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Click here to subscribeWalker (George). The Costume of Yorkshire, Facsimile Edition, ed. Edward Hailstone, pub. Leeds, 1885, forty col. litho. plts. on Japan paper (inc. frontis., correct as list), text in English and French, occ. minor spotting and light dampstaining to page edges, endpapers renewed, t.e.g., orig. vellum gilt, dampstaining to lower quarter of covers, large. folio. Limited edition 95/600. (1)
York Minster. A composite album of views of York Minster, 18th & 19th c., 83 mounted engraved, lithographed and aquatinted plates on 64 sheets, some coloured and tinted, including views after W. Richardson, J. Buckler, J. Suttcliffe, J. Browne, S. Sharpe, Pieter van der AA, C. Wild etc., occasional light spotting, contemporary presentation inscription, contemp.maroon half morocco, upper joint splitting, some wear to spine, folio (1)
Sold by Order of Bleasby Parochial Church Council BASKERVILLE PRINTING. BIBLE, KING JAMES VERSION THE HOLY BIBLE... WITH ANNOTATIONS first engraved plates, text in double columns, general title, first two or three and last leaves detached/frayed else very clean and sound, Apocrypha, separate title for NT (dated 1771) folio [403 x 248mm] Birmingham: John Baskerville, 1772, contemporary reversed calf with impressed `butterfly` border within fillets, raised bands++++
BOWEN (EMANUEL) THOMAS KITCHEN AND OTHERS THE LARGE ENGLISH ATLAS OR A NEW SET OF MAPS OF ALL THE COUNTIES IN ENGLAND AND WALES DRAWN FROM THE SEVERAL SURVEYS WHICH HAVE BEEN HITHERTO PUBLISHED folio, forty-six [only] mainly double page fine engraved maps (wanting North Wales), hand coloured in outline, title in red and black (corner repaired), later half brown morocco gilt with gilt tooled maroon label, London: T Bowles [et al, c1760-61] ++++
Mason (Eric) Stuff, a Collection of Original Magic photograph of the author driving blindfold and accompanying press release loosely inserted, folio, [1983] § Poinc (Eugene) Illusions for Princes or Paupers, folio, Oakland, 1983 § Kaufman (Richard) David Roth`s Expert Coin Magic, 4to, New York, 1987; Sawa`s Library of Magic, volume one, presentation copy, inscribed by Sawa, folio, New York, 1988; Williamson`s Wonders, folio, [New York], 1989 § Seabrooke (Terry) Seabrooke`s Book: Around the World with a Baking Tin, presentation copy, inscribed by the author, 8vo, Pasadena, 1990 § Ammar (Michael) The Magic of Michael Ammar, folio, Tahoma, 1991 § Schenk (Uwe) and Michael Sondermeyer. Die Paul-Potassy-Show, 8vo, Indehell, [1997] § Minch (Stephen) Kort, 8vo, Seattle, 1999 § Avis (Jack) Rara Avis: Sixty Years of Magic from the Private Notebooks, compiled by Anthony Brahams, folio, Norwich, 2006, all but the third and sixth first editions, illustrations, original cloth or boards, all but the third and fourth with dust jackets, various sizes(10)
Olson (Robert E.) The World`s Greatest Magician: a Tribute to Howard Thurston, Canada, 1981 § Charvet (David) The Great Virgil, Washington, 1991 § Beckmann (Darryl) The Life and Times of Alexander, number 110 of 1000 copies, Rolling Bay, 1994; with separate Addenda, original wrappers, letter from the author loosely inserted, [1997] § Rauscher (William V.) The Great Raymond, number 142 of 200 copies, presentation copy, inscribed by the author, Short Hills, 1996, first editions, illustrations, all but the fourth in original cloth or boards, the third and last with dust jackets, folio (5)
Pecor (C.J.) The Magician on the American Stage number 102 of an unspecified limitation, signed by the author, 8vo, Emerson and West Washington, 1977 § Clarke (Sidney W.) The Annals of Conjuring, 8vo, New York, 1983 § Ewart (Bradley) Chess: Man vs Machine, folio, San Diego, 1980 § Walker (Mark) The Master Illusionists, folio, Siera Madre, 1983 § Waldmann (Werner) Zauberkunst, 4to, Munich, 1983 § Desfor (Irving) Great Magicians in Great Moments, folio, Pomeroy, 1983 § Dawes (Edwin A.) and Arthur Setterington. The Book of Magic, folio, 1986 § Randi (James) Conjuring, being a definitive account of the Venerable Arts, folio, New York, 1992 § Waldman (Carl) and Joe Layden. The Art of Magic, 4to, Los Angeles, 1997, the first and last seven first editions, illustrations, original cloth or boards, the last seven with dust jackets § The Los Angeles Conference on Magic History, a complete set of nine programmes, and three duplicates, illustrations, original wrappers, 4to and small folio, 1989-2005; and 16 others on the history of conjuring, various sizes (27)
Popular Magic compiled from Science and Invention, under the supervision of Prof. Joseph Dunninger, 3 vol. in one, half morocco, with the bookplate of Edward Pearce, folio, New York, [1926-1928] § Andrus (Jerry) Up Close with Andrus, 1957; Nameless Notes, 1964; Special Magic, 1974; More Sleightly Slanted, 1977, all four presentation copies, inscribed by the author, original wrappers, 4to, Albany § Magic Circle Magic, typed presentation sheet to Dr. E.J. Dingwall, signed by Francis White, 8vo, [1963] § Stickland (William G.) Introducing Bill`s Magic, 4to, Bideford, 1970 § Magi Magoria: The Magic of the Magi, 4to, Bideford, 1978 § Capital Magic, folio, Edinburgh, 1986 § Woodbury (Rand) Illusionworks, original wrappers, folio, Florida, 1993 § Wood (Dominic) Simply Magic, presentation copy, inscribed by the author, 4to, 2000, illustrations, all but the first five and tenth in original cloth or boards, the sixth and seventh with dust jackets; and 367others, various sizes(47)
Proctor (Richard A.) Chance and Luck original cloth, 1889 § Maxim (Sir Hiram S.) Monte Carlo Facts and Fallacies, frontispiece and 18 plates by George A. Stevens, original pictorial cloth, soiled, [1904] § Quinn (John Philip) Gambling and Gambling Devices, portrait frontispiece, illustrations, original pictorial cloth gilt, with the bookplate of Jack Avis, 8vo, Canton, 1912 § Cotton (Charles) and Theophilus Lucas. Games and Gamesters of the Restoration, original cloth, 1930, the first two with Magic Circle stamps (withdrawn), 8vo; and fifteen others on gambling and gambling tricks, 8vo and folio (19) ***Included with this lot is an Ely Culbertson Card Shuffler.
Rapp (Augustus) The Life and Times of number 431 of 500 copies, Chicago, 1959 § Olson (Robert) Carl Rosini, his Life and his Magic, Chicago, 1966 § Sorcar (P.C.) Sorcar on Magic, with the bookplate of J.B. Findlay, inscribed by Sorcar Jr., Calcutta, 1960; TW`s GM: The Great Sorcar, with a prologue by Milbourne Christopher, surface defects slightly affecting printed surface of a few pages, Calcutta, 1965 § Dunninger (Joseph) Dunninger`s Monument to Magic, Secaucus, 1974 § Levy (Ed, editor) Richard Himber, the Man and his Magic, New York, 1980 § Schiffer (Franz) Schöner Schein: die Zauberkunst des Wittus Witt, presentation copy, inscribed by Witt, also signed on title-page, Munich, 1995 § Mehler (H.A.) "Hans Moretti", Moretti, eine magische Karriere, Idstein, 1997 § King (William E. ) The Artistic and Magical Life of Bob Kline, limited to 300 copies, signed by Bob and Billie Kline, U.S.A., 1999 § Racherbaumer (Jon) In a Class by Himself: the Legacy of Don Alan, Tahomer, 2000 § Marks (Tony) and others. Tony Marks, Aristocrat of Deception, inscribed by the editor Bev Bergeron, Jackson, 2002 § Levent and Todd Karr. Roy Benson by Starlight, U.S.A., 2006, illustrations, the first two in original wrappers, the remainder in original cloth or boards, the third, fourth, fifth, ninth, tenth, and last with dust jackets, 4to and folio (12)
Read (Bob) The Cups & Balls 2 vol., photocopied typescript and numerous illustrations, original wrappers, folio, 1984-1990. ***The two volumes contain the text of two papers presented at Magic Circle Collectors Seminars, illustrated with about 200 different examples. The vendor was told by the author that only four or five copies were produced. .
Rooklyn (Maurice) Spherical Sorcery 4to, Sydney, 1973 § Kosky (Gerald) and Arnold Fursty. The Magic of Tenkai, folio, Oakland, 1974 § Willmarth (Philip Reed) The Magic of Matt Schulien, folio, Chicago, 1976 § Wilson (Mark) Mark Wilson Course in Magic, folio, North Hollywood, 1977 § Butler (Paul) Jim Ravel`s Theatrical Pickpocketing, 8vo, Pasadena, 1988 § Page (Patrick) and Albert Goshman. Magic by Gosh, 8vo, U.S.A., 1985 § Fleischman (Sid) The Charlatan`s Handbook, folio, Tahoma, 1993, all but the third first editions, illustrations, original cloth or boards, all with dust jackets, the sixth in slipcase, various sizes(7) ***Mark Wilson`s book is a presentation copy, with a long inscription to David Nixon dated Los Angeles 7/7/78, reinscribed in 1990 "with wonderful thoughts of the previous owner". .
Smith (Les and Gertrude) The Floyd Thayer Book "Keep the wheels turning...", vol. 2, first edition, number 227 of 1000 copies, signed by Les Smith, portrait frontispiece, coloured plates, illustrations, and reproductions of original designs, original roan-backed cloth, folio, Azusa, Owen Magic Supreme, 1992.
Wels (Byron G.) The Great Illusions of Magic 2 vol., including vol. of folding plans, New York, 1977 § Neilsen (Norm) The Magic Castle Walls of Fame, number 49 of 500 copies, n.p., 1988 § Jeffreys (Michael) The Enlightened Magicians, Los Angeles, 1990 § Magus (Jim) Magical Heroes: the Lives and Legends of the Great African American Magicians, signed by the author, Marietta, 1995 § Dracwin (Malaki) Magical Renaissance: a Modern Wizard`s Grimoire, vol. 1, a Time Line of Magic, signed by the author, Oklahoma, 2002, first editions, all but the last with illustrations, original cloth or boards, the first three with dust jackets; and four others, folio(10)
Collings (Herbert J.) Large watercolour greetings from Col Ling Soo apologising for his absence from the Southport Convention, 1955, signed with initials, 355mm. by 252mm.; a large portrait of Laurence Glen as a young man; two lists of books and magazine articles issued by Stanyon & Co., each 4 pp. 4to, [c.1930]; Certificate of Registration for Harry Stanley in the name of the Unique Magician`s Club, 1955; script for the Academy of Magical Arts 22nd Annual Awards, 4to, 1990; The Northern Concert Sphere, vol.1 no 4, containing "Magic and the Concert Stage" by J.J. Shepherd, 4to, 1921; The Magical News no.1 and 2, 4to, 1924; The Magician`s Weekly, no.1-9, folio, 1925, and other periodicals and conjuring ephemera, various sizes(a quantity)
Crossini (James).- Memorabilia including a series of 39 autograph and typed letters signed by James Hartley, 82pp. 8vo and 4to, 1972-1995, some addressed to "Misery" or "Misery Guts", discussing show business in Blackpool, reminiscing about stars of the past, and giving a resumé of his career, with related correspondence from the Entertainment Artistes` Benevolent Fund; 55 autograph and typed letters signed by Frankie Parker, 98pp. 4to and folio, 1961-1984, mainly describing his work as a musical entertainer and Olde Tyme Chairman; 14 autograph letters signed by Francis Langford of the Francis Langford Singers, 1959-1962; 30 autograph or typed letters signed by Reggie Dennis "Europe`s Leading Showman-Compere-Comedian", , 1956-1961; over 30 letters from Cyril Dowler, Len Shackleton, and others relating to bookings; and a series of letters in response to Crossini`s request for information about the Oxford Music Hall, Middlesborough; Crossini`s autograph notes and drafts for "A Night Out for 6d", 16pp. folio; his autobigraphical notes; 28 photographs of him performing as an escapologist, some in his appearance in "The Great Houdini"; a large number of contracts, programmes and handbills, a poster for an appearance in Scandinavia, Crossini`s identity card as James Cross, and other pieces, in two box files ***Crossini`s notes on his early life describe his work as assistant to three magicians, his appearance in films as an extra, in variety and circus, before successfully starting his own act. James Hartley appeared on stage from the age of 7 as a violin prodigy, and performed in a pierrot troupe in his youth. He later worked as a journalist for The Era, The Stage and various musical periodicals.
Goldston (Will) Five typed letters signed, one on The Magician Ltd. paper, the remainder to Bayard Grimshaw, 1912-1948; a photograph of Goldston watching Lucille perform; and a copy of "Once hung a Gilded Lamp" by Val Andrews, number 29 of 200 copies, presentation copy, inscribed by the author, original wrappers, folio, 1986 § Victor (Edward) Thirteen sheets of autograph instructions and notes; four photographs, one inscribed, and other related items, various sizes(a small quantity)
Marsh (Jock) Two notebooks over 360 pp., the entries including "Idea for Opening Fan for `Fan` Act, "Another Idea for Opening Item to Fan Act", "Original Idea for Effect with Gramophone Record", "Idea for Prediction Card Effect", "Coincidence or Prediction Type of Card Effect", " Idea for Attache Case Table, "New Idea for a Case-Table", and many other instructions, some original, others copied from periodicals with the scources identified, many with diagrams, and some printed instruction sheets, original cloth-backed boards, one vol. with Bayard Grimshaw`s note identifying the compiler, folio, 1957-1968.
McComb (Billy).- A collection of music including separate instrumental parts for "The Mystery of the Empty Clay Pipes", with various autograph directions by Billy McComb, and a set of parts for another performance with doves, in separate cloth folders, lettered Billy McComb or June Merlin on upper cover, folio.
Press (Percy) Thank You Mr. Punch typescript of the unpublished autobiography, 68pp folio, wrappers, 1979, with two letters to Billy McComb and one to Bayard Grimshaw; the tape of his "A Traveller`s Tale", inscribed to Billy McComb; three publicity leaflets; and the carbon copy of a Punch and Judy script by H.J. Marsh, 8pp. 4to, 1938, with accomanying autograph note.
Scrapbooks.- Turnbull (Larry)Eleven scrapbooks compiled by Larry Turnbull, the first titled "Newspaper Cuttings commencing Nov.1921. Portraits of Actors & Actresses etc. on the Theatrical Stage", with portraits of De Biere, Fred Culpitt, Chung Ling Soo, the Maskelynes, David Devant, Houdini, and other conjurors, and articles by Will Goldston on Houdini, the remainder with portraits and cuttings relating to conjurors, circus performers, actors and actresses, variety acts, dancers and musicians, the year of publication added throughout in the same hand, original bindings, the last with a label of Larry Turnbull on upper cover, 4to and folio, 1921-1944.
Scrapbooks.- Turnbull (Larry) Eight scrapbooks a series of seven containing numerous cuttings relating to the popular singers, dancers, strippers, and other entertainers of the day, including Cliff Richard, Tommy Steele, Helen Shapiro, Connie Francis, the Springfields, and others, two vol. devoted to obituaries, including those of Coco the Clown, Billy Smart, Dickie Valentine, and Phyllis Dixey, annotated in the same hand, the eighth compiled by Edward Roby with cuttings relating to his career, music, and the ballet, original bindings, 4to and folio, 1947-1978. ***Edward Robey, the son of George Robey, was a magistrate and the author of The Jester and the Court. .
Scrapbooks.- Sara (Henry) one formed by Henry Sara, with index by Richard Thorpe, containing seven leaflets issued by the National Laboratory of Psychical Research, five Magic Circle Programmes, 1930-1934, eight for Maskelyne`s Mysteries, [1923?]-1930; one for Dr. and Miss Tree the Amazing Telepathists, signed by Leo Tree; an illustrated souvenir for The Great Carmo Circus-Menagerie & Horse Show; and inscribed illustration of the Zancigs, 1907; an autograph letter from Chris Van Bern regarding the exposure of "Mrs. H", a typed copy of a letter by Conan Doyle relating to an article by Sara about the Zancigs, with the article itself, many articles about spiritualism and Houdini, instructions by Dunninger, and other entries, 1926-1930, original cloth; the other from Richard Thorpe`s collection, with Sidney OIdridge`s leaflet regarding the expulsion of Devant from the Magic Circle, 1936, a photograph of Oswald Rae, Bill Stickland, George Davenport, Will Blyth, Ellis Stanyon, John Ramsey and others at the I.B.M. convetion, 1932, and various cuttings, 1930-1931, original half roan, folio ***A copy of Richard Thorpe`s All about a Magic Scrapbook, inscribed by the author, is included in the lot. The Sara scrapbook is described in the book. .
Terry (Ellen) and others. A very large collection of actresses and actors, 973 in all including a few duplicates, loosely inserted in a large album, half morocco, lacking spine, a few leaves and lower cover loose, tall folio, [the majority c.1900-1930]. ***Actresses in the collection include Maud Allan, Maie Ash (7), Lena Ashwell (3, one with Robert Taber), Nina Boucicault (3), Lilian Braithwaite (4), Billie Burke (9), Mrs. Patrick Campbell, Pauline Chase (8, one as Peter Pan), Constance Collier (9), Gladys Cooper (2), Marie Dainton (7), Phyllis Dare (9, one with her brother), Zena Dare (9, one with Phyllis Dare, two with her mother in their car), Lily Elsie (11, two with her mother), Adeline Genée, Evie Greene (5), Muriel Martin Harvey (2), Cecilia Loftus (3), Marie Löhr (2), Mabel Love (3), Lillah McCarthy (3), Edna May (13, two with her sister Jane, two with Joseph Coyne), Gertie Millar (3), Julia Neilson (11, one with Fred Terry and others), Gabrielle Ray (5), Réjane, Florence Smithson (3), Marie Studholme (8), Marie Tempest (5), Ellaline Terriss (11, two with Seymour Hicks), Ellen Terry (2), Maud Beerbohm Tree (2), Viola Tree (2), Irene Vanbrugh (9, two with George Alexander), and Violet Vanbrugh (9, one with Charles Quartermain). Actors include George Alexander (2), Oscar Asche (2, one with his wife), Wilson Barrett, Constance Benson (4), Stanley Brett (2), C. Hayden Coffin (2), Edward Compton (3), George Edwards, George Grossmith Jr., Seymour Hicks (2), H.B. Irving (4), Gerald Lawrence (4), "Nipper" Lupino Lane (2), Harry Lauder, Gerald Du Maurier (5), Martin Harvey (5), Charles Hawtrey (3), Cyril Maude, Harry Randall (2), J. Forbes Robertson (2), George Robey, Harry Tate, Fred Terry (8), Herbert Beerbohm Tree, and Bransby Williams (2). There are several groups including two Gaiety Girls, each with six signatures, and The Follies with six signatures. About ten more recent additions include Richard Attenborough, Gwen Frangon Davies, Lonnie Donegan, Dulcie Gray, Barbara Murray, and Sheila Sim.
Bolton (T.) New Instructions 26 engraved pp. including title, first and last leaves soiled and stained, loose and slightly frayed, folio, C. Wheatstone, [c.1820]. ***Seven pages of instructions have pencil revisions for an instrument with an extra treble string, making eight in all as on the Rolfe instrument in this collection. The solo pieces and song settings that follow include "Little Bo Peep". Both instruments are depicted on the title-page. .
Carulli (Ferdinando) Méthode Complete Op.241, fifth edition, lithographed portrait, 108pp. including title, (plate no.2250), title-page soiled, fore-edge of one leaf strengthened, Paris, Carli, [c.1825] § Rosquellas (P.) A Complete Tutor for the Spanish Guitar, containing in addition to the fingered lessons & exercises Spanish, Italian & English Songs with several National Airs, 40pp. including title and introduction, two fore-edges strengthened, a few minor stains, Clementi, [c.1825] § Bertioli (A.) Select Airs for the Spanish Guitar [including three by Carulli], 7pp. including title, (plate no. L.55), F.T. Latour, [1826] § Apollon, à la Toilette des Dames, Melodies faciles et agreables pour la Guitare, principalement par A. Diabelli, no. 4-6, each 6 pp. including title, (plate no. F & J 163), Ewer & Johanning, [c.1825]. the seven works bound in one vol., engraved throughout, contemporary half roan, upper cover with ownership label of Mrs. Morison, spine defective, folio, [c.1825]-1826. ***A letter by the publsher and the author`s introduction to Carulli`s Méthode draw attention to the improvements incorporated in this edition. The preliminary scales and exercises are followed by 56 pieces and six études. The only other copies located of this edition are in the Kenneth Sparr collection and Yale University Librart. One other copy of the third work is located in the British Library.
Carulli (Ferdinando).- Master & Scholar or the Spanish Guitar Simplified, being a complete method compiled from Ferdinand Carulli, 30 engraved pp.including title, the latter and last page slightly soiled, later wrappers, folio, Z.T. Purday, [c.1840]. ***This is described on the title-page as an "Improved Edition with Paganini`s Airs". There are three in all, following six pieces by Carulli in the preliminary instructions, four songs, six solos from the opera "Masaniello" by Auber, and a piece for guitar and piano. No other copy has been located.
Carulli (Ferdinando) A Complete Method simplified & improved for the use of beginners with Twenty four Lessons by Mr. Bertioli, third edition, 23 engraved pp.including title, a few leaves stained at fore-margin, original wrappers, the title repeated on upper cover, out edge of lower cover strengthened, folio, Dover & Henderson, [c.1828]. ***The only other copies located are an earlier edition in the Kenneth Sparr collection, and a copy of the third edition in the British Library watermarked 1828.
Darr (Adam) Manuscript music for the guitar 62 pp., further pages not used, slightly soiled, a few leaves stained at upper outer corner, original cloth, folio, n.d. ***The manuscript is possibly autograph, but the music is more neatly written than that in the preceding lot, and the titles and instructions are in a different style, suggesting that the pieces were copied from Darr`s own manuscript. The contents are: No.1. Adagio et Rondo; No.2. Introduction & Rondo; No.3. Introduction & Polonaise; No. 4 Serenade; No.5. Einleitung & Walzer; No.6 Galopp; No.7. Introduction & Walzer; No.8 Polka; No.9.Erinerung an Rottach; No.10. Galoppe (Rasch); No.11. Galoppe; No.12. Introduction & Walzer (Schweinfurt 1836); No.13. Jagd Galoppe; No.14. Introd. & Walzer; No.15. Ländler; [No.16]. Erinerung an St Petersburg. No.1 and 15 have similarities to pieces with the same titles in the preceding lot, and are possibly solo versions of the same pieces, although passages in the first are marked "Accompagnement". The final piece was also arranged by Darr as a guitar duet. .
Darr (Adam) Adagio & Rondo (concertant) mit Beleitung der Bass-Guitarre & 2 Violinen, parts for guitar and terz-guitar and violin II, 11pp, including title; Ländler für Terz- & Bass-Guitarre & 2 Violinen, four parts, 10pp., including "Allegretto graziosa Chor und Ballet" on fourth page of guitar part; Einleitung & Walzer für Terz- & Bass-Guitare, 2 parts, 8pp. including title and "Bockzopf-Fantasie oder was-!, Beides geliefert am 1 May 1849 (Munich)" on fourth page of the bass part; Introduction & Rondo Guitarre Spatso, and Champagnes Galoppe, 4pp.; Popourri für die Zither & Guitarre, guitar part only, 4pp., autograph manuscripts, 37pp. in all, some leaves soiled, four leaves slightly affected by damp at upper outer or lower inner corner, folio, [c.1849]. ***Adam Darr was born in Schweinfurt in 1811 and from the age of 18 travelled throughout Europe for 16 years, including a stay in London where he worked as a private teacher of the guitar. He died in 1866 and none of his music was published until the turn of the century .
Diabelli (Anton) Philomele, no.50, 106, 108, 109, 133, 204, 280, 319, 320, 322, 323, 324, 327-330, 333, and 346, Vienna, [c.1820-1830] § Kücken ( Fr.) Leider mit Begleitung der Guitarre, no.1-5 (complete), (plate no.312-316), Dresden, Wilhelm Paul, [c.1840?] § Geiringer (E.) Auswahl der beliebtesten Gesänge mit Begleitung der Guitarre, no. 2 only (of 5), (plate no. 2878), Vienna, E. Mollo, [c.1840], the 24 pieces bound in one vol., engraved throughout, a few leaves strengthened at margins and repaired, slightly stained, contemporary half roan, folio, [c.1820-1840]. ***The earliest issue of Philomele is "Der Abschied der Troubadours, mit Manieren von M. Giuliani". The other songs include four each by Franz Schubert and Gottfried Preyer, and five by H. Proch. The only other issues located are four in the Kenneth Sparr collection, two in that of the late Robert Spencer and two in Yale University Library. No other copies of the Kücken and Geiringer songs have been found.
Gatayes (G.P.A.) Séconde Méthode de Guitare Oeuvre 26, third edition (revised and enlarged), 41 pp., including pictorial title-page and fingerboard chart, Paris, Frere § Carulli (Ferdinando) Le Répertoire des Elèves, Op.124, 13 pp. including title, (plate no. 223 P), Paris, Ph. Petit; Morceaux Progressifs, Op.264, 11 pp. including title, (plate no. 613), Paris, C. Lafillé; Récréation: Choix de Douze Airs Connus, 13 pp. including title, (plate no.501 P), Paris, Ph. Petit; Quatrième Recueil de Morceaux Faciles, Op.36, 11pp. including title, (plate no. N.1525), Paris, Naderman; Petit Fantasie pour Trois Guitares, Op.251, (1st guitar only), 5 pp. including title, (plate no.V.D et D.1304), Paris, Vve. Dufaut et Dubois; Choix de Plusieurs Morceaux d`Haydn, Mozart, Beethoven & Hummel, Op.235, 9pp. including title, (plate no.2054), Paris, Pacini § Spontini (G.) Marche Triumphale de la Vestale arrangée par Maurice de Raoulx, 4pp. including title, (plate no.941 1), Paris, Melles.Erard, [c.1820] § Quadrille pour deux guitares tirées de Robin des Bois Freischütz, arrangées par Varlet, (1st guitar only), 5 pp. (plate no. M.S.401), Paris, Maurice Schlesinger § Meissonier Jeune (Joseph) Trente Airs Connus, Oeuvre 2, 13pp. including title, (plate no.258 P), Paris, Ph. Petit, 10 separately issued works bound in one vol., the contents engraved throughout, a few leaves slightly spotted or stained, all with label of Fulliatre et Neveu, Bordeaux, over imprint, and import stamp of Jas. Jacobs, Calcutta, contemporary half calf, folio, [c.1820]. ***In the lengthy introduction to his tutor Gatayes names several of the leading players and composers of the time. followed by exercises and scales, several preludes, five songs, and eight solos. None of the above pieces have been located elsewhere apart from a second edition of the Gatayes Méthode; the first Carulli piece; and another edition of the second Carulli title.
Giuliani (Mauro) Choix des mes Fleures ou Le Boutique Emblématique pour la Guitarre, Oeuvre 46, 13pp. including title (plate no. 2237), soiled, lower outer corner cut away, rebacked, folio, Vienna, Artia et Comp., [1815?] § Sor (Fernando) Six Divertimentos for the Spanish Guitar, set 2d., Op.2, 6 pp. including title, signed by the author, slightly soiled and discoloured, folio, Manzani & Hill, [1819] § Carcassi (Matteo) Six Walz pour Guitare ou Lyre, Oeuv.4, 6pp. including title (plate no. 2553, affected by damp at upper outer corner, folio, Mayence, chez les fils de B. Schott, [c.1820] § Dolce et Utile, a Melange for the Spanish Guitar, corrected and fingered by Mr. [George Henry] Derwort, no.3 and 7, each 3pp. including titles (plate no. W.& S. No.128 and 134), stamps of W.H. Aldridge and later owner on titles, small 4to, Wessel & Stodart, [c.1825], all engraved, unbound, 4to and folio(5) ***The Giuliani pieces have a parly legible inscription at the top of the first page, apparently by a Sr. Tobya. It seems likely that this was by J. Toby before he anglicised his name. One other copy of the first four items have been located.
Giuliani (Mauro) Le Rossiniane per la Chitarra [part 3], Op. 121, first edition, 13pp. including title, (plate no. 2769), title-page pasted down, soiled, Vienna, Aetaria, with Wessel & Stoddart stamp over imprint, [1823]; Giulianate: Recueil d`Airs Favori, Liv.2, Oeuv.148, 13pp. including title, (plate no. 2538:R), stained, Paris, Richault, [c.1830]; Nouvo Rondo di Gusto Originale, Opera 5, 3 pp., Paris, Richault, with the stamps of Wessel & Stodart, [c.1830]; Douze Walzes pour la Guitare, Opera 44, 4pp. including title, (plate no. 1309.R), Paris Richault, [c. 1830] § Kûffner (J.) Serenade for Spanish Guitar and Flute or Violin, Op.48 (guitar part only), 4pp. including title, Metzler & Son, imprint obscured by Wessel & Stoddart label, [c.1820] § Horetzky (Felix) Quatre Variations, avec l`Introduction et Finale, Op.22, 5pp. including title, W.H. Aldridge, with the stamp of Johanning & Whatmore, [c.1840]; Twelve Easy Divertimentos for the Guitar, Op.26, 5pp. including title, J.J. Ewer, [c.1840]; Divertissemens pour Guitare seule, Op.17, 7 pp. including title, Johanning & Ferry, [c.1835]; Divertissements for the Guitar, Op.19, 4pp including title, Mezler & Son, [c.1835]; Preludes, Cadences, and Modulations in every key for the Guitar, Op.21, 9 pp. including title, the latter loose, Metzler & Son, [c.1840] § L`Aurore, ou Journal de Guitare, no.5 and 6, each 17 pp. including titles, with 23 pieces by Giuliani, Sor, Carulli, and others, Johanning & Whatmore, [c.1840] § The Stranger`s Bride, arranged for the Spanish Guitar by F. Pelzer, 3 pp., J. Duff, [c.1840] § Craven (J.T.) The Light Bark § Lover (Samuel) Under the Rose, arranged for the Guitar by M. Sola, both 3pp. and one page letterpress publisher`s catalogue, H. Falkner, [c.1840] § Meves`s much admired song The Muleteer, expressly arranged for the Spanish Guitar by W. A. Wordsworth, 3pp., Monro & May, [c.1835] § Teach me to Forget, arranged by C.M. Sola, 2 pp., Goulding & D`Almaine, [c.1835] § Stevens (Charles) The Rose, a Divertimento for the Spanish Guitar, 3pp. including title, Johanning & Whatmore, [c.1840], the nineteen pieces bound in one vol. with manuscript index, engraved throughout, soiled and stained, contemporary half roan, covers loose, stitching defective, folio, [c.1820-1840]. ***Four copies of Le Rossiniane have been located; one of the second item (and two first printings); one of the fourth item (and two with Viennese imprints); one of the sixth item, and two of the nineteenth, (one with different imprint). None of the others have been found.
Glover (Howard) Once too Often instrumental score for the operetta, autograph manuscript, 126pp., one deleted, with various pencil annotations, oblong folio, [c.1870] § Frewin (Harrison) Red Mask, piano score with stage directions for the dramatic ballet, autograph manuscript, 78pp. contemprary cloth, typescript of the book by Alice and Claude Askew loosely inserted, folio, [c.1900], folio (2)
Loüet (Alexandre) Instructions Théoriques 2 engraved plates, ownership stamp at foot of title, uncut, Paris, 1797 § Tournatois (M.) L`Art Musical relatif a l`Accord du Piano, Paris, [1810?] § Koenig (Rudolph) Catalogue des Principaux Appareils d`Acoustique qui se fabriquent chez Rudlph Koenig, Paris, 1859 § Meerens (Charles) Examen Analytique d`Acoustique Musicale, unopened, Paris, 1869 § Hirn (G.-A.) La Musique et l`Acoustique: Aperçu Général, Paris, 1978 § Musical Pitch. Letters, Articles and Comments in the press on the proposal to adopt the low pitch throughout the pianoforte trade, folio, 1899, original wrappers, the third, fifth, and sixth split or frayed at spine; and seven others on the same subject, 8vo and folio(13)
Mahillon (Victor-Charles) Catalogue Descriptif first editon, half calf, Gand, 1880; Another edition, 4 vol., original wrappers, stitching of one vol. defective, Gand, 1893-1909 § Bricqueville ( Eugène de) Les Anciens Instruents de Musique, presentation copy, inscribed by the author on upper cover, illustrations, original wrappers, with later outer wrapper, folio, Paris, [c.1880]; Collection de Briqueville a Versailles: Anciens Instruments de Musique, number 88 of 100 copies, original wrappers, Paris, 1893 § Franciolini (Leopoldo) Catalogo con Prezzi degli Instrumenti Musicali Antichi, 8pp, slight defects at folds, 4to, Florence, [c.1900] § Crystal Palace Intertational Loan Exhibition of Musical Instruments. Official Catalogue, first and second edition, original wrappers, covers loose; and Handbook, 2 copies, some annnotations by contributor J.Geo. Morley, original wrappers or contemporary cloth, wrappers bound in,1900 § Hammerich (Angul) Das Musikhistorische Museum zu Kopenhagen, illustrations, original wrappers, Kopenhagen, 1911; and 20 other musuem and exhibition catalogues, various sizes(31) ***The Franciolini catalogue is not recorded in Edwin M. Ripin`s The Instrument Catalogues of Leopoldo Franciolini, 1974.
Mertz (Johann Kaspar) and others. Manuscript music 94pp., the printed staves within ornamental borders by De La Rue, original half roan, lacking foot of spine, folio, [c.1850]. ***The contents include the following pieces: Bardenklänge 7. Heft Variations Mignonnes; [6] Ländler op.9; Erinnerung an Tochl, op.12; El Olé and La Madrilena, op.39; Trois Nocturnes op.4; Cyanen, op.5; Vaterlands Blüthen, op.1; and Zwei Polonaisen und Mazurka, op.3, all by J.K. Mertz; Recuil de dix petites pièces composées par Matteo Carcassi op.11; [12] Amusements pour la Guitare op.10; Six Caprices op.26; Les Récréations des Commençans op.21, 24 petites pieces três faciles, all by the same composer; Vingt-quatre Morceaux tres faciles comp. par Ferdinand Carulli, op.121; and [11] Etudes M. Giuliani, op.51. According to a note on the endleaf this volume was formerly the property of M. Stehling and it seems probable that these pieces are in his hand. They are preceded by another group written by an earlier presumably English owner: Moscheles March & Polonaise by Derwort; Serenade no.1 in C by Leonard de Call; and four songs: Le Premier Pas; Ye Banks and Brays (for 1 or 2 voices); O wat ye wha`s in yon town; and I`ll watch for thee.
Molino (François) Grande Méthode Complette Op.46, second edition (revised and enlarged), lithographed pictorial dedication to the Duchesse de Berry and 3 plates by Engelmann, one depicting and naming the parts the guitar, the others of a female pupil and the left hand position, the remainder of the book engraved throughout, 131pp. (plate no. 80), including title-page and folding fingerboard diagram, both frayed and backed, somewhat soiled, contemporary half roan, worn, upper cover almost loose, folio, Paris, chez l`Auteur, [ownership inscription dated 1839]. ***The general introduction is followed by instructions on holding the guitar followed by lessons, scales and related pieces, a theme with 50 variations, and exercises in sustaining the sound on the instrument. A catalogue of music by Molino lists pieces up to Op.64. The volume was formerly in the collection of M. Stehling, a friend of Ferdinand Sor. The only other recorded copies of this tutor are a first edition and two second editions in Kenneth Sparr collection and a copy of the second edition in Yale University Library. .
Pratten (C.J.) Nineteenth Divertimento Two Marches for the Guitar, 5pp. including title, list of music on final page, C. Lonsdale, n.d.; Paganini`s Carnival de Venise, 2 parts for guitar and piano, 6 pp. and 5 pp. including titles, one part with list of music on final page, Published at her Residence, n.d.; Twelve Songs fore the Guitar, no.5: Phoebe Dearest, 3 lithographed pp. including title, advertisement on last page, Boosey & Sons, n.d.; Moorish Dance, 5 pp. including title, list of solos on last page, Madame G. Pelzer, n.d. § Ferranti (M.A. Zani de) Fantasie variée sur l`air Wan I in der fruh auf steh, Op 1, 8pp. including title, one leaf cropped at fore-edge with slight loss of notation: Six Nocturnes Bibliques, Op.3, 13 pp. including title; Fantasie Variée sur l`aire de Caraffa O Cara Memoria, Op.10, 10pp. including title, the second slightly affected by damp, all three Mayence, chez les fils de B. Schott, n.d., all but the fourth item engraved, some slightly soiled § Sor (Ferdinand) Method for the Guitar, edited by Frank Mott Harrison, original cloth-backed printed wrappers, Robert Cocks & Co., [c.1900]; nine later tutors and pieces for the guitar, and a collection of violin music, folio(a quantity) ***Two other copies of the fifth and sixth items have been located, and three copies of the eighth.
Schulz (Leonard) Rondo à la Chasse Op.10, 6 pp. including title; Three Rondos on Favourite Melodies from "The Bridal Promise", [no.3 only], Op.14, 5 pp. including title; Schottische, founded on a favourite theme by Bellini, 2pp.; Beauties for the Guitar no.2: Harmonic Walz, 3pp. including title § Sagrini (Luigi) La Recreation des Elèves, Op13 Liv II, 5pp., Johanning & Whatmore, [c.1830]; Five Divertimentos for the Guitar, Op.3, 9pp. including title; Récréation des Amateurs: Sept Morceaux choisis des plus jolis Opéra, Op.13, [no.4-7 only], 5 pp. including title, somewhat browned, Anvers, chez les fils de B. Schott, [c.1830] § Luigi (G.) The Offering, no.1: Il Lamento, 3 pp. including title § Marescot. The French Retreat, 4 pp. § Duvernay (Flamini) The Spanish Retreat, 3 pp. § Cirineo (Simon) The New Spanish Retreat, 4 pp.; Zumalacarreguy`s Grand March, 2 pp. § de Santillana (Don Gonzales) Don Carlos` Original Spanish Retreat, 2 pp.; and ten pieces for the piano, seven from the Musical Bouquet series with illustration on first page, some leaves torn, the twenty three pieces bound in one vol., engraved throughout, unless otherwise stated, the guitar music all published by Johanning & Co., [c.1835], contemporary half russia, covers loose, folio, [c.1830-1835]. ***The first piece has the ownership signature of J. Toby. Two other copies have been located, and one other copy of the Three Rondos no.3; the Duvernay; and the Cirineo Grand March. No locations have been found for the other pieces.
Sola (Charles Michael Alexis) Sola`s Instructions dedicated by permission His Royal Highness the Duke of Sussex, first edition, lithographed pictorial title-page, and 27 engraved pp. (plate no. 1450), with table, scales, exercises, and twelve pieces, lower outer corner cut away throughout, contemporary wrapper, folio, Chappell & Co., [1819]. ***Only two other copies have been located, one a later issue of c.1830.
Sola (C.M.A.) Six Italian Canzonets with an accompaniment for the Spanish Guitar, 7pp. including title, one leaf repaired slightly affecting text, Chappell & Co., [c.1820?]; Select Songs for the Voice and Spanish Guitar, no. 2-4 (the first and third renumberd 8 and 10: "Farewell thou coast of glory" by Rossini; "Toujours le même"; and "In happier hours" by H.R. Bishop, each 3 pp. including title, soiled, Goulding & D`Allmaine, [c.1830] § Mayseder (J.) Variations sur la romance Partant pour la Syrie pour Violon et Guitarre, 9pp. including title (plate no. 2490), spotted, Vienna, Artaria et Comp. [c.1825] § Carulli (Gustave and Ferdinando) Mélange en duo pour Piano et Guitare sur des motifs de Rossini, Op.236, 12pp. (plate no.494P), dampstained, original wrappers, title on upper cover, Paris, Nadaud, [c.1830] § Neuland (W.) Six Divertimentos for Two Guitars, Op.6, second part only, 5pp. including title (plate no.3839), later owner`s stamp at foot of title, S. Chappell, [c.1830]; "L`Or est une Chimère, from Meyerbeer`s Opera of Robert, arranged the the Guitar & Piano-Forte, Op.12, 12pp. including title (plate no.4228), title soiled, S. Chappell, [c.1830] § Philomèle no.67: "Father I Call to Thee", 4pp. including title (plate no. W & Co.no.1904), and letterpress list of German songs, Wessel & Co., [c.1830] § The Mermaid`s Cave. Cavatina composed by Charles E. Horn, arranged with an accompaniment for the Guitar, 3 pp., the first soiled and stained, Z.T. Purday, [c.1830], all engraved, four pieces strengthened at spine, folio(10)
Sola (C.M.A.) Instructions first edition, lithographed pictorial title-page, and 27 engraved pp. (plate no. 1450), title-page cut down and mounted inside upper cover of later wrapper, Chappell & Co., [1819] § A New Method of Instruction for the Spanish Guitar, the lessons original and selected, but principally by Carulli, Giuliani & Meisonnier, 16 pp. including title, stained, some repairs, later wrappers, Ewer & Johanning, [c.1825] § Lea (Henry) Exercises for the Guitar on those chords which are most commonly used for accompanying the Voice, 3 pp. including title-page, extensive list of Lea`s publications for guitar on last page, slightly soiled, Published by the Author, [c.1830], folio(3) ***No other copies of these pieces have been located apart for a copy of the third published by T. Prouse, [c.1840].
Sor (Ferdinand) Méthode complète redigé et augmentée de nombreuses exemples et leçons, suivis d`une notice sur la 7e. corde par N. Coste, 85 engraved pp. including title, (plate no. 1726), spotted, some pencil markings, short tear in inner margin of the first few leaves repaired, cloth-backed boards, with the binder`s label of Simmonaire & Cie, Boulogne,folio, Paris, Schonenberger, with the later stamp of Henry Lemoine, [c.1890]. ***The appendix on the use of a seventh string has fifteen pieces by Coste, and his transcription of six pieces by Robert de Visée from the tablature of 1686, followed by the separately paginated 26 Etudes pour la Guitare by Sor. .
Sosson (Alexander) A Complete Instruction Book with rules to facilitate a knowledge of that Elegant Instrument, 35 engraved pp. including pictorial title-page, the latter loose, with deleted ownership signature and later owner`s stamp at bottom margin, inner edge slightly frayed, outer edge trimmed, Goulding & D`Almaine, [c.1830], bound with Sola (Charles Michael Alexis) Les Amusemens Tiroliens. Favourite Swiss Airs as sung by the Tyrolese Family Rainer at the Egytian Hall, 20 engraved pp. including title, (plate no.R.M.R. 416), publisher`s letterpress advertisement on last page, slightly cropped, I. Willis & Co., Royal Musical Repository, [c.1830], later wrappers, partly obscuring text of advertisement, folio ***Sosson`s tutor has scales and exercises interspersed with 43 pieces, ending with four songs with French text. Various arrangements of the Rainer repertoire are known with piano accompaniments, but this collection for guitar and the Sosson manual appear to be unrecorded. .
Sperati (B.) New and Complete Instructions 12pp., engraved throughout, including pictorial title-page, fingerboard illustration and lessons, signed by the author at foot of title-page, small stain at lower inner corner throughout, slightly soiled, folio, Monzani & Cimador, [c.1800]. ***This is an apparently unrecorded first (and possibly only) part of a periodical publication. .
Toby (J.) [Treatise on the Guitar] lithographed frontispiece, 73 pp., the preface signed by the author, slightly stained, [c.1835]; Twelve Pieces for the Piano Forte expressly composed & arranged as an Accompaniment to the Twelve Pieces contained in the Treatise on the Guitar, 16pp. including title, the latter signed by the author, Published by the Author, [c.1835]; Romanzo Capriccioso por Chitarra Seule, 4pp. including title, slightly browned, F.N. Colson, [c.1835]; Inspirazione d`Amore per il Violino, 1 page, F.N.Colson, [c.1835] § Giuliani (Mauro) Trois Rondeaux pour Guitarre, oeuvre 17, no. 2 and 3 only, each 3pp. including title, (plate no. 712), Bonn, N.Simrok, [c.1817]; Giuliana no.14: Forty Studies [actually twenty four], edited by Leonard Schutz, 24pp. including title, (plate no. 1277), letterpress advertisement on final page, slightly browned, Wessel & Co., [c.1834] § Eulenstein (C.) Fantasie, in which is Introduced a Favourite German Air, 5pp. including title; Douze Petits Morceaux très faciles, 6 pp. including title, (plate no.1683 R), both R. & W. Davis, imprint obscured by Johanning & Whatmore label, [c.1830]; Pleyel`s German Hymn, arranged as a solo for the Guitar, 3 pp., D`Almaine & Co., [c.1835] § Pelzer (Ferdinand) Variations pour la Guitare sur un Thème Russe, Op.2, 6 pp. including title, (plate no.291), Paris, and Bohem à Lille, [c.1835] § Molino (Francesco) Le Plaisir de Tous les Goûts, ou Variations sur l`air Fleuve du Tage, Op.35, 6pp. including title, C. Wheatstone, [c.1827] § Schulz (Leonard) The Scales for the Guitar, 3pp., Johanning, [c.1835] § Gaude (Theodor) Variations sur diverses Thêmes pour la Guitarre, ouv.34, 8pp. including title, (plate no.1517), Leipzig, C.F. Peters, [c.1830] § Marescot (Charles) Allegro en Variations pour Guitare, Op.5, 7pp. including title, (plate no. L 10), Published by the Author, [c.1830] § Legnani (Luigi) Air Nouveau avec Variations, Op.40, 4 pp. including title, Rougé, Professeur de Guitare and Johanning, [c.1835] § Sagrini (Luigi) Souvenirs de Bohème. Four Favourite National Melodies as sung by the Bohemian Brothers, 5 pp. including title, (plate no. B.5), Bochsa & Co., obscured by Johanning and Whatmore label, [c.1830] § Horetzky (Felix) Fantasie pour la Guitare, Oeuv.14, 4pp. including title, (plate no.1618.R.), the imprint obscured by Johanning & Whatmore label, [c.1835?] § Huerta (A.T.) A Divertimento for the Spanish Guitar; Grand March for the Spanish Guitar, each piece 3pp. (plate no 3631 and 3630), with letterpress advertisement on last page, S. Chappel and G. Edwards, Bristol, [c.1835], the nineteen works bound in one vol., the contents engraved throughout unless otherwise stated, contemporary half roan, covers detached, stitching defective, folio, [c.1817-1835]. ***Toby`s Treatise has his signed autograph note explaining why he removed the title-page, asking any subsequent owner of the book to have it reprinted. At the end there are his autograph manuscript drafts for a song acompanied by the guitar and a guitar duet, 9pp., the first with dedication to Signor Bonaccia and his sister (another dedication to Luigi Mosca of Naples dedicatee of the Romanzo Caspriccioso, has been deleted); and manuscript music in a different hand, 7pp., for Le Postillion Musard and five other pieces. Toby decribes himself as a "Professeur de la langue Espagnole", but his music appears to be totally unrecorded. It seems likely that the volume was originally owned by the composer. Of the other pieces locations have only been found for one other copy of the Giuliani Trois Rondeaux. Giuliana no.14; and the Molino piece.
Zumsteeg (J.R.) Des Pfarrers Tochter contemporary boards, spine worn, with the ownership signature of Alex C. Hassé, Leipzig, Breitkopfischen Buchhandlung, [1792] § Liste (A.) Sehnsucht nach dem Rigi, mit Beleitung des Pianoforte oder der Guitarre, Munich und Bern, Jos. Aibl, [c.1820?] § Neukomm (Sigmund) An mein Schifflen, Hamburg, Joh. Aug. Böhme, [c.1800?] § Eunike (I.F.) Sechs Deutsche Lieder, Berlin, Grobenschuttz und Seiler, [c.1800?] § Zelter (Carl Friedrich) Zwölf Lieder, Berlin, auf Kosten des Verfassers, 1801 § Reisinger (Karl Gottlieb) Zwei Gesänge für die Bassstimme, Leipzig, Friedrich Hofmeister, [c.1800] § Hasse (Chr. Friedr.) Der Pilgersmann, Leipzig, C.F. Peters, [c.1800] § Loewe (Dr. C.) Fünf Oden des Horaz, Berlin, H. Wagenführ, [c.1820] bound in one vol. with various manuscript pieces, some loosely inserted, including Linter (R.) Royal Court Polkas arrgd. by H.F. Hassé, autograph manuscript, 2pp. ;De Call (L.) Trio pour 3 Guitarres, 8pp. dated "In Partitur gesetzt 11 Jan.1887, contemporary cloth, back split, with the ownership signature of Alex C. Hassé, the first four pieces with the signature of Maria von Bülow or L.v. Bülow, [1792-1887], oblong folio(2)
A Collection of Original Etchings a published collection of 194 plates, of 200 listed, by or after Rembrandt, Claude Lorraine, Hollar, Bega Runciman and others, etchings, later impressions on india paper, v.s., trimmed close and mounted at edges onto album eaves, as issued, one leaf detached, generally in good condition contemporary gilt- and blind-embossed green morocco, edges worn, lower board detached, a.e.g., folio, printed by J. Kay, 1826.
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![Giuliani (Mauro) Le Rossiniane per la Chitarra [part 3], Op. 121, first edition, 13pp. including title, (plate no. 2769), tit](http://lot-images.atgmedia.com/SR/1574/2790853/523-201038171049_468x382.jpg)
![Toby (J.) [Treatise on the Guitar] lithographed frontispiece, 73 pp., the preface signed by the author, slightly stained, [c.](http://lot-images.atgmedia.com/SR/1574/2790853/542-201038171112_468x382.jpg)
