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Bassermann-Jordan (Dr. Ernst) Die Geschichte der Raderuhr unter besonderer berucksichtigung der Uhren des Bayerischen Nationalmuseums, first edition, 24 photogravure plates, illustrations, light marginal staining but mostly to text, affecting lower outer corner of first few plates but otherwise clean, modern cloth, [Abeler p.57; Tardy p.24], folio, Frankfurt am Main, 1905. *** Scarce work on automaton clocks.
Gould (Lt. Commander Rupert T.) The Marine Chronometer..., reprint, frontispiece and plates, a few postcards loosely inserted and newspaper cuttings tipped in at beginning, original cloth, spines slightly rubbed and faded, 8vo, Holland Press, 1960; and a photocopy of Gould`s annotated first edition of 1923 (see previous lot), 8vo & oblong folio (2)
Ilbert Collection.- Gardner (Malcolm) Ilbert Horological Collection Probate Valuation, 3 vol. (Clocks; Watches; Watch Movements & Watches), carbon-duplicated manuscript, original cloth-backed wrappers, a little rubbed, folio, 1956 § Ilbert (C.A.) The Celebrated Collection of the English and Continental Clocks..., [2 copies], sale catalogue (never executed, see below), colour frontispiece, illustrations, original printed boards, slightly soiled, spines a little browned, Christie`s, Nov.1958, folio & 8vo (5) *** Possibly unique listing (?maybe a copy in the British Museum) of the entire Ilbert collection which in 1956 totalled £44,601 17s including £2500 for printed books; with correspondence between C.A.Ilbert`s nephew and Charles Allix concerning a proposed publication of the listing loosely inserted (never produced). Courtenay Adrian Ilbert (1888-1956) Òbecame one of the greatest horological collectors of the twentieth century and a recognized authority on the subject of antiquarian horology...Following his death in 1956, Ilbert`s extensive library of books was bequeathed to the British Horological Institute and a longcase clock, made by Tompion for the Royal Observatory at Greenwich, was left to the National Maritime Museum. When Ilbert`s estate was settled in 1958 his vast collection was destined for the London salerooms. There were approximately 2,300 watches and watch movements, 40 marine chronometers, 210 clocks, including the Drummond Robertson collection of Japanese clocks, and various prints, horological tools, watch papers and other items of horological interest. Following protracted negotiations with the government of the time, a private donation of £60,000 by Gilbert Edgar, chairman of the H. Samuel watch retailers and jewellers, and a public subscription organised by the Clockmakers` Company, the entire Ilbert collection was finally purchased for the nation in December 1958.Ó British Museum
Jurgensen (Urbain) Principes Generaux de l`Exacte Mesure du Temps par les Horloges, first edition, with half-title and table at end but lacking the 19 plates, p.239 with marginal tear repaired, washed, modern marbled boards preserving old paper label on spine, green edges, [Bromley 499; Tardy p.144], Copenhagen, 1805; Principes de l`Exacte Mesure du Temps par les Horloges, Atlas only, second edition, 17 engraved plates after Louis Urbain Jurgensen (as issued despite 19 plates in first edition), some foxing, all water-stained, original lilac printed wrappers, folded, faded and stained, a few small tears at edges, [Tardy p.144], oblong folio, Paris and St.Petersburg, 1838; Allgemeine Grundsatze der genanen Zeitmessung durch Uhren, lacking plates, severely foxed, ex-library copy with old ink stamps, modern half calf, red calf labels, [Tardy p.144], Leipzig, 1840; and a bound extract of an article by Charles Kalish on the Jurgensen Dynasty (damp-stained) and a folder of photocopied material including the 19 plates from the 1805 edition, 4to & oblong folio (5)
[Moore (B.R. & J.) Designs for Clocks 1848-49], trade catalogue, no title, lithographed throughout with 108 designs on 85 sheets, a few with pencil annotations, occasional spotting or staining, mostly marginal but one sheet (designs nos.104-105) severely stained affecting image, pencil notes by Charles Allix on front free endpaper and letters and copies of relevant information concerning the origin of the book loosely inserted, modern morocco-backed cloth, spine titled in gilt, [Not in the British Library or listed by COPAC], folio, [c.1848]. *** Exceedingly rare. Presumably a trade catalogue; cabinet makers would remove the title and present the work to clients as a collection of their own designs. The notes and inserted information indicates that there are 5 known copies: 2 copies in the British Horological Institute (one which belonged to C.A.Ilbert, the other presented by a J.Antill in 1949); and 3 others (Clockmakers` Company; Dr.Alan Shenton and this Allix copy).
Wetherfield Collection.- Britten (F.J.) Old English Clocks (The Wetherfield Collection), number 235 of 320 copies, colour frontispiece, illustrations, very light water-staining and wrinkling, original cloth, spine faded, recased, new endpapers, 1907 § Hurcomb (W.E.) The Wetherfield Collection of 222 Clocks. Sold...on 1st May, 1928, for £30,000, with a copy of the sale catalogue pasted in at beginning (browned, staples rusted and loose, final leaf torn), illustrations, original cloth, spine faded, rubbed, 1928 § Bruton (Eric) The Wetherfield Collection of Clocks: A Guide to Dating English Antique Clocks, illustrations, original rexine, dust-jacket (laminated), 1981; and another copy of the sale catalogue, folio & 4to (4)
NESBIT, E., Graily HEWITT, F. Ernest JACKSON & Spencer PRYSE (directors). The Neolith. London: November 1907-August 1908. 4 issues (all published), folio (382 x 275mm.) 25 lithographic plates (6 coloured, 2 coloured and double-page). (Occasional spotting, browning or soiling.) Original wrappers (slightly tattered, upper cover of vol. IV detached, lower cover lacking). Note: an uncommon publication with contributions by G.K. Chesterton, G. Bernard Shaw, F. Brangwyn, E. Nesbit, Spencer Pryse, A.S. Hartrick and others.
XENOPHON. Opera. Basel: per Thomam Guarinum [or Thomas Guarinus], 1569. Folio (319 x 211mm.) Wood-engraved vignette to title-page. (Some spotting and browning, first few leaves somewhat tattered with loss to margins.) Near-contemporary speckled calf (spine worn, upper cover detached, first few leaves now loosely inserted).
NELSON, Horatio. The London Gazette Extraordinary… Numb. 15858. London: Andrew Strahan, Wednesday, November 6, 1805. Folio (317 x 194mm.) (Some light soiling and browning, old creases, minor worm holes, one small burn mark.) Unbound as issued (edges slightly tattered). Provenance: J. Hughes (inscription to head of first page `This Gazette never to be Destroy`d / Signed J. Hughes`. Note: this gazette documents copies of dispatches from Vice-Admiral Collingwood relating to the death of Lord Nelson.
BLAEU, Johannes and Willem. [Scotland and Ireland Volume, from the Dutch language edition of the `Atlas Maior`. Amsterdam: circa 1664]. Folio (515 x 336mm.) 50 (of 55) hand-coloured engraved maps only (49 double-page). (Some torn and repaired, mostly to centre-folds, occasional loss to blank margins, a few with significant creasing, lacking title and some text, other text leaves with margins torn and tattered with some loss.) Contemporary Dutch vellum over pasteboards elaborately tooled in gilt, g.e. (soiled, slightly affected by damp, ties lacking).
ENGLAND, Laws & Statutes. Anno XXIX Reginae Elizabethae. At this present Session of Parliament… the xv day of Februarie… London: 1587. Folio (271 x 175mm.) Woodcut decorative title surround, woodcut Royal coat-of-arms and historiated initials, a1 to a6; b1 to b4 [Statutes 1 to 6] and Ff1 to Ff6 [Statute 9] only (lacking statutes 7 & 8). (Some light browning and old damp-staining.) 20th Century half-cloth (endpapers replaced).
DANIEL, Samuel. The Collection of the History of England… the fifth edition. London: 1685. [bound with:] John TRUSSEL. A Continuation of the Collection of the History of England… the fifth edition revised. London: 1685. Two parts in 1 vol., folio (303 x 193mm.) (Some browning and soiling, title-page to first part torn with loss to inner margin.) Old mottled calf (worn, upper cover detached).
COOKE, W.B (publisher). Gems of Art. London: 1823. 1 vol. only, folio (404 x 266mm.) 30 mezzotint plates, extra-illustrated with 10 lithographic plates and 17 proof plates. (Some spotting, occasionally heavy.) Contemporary morocco gilt, g.e. (extremities rubbed and scuffed). Provenance: Richard Paterson (armorial bookplate to front pastedown).
SHAKESPEARE, William. The Works… Imperial edition edited by Charles Knight. London: Virtue & Co, Limited, [n.d.] 2 vols., folio (363 x 262mm.) Portrait frontispiece to vol. I, engraved additional decorative titles, numerous plates. (Some spotting or browning.) Contemporary red morocco gilt, g.e. (somewhat scuffed and rubbed, joints splitting). - And six others (The Whole Works of John Bunyan. London & Glasgow: Blackie and Son, 1862) (8).
LUCANUS, Marcus Annaeus. Pharsalia, translated into English Verse by Nicholas Rowe. London: printed for Jacob Tonson, 1718. Folio (452 x 184mm.) Engraved frontispiece, engraved title vignette with manuscript red ruled borders, engraved vignette to dedication, double-page map, engraved head and tail pieces, engraved historiated initials. (Some browning, small worm hole affecting the margin of most leaves and the image area of the map.) Old calf (worn, upper cover detached). Provenance: unidentified armorial bookplate verso of dedication.
BURNET, Gilbert. History of His Own Time. London: 1724-1734. First edition, 2 vols., folio (345 x 205mm.) (Some browning, first few leaves of each volume soiled, title-page to vol. I torn with minor loss to top and fore-edge). Contemporary calf (worn, upper cover to vol. I detached and first few leaves now loosely inserted).
MOUNTAGUE, William Henry. A New and Universal History of England. London: printed for J. Cooke, [n.d. but circa 1771.] Vol. II only, folio (362 x 225mm.) 38 engraved plates. (Some browning and spotting.) Contemporary calf (worn, upper cover detached). Provenance: Louisa Kershaw (presentation inscription to title-page). - And one other part-work (2).
HALL, Sydney. Black`s General Atlas. Edinburgh, London, etc: 1841. Folio (444 x 315mm.) 53 engraved maps only (of 54), hand-coloured in outline. (Some browning and spotting, lacks map of Spain.) Contemporary half-morocco, g.e. (worn, upper cover detached, first few leaves now loosely inserted).
ERASMUS of Rotterdam. - Sebastian MUNSTER. [A single leaf from `The Cosmographia`. N.p: n.d. but mid-16th Century.] Leaf `CLVII` only, folio (315 x 199mm.) (Some browning and spotting.) Note: includes a woodcut portrait of Erasmus after Hans Holbein, probably by Hans Rudolf Manuel Deutsch. - And six other leaves (two from a similar work; one leaf from the Nuremberg Chronicle, circa 1493; three other leaves) (7).
BIBLE, in Latin, 13th Century. [A manuscript vellum leaf from a Bible. N.p.: n.d. but late 13th Century.] 1 vellum leaf (220 x 145mm.), the double-column text in brown ink with occasional highlighting in red, each side with a single illuminated initial in blue, white and pink highlighted in copper-gilt, with feint pencil guide-lines. (Minor light browning.) Provenance: Chester Beatty (stated on Folio Fine Art Ltd. label on verso of mount, also given Folio Fine Art stock number `MS 3703`).
BREVIARY, in Latin, 14th Century. [A manuscript vellum leaf, possibly from a Breviary. N.p. but Italy: n.d. but 14th Century.] 1 vellum leaf (200 x 166mm.) Recto and verso each with 32 lines of double-column text in brown with red and blue initials, recto with 1 double-line blue initial issuing a red foliate bar partial border, verso with 2 double-line initials in red or blue issuing a red or purple foliate bar partial border. (Minor soiling and browning.) Contained within a modern window mount, displaying verso. Provenance: Folio Fine Art Ltd. (label on verso of mount, with stock number `MS 4573`).
BOOK OF HOURS, use of Paris, 15th Century. [A manuscript vellum leaf from a Horae or Book of Hours, use of Paris. N.p.: n.d. but late 15th Century.] 1 vellum leaf (137 x 100mm.) Recto and verso each with 19 lines of text in brown and red ink, including 1 double-line historiated initial in blue and red, within red ruled lines. (Minor light browning.) Contained within a modern window mount. Provenance: Folio Fine Art Ltd. (label on verso of mount, with stock number `MS 42600`).
BOOK OF HOURS, East Anglia, 14th Century. [An illuminated manuscript vellum leaf from a Horae or Book of Hours. N.p. but East Anglia: n.d. but mid-14th Century.] 1 vellum leaf (166 x 105mm.) Recto and verso each with 17 lines of text in brown ink within ruled lines and borders, recto with a partial foliate bar border in blue, red, white and green heightened in gilt and with three geometric line fillers, verso with two historiated initials in blue and red and two geometric line fillers. (Some soiling and overall browning, shaved to top edge with some loss to bar border.) Contained within a modern window mount. Provenance: Folio Fine Art Ltd. (label on verso of mount, with stock number `MS 4445`).
MANUSCRIPT LEAF, 13th Century. [A manuscript vellum leaf. N.p. but England: n.d. but mid-13th Century.] 1 leaf (205 x 147mm.) The double-column text in brown ink with rubrics in red ink and one four-line initial in blue, within feint ruled lines. (Minor light browning.) Contained within a modern window mount. Provenance: Folio Fine Art Ltd. (label on verso of mount, with stock number `MS 2669`).
BOOK OF HOURS, Paris, 15th Century. [An illuminated vellum leaf from a Horae or Book of Hours, attributed to the Atelier of the `Boucicaut Master`. N.p. but Paris: n.d. but early 15th Century.] 1 vellum leaf (177 x 130mm.) Recto and verso each with 15 lines of text in brown ink on red ruled lines, recto with three (one triple-line, one double-line and one single line) illuminated initials in red, white, blue and pink heightened with gilt and one line filler, verso with four (one double-line and three single) illuminated initials, and four line fillers, all contained within a scrolling illuminated polychrome border of scrolling ivy. (Overall browning, heavier to edges, slightly affecting border.) Contained within a modern window mount. Provenance: Folio Fine Art Ltd. (label on verso of mount, with stock number `MS 4492`).
BREVIARY, use of Cologne, 14th Century. [A manuscript vellum leaf from a Breviary, use of Cologne. N.p.: n.d. but 14th Century.] 1 leaf (167 x 122mm.) Recto and verso each with 31 lines of double-column text in brown and red ink, including five double-line historiated initials in red, blue or purple ink and two three-line historiated initials in blue and red. (Some minor browning and soiling.) Contained within a modern window mount. Provenance: Folio Fine Art Ltd. (label on verso of mount, with stock number `MS 3162`). - And one other manuscript vellum leaf from a similar Breviary (2).
Crommelynck, P. & Crommelynck, A. PICASSO 347, 2 VOLS New York: Random House / Maecenas Press, 1970 complete first edition, 2 volume set in single slipcase oblong 4to b/w illustrations, this folio set is a scarce chronicling of Picasso`s work black cloth boards with gilt embossing, near-pristine glossy pages excellent, plush-lined slipcase minor scuffing 2
Heaths Fern Portfolio-third edition with pencil inscription 1894, to/w a folio containing Facsimile copies of the first `Exchange & Mart`, `News of the World`, `Morning Advertiser`, and sundry Daily Telegraph & The TImes editions 1785-1985, and a folio of East Anglian publications on Ipswich
After Myles Birket Foster RWS, British 1825-1899- Farmer boy resting under the trees with his dog and sheep; etching, signed within the plate, 20x25cm: with eight other etchings after various artists, Provenance: From a folio issued as an `Art Prize under the sanction of the Department of Science and Art, Nine examples of Modern Etchings`, presented as the `Worcester` prize to Louis Hadley in 1887. Louis Hadley was the son of the Worcester artist and modeler James Hadley: together with a folio of twelve selected photographs of details of relief ornaments of the Italian Renaissance and another folio of reproduction prints after various Old Masters in French museums, both folios presented as school prizes to Louis Hadley, (a lot) (unframed) (3 folios)
Bindings: folio or 4to morocco and half calf bindings including Shakespeare, The Works, The Leicester Square Edition, published by Bickers and Son, London, 1878; Hume and Smollett, The History of England, volume III; Eugene Muntz, Raphael, published by Chapman and Hall, 1888; and George Manville Fenn, The World of Wit and Humour. (9)
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86082 item(s)/page