassello con titolo manoscritto, piatti ricoperti di bella carta marmorizzata, spellature e mancanze. Al recto dell'antiporta, sul titolo e al verso dell'ultima carta timbro di un certo Deciano Deciani. Lievi aloni marginali. Bella copia marginosa stampata su carta forte. Ognuno degli otto canti è stato composto da un autore differente: il primo da Francesco Saverio Baldini, il secondo da Carlo Carasi, il terzo da Antonio Maria Scotti, il quarto da Carlo Scribani Rossi, il quinto da Francesco d'Aragona Appiani, il sesto da Giovanni Scotti, il settimo da Giovanni Battista Lando delle Caselle e l'ottavo da Giampaolo Maggi. Pinto 1441.
Lot 77
Mascagni Paolo. Prodromo della Grande anatomia seconda opera postuma di Paolo Mascagni posta in ordine e pubblicata a spese di una società innominata da Francesco Antommarchi. Firenze: dalla tipografia di Giovanni Marenigh, 1819. SI AGGIUNGE: Id. Tavole figurate di alcune parti organiche del corpo umano degli animali e dei vegetabili esposte nel Prodromo della Grande anatomia di Paolo Mascagni. Firenze: presso Giovanni Marenigh, 1819. I: Folio (464x325 mm). [16], 194, [2], CII, [2] pages. Engraved medallion portrait of the author on the title-page. Late binding, title in gilt lettering. A good, uncut copy. Foxing and browning throughout. II: Large folio (534x370 mm). [2] pages, XX leaves of engraved plates. Foxing and spotting throughout. Wormholes to the gutter of numerous leaves, without any loss. Contemporary half-vellum. A tiny hole to the upper cover. Minor losses to the covers, joints somewhat weak. I: First edition of this important work. "The book is rather an absolutely independent work, quite different from and unrelated to the author's large anatomy. Its subject is the textures of the different parts of the human body as compared with the texture of the organs of animals and plants. It contains a great number of different figures, most of which are intended to illustrate Mascagni's view as to the vascular nature of the texture of organs. The work is beautifully printed, the very fine title-vignette shows a portrait of Mascagni..." (Choulant-Frank, 316). I: In-folio (mm 464x325). Pagine [16], 194, [2], CII, [2]. Medaglione inciso con ritratto dell'autore sul frontespizio. Legatura posteriore in mezzo zigrino con titolo in oro. Fioriture e bruniture sparse. Intonso con barbe. II: In-folio grande (mm 534x370). Pagine [2], Carte XX di tavole calcografiche. Mezza pergamena coeva con angoli. Piccolo foro al piatto anteriore. Minime mancanze agli angoli, legatura un po' allentata, fioriture e lievi aloni diffusi. Fori di tarlo al margine interno di numerose carte, che tuttavia rimangono ben lontani dalle immagini.
Lot 86
Morroni Felice. An contractus emptionis, et venditionis Factus post Bellum, & Pestem, cum pacto retrouendendi post tres annos... an potius licitus, & iustus Consultatio... Bononiae: Typis Io. Baptistae Ferronij, 1643. LEGATO CON: Alcuni punti di controversia fra Antonio Follia e Giammaria Mazino. 1787. (Al colophon:) Genova: Stamperia Gesiniana. I: Folio (298x202 mm). [2], 69, [1] (of 3, lacking the last leaf blank) pages. Woodcut printer's device on the title-page. Foxing and browning throughout. A few finger marks, the last two quires uniformly browned. The inner and lower margin of the last leaf of text widely restored. II: 15, [1] pages. Title-page browned, marginal foxing. Nineteenth-century marbled cardboards. Small wears to the corners and spine. I work: Extremely rare legal work - apparently unrecorded - which deals with the validity of buying and selling contracts drawn up in exceptional circumstances, such as wars or plagues, on the basis of yìjuridical as well as canonical sources. II work: Advice on a legal dispute discussed at the Senate of Genua.I: In-folio (mm 298x202). Pagine [2], 69, [1] (di 3, manca l'ultima carta bianca). Marca tipografica xilografica al frontespizio. Diffuse fioriture e bruniture. Segni d'uso, ultimi due fascicoli uniformemente bruniti. Ampi restauri al margine interno e inferiore dell'ultima carta di testo. II: Pagine 15, [1]. Bruniture al frontespizio, fioriture marginali. Legatura ottocentesca in carta decorata su piatti in cartone. Dorso liscio. Qualche abrasione agli angoli e al dorso. I opera: Rarissimo trattatello giuridico - apparentemente sconosciuto a cataloghi e bibliografie - che discute la liceità e validità di contratti di compravendita stipulati in condizioni di eccezionalità quali guerre o epidemie, e comprendenti clausole di retrovendita. L'autore attinge non solo a fonti giuridiche, ma anche canoniche in quanto la pratica della retrovendita era spesso forma mascherata di usura. All'ultima carta la consultatio comprende, quindi, pareri di teologi attivi presso tribunali inquisitoriali. II opera: Parere su una controversia legale, presentata davanti al Senato della città di Genova.
Lot 94
Plutarchus. Graecorum Romanorumque illustrium vitae. En denuo tibi exhibemus humanissime Lector,...Vale, & his bene fruere. Basileae: ex aedibus Io. Bebelij, 1535. Folio (333x210 mm). Carte [22], 401 [i.e. 392] leaves. Collation: α-Y6 δ4 a-z8 A-Cc8. Woodcut printer's devices on the title-page and at the end. Contemporary half-vellum. Spine with title and imprint on double lettering-pieces. Ownership inscription on the front flyleaf; Erased ownership inscription and few manuscript notes on the title-page. A fine Plutarchus' Vitae edition, highly appreciated for its philological accuracy.In-folio (mm 333x210). Carte [22], 401 [i.e. 392]. Segnatura: α-Y6 δ4 a-z8 A-Cc8. Errore nella numerazione: si passa da carta 390 a carta 400. Marca editoriale al frontespizio e in fine: palma tra i cui rami si intravvede una lunga pietra. Ai lati del tronco: Palma Beb. Legatura in mezza pergamena coeva con doppio tassello, autore, titolo, data e luogo di pubblicazione in oro al dorso. Firma di possesso al risguardo anteriore, firma di possesso e note manoscritte cassate al frontespizio.
![Wright, Paul - The New and Complete Book of Martyrs, folio, calf, rebacked, Alex Hogg, London [1802]](https://cdn.globalauctionplatform.com/fb7ea809-ebd5-45cb-9e10-a86c00b8fcf5/efea07df-da88-44ae-80f4-71cb4f317504/468x382.jpg)
Lot 2051
A FOLIO OF OLD MASTER PRINTS principally Netherlandish, to comprise examples by or after Nicolaes van Berchem, Rembrandt (later impressions), Adriaen van Ostade, Christian Dietrich, Cornelis Dusart, Jakob Hackaert, Jan van Aken, Stefano della Bella, Karel Dujardin and others, some trimmed scraps, unframed (approx 57 leaves) * Examples by/after Dietrich, Ostade and Dusart illustrated ++ Mixed condition; some trimmed; many later impressions; overall good
Lot 367
Dolmetsch (H.) The Historic Styles of Ornament, 1898, Batsford, folio, chromolitho plates (pages and plates loose), original cloth gilt (joint split); Anon., A Theoretical and Practical Treatise on the Five Orders of Architecture ..., nd., Thomas Kelly, quarto, plates, half calf; with a small quantity of others including the Art Journal, Goldsmith's Natural History, etc. (qty)
Lot 934
Born (Ignaz Edler von). Testacea Musei Caesarei Vindobonensid ..., engraved vignette title ad numerous head and tail pieces, 18 engraved plates of shells by Schtz or J.Adam after Fr. Fuxeder, 36 illustrations of shells, all engraved by Schtz, C. Conti and others, [Nissen ZBI 470], folio, Vienna, J.P. Kraus, 1780.
Lot 936
Bonanni (Filipo). Numismata Summorum Pontificum Templi Vaticani Fanricum Indicantia ... second edition, 88 engraved plates including folding engraved plan plus addition 23 plates not called for in collation bound in at rear, engraved cartouche to title, repair to foot of half title, end papers replaced, contemporary vellum, book plate on front pastedown, folio, Rome, D.A.Herculis, 1700.
Lot 961
Evelyn (John) Sylva, or a Discourse of Forest Trees 3 parts in 1, second edition, engraved armorial device on title, engraved illustrations, one full-page, errata leaf at end, contemporary fine panelled calf, rebacked, ruled in gilt, spine gilt, [Wing E3517; Keynes 41; Henrey 133], folio, for J..Martyn and J. .Allestry, 1670.
Lot 1366
The Fitzwilliam Book Of Hours Limited Edition Reproduction By The Folio Society Housed in original box and complete with hard bound commentary by Stella Panayotova. Limited to a number of 1180 copies, this being number 878. Printed by Beacon Press on Furioso paper and bound by Smith Settle in full silk brocade. Gilt edge pages and gilt decoration to internal leaves. Complete with original receipt from the Folio Society for £499.95. Perfect, as new condition, please see accompanying images
Lot 61
FOLIO OF 16 MODERN BRITISH PRINTS AFTER ORIGINAL ARTWORKS ISSUED BY DESIGN RESEARCH UNIT, LONDON IN THE 1970S All bearing facsimile signatures, all unframed and in original folio sleeves, featuring the work of Enzo Mari; Deiter Rot; Ceri Richards; Donald Hamilton Fraser; Barbara Hepworth; John Hoyland (1975); Victor Pasmore; Joe Tilson (1971); Henry Moore; Ben Nicholson; Robyn Denny (1974); Kenneth Martin (1977); Patrick Heron (1976); Jean-Michel Folon; Sandra Blow (1973); Bridget Riley varying sizes Note: Donald Gardner, the owner of these prints was active as a designer in the advertising world through the historic years of the 1930's to the 1970's. He became a director of Stewarts advertising agency, along with Marcus "Brum" Brumwell. Brum and his wife Rene, along with Donald, mixed in the London social world of the 1950's and 1960's and knew figures as diverse as Ernst Freud, Harold Wilson and Judi Dench. Brum and Rene were especially friendly with the St Ives set, most notably Ben Nicolson and Barbara Hepworth. These prints are a series of intimate personal Christmas gifts to friends and colleagues. Each print was commissioned with the consent and input of the artist, may of whom were personal friends.
![[§] IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SAILING BARGE, REDWING with Ian Gardner, no. 33/300, unframed in original sig](https://cdn.globalauctionplatform.com/cc6aee4a-8acc-4015-8441-a84a00d4e6c9/3a95463e-0523-4a29-ec3f-3a095f5d7157/468x382.jpg)
Lot 77
[§] IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SAILING BARGE, REDWING with Ian Gardner, no. 33/300, unframed in original signed folio sleeve, screenprint 33cm x 30.5cm (13in x 12in) and two further prints by the artist in their original signed sleeves, 'Homage to Malevich' and 'Interior/Homage to Vuillard' (3)
Lot 5290
Antiquarian Books - Equine - Meade-King (Eric), The Silent Horn: Summer Sketches of Horse and Hound, Collins Publishers, London 1938; Hitchcock (Captain F.C., M.C.), "Saddle Up": A Guide to Equitation and Stable Management, Including Hints to Instructors, With a foreword by Sir Frederick Hobday, sixth impression; Henry Wynmalen; other books, Thirty Pictures by Deceased British Artists, Engraved Expressly For The Art-Union of London by W.J. Linton, [London] 1860, gilt-embossed green buckram boards, folio; Dolin (Anton), autobiography, Ballet Go Round, first edition 1938 [7]
Lot 5302
Photographs and Drawings - Travel - four early 20th century b/w photographs of steam liners and tourists boating in a Nordic fjord, including the Viking, 15cm x 20cm, taken or developed by Reg. W. Smith, Photographer, 27 West Street, South Belgravia, London, S.W., stamped to verso; another, later, Sompting Church, by J.A. Jackson, 1974, 18.5cm x 23.5cm, mounted; late 19th century sepia and b/w photographs and photographic prints of Italian Grand Tour sites and views, including Classical and Renaissance, various; English School (early 19th century), a set of four studies, Arab, Nurse, others, pencil on paper, some picked out in watercolour and gouache, 23cm x 14cm; topographical watercolours; etc (folio)
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