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Domesday Book or The Great Survey of England of William the Conqueror .... publishers cloth, re-backed, 1862; Farley (Abraham, printer), Domesday Book Lincolnshire, Lincoln section only, 8G1-9B2, modern calf-backed boards, folio, [1783], Page (William), The Victoria History of the Counties of England Lincolnshire, vol. 2 only, publisher's cloth, 4to, 1907, (3).
Howlett (Bartholomew). A Selection of views in the County of Lincoln Comprising the Principal Towns and Churches..., hand-coloured engraved frontispiece map, folding engraved plates, list of subscribers, contemporary diced calf, tooled in blind and gilt, skillfully rebacked, gilt dentelles, slight edge wear, folio 4to, 1805.
Wild (Charles). An Illustration of the Architecture and Sculpture of the Cathedral Church of Lincoln..., list of subscribers, engraved plates, heavy foxing to edges, book plate on front free endpaper, contemporary crushed morocco, tooled in blind and gilt, heavily rubbed, spine worn, folio, 1819.
Map of the parish of Whaplode, in the county of Lincoln, 1843, a large rolled paper map, hand coloured in outline, showing all field boundaries in parish, some creasing to either end, 108cm x 500cm, with Whaplode Tithe Commutation Reference to the Plan, manuscript document with reference to all land owners in parish, contemporary half calf over boards, morocco label on top beard, worn, folio; reference to the Tithe Plan of Moulton in the county of Lincoln, manuscript document referring to a plan (not present), ornate title, wrappers; A History of the Moulton and Endowed Schools ..., wrappers, Spalding, 1890. (4)
Bibliography.- Thompson (Rodney M.), catalogue of the manuscripts of Lincoln Cathedral Chapter Library, 1989; Hirst (Clive), catalogue of The Wren Library of Lincoln Cathedral, books printed before 1801, 1982; Glen (John) and Walsh (David), catalogue of The Francis Trigge Chained Library St Wulframs Church Grantham, 1988; Birch (Walter De Gray), catalogue of The Royal Charters and other document City of Lincoln, 1906; Corns (A.R.), Biblotheca Lincolniensis, a catalogue of the books, pamphlets, etc, relating to The City and County of Lincoln..., Lincoln 1904; Bridgman (C.G.O)., ed.),,Historical Manuscript Commission, supplementary report on the manuscripts of the late Montego Berty 12th Earl of Lindsay, preserved at Uffington House, Stamford, AD 1660-1702, 1942; Birch (Walter De Gray), City of Lincoln, catalogue of The Royal Charters and other documents and list of books belonging to the corporation of Lincoln..., Lincoln, 1911; Kynaston (W.H.), catalogue of foreign books in The Chapter Library of Lincoln Cathedral, 1972; and another, similar, various bindings, folio and 4to . (9)
Leaf from a monumental manuscript - copy of Pope Boniface VIII, Sextus Liber Decretalium copy of Pope Boniface VIII, Sextus Liber Decretalium , in Latin on parchment [Italy, early fourteenth century] Single large leaf, with the main text set in a notably small and square text block of 2 columns of 15 lines in a tall and square Italian bookhand in the centre of the leaf (with parts of Lib.I, Tit.VI, De electione et electi potestate ), the very wide margins filled with 67 lines of the standard commentary (the so-called Epitome Decretalium) encasing the main text, capitals touched in yellow, paragraph marks in red and blue, running titles in red and blue with other contemporary roman numeral section numbers in contemporary pen, one contemporary text correction, other fifteenth-century marginalia, modern folio no. 23 on recto, old water damage and spotting to outer upper corner, but overall in good and presentable condition, 450 by 300mm. This is a large and handsome leaf from a copy of the Sextus Liber Decretalium promulgated by Pope Boniface VIII in 1298 to fill some of the gaps in ecclesiastical law left by Gratian s Decretum .
Leaf from an illuminated manuscript hymnal, - in Latin on parchment [Southern Netherlands in Latin on parchment [Southern Netherlands (probably Bruges), mid fifteenth century] Single leaf, with an initial K in gold on angular-edged blue and pink grounds heightened with white penwork and terminating in sprays of pink and blue trilobed flowers at corners, initial extending into text border down entire inner margin with large flourish of mirrored acanthus leaves and bezants at foot, tall and thin 2-line initials in red or blue with ornate contrasting penwork, one similar in black penwork, rubrics and original folio number c.ij. in red, capitals touched in red, single column, 10 lines of text with music on 4-line red staves (rastrum 14mm.) containing the hymn Gloria and the antiphon Asperges me, original stitch holes down inner margin and one near-contemporary correction of last word on recto, slight scuffs to gold, some sight discolouration and smudges to borders, else good condition, 345 by 245mm.
Five cuttings from Romanesque manuscripts, - all in Latin on parchment [twelfth century] 5 cuttings all in Latin on parchment [twelfth century] 5 cuttings: (a) vertical strip from a single leaf from a liturgical volume, perhaps a Missal or a Lectionary, preserving dimensions of 3 outer borders, 3-line initial S formed of a long necked bird in red ink on pale blue grounds, other simple red initials with baubles set within their bodies, red rubrics, 32 lines of text in delicate early got hic script (some with music in neumes), late medieval folio no. CI , France, mid-twelfth century, 297 by 100mm.; (b) another cutting from same manuscript as before, but from along the top of the bifolium, remains of single column with 9 lines of text, later medieval folio no. XCIIII , 324 by 87mm. (original page width 215mm.); (c) 2 small cuttings which join together to make a fragment from a copy of Leo the Great, Sermons, with parts of double column, 9 lines from sermon LVIII, France, mid-twelfth century, 220 by 100mm.; (d) cutting from a Missal, with readings from the Feast of St. Sigismund of Burgundy (d.524), king of the early medieval nation of Burgundy, who was expelled from power by the sons of Clovis, executed and thrown into a well, from where his remains where later recovered and transferred to a monastery he founded at Agaune in Valois (south western Switzerland), remains of single column, 16 lines in a large rounded bookhand with simple red initials and rubrics, second half of twelfth century, probably Switzerland, 140 by 104mm.; (e) large cutting from a Martyrology, with remains of a single column, 32 lines in a professional rounded bookhand, red rubrics, capitals and chapter numbers, 1 initial in red with scrolling foliate penwork infill and remains of another, probably northern France, last decades of twelfth century, 310 by 95mm.; all recovered from bindings and hence with spots, scuffs and small splits
Large decorated initial - on a leaf from a manuscript Antiphoner, in Latin on parchment [Italy on a leaf from a manuscript Antiphoner, in Latin on parchment [Italy (probably Bologna, perhaps Arezzo), second half of thirteenth century] Single leaf, with a large and tall initial V (145 by 130mm.; opening Vidi dominum sendentem … a responsory for the first Sunday in November), in pale brown acanthus leaves with baubles and red and green knots mounted in its righthand vertical stroke, terminating in swirling foliage, enclosing intricate interlaced grey-vine foliage with green fruit and orange and yellow leaves, all on dark pink and blue grounds and within a green and light brown frame, followed by a single line of highly calligraphic ornamental capitals touched in iridescent yellow wash (2 with detailed human faces picked out in penwork in their bodies), with elaborate penwork also to musical notes accompanying these words, simple red initial with blue penwork, red rubrics, 6 lines of text with music on a 4-line red stave (rastrum 34mm.), large seventeenth-century folio number 63 on recto, small spots, else excellent condition, 574 by 384mm. Another leaf from this elegant early Antiphoner was offered by Maggs, European Bulletin 16 (1990), no. 26 (illustrated in colour on p.32). The elongated shape of the initial filled with thin swirling foliate fronds is closely linked to that on a leaf in the Metropolitan Museum, New York (their MS. 96.32.4: Choirs of Angels , 2008, p. 31, and ascribed there to Arezzo).
Substantial fragment of an illuminated Antiphoner - decorated by Frater Iulianus de Florentia decorated by Frater Iulianus de Florentia, in Latin on parchment [Italy (probably Florence), c. 1470] 54 leaves (many single leaves, some bifolia and remnants of a number of gatherings), each leaf with at least one large initial in blue or iridescent red, with foliage, knotwork, geometric shapes and tiles picked out in contrasting penwork, many initials with liquid gold lines or dull gold sections added to the penwork infill, numerous smaller calligraphic initials with hairline penstrokes and green wash, rubrics in red, capitals with calligraphic cadels and touched in yellow wash, 5 lines of text with music on a 4-line red stave (rastrum 43mm.), small spots and scuffs, else excellent condition, 575 by 415mm. The signature of the artist of the initials here: Iulianus de Florentia appears within the borders of an initial, in blue ink on scrolling banderoles (that leaf included here as a singleton with original folio number 33 ). Another leaf from the same parent manuscript with Marcus Aurelius and his father Aurelius Pius within an initial was Ferrini, cat.1, no. 60, previously Quaritch, cat.1036, Bookhands of the Middle Ages , 1984, no.50. There this Iulianus de Florentia was identified as the the artist Guiliano Amidei (fl. 1446-96), a Camaldolese monk in the monastery of San Benedetto a Pinti in Florence. He was a prolific painter and manuscript illuminator, notably in the service of Pope Paul II, and perhaps a student of Piero della Francesca.
Vast initial with a fish - from a manuscript Gradual, in Latin on parchment [northern Italy , c from a manuscript Gradual, in Latin on parchment [northern Italy (perhaps Florence or Siena), c. 1500] Single leaf, with an initial I (155mm. high, opening In virtute tua domine laetabitur iustus ), with a vast silver and blue salmon-like fish with silver-grey feathery wings, his tail knotted into a clump of coloured acanthus leaves and he biting on another spray of leaves, all on a brightly burnished gold ground within a wide frame formed of gold and silver chevrons on pink and green grounds, the acanthus leaf sprays with gold triangular fruit and extending into 2 borders with green prickly foliage, large flowerheads with gold tongues, large bezants, a cluster of 5 bezants with green penwork surround forming a sun, and a grey bird, a single line of text in highly calligraphic penstrokes, with initials of same opening next 2 lines, in total 4 lines of text in a fine late gothic bookhand with music on a 4-line red stave (rastrum 36mm.) on front, folio number CI in red and blue in mid-margin, slight folds and smudges in places, slightly cockled, overall good and presentable, c. 530mm. by c. 380mm., gilt frame Lot 81 in our last sale and a leaf in Sotheby s, 2 December 2014, lot 21, were from the same strange and fascinating parent volume as this leaf. They all share a startling mix of a notably fine calligraphic hand with colourful and eclectic illumination with numerous animals and fish. The artist seems to have known Florentine models, however, he was clearly not part of the mainstream of that tradition, and further study might well place these in an as yet unidentified centre in the hinterland of that city.
‡ Dame Elisabeth Frink R.A. (1930-1993) Bookplates for The Iliad by Homer, translated by E.V. Rieu for the Folio Society Set of 15, all lithographs, published by Curwen Press, 1975 Each 24 x 15cm (15) Provenance: Sally Hunter Fine Art, British design and illustration, November 2008 ++All good condition
Bossert, Henri - Ornament, folio, original blue cloth, London 1924, Cescinky, Herbert and Gribble, Ernest - Early English Furniture and Woodwork, 2 vols, 1922 (2 sets), Cescinsky, Herbert - English Furniture of the Eighteenth Century, 3 vols and Latham, Charles - In English Homes, vol 3 only, 1909 (9)
Blome (Richard), A Geographical Description Of the Four Parts of the World Taken from the Notes & Works Of the Famous Monsieur Sanson, Geographer to the French King, and other Eminent Travellers and Authors., London, 1670, with title page and dedication page to Charles II, twenty three hand coloured maps to include; A Generall Mapp of Asia (folding), A Mapp of The Estates of the Turkish Empire in Asia, and Europe (double page), A Generall Mapp of Arabia (double page), A Mapp of the Empire Of The Sophie of Persia (double page), A General Mapp of the East Indies (double page), A New Mapp of y Empire of China (double page), A Generall Mapp of the Kingdome of Tartaria (double page), A New Mapp of Africa (folding), A Generall Mapp of the Coast of Barbarie (folding), Africa or Libia Ulteriour (folding), A Mapp of the Higher and Lower AEthiopia (double page), A Mapp of Europe (folding), A Generall Mapp of the Kingdom of Spaine (double page), A Mapp of Italy (double page), A Mapp of the Estates of the Turkish Empire in Asia and Europe (double page), A Generall Mapp of the Kingdom of France (double page), A Generall Mapp of the Empire of Germany (double page), A Mapp of the Estates of the Crowne of Poland (double page), A Mapp of the Kingdom of Dennmarke (double page), A Mapp of the Estates of the Great Duke of Russia (double page), A Generall Mapp of the Isles of Great Brittaine (folding), A New Mapp of America Meridionale (folding), A New Mapp of America Septentrionale (folding), an illustrated page titled 'Travell', contemporary calf, small folio, 9.5" x 14".
[PICART (Bernard).] Histoire générale des cérémonies moeurs et coutumes religieuses de tous les peuples du monde ... Paris Rollin 1741. 5 vol. sur 7 in-folio (T.1 à 5) veau brun marbré dos à nerfs orné et doré triple filet d'encadrement sur les plats double filet doré sur les coupes (Reliure d'époque). Seconde édition de ce monumental ouvrage dirigé par l'abbé Banier. Beau titre frontispice allégorique figurant les religions du monde et 112 pl. gravées à pleine page 22 sur double-page et 4 dépliantes.  Reliures frottées coins émoussés coiffes arrachées
Enluminure d'un album du Shahnameh de Firdausi attribuée à Mu'in Musavvir (1617-1708) Iran safavide seconde moitié du XVIIe s. le div blanc soulevant Rustam endormi sur un rocher Rakhsh le cheval de Rustan broutant à côté. Texte en nastali'q distribué dans huit cartouches commençant par "Il (Akvan le div blanc) vint sur les lieux où Rakhsh broutait et le souleva sur un rocher" 16x16 5 cmUne page du même album a été proposée par Sotheby's Bond Street 5 oct 2011 lot 129Un autre codex comprenant des enluminures très semblables de la main de Mu'in Mussavir (comparer par exemple les détails du rocher et de Rustan sur le folio 158v ) est conservé au Metropolitan Museum of Art de New-York (Inv. 1974.290.43)Provenance: collection particulière suisse
[RELIURE AUX ARMES]. Recueil composite de 40 pl. gravées de la seconde partie du XVIIe s.-début du XVIIIe s. 1 vol. in-folio relié plein maroquin rouge plat  aux armes pontificales de Clément XI (Gianfrancesco Albani natif d'Urbino et élu pape en 1700) dos à nerfs richement orné. Les monts et l?étoile soutenus par de petits anges se répètent aux angles des filets du plat. L?écusson central est surmonté de la tiare et flanqué des clefs de Saint Pierre  (Reliure italienne du début du XVIIIe s.).- 26 pl. à sujet biblique  d'après Carlo Maratti Guill. Cortese Carlo Cesius Cyrus Ferus Petrus Beretinus Corton Nicolas de Bar Jean Mièle etc. gravées par Giovanni Gir. Frezza Carlo Allet Guill. Valet Fr. Spierre Steph. Picart Cornelis Bloemaert     F. Baronius- 14 pl. de gravures ornementales (cartouches bandeaux éléments décoratifs lettrines ...)
SCHNEIDER (Daniel). Allgemeines Biblisches Lexicon... Franckfurt am Mayn 1728-1731. 3 vol. fort in-folio reliés plein vélin ivoire. Belle édition illustrée d'1 frontispice   de très jolis bandeaux et culs de lampes et de 25 pl. gravées et tableaux hors-texteProvenance: Couvreu de Deckersberg
FORAS (Amédée de). Armorial et nobiliaire de l'ancien duché de Savoie. Grenoble Allier 1863-1900. Ensemble de 118 livraisons in-folio en ff. destinées à être reliées en 4 vol. Tirage limité à 326 exemplaires celui-ci non numéroté destiné à l'auteur.On joint les livraisons 1 à 7 du 5e vol. de 1910 (-> p.104: Rebut de Saxel).  Ensemble non collationné.Très beau nobiliaire français riche d'une illustration raffinée composée d'innombrables blasons et planches en couleursProvenance: Couvreu de Deckersberg
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86082 item(s)/page