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A Collection of 19th Century Engravings of Views of Oxford, including Oxford Skyline, Exeter Jesus and Lincoln College with All Saints Church from the Turl, Trinity College, Christchurch Meadows and more; taken from the Oxford Almanack pub. 1823 and engraved by Skelton, each before letters 33.5 cm x 50 cm approx (12); together with the Oxford Historical Society folio of maps and plans, pub. 1884 58 cm x 40 cm overall (a lot)
An interesting collection of collectables : A small Royal Doulton Robin Hood character jug, together with a Royal Doulton Series War rack plate depicting a scene where a monk is drinking beer, two wooden cigarette boxes, a Hill's Bronchial Balsam Pastilles tin, a folio containing a signed commemorative limited edition monochrome print depicting Queen Elizabeth II after Angela Pistrucci, a rare penknife/paper knife/rule produced as a corporate gift by and carrying the engraved inscription "AMBASSADOR FILM PRODUCTIONS LTD TELEPHONES GERRARD 3872/3, as well as a collection of British antique and later coins. (Q)
EPHEMERA, comprising the Manchester Evening News, April 18th - April 30th 1938, bound in an elephant folio half-calf binding, damaged, a Brown's Self-Interpreting Family Bible, extensively damaged boards, spine detached and one box containing commemorative newspapers, books and magazines from early 20th century events, music scores, ration cards, booklets on artists and two Italian editions of Thor (1)
BOND (MICHAEL) THE COMPLETE PADDINGTON FOLIO SOCIETY Collectors edition issued for The Folio Society by Harper Collins Children's Books, 2010, 12 volume set in slip case Condition: Condition Report Fading to the spines on five examples, the slip case with some bumps and scuffing to edges and corners, and some wear to base This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Four Late 19th Century French Albums of Fabric Samples, comprising an album of mainly fine velvet floral samples, each approximately 38cm by 48cm (one page), some are double pages, 28 samples in total, some in the Art Nouveau style, folio stamped 'Centre de Documentation Archives Wallach' in a large folio dated 1897, 43cm by 55cm; another of woven silks and printed cottons comprising approximately 70 pages (11 blank), over 1000 fabric samples of varying sizes, album 60% full, in a blue card mounted album, 44cm by 57cm; another of French printed cottons stamped 1884-1894, comprising 97 pages (18 blank), approximately 670 samples, album 55% full, some of the pages labelled with the names, 'Lantz Freres, Gros-Roman, Freres Koechlin, Koechlin Baumgartner, Weis-Fries, Gros Roman, in a green mottled card album, 41cm by 58cm; another similar '1912 Cotton' enclosing 56 pages (5 blank pages) with approximately 500 samples, album 50% full of printed and woven cottons in stripes, floral and abstract designs, 41cm by 58cm (4)All approximately 60cm by 46cmView the contents HEREView the contents HEREView the contents HEREView the contents HERE
A LARGE FOLIO OF PRINTS INCLUDING, THE INVASION: FRANCE AND ENGLAND, AFTER WILLIAM HOGARTH (QUANTITY)Together with, illustrations from The Graphic including The Boat Race and The Revolt in the Transvaal, architectural drawings of Cheshire including various views of Eaton Hall, Halton Castle and Chester Cathedral, Hugh Lupus, Earl of Chester, Sitting in his Parliament after Hollar, La Piegrieche Silencieuse after Lebrecht Reinold, a section of Ancient Chester: A series of Illustrations after George & William Batenham and John Musgrove, published by Sotheran & Co 1880 (incomplete and unbound)(quantity)Condition reportAll unframed, various tears and foxing to sheets.
SONIA DELAUNAY, SES PEINTURES, SES OBJETS, SES TISSUS SIMULTANES, SES MODES; with twenty full page colour fashion and design plates, measuring 56 x 38cm, each with a printed signature and dated between 1920-1924, original paper copy covered boards, original red cloth folder with paper covered front board with chequer detailing, Librairie Des Arts Decoratifs, Paris (1). Additional InformationAll of the plates are heavily worn around the edges with creasing, chips, and some tears. General tearing around the edge and some marks here and there. The folder has watermarks throughout most of the back of the cover, and is generally scuffed, worn, and frayed throughout, with some discolouration and losses. Overall tired. The plates are numbered 1-20 and the folio has a four page text sheet and a four page title and half title sheet. The plates have been collated.
Hearne (Thomas), ANTIQUITIES OF GREAT-BRITAIN, ILLUSTRATED IN VIEWS OF MONASTERIES, CASTLES, AND CHURCHES, NOW EXISTING, 2 associated volumes, vol I: folio (42.5cm x 28.7cm), full leather, detached front cover and front endpapers, gilt edges to block, laid paper, engraved frontispiece, title page, index page, subscribers list, fifty one engraved plates as per index page, printed by James Phillips, London 1786; vol II: folio (41.5cm x 27cm), full leather, marbled endpapers, lacking title page and index page, thirty nine engraved plates, undated and lacking publisher's details (2) (at fault)
Ormerod (George), THE HISTORY OF THE COUNTY PALATINE AND CITY OF CHESTER, 3 vols, folio (48.6cm x 36cm), second edition revised and enlarged by Thomas Helsby, 3/4 red leather, gilt embossed titles to spines, tissue guarded portrait frontispieces, county map to vol 1, tissue guarded plates and monochrome illustrations to all volumes, George Routledge And Sons, London 1882 (3) (at fault)
FOLIO SOCIETY: A miscellany of books on ancient and modern history, to include Gibbon (Edward), DECLINE AND FALL OF THE ROMAN EMPIRE, Hibbert (Christopher), THE RISE AND FALL OF THE HOUSE OF MEDICI, Hughes (Robert), THE FATAL SHORE, Carcopino (Jerome), DAILY LIFE IN ANCIENT ROME, Hudson (Roger) (Ed), THE RAJ: AN EYE-WITNESS HISTORY and Barber (Richard) (Ed), THE PASTONS: A FAMILY IN THE WARS OF THE ROSES, each with original slipcase (some at fault) (26)
FOLIO SOCIETY: A miscellany of works of classic literature, to include Thomas (Dylan), UNDER MILK WOOD, Waugh (Evelyn), BRIDESHEAD REVISITED, Hodgson Burnett (Frances), THE SECRET GARDEN, Swift (Jonathan), GULLIVER'S TRAVELS, Joyce (James), DUBLINERS, and Lee (Harper), TO KILL A MOCKINGBIRD, each in original slipcase, with THE BOOK OF THE THOUSAND NIGHTS AND ONE NIGHT, 4 vols, lacking slipcase (some at fault) (Qty)
Two boxes of various Folio Society volumes including A E HOUSMAN "A Shropshire Lad", WILLIAM NAPIER "The War in the Peninsula", AGATHA CHRISTIE "Miss Marple Stories", HESKETH PEARSON "The Smith of Smiths", LORD MACARTNEY "An Embassy to China", JOHN AUBREY "Brief Lives", KENNETH CLARK "Civilisation", etc, etc
Edmund Stone: The Construction and Principal Uses of Mathematical Instruments, translated from the French of M. Bion Chief Instrument Maker to the French King, with twenty six folio copper plates, calf, printed by HW for John Senex at The Globe, and William Taylor at The Ship and Black Swan, London, 1723.
A rare folder of twenty-four individual illustrations, given to a German officer during his training at Potsdam Propaganda School in 1942 titled 'Aus Der Heimat Des PK-MANNES', with a foreword in German from the Lieutenant Colonel and District Commander, explaining that there was to be a significant change in the nature of wartime propaganda. The enclosed illustrations were produced after three years of war and show a marked attempt to minimise focus on the militarised elements of warfare and troop recruitment by, instead, documenting daily life and activities at the Potsdam Barracks and on Bornstedter Field. Such illustrations were created as an incentive to further achievements and inspire 'joyful commitment' in the service and act of what was meant to be a reminder of 'a busy and enjoyable time'. This original folio contains twenty-four individually titled printed illustrations, all in very good condition, illustrating daily life and aspects of potential training for recruits and those engaged in the service, each signed 'PK (Propaganda Kompanien): Schubert' and dated 1942, 12cm wide x 16cm high. Sold together with a wartime copy of Deutschen Apotheke. Provenance: Acquired by Herr Wiedler during his service as a Propaganda Training Officer at Potsdam Barracks, 1942. Wiedler would ultimately end up fighting on the Russian front and did not get back home until three years after the end of the war, after walking most of the way back to his home in Rheine in Nord Rhein Westfailia. In the absence of any form of communication, over such a long time, his wife had assumed he had died on the Russian Front. Notes: Potsdam Barracks housed two batteries dedicated to Propaganda. The Depot Battalion was housed in the Propaganda Kompanien Barracks and acted as a pool for trained propagandists awaiting assignment, in addition to the training centre. The battalion consisted of four companies: 1st company, journalists: 2nd company, photographers and war artists; 3rd company, war reporters and 4th company, depot company, which included administrative personnel, and personnel who have returned to the depot after completing a tour of duty. In addition, there was also a section for radio propaganda experts. Recruits were mainly men who in civil life were journalists, press photographers or film cameramen. They received normal infantry training and frequently were sent on courses of 4-6 weeks duration at the Ministry of Propaganda. The Propaganda Service Battalion likewise had its HQ in the same barracks. It consisted of two companies: 1st company, a pool of linguists and 2nd company, called the Propaganda Liaison Company (Propaganda Verbindungskompanie), which provided personnel for ensuring the transit of propaganda material (including periodicals and daily papers), to and from the various branches of the propaganda organization throughout the occupied countries and the theatres of war. Its strength was about 400 men.
GERARD EDELINCK AFTER JEAN-FRANCOIS DE TROYJacobo Magnae Britanniae Et Walliae Principi (James Francis Edward Stuart as prince) engraving 49.5 x 44cm (unframed, laid down in a folio) together with seven other engravings of portraits: Sir Richard Blackmore; Francis, Earl of Godolphin; Sir Charles Wager; David Garrick; Charles Earl Grey; William Windham; and An unnamed gentleman, (all laid down on paper within the folio); and a 19th century watercolour of figures by a lake (unframed)
HENRI DE TOULOUSE-LAUTRECElles, published by The Toulouse-Lautrec Circle, 1969, London, with an introduction by Michel Melot Conservateur au Cabinet des Estampes de la Bibliotheque Nationale, to include the eleven facsimile colour lithographs after Toulouse-Lautrec, each print numbered in pencil '866/1250' and each bearing publisher's blind stampThe edition limited to 1250 copies, of which this is number 866. Only available to members of The Toulouse-Lautrec Circle by subscription. The series of eleven lithographs known as Elles were originally published in 1896.Folio 57 x 44.5cm
A FOLIO OF UNFRAMED WATERCOLOURS, PRINTS AND PHOTOGRAPHSIncluding a watercolour of Victor Hugo by Louis Bailly; an etching of Maximilien Luce by Joseph Victor Roux Champion; an etching of Lord Balfour by Mortimer Menpes; an engraving titled 'Nestlings' after George Bernard O'Neill; an etching titled 'A pipe of good tobacco' by William Strang a quantity (all unframed)
VERONICA FITZGERALD (BRITISH, 1909-1998) (3)Still life of flowers signed and dated 'V.F.G. 52.' (lower left) watercolour, gouache and pastel 44 x 33cm together with a watercolour of flowers by the same hane, signed and dated '52', 41.5 x 29cm;and a folio containing six photographic prints relating to the FitzGerald and Severne families, a print of Ford Abbey in Devon, a watercolour of The Lodge, a watercolour of a lady reading, with a lady carrying a basket on the reverse, and three certificates relating to music and one to art addressed to Rachel Giralda Fitzgerald as a child(3)Veronica Fitzgerald (nee Villiers), was the daughter of Ernest Villiers and a cousin of Sir Winston Churchill. In 1929 she married Desmond Wyndham Otho FitzGerald, 28th Knight of Glin and went on to have three children. One of these children was Rachel Giralda FitzGerald who would go on to marry Michael Meysey Wigley Severne of Shakenhurst. Rachel was a model known as The Swan.Provenance: Shakenhurst Hall, Cleobury Mortimer. For further information please refer to the Bellmans website article: https://www.bellmans.co.uk/story/bellmans-2
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86082 item(s)/page