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Click here to subscribeLe Cain (Errol, illustrator). The Rime of the Ancient Mariner, by Samuel Taylor Coleridge, Arcadia Press, 1972, 10 tipped-in colour plates, calligraphy by David Howells in green and black on 'seaweed' paper by Philip H. Rowson, top edge gilt, original full vellum, slipcase, limited edition, 5/110 signed by illustrator, calligrapher and paper-maker, folio (1)
Gerard (John). The Herball or Generall Historie of Plantes..., very much Enlarged snd Amended by Thomas Johnson..., 2nd edition, London: Adam Islip , Joice Norton and Richard Whitakers, 1633, engraved title lined to verso, numerous woodcut illustrations, early ownership signature Lancelot Hutchinson to fore-edge margin of 6C4, ink stamp to fore-edge margin of dedication, final leaf of text lined to verso, lacking front & rear blanks, 5A7 torn at foot with loss to last 2 lines of text, few closed tears etc., fraying and marginal tears to first & last few leaves, occasional minor spotting and marginal toning, light dampstain to lower margins, cloth hinges to endpapers, contemporary gilt panelled and decorated calf, rebacked preserving original spine, repaired corners and patch repair to centre of upper board, lacking ties, folio Henrey 155. (1)
Pogany (Willy, illustrator). Tannhauser, A Dramatic Poem by Richard Wagner, Freely Translated in Poetic Narrative Form by T.W. Rolleston, Harrap, 1911, sixteen tipped-in colour plates, numerous monotone illustrations and decorations, pictorial endpapers, top edges gilt, remainder untrimmed, original brown calf decorated in blind, folio, limited edition, 346/525 copies, signed by the artist, contained in publisher's cardboard box with illustration in red on lid, broken and with some loss A bright copy in remarkable condition of the limited edition, with the rare publisher's box. (1)
Pogany (Willy, illustrator). Parsifal, or the Legend of the Holy Grail, retold... by T.W. Rolleston, Harrap, [1912], sixteen tipped-in colour plates (one with a corner faintly creased), numerous colour and black & white illustrations and decorations, pictorial endpapers, top edges gilt, remainder untrimmed, yellow silk marker, original gilt decorated vellum, folio, limited edition, 122/525 copies, signed by the artist, contained in publisher's cardboard box with illustration in red on lid, broken and with some loss A bright and clean copy of the limited edition, with the rare publisher's box. (1)
Knoop (Johann Hermann). Beschrijving en Afbeeldingen van de Beste Soorten van Appelen en Peeren, bound with, Beschrijving van Vruchtboomen en Vruchten, [and] Beschrijving van Plantagie-Gewassen, 3 parts bound in one, published Amsterdam en Dordrecht, 1790, additional half title and a printed title for each part, thirty-nine engraved folding plates of apples and pears, plums, strawberries, raspberries, cherries, etc., by Philipps and Folkema after Knoop, all with contemporary hand colouring, untrimmed, contemporary quarter calf gilt, rubbed and worn, folio Nissen 1077 & 1078. Nissen gives the title for the first and second parts as Pomologia and Fructologia. (1)
Timlin (William M.). The Ship that Sailed to Mars, A Fantasy, 1st edition, Harrap, [1923], forty-eight text leaves and forty-eight colour plates, all mounted on grey paper, occasional short closed tear to mounts, free endpapers toned and torn with slight loss, original quarter vellum gilt, rubbed and scuffed, spine repaired, corners showing, folio (1)
Timlin (William M.). The Ship that Sailed to Mars, A Fantasy, 1st edition, Harrap, [1923], forty-eight text leaves and forty-eight colour plates, all mounted on grey paper, first few leaves with a few faint fox spots, free endpapers toned, original quarter vellum gilt, rubbed and a few light marks, corners showing, folio (1)
Weatherley (F.E.). Peeps into Fairyland. A Panorama Picture Book of Fairy Stories, published Dutton & Nister, Nister book 633, [1896], six chromolithographed pop-up panoramas, first one with tabs detached at top and at right margin, occasional slight soiling to text, contemporary presentation inscription, original cloth-backed pictorial boards, edges rubbed, a few stains, oblong folio (1)
Shaw (Bernard). Saint Joan, A Chronicle Play in Six Scenes and an Epilogue by Bernard Shaw with Sketches by C. Ricketts, London: Constable and Co. Ltd., 1924, tipped-in colour plates, top edge gilt, remainder untrimmed, original cloth-backed decorative boards, dust jacket slightly torn at head & foot, lightly dust-soiled & minor marks, folio, (limited edition of 750 copies printed), together with Ballantyne Press, The Life of Benvenuto Cellini, Translated by John Addington Symonds, 2 vols., 1900, printed decorations to text by Charles Ricketts, occasional spotting, edges untrimmed, original cloth-backed boards, paper title labels to spine and upper board, slight wear to spines, large 8vo in 4s, contained in original slipcases (3)
Nash (Paul, illustrator). Genesis, Nonesuch Press, 1924, 12 woodcut plates, partly uncut, stationer's stamp to front free endpaper, original black boards gilt, slightly rubbed and soiled, small folio, (limited edition 176/375 copies), together with Grosz (Georg, illustrator), Brokenbrow, A Tragedy by Ernst Toller, Nonesuch Press, [1926], black and white plates, original boards with printed paper label to upper cover, a little corner wear, plus Truffle Eater by Oistros, [1933], black and white illustrations throughout, original pictorial boards, a little rubbed and soiled, both small 4to, plus other assorted illustrated books, mostly 20th-century, various sizes (approx. 50)
Bingham (Clifton). The Soldier Panorama Book, a novel Colour Book for Children, Nister & Dutton, circa 1907, 5 double-page pop-up colour panoramas, minor marks, old scribbles to front endpapers, sellotape repair to title inner margin, hinges cracked and contents partly detached, original linen-backed pictorial boards, slightly rubbed and soiled with some edge wear, together with Crane (Walter), Goody Two Shoes Picture Book, [1901], colour plates including 2 double-page panoramas, original red cloth decorated and lettered in black, slight damp stain to foremargin of upper board, both 4to, plus Dixon (Captain C.M.), The Leaguer of Ladysmith, circa 1900, colour illustrations throughout, contemporary ownership inscription at head of title, original cloth-backed pictorial boards, somewhat soiled, edge wear, oblong folio, plus others similar (approx. 40)
Bowyer (Robert). An Impartial Historical Narrative of those momentous events which have taken place in this country during the period from the year 1816 to 1823, 1st edition, printed by Thomas Bensley, for Robert Bowyer, 1823, 8 engraved plates, including 3 fine hand-coloured aquatints, all proof impressions, some spotting to the uncoloured plates, and frontispiece with some waterstaining, contemporary plum half morocco gilt, rubbed and scuffed, and boards dampstained, large folio Abbey Scenery 259. (1)
Ashbee (C.R., editor). The Manual of the Guild and School of Handicraft: being a guide to county councils and technical teachers, Cassell & Company, 1892, publisher's catalogue at rear, uncut and untrimmed, original printed pale brown wrappers, in very good condition, 8vo, together with Ashbee (C.R.), A Report by Mr. C.R. Ashbee to the Council of the National Trust for places of historic interest and natural beauty, on his visit to the United States in the council's behalf, October 1900 to February 1901, Essex House Press, March 1901, printed in red and black in Endeavour type, single large woodcut initial, untrimmed, later green cloth gilt, with original brown paper wrappers bound in, slim folio Tomkinson 17 for the second work, printed in an edition of 350 copies of which the first 50 are printed on Essex House paper, this copy being number 32. (2)
Ashbee (C.R., editor). Peckover. The Abbotscourt Papers 1904-1931, Curwen Press, 1932, illustrations by Reginald Savage, top edge gilt, original vellum-backed boards, a few light spots, folio Limited edition, 88/350. Presentation copy, inscribed: "To G.S. Tomkinson, Colleagus, fellow Kingsman(?) & lover of the things that count for beauty, in appreciation, from the author C.R. Ashbee, Dec. 1933". (1)
Ashendene Press. Thucydides [History of the Peloponnesian War], Translated into English by Benjamin Jowett, Ashendene Press, 1930, printed in red and black in Ptolemy type, shoulder notes in Blado Italic, bookplate of R. Tomkinson, light spots to top fore edge, original full pigskin, spine with raised bands and titles in gilt, limited edition, one of 260 copies on paper, from a total edition of 280, folio Hornby XXXVII. A good copy. (1)
Ashendene Press. The History of the Valorous and Wittie Knight-Errant Don-Quixote of the Mancha, by Miguel de Cervantes Saavedra, Translated out of the Spanish by Thomas Skelton MDCXII, 2 volumes, Ashendene Press, 1927-28, woodcut initials and borders by W.M. Quick and George H. Ford after Louise Powell, text printed in black and red in Ptolemy type, designed by Emery Walker, double column, booklabels of Ken Tomkinson, original green full morocco, spines with raised bands and titled in gilt, contained in original thick card boxes, with manuscript titles (losses at head and foot of flaps), folio, limited edition, one of 225 copies on paper Tompkinson p.8. Provenance: Geoffrey Tomkinson, two purchase receipts from the Press, dated 1927-29 and signed by Charles Harry St. John Hornby, founder of the Ashendene Press, and a note thanking him for his order of the above work, dated January 1926, plus with a 2 pp. autograph letter signed from Hornby to Tomkinson, thanking him for sending details of his printing exhibition. An excellent set of the Ashendene Press's largest single work. (2)
Society of Gentlemen. The Complete Farmer: or, a General Dictionary of Husbandry, in all its Branches; containing the various methods of cultivating and improving every species of land, according to the precepts of both the old and new husbandry..., by a Society of Gentlemen, 1st edition, London: Printed for the Authors, 1766, engraved frontispiece, twenty-seven engraved plates, double-column text, 11 leaves of text torn & repaired to upper outer corners with minor loss of a few letters of text, modern blind panelled sheep, red morocco title label to spine, folio British Bee Books 117. (1)
Essex House Press. The Book of Common Prayer, and Administration of the Sacraments, & other Rites & Ceremonies of the Church, According to the Use of the Church of England; together with the Psalter or Psalms of David, Pointed as they are to be Sung or Said in Churches, & the Form & Manner of Making, Ordaining, and Consecrating of Bishops, Priests, and Deacons, 1903, printed in red and black, woodcut frontispiece, illustrations, decorative borders and initials, by W.H. Hooper and Clemence Housman after C.R. Ashbee, printer's device to colophon, one or two light spots, untrimmed, original vellum, folio, limited edition, 359/400 Provenance: C.R. Ashbee, his signature, dated 1928, at foot of colophon. Tompkinson 37. The largest book printed by the Essex House Press, and its magnum opus. It was printed using two of Ashbee's types, Endeavour and Prayer Book, and was the result of his wish to present the Elizabethan text in a form befitting its majesty, with a new typeface designed specifically for the work, some hundred new illustrations and three new sets of initials. (1)
Golden Cockerel Press. Endymion. A Poetic Romance by John Keats, Golden Cockerel Press, 1947, wood-engravings by John Buckland-Wright, a few leaves with some light spotting (as usual), top edge gilt, original full vellum gilt by Sangorski and Sutcliffe, green cloth slipcase, folio, limited edition, 45/100, specially bound and signed by the artist, from a total edition of 500 Cockalorum 175. Inscribed in pencil to front endpaper: "Matthew from Father for his exhibition, Keble College, Oxford, November 1976", with two loose notes, one presenting the book to Ken and Audrey Tomkinson from Julien and Oliver Stonehouse in commemoration of the friendship between Geoffrey Tomkinson and Eric Stonehouse, the other a pencil thank you note for the book. (1)
Scriptorum Classicorum Bibliotheca Riccardiana. Apulei Psyche et Cupido cura ludovici C. Purser, apud P.H. Lee Warner, 1913, printed on vellum, original limp vellum with cloth ties and silk marker, spine and upper cover titled in gilt, yapp edges, large slim folio Limited edition 6/12 vellum copies of which 10 are for sale. The edition also included 525 paper copies of which 500 were for sale. (1)
Chiswick Press. The Lives of Doctor John Donne, Sir Henry Wotton Knight, Mr. Richard Hooker, Mr. George Herbert and Doctor Robert Sanderson by Izaak Walton, 1904, six engraved portrait plates (including frontispiece), decorative title in red & black, edges untrimmed, original cloth, printed paper title label to spine and upper board, slightly rubbed to extremities, folio Limited edition 143/200. (1)
Golden Cockerel Press. Twelfth Night, or, What you Will, by William Shakespeare, with Decorations by Eric Ravilious, St Lawrence, 1932, pictorial title design and 29 wood-engraved illustrations printed in blue or brown, top edge gilt, remainder uncut, original half morocco gilt over decorative boards, boards slightly rubbed and soiled, folio Limited edition 43/275 copies. (1)
Golden Cockerel Press. The Chester Play of the Deluge, edited by J. Isaacs, with engravings on wood by David Jones, 1927, ten large wood-engravings on letterpress, some creasing to tissue guards, endpapers partially lightly browned, untrimmed, original maroon buckram, gilt lettered spine very lightly faded, dust jacket, faded, and with some very minor fraying at head of spine and head of front flap fold, slim folio, limited edition, 231/275 copies (1)
Golden Cockerel Press. The Song of Songs. The authorised version together with an introduction and notes by W.O.E. Oesterley, with engravings on copper by Lettice Sandford, 1936, printed in red and black, 12 engraved plates and 1 engraved illustration to text, top edge gilt, remainder uncut, original half morocco gilt by Sangorski & Sutcliffe, card slipcase somewhat soiled and partially split on lower joint, folio Limited edition of 204 copies, this being 15/65 copies specially bound and accompanied by a suite of 6 additional signed plates; the additional plates, however, are missing. (1)
Golden Cross Press. The Sermon on the Mount: Being the Fifth, Sixth & Seventh Chapters of the Gospel According to St. Matthew in the King James Version of the Holy Bible, New York, 1935, designed and illuminated in colours and gold by Valenti Angelo, partly uncut, original half morocco over boards, slim small folio Keepsake Number Five for the Columbiad Club of Connecticut. Limited edition, 7/25, signed by Valenti Angelo. (1)
Grabhorn Press. Leaves of Grass. Comprising all the Poems Written by Walt Whitman, Following the Arrangement of the Edition of 1891-'2, Grabhorn Press for Random House, New York, 1930, woodcut illustrations by Valenti Angelo, original red morocco-backed Philippine mahogany boards, Random House device cut at foot of upper cover, spine slightly faded and rubbed at ends, folio, limited edition, 246/400 One of Grabhorn Press's most ambitious achievements, taking over a year to print. (1)
Gregynog Press. The Plays of Euripides, 2 vols., 1931, titles in red & black, few illustrations, light spotting to last few leaves in vol. 2, edges untrimmed, original cloth gilt, folio, (limited edition 181/500), together with Nonesuch Press, The Complete Works of William Shakespeare, 4 vols., 1953, printed on india paper, original cloth, 8vo, contained together in original slipcase (6)
Nonesuch Press. The History of Herodotus of Halicarnassus. The Translation of G. Rawlinson Revised & Annotated by A.W. Lawrence, Nonesuch Press, 1935, wood-engraved illustrations, nine maps at end, bookplate, top edge gilt, original blue vellum-backed boards, spine a little faded, a few marks, limited edition, 332/675, folio (1)
Nonesuch Press. Homer. The Iliad, [translated into English by Alexander] Pope, 1931, parallel text in English and Greek, printed in red and black, top edge gilt, remainder uncut, original tan crushed morocco gilt, spine a little darkened, folio, marbled card slipcase Limited edition, 935/1450 copies. (1)
Nonesuch Press. Love Poems of John Donne, with some account of his life taken from the writings in 1639 of Izaak Walton, 1923, frontispiece, uncut, patterned endpapers, original red painted vellum over stiff boards, tooled in gilt, spine a little faded, small folio Limited edition 9/1250 copies, subscribed for by Frederick Richmond (and with his armorial bookplate to front pastedown). (1)
Nonesuch Press. La Divina Commedia or the Divine Vision of Dante Alighieri in Italian & English, 1928, parallel text in two columns, forty-two illustrations after Sandro Botticelli, endpapers slightly toned, top edge gilt remainder untrimmed, original orange vellum gilt, a very bright copy, folio (1)
Nonesuch Press. The Works of Shakespeare. The text of the First Folio with Quarto variants and a selection of modern readings, edited by Herbert Farjeon, 7 vols., printed by Walter Lewis at the Cambridge University Press for the Nonesuch Press, 1929-33, decorative borders to titles, top edge gilt, remainder untrimmed, original russet morocco gilt, occasional light fading, upper board of vol. 6 scuffed & worn to upper outer corner, 8vo Limited edition 1261/1600. (7)
Old Style Press. Benedicite Omnia Opera, published Llandogo, Gwent, 1987, illustrations by Alyson MacNeill, original cloth backed prined boards by Woolnough Fine Binding, small folio, contained in original slipcase, (Limited edition 134/225 signed by the artist), together with The Waternymph and the Boy, by Roden Noel, Llandogo, Monmouthshire, 1997, colour linocuts by J. Martin Pitts, pages uncut, original limp decorative cloth, with ties, slim folio, (limited edition of 225 copies, unnumbered and signed by the artist), plus The Pyed Pyper, a passage extracted from: A Restitution of Decayed Intelligence in Antiquities, by the studie & Trauaile of Richard Verstegan..., London: John Norton, 1634, published Llandogo, Monmouthshire, 2002, colour wood & linocut illustrations by Angela Lemaire, limp tan calf, blocked title & decoration in blind to upper cover, large slim 4to, (limited edition 4/175, signed by the artist) (3)
Shakespeare Head Press. The Whole Works of Homer; Prince of Poetts, in his Iliads, and Odysses, Translated according to the Greeke by George Chapman, 5 volumes, Oxford, 1930-31, 48 full-page woodcut illustrations by John Farleigh, woodcut title border for "Achilles Shield", woodcut frontispiece portraits of Homer and woodcut title-page borders in the first and fifth volumes, woodcut dedication page, partly uncut, original crushed red half morocco gilt over buckram boards, spines slightly rubbed and faded with some marks, small folio Limited edition, 125/450 copies on paper. (5)
Shakespeare Head Press. Pindar's Odes on Victory, The Olympian Pythian Odes, with an introduction and a translation into English verse by C.J. Billson, embellished with wood-engravings by John Farleigh, Oxford, 1928, title and parallel text in Greek and English, wood-engravings throughout, partly uncut, later dark blue morocco with abstract design of onlaid and inlaid leathers in colours, unsigned, title label lettered in gilt, folio (1)
The Woodcut : The Annual, volumes 1-4 (complete), The Fleuron, 1927-30, woodcuts throughout including some tipped in, volumes 1 & 2 with Curwen Press bookplate and file notes pasted beneath, original cloth-backed patterned boards in dust jackets (soiled and worn), volumes 3 & 4 with top edges gilt and remainder uncut, original buckram, partly faded, all small folio Nos. 3 & 4 are from the special edition of 80 and 75 copies (numbered 15 and unnumbered) with a signed woodcut by John Nash and Eric Ravilious bound in as frontispieces. (4)
Heaney (Seamus). Poems and a Memoir. Selected and Illustrated by Henry Pearson with an Introduction by Thomas Flanagan and a Preface by Seamus Heaney, Limited Editions Club, 1982, illustrations, top edge gilt, original brown calf, blind embossed design to upper board, spine faded, folio, contained in original slipcase Limited edition, 1057/2000 signed by Seamus Heaney, Henry Pearson and Thomas Flanagan. (1)
*Larkin (Philip, 1922-1985). Typed letter signed, 'Philip', University of Hull letterhead, 18 September 1973, to Arthur Burgess, 'I was even more surprised than you anticipated to find your letter this morning (I got back from holiday only last night), as I had dreamed of you recently, and this seemed to constitute a remarkable case of ESP. There is, however, a possible explanation: I have recently been asked to write something - anything - for the Old Coventrians' number of the school magazine, and I have been turning over my memories of 1930-40, and all sorts of recollections have been cropping up', thanking him for asking him to write in his copy of the 'Oxford Book' and though it hasn't pleased as many people as it ought to please it is selling well, noting a second impression is due shortly and that 'it was a fearful labour of some six years, and I am glad it is over', mentioning various mutual former acquaintances and friends and wondering what has happened to them, names include K.H.S. Mr Walker, Roe, Bish, Noel Hughes, Buck, Temple, Colin Gunner, and saying that Burgess's articles in 'The Coventrian' were always funnier than his, apologising for the dictated letter, and with a manuscript footnote that the names Buck and Temple after whom he asked were probably unknown to Burgess as these are St John's chemists, minor mark to left margin, 1 page, folio, together with a printed Order of Service for Larkin at Westminster Abbey on 14 February 1986, an entrance ticket, and a copy of Chambers (Harry, editor), An Enormous Yes, In Memoriam Philip Larkin (1922-1985), 1st edition, Peterloo Poets, 1986, a few illustrations, original printed wrappers, 8vo (4)
Poem of the Month Club. A group of 4 printed poetry broadsides published for Poem-of-the-Month Club, 1970-71, comprising 'Land' by Seamus Heaney, 'Natural Linguistics' by W.H. Auden, 'The Explosion' by Philip Larkin and 'Midnights' by Norman MacCaig (2 copies), each signed by the poet within rule border at foot, a couple of minor spots to Larkin broadside and second copy of MacCaig broadside a little toned and dust-soiled at upper and lower margins, loosely contained as issued in original half cloth portfolio with ties, a little rubbed and soiled, folio Forty-eight broadside poems were published in the series. (1)
Folio: Blome, R., ‘The Laws of the Forest and Game: and also of Hunting, Hawking, Fishing and Fowling, according to the Common and Statute Laws of England’, rebound half-calf with marble boards, light foxing to title page, London 1709 The above text was published with its own title page as the third part of Richard Blome's The Gentleman's Recreations: In Three Parts. Dated 1709.
Copping, Harold (ill) Scenes in the Life of Our Lord, London: The Religious Tract Society (c.1920s), cream cloth with gilt lettering, folio, to/w Southampton and the Great War, "Southampton Pictorial" souvenir, The Illustrated London News Record of the Glorious Reign of Queen Victoria 1837-1901 & Southampton Docks Handbook of Rates, Charges and General Information, pub. Southern Railway Company 1929
Heath Robinson, W. (ill), Hans Andersen's Fairy Tales, Ltd. edition leather-bound facsimile edition no. 494/500, 1980 re-issue, in slip case, to/w Arthur Rackham's Fairy Tales of the Brothers Grimm, 1996 facsimile edition by The Folio Society Ltd., in slip case and The Folio Society Book of the 100 Greatest Paintings, 2001, also in slip-case (3)
Art - Remington, Frederic, 'Done in the Open' (Drawings), New York, P F Collier & Son, 1903, dec board, folio to/w MacFall, Haldane, 'The French Pastellists of the Eighteenth Century', London, Macmillan & Co, 1909, 52 tipped in colour plates, 4to gilt dec blue cloth, four vols from the Portfolio of Great Masters series 1925-26 Vermeer, de Hooch, Constable & Corot, The Book of Kells, London, Thames & Hudson, 1974, 4to in slip-case, Malory, Sir Thomas & Russell Flint, w (ill), Morte D'Arthur, small crown 4to 1920, 2 vols, Boccaccio, Giovanni and Chalon, Louis (Ill) Decameron, 2 vols, 4 editions of Beautiful Pictures
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![Pogany (Willy, illustrator). Parsifal, or the Legend of the Holy Grail, retold... by T.W. Rolleston, Harrap, [1912], sixteen](https://cdn.globalauctionplatform.com/2f4aa010-bbf9-4378-adf4-a64000b7ea08/5aed0fa8-f162-4a3d-c7ff-c37c205c9838/468x382.jpg)
![Timlin (William M.). The Ship that Sailed to Mars, A Fantasy, 1st edition, Harrap, [1923], forty-eight text leaves and forty-](https://cdn.globalauctionplatform.com/2f4aa010-bbf9-4378-adf4-a64000b7ea08/685afe70-b504-4a55-888f-76517bc83f49/468x382.jpg)
![Timlin (William M.). The Ship that Sailed to Mars, A Fantasy, 1st edition, Harrap, [1923], forty-eight text leaves and forty-](https://cdn.globalauctionplatform.com/2f4aa010-bbf9-4378-adf4-a64000b7ea08/85e9ffe2-5448-4341-d5aa-2abcd0141e28/468x382.jpg)
![Ashendene Press. Thucydides [History of the Peloponnesian War], Translated into English by Benjamin Jowett, Ashendene Press,](https://cdn.globalauctionplatform.com/2f4aa010-bbf9-4378-adf4-a64000b7ea08/3ed4b2a8-14a5-45c0-dad1-54503bf54b3b/468x382.jpg)
![Nonesuch Press. Homer. The Iliad, [translated into English by Alexander] Pope, 1931, parallel text in English and Greek, pri](https://cdn.globalauctionplatform.com/2f4aa010-bbf9-4378-adf4-a64000b7ea08/5b353216-43df-4ef2-dab9-ed840dcb6f5e/468x382.jpg)
