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Click here to subscribeReinzer (Franciscus) Meteorologia Philosophico-Politica ... , second edition, engraved frontispiece, 83 engraved emblematic illustrations in the text, a few pp. lightly browned, Oo2 with lower corner repaired, contemporary vellum, some small tears to spine, folio, Augsburg, Impensis Jeremiae Wolfii, 1698.
Hohberg (Wolfgang Helmhard von, Baron) Georgica Curiosa Aucta ... von dem Adelichen Land-und Weld-Leben, 2 vol., additional engraved titles, printed titles in red and black with woodcut device, 10 engraved plates, a few woodcut and numerous engraved illustrations in text, foxed and browned, some marginal worming, contemporary sheep, rubbed, folio, Nuremburg, 1701.
Bomer (Antonio) Triumphus Novem Seculorum Imperii Romano-Germanici, Carolo Magno, additional engraved pictorial title and 10 plates of triumphal arches engraved by J.U.Kraus, C.Engelbrecht and J.A.Pfeffel after Peter Schubart von Ehrenberg, neat library stamp at foot of letterpress title, front hinge cracked, contemporary calf, minor worm damage, foot of spine worn, (Berlin Kat. 3624), folio, Vienna, typis J.J.Lotteri, 1725. A superb example of baroque art, marking the 900th jubilee of the Holy Roman Empire.
Gundl (Paulus Antoninus) Vellus Aureum Burgundo-Austriacum sive Augusti & Celeberrimi Ordinis Torquatorum Aurei Velleris Equitum Fidelis & Succincta Relatio Historica ... , first edition, engraved frontispiece, 11 plates, light browning, contemporary mottled calf, spine gilt, slightly rubbed, folio, Vienna, Wolfgang Schwendimann, 1728. The Austro-Hungarian Order of the Golden Fleece.
Stampart (Franz van) and Anton Joseph von Prenner. Prodromus, seu Praeambulare Lumen ... , Latin and German titles and parallel text, 30 engraved plates plus engraved index leaf, one engraved head-piece, slight worming throughout affecting upper corner of most plates, contemporary sheep, worn, folio, Vienna, 1735.
Uldarico (Antonio) Codex Diplomaticus Quedlinburgensis, title in red and black with engraved vignette, 41 engraved plates at end, nos.1-19 folding, nos.20-41 trimmed and mounted, a few lightly water-stained, contemporary red morocco, gilt, g.e., a little rubbed, folio, Frankfurt-am-Main, 1764.
Ridinger (Johann Elias, Martin Elias and Johann Jacob) (Das in seiner grossen Mannigfaltigkeit und in seinen schonen Farben nach Original-Zeichnungen geschilderte Thier-Reich), 2 vol., text in German and French, 2 engraved pictorial frontispieces printed in red, 120 hand-coloured engraved plates only (of 127, lacking Zebra vel Zecora, Canes Porcarii, Tigris, Leo colore lucido, Tamandua-Phatagin, Cuttu and Mabsupiale, the last two supplied from another edition mounted and captioned at the time of binding), with 2 additional hand-coloured plates (Ursus major and Cebus) not included in lists of plates or in Schwerdt, 4 plates printed in green, first Elephas plate cut to plate-mark and mounted, 7 plates torn across image, a few along plate-mark and 2 plates and frontispiece of vol.1 with margins defective (all repaired, no loss), many other marginal tears and repairs, frontispieces and text foxed, many plates soiled (mostly marginal) but some clean, Donaueschingen library copy with faint stamps on front free endpapers and verso of final plate in each volume, nineteenth century half diced russia, spines gilt and a little faded, paper labels at foot, slightly rubbed, (Nissen 3408; Schwerdt III p.145), folio, (Augsburg, 1768). Ridinger's sons completed the work after his death in 1767.
Pigage (Nicolas de) La Galerie Electorale de Dusseldorff, 2 vol. (including plate vol.), text vol. with half-title, general title and six divisional titles with engraved vignette, plate vol. title with engraved vignette, 30 plates, occasional foxing, mostly to text vol., 19th century marbled boards, a little rubbed and sunned, oblong folio, Basel, 1778.
Eckhel (Joseph Hilarius von, Abbe) Choix des Pierres Gravees du Cabinet Imperial des Antiques, 40 engraved plates, final few plates partly loose, early ownership signature on front free endpaper, contemporary half paper over marbled boards, edges untrimmed, lower joint cracked, partly broken, folio, Vienna, de l'Imprimerie de Joseph Noble de Kurzbek, 1788.
Mitterer (Hermann) Anleitung zur burgerlichen Baukunst und Bauzeichnung, third edition, 20 lithographed plates, some foxing and browning to text, original lithographed printed wrappers, Munich, 1824 ~ Fayolle (J., aine) Extrait de la Collection des Dessins d'Interieurs d'Appartement, & d'Objets divers pour l'Ameublement des Palais & l'Ornement des Eglises, lithographed throughout, advertisement leaf and 11 plates, lithographed vignette title printed on upper wrapper bound in, contemporary boards, Paris, (c.1840) ~ Billings (Robert William) Architectural Illustrations and Account of the Temple Church, London, half-title, additional engraved title and 29 plates, publisher's advertisements tipped in at beginning and end, original roan-backed engraved pictorial boards, 1838, folio and 4to (3).
Wild (Charles) Twelve Select Examples of the Ecclesiastical Architecture of the Middle Ages, chiefly in France, 12 fine hand-coloured aquatints, each titled and signed by Wild on verso and mounted, loose as issued in drab board portfolio with ties, paper title label on upper cover, spine worn, (Abbey, Travel 93), folio, (?1826). Includes Rouen, Reims, Chartres, Amiens and Cologne cathedrals.
Crevedon (H.) The Gallery of Beauty, ou Collection de Portraits de Fantaisie, 6 fine lithograph portraits of women, 2 slightly spotted, loose as issued in original lithograph printed wrappers, Paris & London, 1830 ~ Parris (E.T.) and The Countess of Blessington. Flowers of Loveliness; Twelve Groups of Female Figures ... with Poetical Illustrations ... , additional engraved title and 12 plates, original red silk over boards, gilt-stamped, extremities worn, 1836; and 6 others, Portraits and Miniatures, folio and 4to (8).
Engelmann & Cie. Fastes des Habitants de Paris, part I only, 8 lithographed plates, mounted, loose, original printed wrappers, Mulhouse, Paris & London, 1830 ~ Description du Monument qui vient d'etre erige a Rheinsberg, engraved frontispiece and 4 plates, ink stamp on title, later boards, 1791, 4to & folio (2).
Hering (George Edwards) The Mountains and the Lakes: Sketches in Switzerland, the Tyrol and Italy, first edition, lithographed throughout, title, dedication leaf and 18 plates, all tinted, gutta percha perished, plates loose, original cloth, gilt, spine tearing, (cf Abbey, Travel 63 note), folio, Ackermann, 1845.
Morison (Douglas) Views of the Ducal Palaces and Hunting Seats of Saxe Coburg and Gotha, first edition, tinted lithograph title and 20 plates, list of subscribers at end, gutta percha perishing and plates and leaves becoming loose, contemporary morocco-backed cloth, spine faded, (Abbey, Travel 121), folio, 1846.
Ceremonies et Fetes du Mariage de S.A.R.Monseigneur le Duc de Brabant et de S.A.I. et R.Madame Marie-Henriette-Anne, Archiduchesse d'Autriche, engraved portrait of Leopold I, King of the Belgians, lithograph portraits of the bride and groom, chromolithograph arms, 16 lithograph views (two interiors and the rest views of the procession), all but one of the lithographs hand-coloured, original half cloth over printed boards with gilt armorial vignette, spine torn, folio, Brussels, 1853.
Hitzig (Friedrich) Ausgefuhrte Bauwerke, vol.1 (of 2) only, in 5 parts including Supplement, 30 lithographed plates including 13 coloured or tinted, stamp to title, some foxing, Supplement title torn, all loose as issued in original cloth-backed printed boards, ink inscription to upper cover, paper labels to spine, lacking ties, folio, Berlin, Verlag von Ernst & Korn, n.d. (c.1860).
Bock (Dr. Franz) Die Kleinodien des Heil-Romischen Reiches Deutscher Nation nebst den Kroninsignien Bohmens, Ungarns und der Lombardei, chromlithographed frontispiece and additional title, 46 plates, most heightened in gold, including 1 cropped and mounted, stamps, occasional light browning, foxing, original calf-backed pictorial boards, slightly rubbed, paper label to spine, folio, Vienna, 1864.
Naples.- Napoli (& Pompeii), a series of 50 photographic views including 39 of Naples and 11 of Pompeii, mounted on card, a couple almost loose, stamps to front free endpaper and verso of final view, occasional light dust-soiling, bookplate, contemporary half calf, gilt, slightly rubbed, paper label to spine, oblong folio, (Naples), n.d.
Richepin (Jean) Allons, Enfants de la Patrie!, original colour wrappers, in a pictorial cloth portfolio, slightly soiled, n.d. ~ (Bonvoisin (Maurice)) "Mars". Paris Brilliant, upper joint broken, n.d. ~ March (Ernst) Sohne Thonwaaren-Fabrik, 38 photographs, mounted with printed captions, loose, n.d. ~ Zervos (Christian) L'Art de la Crete: Neolithique et Minoenne, dust-jacket, Paris, n.d. (1956) ~ Dreiser (Theodore) The Symbolic Drawings of Hubert Davis for an American Tragedy, limited edition, signed by the author, edges uncut, slip-case, tears, (New York, 1930) ~ Histoire de la Ramee Francais ... , original printed wrappers, upper cover detaching, Paris, 1918; and 2 others, 4to & folio (8).
(L'Art et La Mode), 5 vol. containing 131 issues, comprising No.14-36 for 1898, No.15-36 for 1899, No.3-36 for 1900 and No.1-52 for 1901, 100 plates, all except 1 hand-coloured, 1 leaf and 1 plate in vol.5 with small sections cut out, some ff. in vol.4 with juvenile scribble, modern cloth-backed boards, spines gilt but faded, folio, Paris, 1898-1901.
Singer (Hans Wolfgang) Franzosische Buchillustrationen des achtzehnten Jahrhunderts, number 136 of 200 copies, mounted plates, loose as issued in original wrappers, half-title creased, rubbed, preserved in a half cloth portfolio, a little rubbed, cloth slip-case, Munich, 1923 ~ Bode (Wilhelm) & Fritz Knapp. Meisterwerke der Malerei, 2 vol., photogravure plates, tissue guards, original pictorial morocco, Berlin, n.d. ~ Dore (Gustave) Les Contes de Perrault, slight foxing, original gilt pictorial cloth, rubbed, 1862, ink library stamps; and c. 30 others, reproductions of Masters and book illustrations etc., folio & 4to (c. 35).
De Coster (Charles) La Legende et les Aventures heroiques, joyeuses et glorieuses d'Ulenspiegel et de Lamme Goedzak, 2 vol., limited edition, colour illustrations, glacine wrappers, edges uncut, slipcase, Brussels, 1929-31 ~ Glaser (Curt) Gotische Holzschnitte, loose as issued, half mock-vellum portfolio, Berlin, (1923) ~ Andersen (Hans Christian) Die Prinzessin und der Schweinehirt, illustrations by Heinrich Lesier, ink stamp on title, loose as issued, cloth portfolio, Vienna, 1897; and 4 others, 4to & folio (8).
Coronellus (Antonius) Expositio super libros posteriorum Aristotelis (insertis questionibus, woodcut title-vignette, final blank leaf present, numerous early ink annotations, some worming, (Not in Adams), Paris, invico sancti Jacobi i domo Oliverii, 1510; bound with 2 other contemporary commentaries on Aristotle, one annotated, contemporary blind-stamped pigskin-backed wooden boards, clasp, covers slightly wormed, small folio
Baptista Mantuanus (Carmelite) Tertius et Ultimus Tomus Poematum, vol.3 only (of 3), title in woodcut border with large device, decorative initials, ownership entry on title, first few ff. stained, little marking elsewhere, contemporary blind-stamped pigskin, backing wooden boards, clasps missing, marked, initials L G V on front cover, (Adams M388), folio, (Paris), in aedibus Ascensianis & Dionysii Roce, 1513.
Otto (Bishop of Freising) Rerum ab Origine Mundi ap Ipsius Usque Tempora Gestarum ... , woodcut pictorial title printed in red and black, some water-staining and soiling, some old ink annotations to a1, worming, occasionally affecting text, lacking final blank S8, 19th century boards, (Adams O416), folio, Strasburg, ex aesibus Matthiae Schurerii, 1515.
Josephus (Flavius) Opera, title in red and black within architectural woodcut border, tear in sig.K6 and X8, occasional water-staining, generally a crisp copy in contemporary pigskin-backed wooden boards, decorated in blind, clasps present, early inscription on front pastedown, (Not in Adams), folio, Paris, Francois Regnault & Jean Petit, 1519.
Pfintzing (Melchior) Die geuerlicheiten und eins teils der geschichten des loblichen streitbaren und hochberumbten Helds und Ritters Tewrdannckhs, third edition, German Gothic letter, 24 lines, complete with blank leaf P5, with an additional blank leaf between P8 and 2A1, title in large Gothic letter probably cut on wood, 118 fine woodcut illustrations by Leonhard Beck, Hans Schaeufelein, Hans Burgkmair, and others, some early 17th century ink sketches on endpapers and title, most woodcuts with some early juvenile hand-colouring in reddish brown with occasional smudging or offsetting, some marginal tears, one lower corner defective affecting flourish but no text, a few flourishes shaved at upper margin, some damp-staining, generally a very good copy in contemporary blind-stamped pigskin over bevelled wooden boards, spine with 4 raised bands, small tears at spine ends with slight restoration, some wear to corners, reamins of clasps, (Adams P963; Fairfax Murray 330; Proctor 10939), folio, (Augsburg), durch den Eltern Hansen Schoensperger, (1519).
Meteren (Emmanuel Van) Belli Civilis in Belgio per Quadraginta fere continuos annos gesti Historia, title within border comprising 4 engraved scenes of warfare, some browning, mainly light, contemporary vellum, oxydised silver borders & central cartouches, edges gilt & gauffered, 2 defective ties, (cf. Brunet III, 1677), folio, Arnhem, Johannes Jansen, 1610.
Basta (George) Il Maestro di Campo Generale ... , text in German, engraved pictorial title with portrait on verso, 2 half-page engraved illustrations in text, 9 double-page engraved plates, some browning, contemporary ink annotations on front pastedown, contemporary vellum, extremities worn, lacking 2 silk ties, folio, Frankfurt, 1617.
Wallhausen (Johann Jacobi von) Art Militaire a Cheval, additional engraved title, printed title with woodcut vignette, 41 double-page engraved plates only (of 43, lacking plates 3 and 4), a couple with short tears, some light marginal water-staining, contemporary vellum, upper cover stained and worn along fore-edge, (c.f. Cockle 735), folio, Zutphen, 1621 (engraved title Amsterdam, 1635).
Freitag (Adam) Architectura militaris nova et aucta, third edition, German text, engraved allegorical title, 35 double-page engraved plates, 8 double-page tables, occasional foxing, upper hinge split, contemporary vellum, extremities worn, (Willems 537; Cockle 836), folio, Leiden, Bonaventure & Abraham Elzevier, 1642.
Terentius Afer (Publius) Comedie, title in red and black with architectural woodcut border and woodcut device, another device on verso of final leaf, a few woodcut illustrations, numerous early ink annotations, some marginal staining and slight worming, contemporary pigskin over wooden boards, decorated in blind, clasps intact, some wear to corners, (Not in Adams), small folio, Lyon, Jean Marion, 1520.
Erasmus (Desiderius) Adagiorum opus, title within fine woodcut border depicting various philosophers and classical writers, 2 other leaves and verso of final leaf also with woodcut borders, numerous contemporary ink annotations, first and last few leaves slightly frayed and soiled, contemporary pigskin over wooden boards, decorated in blind, 2 patches missing from lower cover, lacking clasps, (Adams E433), folio, Basel, Jo. Froben, 1523.
Plinius (Caius Secundus) Naturalis Historiae Opus, woodcut pictorial title lightly browned, marginal water-staining to first and last few ff., contemporary ink annotations throughout, marginal worming to m6 and endpapers, contemporary vellum-backed wooden boards covered with later marbled paper, metal clasps, one broken, slightly rubbed, (Adams P1556), folio, Cologne, Eucharius Cervicornius, 1524.
Philo (Judaeus) Libri Antiquitatum. Quaestionum et Solutionum in Genesin. De Essaeis. De Nominibus Hebraicis. De Mundo, device on title, some ink marginalia, (Adams P1031), Basel, per Adamum Petrum, 1527; bound with Josephus (Flavius) Opera ... , woodcut pictorial title, (Adams J355), Cologne, Eucharius Cervicornius for Godefridus Hittorp, 1524; bound with Hegesippus. De Rebus a Iudeaorum Principibus in Obsidione Fortiter Gestis, woodcut pictorial title, ink inscriptions to title, (Adams H146), Cologne, Eucharius Cervicornius for Godefrid Hittorp, 1525, some worming, contemporary half pigskin over wooden boards, decorated in blind, some worming, remains of metal clasps, folio
Rufus Festus (Sextus) Epitoma de Gestis et Assequuto Dominio Romanorum, 2 vol. in 1, device on title, (Not in Adams), Basel, Henricus Petrus, 1530; bound with Joseph ben Gorion, pseudonym. Josephus Hebraicus ... , most ff. with lower corners defective, (Adams J346), Basel, apud Henricum Petrum, 1541, contemporary pigskin over wooden boards, decorated in blind, metal clasps, lightly soiled, folio
Cicero (Marcus Tullius) (Officia ... ), German text, woodcut illustrations by H.Weiditz, all coloured by a contemporary hand, lacking title and portrait and work ends on P7 (i.e. lacking final ?blank), some margins repaired, penultimate leaf with loss to text and woodcut, lower half of final leaf missing with colophon supplied in 18th century manuscript, some ff. at beginning with outer margin trimmed with loss of sidenotes, some soiling, modern vellum, (Goed II, 234, 4), folio, (Augsburg, Heinrich Steiner, 1531); sold not subject to return
Plato.- Opera (translated by Marsilio Ficino), device on title, contemporary ink inscription to title and annotations throughout, Tt4-6 with marginal tear, very slightly affecting text, contemporary calf, metal clasps, broken, rubbed, paper label at head of spine, (Adams P1445), folio, Basel, in Officina Frobeniana, 1532.
(Mair (Paul Hector)) Bericht und anzeigen aller Herren Geschlecht der loblichen Statt Augspurg, 2 parts in 1, 98 fine full-page woodcut illustrations, slight marginal worming to last 3 ff., later vellum, (Lipperheide 4390; Hiler p.562), folio, Strasburg, Christoffel Widitz & David Kannel, (?1538). Rare. The fine woodcuts depict representatives of Augsburg families in armour and with coats-of-arms.
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