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Lot 1
* Album. An early Victorian album of prints, drawings and watercolours, comprising approx. 90 18th/19th c. engs., etchings & lithos (inc. 17 hand-col. aquas.), 11 pencil drawings inc. a view of a ruined abbey? heightened with bodycolour, 10 watercolours inc. landscape views and a painting of a bouquet of flowers painted on a black background (measuring approx. 285 x 210mm), also includes a few photographs etc., majority laid-down onto album leaves, a.e.g., contemp. gilt dec. morocco album, slightly rubbed to extrems., folio. (1)
Lot 1
* Kollwitz (Kathe, 1867-1945). Self-portrait (Selbstbildnis), 1934, b&w lithograph, signed, titled and dated in pencil, approx. 32 x 24 cm, some small scattered wormholes, mounted, together with KŠthe Kollwitz, Ten Lithographs, Introductory essay by Elizabeth McCausland, New York, Henry C. Kleemann & Curt Valentin, 1941, some soiling and minor marks and stains to title, loosely contained in orig. cloth-backed boards, with ties, soiled and some damp marking, atlas folio. The signed self-portrait is number 7 from the set of 10 lithographic reproduction in the portfolio. Formerly in the collection of Sylvia Townsend Warner and Valentine Ackland, by whom the artist's signature may have been obtained. (1)
Lot 1
Delaunay (Sonia, illust.). Salvatore Quasimodo, La Terra Impareggiabile, Milan, 1971, two coloured etchings by Sonia Delaunay, each signed and numbered, facsimile of the author's text and French translation by Andre Pieyre de Mandiargues (signed), on hand-made paper, loosely cont. in orig. wrappers, with matching chemise and slipcase, folio. Limited edition 92/135. (1)
Lot 1
Hayter (Stanley William, illust.). Samuel Beckett, Still, Milan, 1974, three colour etchings by S.W. Hayter, each signed and numbered, facsimile and printed text (signed by Samuel Beckett), hand-made paper, loosely cont. in orig. printed wrappers with matching chemise and slipcase, folio. Limited edition 84/133. Black & Moorhead, 259-261. (1)
Lot 1
Ikeda (Masuo & Junziburo Nishiwaki). Gennaio a Kyoto, con due acqueforti, Milan, 1972, two colour etchings by Masuo Ikeda, each signed and numbered in pencil, fascimile leaf, signed by the author, untrimmed, contents loose in orig. printed wrappers, with chemise and slipcase, folio. Limited edition 83/129. (1)
Lot 1
Richards (Ceri, illust.). Vernon Watkins, Elegiac Sonnet, Milan, 1970, two colour lithographs, each signed, dated and numbered, facsimile and printed text, signed by the author, loose in orig. wrappers, with matching chemise and slipcase, folio. Limited edition 22/130, with an extra suite of the lithographs, in large format, on Japon nacre, each signed, dated and numbered in pencil, cont. in orig. cloth-backed portfolio. Sanesi 63-64. (1)
Lot 1
Richter (Hans, illust.). Giuseppe Ungaretti, Il Taccuino del Vecchio: Ultimi Cori per la Terra Promessa, Milan, 1971, two colour lithographs by Hans Richter, each signed and numbered, hand-made paper, loosely cont. in orig. wrappers with matching chemise and slipcase, folio. Limited edition of 82/124. (1)
Lot 1
Crawhall (Joseph). Reynard ye Foxe, A Set of Ten Drawings Representing Scenes from the Fable, Paterson, c.1880, ten mounted chromolitho. plts., with printed captions, some foxing, contained within two leaves of letterpress, one with title on recto, the other with list of illusts. on recto, housed in linen portfolio, lettered on upper side, lacking ties, folio. Joseph Crawhall, together with E. A. Walton and James Guthrie, became part of the group of artists known as 'The Glasgow Boys', who rejected conventional sentimental subjects, preferring instead to follow the influences of the French realists. Crawhall was a talented watercolourist and was particularly renowned for his paintings of animals. (1)
Lot 1
Dean & Son (Publishers). Panorama of the Zoological Gardens, n.d., c. 1870s, twelve-section panorama, bound concertina-style, showing num. wild and exotic animals in captivity, orig. glazed pict. boards, a little worn at extrems., oblong folio, together with Shepherd (J.A.), Zig Zag Fables, pub. Gardner, Darton & Co., 1897, num. col. illusts., all pages browned at edges, inner joints broken and text block now loose in orig. linen-backed pict. boards, minor wear to extrems., oblong 4to, plus Goldsmith (Oliver), The Deserted Village, Illustrated by Stephen Reid, London & Glasgow, 1907, fifteen full-page col. illusts., incl. title, pict. endpapers, orig. pict. vellum boards with glassine d.j. and orig. box (box somewhat broken), oblong folio, and four others similar. (7)
Lot 1
Disney (Walt), Mickey Mouse Weekly, vol. 1 no. 1 - vol. 3 no. 112, pub. Willbank & Odhams, February 8th 1936 - March 26th 1938, an unbroken run, bound with orig. wrappers into nine cloth volumes, front cover to issue no. 1 near-detached, folio, plus two loose issues. Generally in very good condition. (9)
Lot 1
* Moveable. Peeps into Fairyland. A Panorama Picture Book of Fairy Stories, with an introduction by F.E. Weatherly, pub. Nister & Dutton, c. 1897, six full-page pop-up chromos., b & w illusts. to text, orig. linen-backed glazed pict. boards, a little rubbed and minor wear to extrems., oblong folio. (1)
Lot 1
Pogany (Willy, illust.). The Rime of the Ancient Mariner, In Seven Parts by: Samuel Taylor Coleridge, [1910], dec. title, twenty tipped-in col. plts., numerous illusts. & pages with dec. borders, t.e.g., orig. gilt dec. sheep, upper joint & extrems. worn, folio. Limited edition 8/525 copies, signed by Pogany. (1)
Lot 1
Robinson (W. Heath, illust.). Shakespeare's Comedy of A Midsummer-Night's Dream, 1914, twelve col. plts., b & w illusts., light scattered spotting, orig. dec. cloth, lower cover heavily marked, spine a little darkened and rubbed to head and foot, together with Fitzgerald (Edward, trans.), Rubaiyat of Omar Khayyam, [1911], illustrated and illuminated by Sangorski & Sutcliffe, t.e.g. remainder untrimmed, orig. gilt dec. cloth, finger soiled with a little fraying to extrems., folio. (2)
Lot 1
Sangorski (F, and Sutcliffe G). Rubaiyat of Omar Khayyam translated into English verse by Edward Fitzgerald, with an introduction by A. C. Benson, n.d., c. 1910, reproduced from a ms. written and illuminated by Sangorski & Sutcliffe, with col. illusts. and dec. initials, etc., t.e.g., remainder untrimmed, upper inner joint somewhat loosened, orig. gilt-dec. full vellum, soiled and somewhat discol., folio. Limited edition 369/550, signed by Sangorski and Sutcliffe. (1)
Lot 1
Hale (Kathleen). Orlando the Marmalade Cat. A Camping Holiday, 1st ed., Country Life, [1938], num. col. illusts., orig. pict. boards with matching d.j. (d.j. frayed and torn with some loss, mainly to head and foot of spine), slim folio. The first Orlando book. Kathleen Hale used her own real cat Orlando as the model for the central character and based this particular story on her own camping holidays. (1)
Lot 1
Raphael Tuck & Sons (Publishers). The Cat's Courtship, Or, the Tale of a Cat Who Lost His Tail, Verses by H.G.E. Taylor. Illustrated by Allanson Cull, n.d., c. 1870s, 16 pp., num. col. illusts. incl. fine centrespread, orig. pict. wrappers, soiled and chipped at edges, with some loss, recent linen backstrip, oblong folio. (1)
Lot 1
Crane (Walter, illust.). Echoes of Hellas. The Tale of Troy & The Story of Orestes from Homer & Aeschylus with Introductory Essay & Sonnets by Prof. George C. Warr, M.A., presented in 82 designs; Echoes of Hellas. Pianoforte Arangement of the Music, 2 vols., 1st ed., 1887-88, decorations throughout vol. 1 after Crane, printed in terracotta and black on hand-made paper, some offsetting in first vol., early ms. signature of Arthur Cole, Lincoln's Inn, dec. endpapers, t.e.g., remainder untrimmed, orig. Japanese vellum decorated in red and gilt, spotted, folio. (2)
Lot 1
Schleinitz (Otto von). Walter Crane, Bielefeld und Leipzig, 1902, b & w illusts. throughout, bookplt. of Walter Crane, ms. gift inscription from the author to Crane, thanking him for his help with the work, tipped to front free endpaper, orig. morroco gilt, rubbed, large 8vo, together with The Work of Walter Crane with Notes by the Artist, The Easter Art Annual for 1898, 2 copies, illusts., some col., some mounted, one copy with Walter Crane's ms. ownership name and address on front pastedown, the other with Ruth Sandys's pencilled signature, both orig. green cloth, former marked, folio, plus twelve other decorative art/art-related items. (15)
Lot 1
Beardsley (Aubrey). A Portfolio of Aubrey Beardsley's Drawings Illustrating "Salome" by Oscar Wilde, [pub. John Lane, 1920], printed title and seventeen b&w plts., complete, loosely contained in orig. half vellum portfolio, lacks ties, rubbed and some light overall foxing to vellum, slim folio. (1)
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86082 item(s)/page