Eighteen vols., 8vo and 4to, including: The Picturesque Mediterranean, 2 vols., Cassell & Co 1890-91, folio, colour frontispieces, profusely illustrated, half morocco; ALLOM (T) France Illustrated, 2 vols., no date; KINSEY (W M) Portugal Illustrated, 1828, folding map and frontispiece, coloured costume plates at end, later half morocco; Landscape Annuals by Heath and Jennings; also 2 others works of Moliere and Corneille in French with coloured illustrations (20)
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A Booke of the Foundacion and Antiquitye of the Towne of Greate Yermouthe, 2 vols., 1847, folio, the editor's copy with his bookplate and extra-illustrated throughout, with mounted text leaves and numerous coloured shields, a watercolour of Yarmouth jetty with figures dated 1831, few 16th century partial manuscripts, autograph letter from Joseph Ames FRS to Francis Blomefield, 1745, 2 folio pages; other letters from Norfolk worthies; Great Yarmouth bank cheque for 5 guineas, dated 1783; coloured bosses and illustrations; engraved portraits and plates, etc; all bound in 2 morocco git volumes with some pale staining to covers
CORYAT (T) Crudities, in 3 vols, London 1776, 8vo, calf with good reback; The Spirit of the British Essayists, in 4 vols., 2nd edition 1813, 8vo, calf gilt; MACAULAY (T B) Critical and Historical Essays, in 3 vols. 1843, 8vo, calf with new labels; BEETON (Isabella) Book of Household Management, 1898, thick 8vo, colour plates; another edition, no date, 8vo, cloth gilt c.1880; also - Pepys' Diary (Bell edition reprints), various modern works on Virginia Woolf, Folio Society etc (quantity)
ROBERTS (David) and Thomas ROSCOE. The Tourist in Spain, 4 vols. 1835-38, 8vo, 'Jennings' Landscape Annuals', mounted india paper proofs, some spotting and foxing, red morocco gilt, a.e.g.; MONTBARD (G) Among the Moors, 1894, one of 120 signed copies on Japanese vellum, small folio, illustrated; MEAKIN (Budgett) The Moors, 3 vols., 1899-1902, 8vo, illustrated, bright cloth gilt, CAPELL BROOKE (Sir A de) Sketches in Spain and Morocco, in 2 vols. 1831, 8vo, original boards, a little worn; together with 3 others with colour plate views, 1905 and 1906 (13)
The Gardens and Menagerie of the Zoological Society Delineated, Quadrupeds and Birds, 2 vols, 1835, 8vo, illustrations, half morocco; WOOD (J G) The Natural History of Man, in 2 vols., 1868-70, large 8vo, illustrations, half Russia; PLINIUS SECUNDUS (Caius) Historiae Naturalis Libri XXXVII. Leipzig 1841, small folio, double column text, calf
probably late 19th century, containing numerous 16th century and later clipped title pages, imprints, illustrations and decorations, including 8 trimmed early Bible leaves with woodcuts, possibly from a Tyndale New Testament, a coloured Mercator Atlas 1636 folio title, and many others of all shapes and sizes, all pasted to album leaves
a collection of MS and engraved music, formerly the property of Miss Wilhelmina Brydone, 2nd Countess of Minto 1806-1853, daughter of Patrick Brydone, including: CORRI (D) A Select Collection of the Most Admired Songs, Duetts &c., 3 vols. folio, c.1800, (P. Brydone is listed as a subscriber), engraved throughout, and 5 others smaller (8)
The Etchings of Francis Seymour Haden, PRE, 1923, 4to, photogravure plates and others, publisher's cloth, slip case; HOWELL-BAKER (G) Penholm, c.1902, folio, 25 full page illustrations, author's inscription at the start, original cloth, with inscribed printed Christmas greetings card 1903 loosely inserted
δ HRH Prince Of Wales (b.1948) & HRH Prince Khalid Al-Faisal AL-Saud (b.1940)Overlooking Wadi Arkam; Mountain Sunset 1Two deluxe portfolios, 2000, each comprising the lithograph printed in colours, each signed, one dated and each numbered from the edition of 100 in pencil, each on watermarked St Cuthbert's Mill wove paper, printed by the Curwen Studio, Cambridge, mounted and framed to the artist's specifications and housed each within the original leather clamshell presentation box with the embossed title and artist's name, overall 690 x 615 x 70mm (27 1/5 x 24 1/4 x 2 3/4in) (framed) (2 folio)Each work is accompanied by a certificate of authenticity issued by the publisher.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Harland Miller (b.1964)In Shadows I Boogie (Pink)The complete box set, comprising the etching with letterpress relief printing in colours and monograph, 2019, the print signed recto and numbered from the edition of 100 verso in pencil, the monograph signed and numbered from the edition of 100 in black ink, all housed within the original blue presentation box, together with a second signed copy of the monograph (pink), overall 345 x 253 x 45mm (13 1/2 x 9 7/8 x 1 6/8 in) (folio) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Furniss, Harry, Parliamentary Views, pictorial covers, printed in red and black, Bradbury & Agnew, Ltd edition of 1000 signed by the publishers (cover worn); to/w Leech, John (ill) Mr Sponge's Sporting Tour and four other vols - Ask Mamma, Handley Cross Mr Ranford's Hounds and Plain or Ringlets; a'Beckett, GA & Leech, John (ill), Comic Histories (3 vols); Cruikshanks' Comic Almanac 1835-53, 2 vols; 20 vols of The New Punch Library; Du Maurier George English Society at Home folio, 1880; Edwards, Lionel - Sketches in Stable and Kennel, 3rd 1936, folio, d/w; Dewar, Douglas & Fitch Daglish, E (ill) Game Birds, 1st, London; Chapman & Hall 1928, 4to; Heaton-Cooper, A (ill) & Palmer, WT, The English Lakes, 2nd 1908, Art Nouveau pictorial covers 8vo (35)
Pearl Binder, Lady Elwyn-Jones (1904-1990)/Folio of Work, containing:/Costume Design, 57cm x 39cm; Ponhaten, costume design, signed and dated 1970, inscribed with a dedication to Bill from Polly, artist's proof lithograph, 57cm x 39cm; Costume Design for the Countess of Arundel, signed and inscribed, watercolour, 36cm x 25cm; Costume Design, dated 1964 and inscribed for Bill from Polly, watercolour, 22cm x 30cm; Prompt Corner, Adelphi Theatre, signed and dated 1933, lithograph, 27cm x 18cm; Miss Nellie Wallis, signed and dated 1933, lithograph, 27cm x 18cm; Balieff, signed and dated 1933, lithograph, 27cm x 18cm [7] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Muhammad bin Murtada, better known as Muhsin, al-Mafatih al-Sharayi'a, on Islamic law, originally composed in AH 1042/AD 1633-34 Qajar Persia, dated AH 1230/AD 1814-15Arabic manuscript on paper, 268 leaves, 22 lines to the page written in naskhi script in black ink with significant words in red, extensive commentaries in outer margins in nasta'liq script, black morocco with stamped central lacquer medallions 298 x 195 mm.Footnotes:ProvenancePrivate UK collection.The colophon gives the title as al-Mafatih and states that this original text was composed in AH 1042/AD 1633-34, but that this manuscript was copied in AH 1230/AD 1814-15. The full title of the work appears on folio 2b: Mafatih al-Sharayi'a, on Islamic law (shari'a). The author states that he has arranged the work in twelve books (kitab) with two conclusions (khatimah).Important Notice to BuyersSome countries e.g., the US, prohibit or restrict the purchase by its citizens (wherever located) and/or the import of certain types of Iranian-origin works. As a convenience to buyers, Bonhams has marked with the symbol R all lots of Iranian (Persian) origin. It is each buyer's responsibility to ensure that they do not bid or import a lot in contravention of the sanctions or trade embargoes that apply to them.Lot to be sold without reserve.This lot is subject to the following lot symbols: • R• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
A pencil sketch of the Golden Temple of Amritsar Rajasthan, late 19th/early 20th Centurypencil on paper, inscribed in the upper border The Maharaja of Jaipur, with the Jaipur coat of arms, and Golden Temple, Amritsar in the lower border 228 x 293 mm.Footnotes:The coat of arms in the upper border is possibly that of Maharajah Sawai Ram Singh II (1835-1880).This illustration appears to be related to a set of views of monuments in Jaipur (and referred to as The Jaipur Folio), sold at Christie's South Kensington, Travel, Science & Natural History, 23rd April 2008, lot 462, dated to the early 20th century. All ten illustrations, which were a mixture of gouache and pencil on paper, were inscribed (including the coat of arms) in exactly the same manner as our illustration. The set of 10 works were later exhibited by the collector Habib Fida Ali at the exhibition Journey of Passion (January 2016).For further information on this lot please visit Bonhams.com
Viscount Hardinge of Lahore, Governor-General of India, accompanied by his two sons and his aide-de-camp Colonel Wood, on the battlefield after the victory at Ferozeshah during the First Anglo-Sikh War by Sir Francis Grant (1803-78), PRAoil on canvas, in the original gilt frame with hand-painted plaque 51.5 x 70 cm.Footnotes:ProvenanceChristie's, Visions of India, 5th October 1999, lot 239.The painting is based on a sketch executed on the spot at this significant moment by the Hon. Charles Stewart Hardinge (Lord Hardinge's eldest son). He appears in the painting, wearing a white solar topee, immediately behind Hardinge. He acted as his father's secretary throughout that time, and his drawings were mostly made during their official visits to various places, including Lahore and Delhi. He illustrated Recollections of India, one of the most important plate books on the Punjab and Northern India. This was published in 1847, funded by his wealthy friends, in a lavish large-folio in both coloured and uncoloured format.Behind Hardinge and his party are Indian lancers with their red and white pennants, probably members of his bodyguard as Governor General. The tents to the left of the work are a reminder that Hardinge bivouacked with his own troops before the battle began. In the background to the left can be seen the Sikh ammunition store exploding, which caused many casualties on both sides. The French gilt-hilted sword at Hardinge's waist had previously belonged to Napoleon. It had been presented to him by the Duke of Wellington after the Battle of Waterloo, at the Grand Review of the Prussian Army near Sedan in France in 1817. Wellington took the sword from his waist and presented it to Hardinge. The sword remained in the family and was sold at Christie's, Trafalgar Bicentenary: The Age of Nelson, Wellington and Napoleon, 19th October 2005, lot 164.A soldier and administrator, he served in the Peninsular and Napoleonic wars with distinction. The Duke of Wellington took Hardinge onto his personal staff for the Flanders Campaign. He was appointed as Wellington's liaison officer on Field Marshal Blücher's staff, and it was while with the Prussians at Ligny that on 16 June 1815 a stone driven up by roundshot shattered his left hand. The subsequent amputation prevented him from being present at Waterloo two days later, although he managed to compile a final report for the Duke.Later Hardinge became a Conservative Member of Parliament. In the administration of the Duke of Wellington, he served as Secretary of War (1828), and again in that of Sir Robert Peel (1841-1844). In 1844 Hardinge was sent to India to replace his brother-in-law, Lord Ellenborough, as governor-general. The appointment was made at the suggestion of the Duke of Wellington. As a result of the disorder in Punjab, he discreetly reinforced the garrisons on the North-West frontier. By November 1845 he had doubled the forces there, raising them to thirty thousand men and sixty-eight guns. On 11 December 1845 the Sikh army crossed the River Sutlej, beginning the first Anglo-Sikh war. Waiving the right to the supreme command, Hardinge offered to serve under Sir Hugh Gough as second-in-command. On 18 December Gough defeated the Sikhs at Mudki with the loss of several thousand men and seventeen guns. Then on 21 December as second-in-command Hardinge led the centre at Ferozeshah. He camped with the troops, under fire on the field, and commanded the left wing of the army in the long and bloody conflict the following day, which resulted in the withdrawal of the Sikhs behind the River Sutlej. 'Ferozeshah, though it had been so obstinately contested, convinced most of the Punjab notables that the war was lost. The Lahore Durbar opened negotiations with the British, and many individual chiefs tried to make terms for themselves'. (Sir Penderel Moon, The British Conquest and Dominion of India, London 1989, p. 599). In the same capacity, Hardinge was present when the Sikh entrenched camp at Sobraon was stormed, with heavy loss, on 10 February 1846. The autonomy of the Sikh nation, though diminished, was to be preserved with its army reduced in numbers. Its guns were to remain in the hands of the victors, with certain portions of territory annexed to the East India Company's dominions. A British Resident, Henry Lawrence, with ten thousand men to support him, was established in Lahore. So on 8 March 1846 the Kingdom of Lahore finally came to terms with the East India Company. The news of the British successes created an enormous impression at home. Hardinge received the thanks of Parliament, and was raised to the peerage under the title of Viscount Hardinge of Lahore and of Durham. In addition, at the behest of the Prime Minister Sir Robert Peel, Parliament unanimously voted him a pension of £3,000 a year and for his next two heirs. The East India Company also granted him a pension of £5,000 a year. He was however widely criticised for his subsequent cost-cutting which many blamed for the military failures during the Mutiny, or Rebellion, of 1857. He was also responsible for the introduction of the Lee-Enfield rifle, with its fat-covered cartridges, one of the inciting reasons behind the Rebellion.The painting was published by P.& D. Colnaghi in London in 1849, engraved by Samuel William Reynolds II (1794-1872).Sir Francis Grant (1803-1878), President of the Royal Academy, already enjoyed a distinguished reputation for equestrian portraits. In 1840 the acclaim given to his painting Queen Victoria and Lord Melbourne riding in Windsor Park (in the Royal Collection, Windsor) ensured his position as the most successful and fashionable portrait painter of his day. Some of the greatest politicians of the Victorian age sat for him, including Palmerston and Disraeli. Grant, a close friend of the Hardinge family, was a dominant figure in the Victorian art world, elected President of the Royal Academy in 1866. Grant painted a three-quarter length portrait of the Governor-General, which is still with the Hardinge family. Another version is in the National Portrait Gallery, illustrated in C. A. Bayly (ed.), The Raj: India and the British 1600-1947, London 1990, pp. 231-232, no. 302. In the same sale in 1999 in which this painting appeared, Christie's offered a group of lots (239-50) relating to Hardinge's grandson, Lord Hardinge of Penshurst (1858-1944), who was Viceroy of India 1910-16, and who was responsible when Viceroy for moving India's administrative capital from Calcutta to Delhi, and worked closely with Sir Edwin Lutyens, the chief architect responsible for the lay-out of the new capital.For further information on this lot please visit Bonhams.com
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86082 item(s)/page