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Lot 668
A FOLIO OF DRAWINGS & WATERCOLOURS comprising six signed works by David Scott (`Of Intellect`, `Of Life`, `Of Knowledge`, `Of Relation`, `Of Power`, `Of Death`), Willem Roelofs and Jacob Hendricus Maris (these signed but faded/discoloured) and another drawing, 36 x 24.5cm and smaller (9) ++ Some fading, discolouration, wear etc
Lot 623
A FOLIO OF OLD MASTER DRAWINGS principally by Italian hands, comprising St Antony of Padua, Noah, Virgin and Child with Saints, a Bishop Saint, Cupid by a spring, Lamentation, Assumption of the Virgin, Flight into Egypt, also a scrolling frieze design, a seated figure and other subjects, various media; with two etchings after Guercino, various sizes (14) ++ Fair only; many worn, grubby etc
Lot 913
•AN INTERESTING FOLIO OF MODERN ART POSTERS for exhibitions by Richard Diebenkorn, Noel Forster (3 of the same one), Lucian Freud, Max Gill (?), Gunther Haese, David Hockney, R. B. Kitaj, Henri Matisse, Ian McKeever, Victor Pasmore, Pablo Picasso, Mark Rothko, Andy Warhol, and others, 1970-1982, various sizes (23) ++ Good condition throughout; minimal handling creases; the majority very fresh
Lot 919
•PAUL HEMPTON (b.1946) FLAG STONE STUDY No.XI; MARKER STUDY II; THE ONE III; MAGICIAN'S CORNER Four, three initialled and dated 74, 77 or 78, each bears artist's label on backboard, three watercolours, one pencil drawing 33.5 x 23cm.; 25 x 36.5cm.; 24.5 x 36cm. and 23 x 33cm. with a folio containing one watercolour (`The One 11th Version`), initialled, titled and dated 78, 41 x 57cm; and six etchings by Hempton, each initialled, titled, numbered and dated, 1975-1978, various sizes (4 frames and a folio) ++ Good condition
Lot 820
•DR DAVID BETHEL, CBE, RWA (1923-2006) A FOLIO OF EIGHT COLOUR LINOCUTS AND LITHOGRAPHS, 1956-2000 Comprising St Francis and the Birds, Behold the Ark, Krishna, Refugee, The Furnace, Moira, St John & Salome, St Michael, Coberley, Glos, seven signed, titled and numbered, six also dated variously 1956-2000, unframed The largest image 33 x 43cm; the smallest 12.5 x 17.5cm. (8) ++ Generally very good condition; a few with slight blemishes
Lot 669
A FOLIO OF WATERCOLOURS & DRAWINGS comprising four pencil studies for `Home: The Return` by William Maw Egley; a watercolour of a girl by a spring attributed to William Henry Millais; and a town scene by Arthur McArthur, 65 x 47.5cm and smaller (6 works in 4 mounts) * Egley's finished oil for `Home: The Return` was exhibited at The Royal Academy in 1866, no.469 ++ Generally good; McArthur faded
Lot 362
Three boxes of assorted Folio Society books to include ELIZABETH VON ARNIM "The Enchanted April", JRR TOLKIEN "The Hobbit" (x 2), DODI SMITH "I Capture the Castle", MFK FISHER "An Alphabet for Gourmets" and two boxed sets of JANE AUSTEN novels, one comprising "Sense and Sensibility" and "Pride and Prejudice", the other "Shorter Works", "Northanger Abbey" and "Mansfield Park"
Lot 29
* Hussey (Giles,1710-1788). Roman bust of Caligula, from three-quarter profile to profil perdu, sanguine chalk on fine laid paper with watermark initials HR, 37.5 x 23 cm (14 3/4 x 9 1/8 ins), in good condition, taped to the mount verso, framed and glazed, inscribed on reverse of frame 'Probably from album of thirty drawings selected by Benjamin West 'Coll: Lord Manchester P.Q.' (50 x 35.5 cm)Qty: (1)NOTESProvenance: Estate of Michael Jaffe (1923-1997), art historian and former director of the Fitzwilliam Museum, Cambridge. The artist, most famed for creating the first, highly finished portrait drawings of Prince Charles Edward Stuart, 'The Younger Pretender', also produced fine neoclassical line drawings such as the present work. It is akin to the thirty-six drawings loosely inserted in a folio album of eighteenth-century red morocco, with the arms of the Duke of Manchester, which was sold to Paul Mellon, Upperville, VA in 1967, who presented it to the Yale Center for British Art (B1977.14.2825V). An end-paper was inscribed: “The extraordinary outlines contained in this book (by Hussey) were selected by Benjn West as some of the best specimens of the artist.” The American artist Benjamin West (1728-1820) was a fervent neoclassicist, patronised by George III. Our drawing is the same size as the sanguine line drawing, a Head of Pan, now in the British Museum, 2015,7087.2, which was removed from the album before sale. The album, now containing 35 drawings, includes pen studies of the Laöcoon, other statues and a series of red chalk outlines of Roman emperors, Greek philosophers and statesmen. Tate Britain holds other examples of the artist’s neoclassical drawings.
Lot 46
After Guercino (Giovanni Francesco Barbieri, detto Il Guercino, 1591-1666). Racolta di alcuni disegni del Barberi da Cento, detto Il Guercino, Rome: Giovanni Generoso Salomoni, 1764, letterpress title with vignette by Ottaviani after Guercino, additional full-page etched title by G.B. Piranesi incorporating Saint Joseph resting, after Guercino (from the collection of the famous sculptor and restorer of antiquities Bartolomeo Cavaceppi), and with dedication to Thomas Jenkins of the Academy of Saint Luke, and 30 fine etchings printed in black and sanguine on 29 sheets, including 13 by Bartolozzi, 6 by Nevay, 5 by Ottaviani, 3 by Piranesi, 2 by Piroli, one by Giovanni Battista Buratto, and one very large etching by Aureliano Milani on three sheets, all printed on fine heavy laid paper (several watermarks, including a fleur-de-lys within double-rule circle, another fleur-de-lys within single-rule circle and letters M V below), wide blank margins, untrimmed, contemporary plain buff paper wrappers, some soiling and minor marks to wrappers, large oblong folio (external dimensions 580 x 790 mm, with the single leaves measuring 580 x 445 mm, and the largest, partly folded, sheet 625 x 745 mm)Qty: (1)NOTESHind, Piranesi (1922) page 86; Focillon 983-986; Wilton-Ely 1015-1018. A magnificent series of plates in excellent original condition, principally after the works of Guercino, but including a number of additional works by or after other artists including Caravaggio, Sebastiano Ricci, Antonio Balestra and Aureliano Milani. The publication appears to have been originally planned by Piranesi when he purchased twelve etchings after Guercino from (and by) the eminent printmaker Francesco Bartolozzi in 1764, who left Italy that year for a career in London. Piranesi added further plates, including several of his own. At least one of the original drawings by Guercino after which these plates were designed came from Piranesi's own collection. The inclusion of Piranesi's etched title in addition to the printed titlepage suggests that the Raccolta was sold at Piranesi's address in the Strada Felice. The letterpress title page with the imprint of Salomoni and vignette by Ottaviani seems to have been used to present various groups of plates, but usually always including the Piranesi title and the very large folding plate by Aureliano Milani, here un-conjoined on three large sheets. Aside from the printed title, and the additional etched title by Piranesi, this album contains 20 mostly full-page etchings after Guercino (12 by Bartolozzi, 2 by Giacomo Nevay on one leaf, 4 by Giovanni Ottaviani including two on one leaf, and 2 by Piranesi), one single-page etching by Piranesi after Pier Leoni Ghezzi, 4 etched studies of heads on one page by Nevay, a single-page etching by Piroli after Caravaggio (The Entombment of Christ), three double-size etchings by Bartolozzi after Sebastiano Ricci (Camillus rescuing Rome from Brennus), Piroli after Guercino (Vénus desolée pour la mort d'Adonis), and Giovanni Battista Buratto after Antonio Balestra (Apotheosis of Saint Ignatius of Loyola), and one very large etching of Christ Carrying the Cross by Aureliano Milani on three sheets.
Lot 836
Late 19th and early 20th Century Ephemera, mainly UK and USA interest, quantity, including chromolitho greetings cards, retail display and advertising cards, scraps, trade cards including Liebig and four UK cabinet cards, including man with cradled shotgun and three spaniels, possibly a ghillie, almanacs, Collier's Weekly, December 5 1936, 'London in Colour' folio, The Young Ladies' Journal, January 1888 and Everyday People, Gibson, Charles Dana, John Lane, 1904 (qty)
Lot 842
Louis Reckelbus (1864-1958), publicity poster of tower in Bruges, for Belgian Railways, 630mm x 1000mm, G, previously folded; with 1959 Paris industrial exhibition poster; and decorative display folio lithographs with void areas for printed message or advertising, including cherubs with telephone, circa 1900 (10), VG (12)
Lot 246
PETER SNOW (1927-2008) A FOLIO OF DRAWINGS AND PRINTS including botanical, still life, landscape and street scenes, in pen and ink, charcoal, pencil and similar Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 260
PETER SNOW (1927-2008) A FOLIO OF EIGHT 'CRYPTOGLYPH' STUDIES black ink on paper, some signed, some prints, each approximately 56.5cm x 75.5cm (unframed but mounted) Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 302
A FOLIO OF ART EXHIBITION POSTERS to include Rembrandt at the Rijksmuseum, Raphael at the British Museum and Islamic Art posters Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 343
ERIC GILL (1882-1940) A FOLIO CASE OF WOOD ENGRAVINGS religious or erotic studies, some bookplate designs, various sizes, nine signed or monogrammed and numbered in pencil, a further eight signed in pencil and another five unsigned examples, plus one facsimile (23) (two framed, twenty-one unframed) Provenance: Kerrison Preston Esq. and by descent
Lot 280
THE SLADE SCHOOL OF ART: A FOLIO OF WORKS BY STUDENTS AND CONTEMPORARIES OF PETER SNOW including works by Philip Sutton, Ben Levene, John Aiken and Oona Grimes, and some portraits of Peter Snow, presumably by students Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 207
PETER SNOW (1927-2008) A FOLIO OF EARLY PORTRAITS c.1955 onwards, including self portraits and portraits of Maria, pencil and charcoal on paper Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 300
A FOLIO OF ART AND THEATRE POSTERS RELATING TO PETER SNOW including Exhibition posters for Peter Snow at the Piccadilly Gallery, London, June - July 1966, and theatre productions by Peter Snow and Slade Theatre Design Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 303
A FOLIO OF ART EXHIBITION POSTERS RELATING TO PABLO PICASSO AND HENRI MATISSE including a poster for 'Exposition Picasso' at the Musee des Arts Decoratifs, 107 Rue De Rivoli, Paris, June - October 1955 (Czwiklitzer 104)Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 304
A FOLIO OF 20TH CENTURY ART EXHIBITION POSTERS for European Artists such as Kazimir Malevich, Emil Nolde and others Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 247
PETER SNOW (1927-2008) A FOLIO OF BOTANICAL DESIGNS some backdrops for the productions of 'Copelia', gouache on paper, various sizes (7)Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 262
PETER SNOW (1927-2008) A FOLIO OF 'CRYPTOGLYPH' STUDIES including prints and original black ink compositions on paper Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 240
PETER SNOW (1927-2008) A FOLIO OF WATERCOLOURS primarily comprising stage designs, but also including still life studies and promotional works The bullfighting works included in this lot were executed whilst in Portugal with Victor Willing, Paula Rego and Michael Andrews. The views of Aldeburgh were painted whilst whilst undergoing designs for Benjamin Britten.Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Art
Lot 242
PETER SNOW (1927-2008) A FOLIO OF CITYSCAPE AND FIGURAL DRAWINGS to include views of Paris and Sansepolcro, mainly charcoal sketches Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 274
PETER SNOW (1927-2008) A FOLIO OF MEXICAN BIKER ICONS and other similar Mexican inspired works, including some theatre designs Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 221
PETER SNOW (1927-2008) A FOLIO OF PORTRAITS OF FELLOW ARTISTS, DESIGNERS AND WRITERS from the 1990's, sitters to include: Philip Prowse, Mark Glazebrook, Danielle Arnaud and Maria Snow Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 241
PETER SNOW (1927-2008) A FOLIO OF WATERCOLOURS to include a self portrait in an interior, a portrait of Maria, Mayday 1982 and further landscape views Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 261
PETER SNOW (1927-2008) A FOLIO OF 'CRYPTOGLYPH' STUDIES prints on paper, communicating the awareness of contemporary life through the tensioned juxtaposition of black marksProvenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 243
PETER SNOW (1927-2008) A FOLIO OF CHARCOAL SKETCHES undertaken on the Artist's travels to places such as Florence, Sienna and Cairo, as well as domestic works Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Art
Lot 301
A FOLIO OF THEATRE POSTERS 1960's mainly American, some 'psychadelic' in design, also including a Theatre Workshops poster for 'Intrigue and Amours' produced by Joan Littlewood and designed by Peter Snow Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 389
Full title: Alexandre Raymond, 1924: Vieilles Fa•ences turques en Asie-Mineure et a ConstantinopleDescription: Dim.: 51 x 37 cm (the cover)Ê Imperial folio (360 x 490 mm). Half cloth, boards with illustrated lithogr. title, inside covers and flaps with ornamental decoration printed in gold, green and blue. 12 pp. 40 lithogr. plates in colour, including 4 which are double-page. The first part was long considered lost.Ê Raymond's fine series of plates, which depict ceramics employed in architectural decoration and ceramic artefacts, deals mostly with in situ Iznik and Kütahya ceramics.Ê Ref.: - Sotheby's, London, Oct. 14, 2003, lot 402, for the second volume, where the catalogue note states 'Part 1 was never published. (link available on our website)- Sotheby's, London, Nov. 15, 2011, for a set including both volumes. (link available on our website)- Christie's, London, Sep. 21, 2005, for a set including both volumes, where the catalogue note states 'Sets of the French edition of parts I and II are rare at auction: no copies of either part I alone or parts I and II together are recorded by ABPC since 1975 and only two copies of part II are listed. (link available on our website)Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
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86082 item(s)/page