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Lot 123
CHISHOLM OF STIRCHES. Account of Charge & Discharge with Oliver & Elliot, Writers in Hawick. Manuscript folio. 1820's-1831; also "Rental Book of Stirches" containing details of the rents of the Stirches grass parks & a few farms in Ettrick, 1820's; also 2 others & a large bundle of manuscript documents, Hawick, Melrose interest, etc., mainly early to mid 19th cent.
Lot 154
Duke of Buccleuch - Buccleuch Estates. Sederunt Book. Detailed manuscript notes on transactions with tenants, lettings of farms, distribution of fields & other related matters with the Duke's decisions thereon. Small folio. Leather backed marbled card brds. 1840's/1850's; also Buccleuch Estates copy letter book, 1838-1842 with some useful manuscript transcriptions. (2).
Lot 264
* Braque (Georges, 1882-1963). Derniers Messages, text by Jean Grenier, Paris, 1967, the complete portfolio published in an edition of 150 copies (this one numbered 16), containing four colour lithographs by Georges Braque, plus photographic plates of Braque by Lachaud, largest sheet size 55.5 x 38 cm (21 7/8 x 15 ins), all loosely contained in original wrappers with matching card chemise and slipcase, folio (40.5 x 30.3 cm)QTY: (1)
Lot 265
* Nash (John, 1893-1977). Flower Drawings, published by Warren Editions, 1969, contents leaf, 12 black & white plates, all full-page (except final illustration printed as a vignette to the colophon), each image signed in pencil and all full-page plates numbered 30/65, contents loosely contained in original lilac cloth-backed portfolio with ties, John Nash obituary newspaper cutting taped to front pastedown, manuscript title to upper cover in ink 'John Nash Pictures', slim folio, together with two letters from Phillida Gili to Mrs Temperley about purchasing the publication, and a prospectus advertising the portfolioQTY: (1 folio)NOTE:Limited edition, 30/65 copies.Provenance: Purchased directly from the publisher and thence by family descent.
Lot 171
* After Alfred, Count D'Orsay (1801-1852, & others). Album of pencil portraits, 1840s/50s, 75 pencil drawings on tracing paper, mounted on card album leaves, mostly copied from D'Orsay's lithographs, but also some unattributed or after other artists including Richard Buckner, Edward Henry Corbould, Margaret Carpenter, many annotated with sitter's names, e.g. Bishop of Bombay, Alfred Paget, Marchioness of Cholmondeley, Marguerite Power, Countess of Carlisle, Prince Moskowa, and several of the British royal family, scattered foxing, some drawings with corners trimmed, and with other evidence of previous mounting to edges, 45 x 32.5 cm (17 3/4 x 12 3/4 ins) and smaller, marbled endpapers, near contemporary green half morocco, rubbed in places, remains of paper label on spine, folio (54.3 x 39 cm)QTY: (1)
Lot 309
* Bartram (Harold). Folder of 18 architectural studies and designs, circa 1950-60, 18 pen, watercolour and pencil studies, comprising studies of architectural landmarks and interior designs, including: interior of Kenwood House; Wells Cathedral; St. John's College, Wren Bridge; Brighton Pavillion; Longleat and King's College, etc., sheet size 27 x 36 cm 10 5/8 x 14 1/8 ins), loosely containing in a grey folio, together with three colour lithographs by an unknown artist, depicting a church, a beach promenade and a country scene, all 16.5 x 13 cm (6 1/2 x 5 1/8 ins), all framed together (30.5 x 64 cm)QTY: (1 folio and a frame)NOTE:Harold Bartram taught at the London School of Printing (now the LCC) and was an advocate of continental graphic design. He received his training as a pupil of Anthony Froshaug and Herbert Spencer at the Central School of Art and Design in London.
Lot 260
* Nicholson (Ben, 1894-1982). Ben Nicholson Reliefs Oilwash Zeichnungen, Geh durch den Spiegel, Folge 30, Oktober/November 1962, Cologne: Galerie Der Spiegel, 1962, 3 colour screenprints by Ben Nicholson, numerous printed illustrations throughout, printed in an edition of 300, original printed wrappers, folio (38 x 26.2 cm)QTY: (1)
Lot 239
* Maynard (Robert Ashwin, 1888-1966). Harbour Scene, 1927, woodcut, numbered '1/35', signed and dated, print size 15.5 x 21.5 cm (6 x 8 1/4 ins), framed and glazed (34 x 38.5 cm), together withBenenson (Leslie, 1941-). Bookplates, 1980-82, woodcut, all signed and dated, all artist's proofs, three numbered '15/15', various sizes from 9 x 6 cm (3 1/2 x 2 3/8 ins) to 11 x 11 cm(4 1/4 x 4 1/4 ins), all mounted together, framed and glazed (40 x 48 cm), and various etchings and aquatints from the University College Reading, School of Art, all limited edition 7/50, presented in a grey folio with a contents page (7 out of 12 present), comprising: The Castle Wall, & The Explorer by Cyril C. Pearce, The Minaret, & Street in Cairo by Joshua Evans, Villeneuve, Avignon by Harold J Yates, Bookplate by Gerald Cobb and Soap Bubbles by Ellen O'N. Gibbons, folioQTY: (3)
Lot 268
* Sugai (Kumi, 1919-1969). Nathaniel Tarn, October: The Silence, Milan, 1970, the complete portfolio published in an edition of 106 copies, containing two colour lithographs by Kumi Sugaï, each signed and numbered '50/106' in pencil, sheet size 38 x 28.5 cm (15 x 11 1/4 ins), one leaf of text signed by the author Nathaniel Tarn, all loosely contained in original wrappers with matching card chemise and slipcase, a few marks and a little faded to spine, folio (40.5 x 30.3 cm)QTY: (1)
Lot 812
A box containing a quantity antiquarian and later books including, The History of the Reign of the Emperor Charles V: by William Robertson in 3 vols, The Infamous Essay on Woman folio edition, a small collection of books on erotica, etc. - sold with a box containing a quantity of cigarette stereoscope cards and single image cigarette cards
Lot 258
Rubiyat of Omar Khayam, illustrated by Willy Pogany, Harrap & Co Ltd, 1946 edition; Butterflies by David Burnett, illustrated by Rosemary Roberts, Celtic Cross Press, 1999; The Collected Poems of Sidney Keyes, Routledge, 1946 reprinted edition; Bird Poems, by John Clare, illustrated by Thomas Bewick, Folio Society 1980
Lot 1096
A mixed lot of postage stamps and ephemera, to include Royal Mail presentation packs/mint stamps, covers, a folio of postage stamps from the reigns of Queen Victoria through to Queen Elizabeth II, some later 20th Century postcards and loose stamps in tins and cigarette cards including sets of Players Aviary and Cage Birds and Poultry. (qty)
Lot 1008
Elizabeth Leveson-Gower, later Duchess of Sutherland (1765-1839)"A Monastery by a River"Attributed and titled to the mount;watercolour,19.5 x 26.5cms, in frame.together with a British Museum photograph inscribed on the reverse "Drawn by the Countess of Sutherland-- Ex Thomas Girtin folio, Featherstone Castle."and manuscript letter on House of Lords notepaper, dated 1969, providing a family provenance and a reference to a folio of Girtin works from Featherstone Castle.NB The Duchess of Sutherland was said to have been a most able pupil of Thomas Girtin and was also his patron.Provenance: select items removed from Carrycoats Hall, Northumberland.
Lot 930
Dame Elisabeth Jean Frink CH DBE RA(1930-1993)Chaucer's "Canterbury Tales", illustrated by Frink over a set of 19 aquatint prints, introduction and translation by Nevill Coghill, published by Leslie Waddington Prints Ltd, 1972,unbound large folio,original printer's proof copy,volume 65.5 x 45.5cms.
Lot 682
Drummond (James), Old Edinburgh, limited edition no. 307/500, royal folio, quarter morocco, illus. from the author’s original drawings, G. Waterston, Sons & Stewart, 1879; Edinburgh in the Olden Time, limited edition no. 232/350, royal folio, cloth, lithographs by MacFarlane and Erskine, Thomas George Stevenson, 1880. (2)
Lot 687
Small (John Williams) Old Stirling Measured and Drawn for the Stone, folio, cloth, illus., limited edition of 400 numbered copies, R. S. Shearer & Son, Stirling, 1987; and Fairbairn (Thomas) Relics of Ancient Architecture and other Picturesque Scenes in Glasgow, folio, quarter morocco, illus., David Bryce & Son, Glasgow, 1885.
Lot 656
Camden (William) b. 1597- d. 1623, a manuscript album, gilt armorial calf, folio-bound, containing hand-drawn and coloured illustrations of the heraldic arms of the nobility of England from the Norman Conquest to the 17th Century, inscribed on the inside cover "The Arms of The Duke's, Earls and Barrons or Lords of England with the time of their first Creation and Decents since the Conquest Collected by Clarencieux Herald of Arms, about 1606". N.B. William Camden the English antiquarian, topographer and herald best known as the Author of Britannia and the Annales or History of Queen Elizabeth's Reign was appointed by the College of Arms as Clarenceux King of Arms in 1597; this lot sold to include a watercolour and a pencil sketch both depicting a country house presumably associated with the album.
Lot 706
Sclater (Philip Lutley) (Editor), Nitzsch's, Pterylography (Translated from the German), folio, original boards, published for the Ray Society, 1867; Latham (J.), Index Ornithologicus, two vols., 4to, marbled boards, 1790; Montagu (Colonel G.) and Rennie (James), Ornithological Dictionary of British Birds, 8vo, cloth, illus., 1831; and Newton (Alfred), A Dictionary of Birds, 8vo, cloth, illus., 1893-96. (5)
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85660 item(s)/page