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Piranesi (Giovanni Battista). Varie Vedute di Roma Antica, e Moderna. Disegnate e Intagliate da Celebri Autori, Roma: Fausto Amidei, 1748 [but 1750 or later], 87 etched plates, including title only (of 94), of which 45 (of 48) signed Piranesi, others by P. Anesi, Bellicard, Duflos et al, some identified in manuscript to lower margin (a few inscriptions cropped at outer margin), 3 plates with a water stain just touching image, a few others with small marginal damp stain, occasional light marginal dust-soiling, previous owner initials to right-hand margin of title, bookplate of George Thomas Whitgreave (1787-1863), contemporary wrappers, later backstrip, a little rubbed, oblong folio, sheet size 29.5 x 23 cmQTY: (1)NOTE:Provenance: Sir William Whitfield CBE (1920-2019), one of the most significant British architects of the second half of the 20th century, notable for his ground-breaking designs for major public projects including Glasgow University Library, the Hunterian Art Gallery (1960-1968), Richmond House in Whitehall (1982-1984), recently selected as one of London’s ten most iconic Postmodern Buildings, Hereford Cathedral’s Mappa Mundi Library (1996), and Hawksmoor’s Baroque masterpiece Christ Church Spitalfields, slowly and carefully restored over three decades from 1970 to 2000 under his direction. He was Surveyor of the Fabric of St Paul’s Cathedral between 1985 and 1990.The views by Piranesi are among his earliest topographical engravings.

Poley (Arthur F.E.) St. Paul's Cathedral London, 2nd edition, London: printed for the author, 1932, collotype frontispiece, title printed in red and black with two medallions, 32 plates, original half morocco by Zaehnsdorf, one or two edges slightly rubbed, worn slipcase, folio 56.5 x 38 cmQTY: (1)NOTES: Provenance: Sir William Whitfield CBE (1920-2019), one of the most significant British architects of the second half of the 20th century, notable for his ground-breaking designs for major public projects including Glasgow University Library, the Hunterian Art Gallery (1960-1968), Richmond House in Whitehall (1982-1984), recently selected as one of London’s ten most iconic Postmodern Buildings, Hereford Cathedral’s Mappa Mundi Library (1996), and Hawksmoor’s Baroque masterpiece Christ Church Spitalfields, slowly and carefully restored over three decades from 1970 to 2000 under his direction. He was Surveyor of the Fabric of St Paul’s Cathedral between 1985 and 1990.

Serlio (Sebastiano). Il Primo [-quinto] Libro Architettura, 5 parts in one volume, 1st Italian edition, Venice: Pietro de Nicolini de Sabbio ad instantia Marchio Sessa, 1551, titles for parts 1 & 3-5 within woodcut borders, part 2 with caption heading, numerous woodcut illustrations, diagrams and plans, some water stains, mainly towards end, front endpapers, first title and following few leaves detached, a couple of leaves detaching before part 4 title (stitching broken), contemporary panelled and blindstamped calf, upper cover detached, upper joint split, some worming to spine and edge wear to lower cover, folio 36 x 25.5 cmQTY: (1)NOTE:Adams S974 (for books IV & V); Cicognara 664, 670; Fowler 304, 311, 319, 322. First published in Paris in 1545. "Book I contains his treatise of geometry and Book II his perspective. At the end of Book II are the three famous illustrations for the theatre, showing a setting for tragic, comic and rustic scenes." Fowler 303 (for the 1545 edition).

Sgrilli (Bernardo Sansone). Descrizione e Studj dell' Insigne Fabrica di S. Maria del Fiore Metropolitana Fiorentine, 1st edition, Florence: Bernardo Paperini, 1733, engraved portrait frontispiece of Giovanni Battista Nelli by Vin. Franceschini, title printed in red and black with engraved vignette, 17 folding engraved plates and plans by Sgrilli after Nelli, engraved head and-tail pieces and initials, some plates with small repairs and reinforcements to verso, small water stain to gutter, a few minor stains, repairs to pastedowns, contemporary half morocco, manuscript title to spine, later printed label to upper cover, a few small wormholes, discolouration and light edge wear, folio, 47.5 x 32.5 cm QTY: (1)NOTE:Provenance: Sir William Whitfield CBE (1920-2019), one of the most significant British architects of the second half of the 20th century, notable for his ground-breaking designs for major public projects including Glasgow University Library, the Hunterian Art Gallery (1960-1968), Richmond House in Whitehall (1982-1984), recently selected as one of London’s ten most iconic Postmodern Buildings, Hereford Cathedral’s Mappa Mundi Library (1996), and Hawksmoor’s Baroque masterpiece Christ Church Spitalfields, slowly and carefully restored over three decades from 1970 to 2000 under his direction. He was Surveyor of the Fabric of St Paul’s Cathedral between 1985 and 1990.Berlin Kat 2694; Cicognara 4096. Important work on the architecture and plans of the complex of Florence Cathedral.

Society of Antiquaries of London. Some account of the collegiate chapel of Saint Stephen, Westminster, by John Topham, [plans, etc. by John Carter; additional plates and descriptions by Sir H.C.Englefield], [London: Society of Antiquaries, 1795], 28 engraved plates & plans including additional engraved title (2 plates double-page & one folding, additional title creased), bound with Some account of the Abbey Church of Bath..., [London: Society of Antiquaries, 1798], 10 engraved plates & plans including additional engraved title, bound with Some account of the Cathedral Church of Exeter..., [London: Society of Antiquaries, 1797], 11 engraved plates & plans including additional title (3 plates double-page), tissue guards to each plate throughout volume, occasional scattered spotting, contemporary half calf, boards detached and some wear, large folio (65 x 48 cm), together with:Society of Antiquaries of London, Some account of the Abbey Church of St Alban, [by Richard Gough, with the assistance of James Brown and John Nichol], illustrative of the plans, elevations, and sections of that building, [drawn by John Carter]; [edited by Sir H.C. Englefield], London: Nichols & Son, 1813, 19 engraved plates & plans, edges untrimmed, sewing partly broken, contemporary half sheep, upper board detached, lacking spine, worn, large folio (68 x 50 cm), Britton (John), Chronological History and Graphic Illustrations of Christian Architecture in England..., London: Longman, Rees, Orme, Brown & Green, 1826, additional etched title, numerous etched & engraved plates and plans, all edges gilt, contemporary gilt decorated burgundy straight grain morocco, spine torn at head, extremities rubbed and scuffed, 4to, plus Newcome (Peter), The History of the Ancient and Royal Foundation, called the Abbey of St. Alban, in the county of Hertford..., London: Printed for the author by J. Nichols, 1795, engraved frontispiece and two folding plans, lacking folding map, some toning and scattered spotting, 19th century half calf, upper joint cracked and lower board detached, extremities rubbed, 4toQTY: (4)NOTES:Provenance: Sir William Whitfield CBE (1920-2019), one of the most significant British architects of the second half of the 20th century, notable for his ground-breaking designs for major public projects including Glasgow University Library, the Hunterian Art Gallery (1960-1968), Richmond House in Whitehall (1982-1984), recently selected as one of London’s ten most iconic Postmodern Buildings, Hereford Cathedral’s Mappa Mundi Library (1996), and Hawksmoor’s Baroque masterpiece Christ Church Spitalfields, slowly and carefully restored over three decades from 1970 to 2000 under his direction. He was Surveyor of the Fabric of St Paul’s Cathedral between 1985 and 1990.

Stuart (James, & Revett, Nicholas). The Antiquities of Athens, measured and delineated by James Stuart, F. R. S. and F. S. A. and Nicholas Revett, painters and architects, edited by William Kinnard, 4 volumes, new (i.e. 2nd) edition, London: Priestley & Weale, 1825-30, half-titles volumes 1-3, 191 engraved plates and plans, titles with engraved vignettes, engraved head-pieces, bound without the engraved portraits of Stuart and Revett, occasional minor marks to margins (generally in clean condition), later ownership inscription to front endpaper of William Smith, Durham University, School of Architecture, dated 1938, contemporary maroon half morocco, rubbed and scuffed with joints cracked and several covers detached, folio QTY: (4)NOTE:Provenance: Sir William Whitfield CBE (1920-2019), one of the most significant British architects of the second half of the 20th century, notable for his ground-breaking designs for major public projects including Glasgow University Library, the Hunterian Art Gallery (1960-1968), Richmond House in Whitehall (1982-1984), recently selected as one of London’s ten most iconic Postmodern Buildings, Hereford Cathedral’s Mappa Mundi Library (1996), and Hawksmoor’s Baroque masterpiece Christ Church Spitalfields, slowly and carefully restored over three decades from 1970 to 2000 under his direction. He was Surveyor of the Fabric of St Paul’s Cathedral between 1985 and 1990.Fowler 340; Lowndes 2536. Second edition of this major survey, first published between 1762 and 1816. 'A work of surprising exactness presenting to the eye in one group, a collection of the noblest specimens of Grecian Art and Attic tastes now existing. This is a new edition of volume I., II., and III. of the original work, with considerable additions, likewise a fourth volume of new matter' (Lowndes). The fourth volume bears the title Antiquities of Athens and other places in Greece, Sicily, etc., supplementary to the antiquities of Athens by James Stuart and Nicholas Revett, delineated and illustrated by C. R. Cockerell, W. Kinard, T. L. Donaldson, W. Jenkins, W. Railton, architects.

Milne (John, & Sons, Montrose, N.B.). The British Farmer's Plant Portfolio. Specimens of the Principal British Grasses, Forage Plants and Weeds, with Full Descriptions, 3rd edition, London: Simpkin, Marshall, Hamilton, Kent & Co., 1896, [11] pp. + 56 stiff card leaves with dried plant specimens mounted to rectos with printed captions, specimens held with thin white hinges, original roan-backed cloth, gilt-titled upper cover, joints weak, spine torn with some loss, folioQTY: (1)NOTE:Rare plant specimen book with fragile specimens in surprisingly good condition. This would appear likely to be the only edition, rather than the claimed 'third edition', with no other editions traced. See Simpson, Bibliographical Index of the British Flora (2004), p. 44b.

Surtees (Robert). The History and Antiquities of the County Palatine of Durham; compiled from original records, preserved in public repositories and private collections: and illustrated by engravings of architectural and monumental antiquities, portraits of eminent persons, & c., 4 volumes, 1st edition, London: printed by and for Nichols, Son & Bentley, 1816-40, 82 engraved plates (including view of Raby Castle after J. M. W. Turner, not called for), occasional light spotting to some plates, wide margins, top edge gilt, marbled endpapers, near-contemporary red half morocco, gilt-decorated spines with raised bands, very slightly rubbed, and with some light marks to covers (generally in very good condition), large folio (text block measures 44.5 x 27.5 cm) QTY: (4)NOTE:Provenance: Thomas Slaney-Eyton (1843-1899) with his bookplate to front pastedown of each volume; R. W. Martin of Longbenton, Northumberland with his bookplate to front pastedown of each volume.Upcott, pp.609-11. Handsome Large Paper copy.

Vignola (Giacomo Barozzi da). Regola delli Cinque Ordini d'Architettura, 2 parts in one, Rome: Andreas Vaccarius, 1607-10, engraved title, 45 engraved numbered leaves, including second title, a couple of margins torn away, occasional water stains and light soiling, two small ink stamps to first title and leaf I, contemporary limp vellum, some stains and soiling, small wormtrack to lower cover, folio (39.5 x 27.5 cm)QTY: (1)NOTES: Provenance: Sir William Whitfield CBE (1920-2019), one of the most significant British architects of the second half of the 20th century, notable for his ground-breaking designs for major public projects including Glasgow University Library, the Hunterian Art Gallery (1960-1968), Richmond House in Whitehall (1982-1984), recently selected as one of London’s ten most iconic Postmodern Buildings, Hereford Cathedral’s Mappa Mundi Library (1996), and Hawksmoor’s Baroque masterpiece Christ Church Spitalfields, slowly and carefully restored over three decades from 1970 to 2000 under his direction. He was Surveyor of the Fabric of St Paul’s Cathedral between 1985 and 1990.

Adam (Robert). The Works in Architecture of Robert and James Adam, esquires, 1st edition, parts 2 & 4 [of 10], London: T Becket, 1774-76, titles to each part, text in English and French, 16 engraved plates (8 to each part, plate 3 in part 2 double-page), scattered spotting and dust-soiling (heavier to part 4), double-page plate to part 2 damp-stained, plates 1 & 2 to part 2 laid down with loss to margins, contemporary brown morocco gilt over green marbled boards, rebacked with original spine laid on, one corner repaired, some wear, folioQTY: (1)NOTE:Harris 5.Two parts of this landmark architectural work, scarce in any form. Published in parts to avoid their rivals copying their work, they employed the finest artists and engravers such as Piranesi, Cunego, Pastorini, Zucchi and Bartolozzi.

Audsley (George & Maurice Ashdown). The Practical Decorator and Ornamentist, Glasgow: Published for Subscribers only, by Blackie & Son, Ltd., [1892], half-title, two diagram plates and 100 fine chromolithograph plates printed by Firmin-Didot of Paris, some heightened with gold, spotting to text leaves throughout volume, damp staining to text leaves at front and to lower margins of few leaves and plates at rear of volume, all edges gilt, contemporary black half morocco, joints slightly cracked at foot of spine, folio, together with:Jones (Owen), The Grammar of Ornament, illustrated by examples from various styles of ornament, London: Day and Son, Ltd., [1865], letterpress title in red & black, 112 chromolithograph plates with tissue-guards (including additional chromolithograph decorative title), wood engraved illustrations to text, gutta-percha perished and contents loose, all edges gilt, original maroon cloth with gilt-blocked decoration, rubbed, folio (33.6 x 23.2 cm),Hulme (Frederick Edward), Suggestions in Floral design, London, Paris & New York: Cassell Petter & Galpin, [1878], additional chromolithograph title, letterpress title in red & black, 52 chromolithograph plates (including frontispiece), gutta-percha perished and contents loose, all edges gilt, original cloth with blocked decoration, extremities rubbed, folio, plus one other Racinet (Albert), L'ornement polychrome : recueil historique et pratique de l'art ancien et asiatique, moyen age, renaissance, XVIIe et XVIII siècle. Première partie (of 2), London: Asher & Co., 1871, title in red & black, with ownership signatures at head, 50 chromolithograph plates, damp staining to initial leaves, occasional spotting and few marks, later endpapers (rear free endpaper torn), near contemporary cloth, spine and corners repaired, light damp staining and few marks, folioQTY: (4)

Braham (Allan & Hager, Hellmut). Carlo Fontana, The Drawings at Windsor Castle (Studies in Architecture XVIII), 1st edition, London: A. Zwemmer, 1977, monochrome illustrations, original blue cloth gilt in dustwrapper, together with Harris (John). Sir William Chambers, Knight of the Polar Star (Studies in Architecture IX), 1st edition, London: A. Zwemmer, 1970, monochrome plates, original blue cloth gilt in price-clipped dustwrapper, very slightly rubbed to extreme head and foot of spine, plus Stillman (Damie). English Neo-classical Architecture (Studies in Architecture XXVI), 2 volumes, London: A. Zwemmer, 1988, several colour and numerous monochrome plates, original blue cloth gilt in dust wrappers with slipcase, and Hermarck (Carl). The Art of the European Silversmith 1430-1830, 2 volumes, 1st edition, London: Sotheby Parke Bernet, 1977, numerous monochrome illustrations, both original maroon cloth gilt in dustwrappers with slipcase, plus other art and antique reference, including Alcouffe and others, Le Mobilier du Musee du Louvre, 2 volumes, 1993, Iain Vain, The Watercolours and Drawings of Thomas Bewick, 2 volumes, Percy Macquoid, English Furniture, Tapestry and Needlework (Lady Lever Art Gallery collection III), Batsford, Thomas Shotter Boys, Original Views of London as it is, 2 volumes, Facsimile Edition, 2 volumes, Charles W. Traylen, 1954, etc., 4to and folioQTY: (36)

Force (Roland W & Maryanne). The Fuller Collection of Pacific Artefacts, 1st edition, London: Lund Humphries, 1971, numerous monochrome illustrations, some minor marginal toning, original cloth in dust jacket, covers lightly rubbed with minor tears to the head, large 8vo, together with Waite (Deborah), Art des Îles Salomon dans les Collections du Musée Barbier-Müller, 1st edition, Geneva: Musée Barbier-Müller, 1983, numerous colour & monochrome illustrations, original cloth in dust jacket, covers very lightly rubbed, large 8vo, plus Newton (Douglas, editor), Arts of the South Seas, Island Southeast Asia, Melanesia, Polynesia, Micronesia, The Collections of the Musée Barbier-Müller, Munich: Prestel, 1999, numerous colour & monochrome illustrations, original cloth in dust jacket, some minor rubbing to the covers, large 8vo, and Smith (Bernard & Alwyne Wheeler, editor), The Art of the First Fleet & other early Australian drawings, 1st edition, New Haven: Yale University Press, 1988, numerous colour & monochrome illustrations, some minor marginal toning, original cloth in dust jacket, spine & front cover slightly faded & rubbed to the head, folio, plus Smith (Bernard), European Vision and the South Pacific, 1st edition, New Haven: Yale University Press, 1985, numerous colour & monochrome illustrations, original cloth in dust jacket, spine slightly faded & lightly rubbed to head & foot, large 8vo, plus approximately 35 further volumes of South Pacific tribal art reference & related, many original cloth in dust jackets, some paperbacks, 8vo/folioQTY: (Approximately 40)

Joppien (Rüdiger & Bernard Smith). The Art of Captain Cook's Voyages, 3 volumes in 4 (volume 3 Text & Catalogue), 1st editions, New Haven: Yale University Press, 1985-88, numerous monochrome illustrations, some minor marginal toning, original uniform cloth in dust jackets, volumes 1 & 2 spines slightly faded, light marks & rubbing to head & foot, folioQTY: (4)

Society for Promoting Christian Knowledge (publishers). Plates Illustrative of Natural History, 1845 - 50, 40 wood engraved plates of natural history subjects, including mammals, birds, fish and reptiles, 38 with contemporary hand-colouring and 2 uncoloured, 34 laid on to contemporary linen and six loosely inserted, front endpaper with long closed tear, several prints with some toning, contemporary half calf over marbled boards, heavily worn, bumped and frayed, folioQTY: (1)

Reid (James W.). Magic Feathers, Textile Art from Ancient Peru, 1st edition, London: Textile & Art Publications, 2005, numerous colour illustrations, original cloth in slipcase, folioQTY: (1)

Walton (Elijah). Flowers from the Upper Alps, London: W.M. Thompson, 1869, 12 mounted chromolithograph plates, tissue guards, some spotting, all edges gilt, original cloth with gilt-blocked decoration, extremities slightly frayed, slim folio, together with Bennett (Alfred), The Flora of the Alps, being a description of all the species of flowering plants indigenous to Switzerland..., 2 volumes, London: John C. Nimmo, 1896, 120 colour plates, occasional spotting to margins, top edge gilt, original cloth, 8voQTY: (3)

Brangwyn (Frank, illustrator). The Girl and the Faun, by Eden Phillpotts, London: Cecil Palmer & Hayward, 1916, four tipped-in colour plates, including frontispiece, lithographic illustrations and decorations throughout, printed in pale orange-brown, short closed tear to fore-margin of page 37 (without loss), original 4to vellum gilt, some light marks, large 4to, limited de luxe edition of 350 copies, on hand-made paper, signed by the author and artist, this copy numbers 89, together with Shaw-Sparrow (Walter). Frank Brangwyn and his Work, London: Kegan Paul, Trench, Trubner & Co., 1910, two original etchings, each signed by the artist, 20 colour and 17 collotype mounted plates, untrimmed, original publishers printed wrappers, lightly rubbed, large folio (40.5 x 28.5 cm), plus The Pageant of Empire, Souvenir Volume, with an introductory note by His Royal Highness the Prince of Wales, illustrations by Frank Brangwyn, R.A., Spencer Pryse and Macdonald, Gill, edited by Martin Hardy, London: Fleet Way Press, 1924, colour lithographic illustrations throughout, including double-page colour map by Macdonald Gill titles Map of the World in the Time of Cabot, and golden? colour lithograph by Brangwyn at end, later green cloth, folio and other Frank Brangwyn interest, including Bookplates by Frank Branwyn, 1920, The Decorative Art of Frank Brangwyn, by Herbert Furst, 1924, Eothen: or Traces of Travel brought home from the East by A. W. Kinglake, 1913, Windmills by Frank Brangwyn R.A. and Hater Preston, 1923, The Bridge, a chapter in the history of building, by Frank Brangwyn and Christain Barman, 1926, and other monographs and related exhibition catalogues, mostly 4toQTY: (33)

Worlidge (John). Systema Agriculturae; The Mystery of Husbandry Discovered... To which is added Kalendarium Rusticum, or the Husbandman's monthly directions... and Dictionarium Rusticum: or the interpretation of Rustick Terms, 3 parts in one, 3rd edition, 1681, explanation of the frontispiece leaf, engraved frontispiece by F. H. van Hove, without engraved plate, letterpress general title and to following part two, occasional ink spots and some light damp stains, contemporary calf, joints cracked at head & foot, folio (Wing W3600), together with:Husbandry, The Complete Farmer, or, A general dictionary of husbandry in all its branches..., 4th edition, by a Society of Gentlemen, London: T. Longman, B. Law, & others [1793?], engraved frontispiece and 34 plates, contemporary marbled calf, red morocco title label to spine, folio,Smith (Eliza), The Compleat Housewife: or, Accomplish'd Gentlewoman's Companion..., 7th edition, London: J. & J. Pemberton, 1736, lacking plates (torn portion of one present), some light dust-soiling, contemporary calf, rebacked, 8vo,Young (Arthur). The Farmer's Tour through the East of England. Being the Register of a Journey through various Counties of this Kingdom, to enquire into the State of Agriculture, &c..., 4 volumes, London: W. Strahan, W. Nicoll; Salisbury: B. Collins; Edinburgh: J. Balfour, 1771, half-title to first volume, 27 engraved plates (17 folding), seven folding tables, worming to margins at front and rear of volume 1, rear few leaves of volume 2 and front few leaves of volume 4, some free endpapers discarded, contemporary calf, lacking title labels, wear at head of spine to volume 1, 8vo,Wilson (John M.), The Rural Cyclopedia, or a General Dictionary of Agriculture..., 14 parts only (of 16, lacking parts 2 & 6), Edinburgh: A. Fullarton & Co., 1847-49, few engraved plates, original cloth-backed printed boards, dust-soiled and marked, 8vo, and a defective copy of The Gardeners Kalendar by Philip Miller, 12th edition, 1760QTY: (22)

The Car Illustrated. A Journal of Travel by Land, Sea, & Air, edited by John Scott Montagu, volume 1, London, May 28th- August 20th 1902, 464pp., mounted portrait frontispiece of Edward VII, black and white illustrations throughout, light marginal dust-soiling, original green pictorial cloth gilt, all edges gilt, some wear to spine with slight loss at foot and portions detaching, folio QTY: (1)

Crombie (Charles). Laws of Cricket, London: Keegan Paul, Trench, Trübner & Co. Ltd. [1907], 12 (complete) chromolithographic plates, Perrier advertisement leaf at end, some toning to the title, original cloth-backed pictorial boards, slight dust-soiling, oblong folioQTY: (1)

Folio Society. One Hundred Years of Solitude, by Gabriel Garcia Marquez, 2006, 'as new' in original plastic wrap, together withFolk Tales of Britain, Legends, 3 volumes, Folk Tales of Britain, Narratives, 3 volumes, both by Katherine M. Briggs, 2011,The Vision of Piers the Plowman, by William Langland, 2014, original green quarter morocco,Rudyard Kipling, Selected Poems [The Folio Poets], 2004, original red quarter morocco, slipcase slightly faded,The Cathedrals of England, 3 volumes, by Nicolaus Pevsner, circa 2005, all 'as new' in original plastic wrap, together with 56 further volumes of Folio Society publications, all original cloth in dust jackets, some 'as new' in original plastic wraps, all 8voQTY: (67)

Folio Society. The Benedictional of Saint Aethelwold, 2001, numerous colour facsimile pages, all edges gilt, original gilt decorated brown morocco plus commentary volume in a hinged red cloth book-box, large 8vo, limited edition 979/1000QTY: (1)

Folio Society. The Four Gospels of the Lord Jesus Christ according to the Authorized Version of King James I, illustrated by Eric Gill, monochrome illustrations & vignettes, all edges gilt, original gilt decorated black morocco plus essays volume in a hinged black cloth book-box, large 8vo, limited edition 832/2750QTY: (1)

Folio Society. The Life of Saint Edmund King & Martyr, numerous colour facsimile pages, all edges gilt, original gilt decorated white morocco plus commentary volume in a hinged green cloth book-box, 8vo, limited edition 402/1000QTY: (1)

Golf. Golf Illustrated. The Weekly Organ of the "Royal and Ancient" Game, 2 volumes, January-December 1909, numerous monochrome illustrations and advertisements, a few minor spots, volume I rear hinge and volume II front hinge broken, contemporary cloth, volume II upper cover detaching, joints splitting, spines toned, folioQTY: (2)

Sport Universel. Le Sport Universel Illustre, 7 volumes, Paris, 1899-1900, January-June 1901 & 1903, numerous half-tone illustrations, advertisements, contemporary morocco-backed boards, volume I 1899 upper joint cracked and tears at spine ends, volume II 1903 foot of spine torn, spines and edges rubbed, folioQTY: (7)

Lunatic asylums & mental health. Report from the Select Committee of the House of Lords appointed to consider the State of the Lunatic Poor in Ireland, and to report thereon to the House, with the minutes of evidence, appendix, and index, brought from the Lords 22 August 1843, [London]: Ordered, by the House of Commons, to be printed 24 August 1843, 32 lithograph plates (one folding, many with contemporary hand-colouring, contemporary lower board, lacking spine and upper board, folio, together with:Lunatics. Returns; I. Of all Houses licensed for the reception of Lunatics, in Great Britain..., II. Of all Lunatics in the different Lunatic Asylums and Gaols in Great Britain..., III. Of the number of Lunatics, distinguishing Males and Females..., [London]: Ordered, by the House of Commons, to be printed, 21 March 1826, [2], 15, [1]p., browning to margins of first & last leaves, disbound, folio,Lunatics. Return of the number of Public and Private Asylums or Houses licensed for the reception of Lunatics, in each county in England and Wales; stating the number of patients in each establishment, and distinguishing the males and the females..., [London]: Ordered, by the House of Commons, to be printed 25 March 1831, 15, [1]p., browning to margins of first & last leaves, disbound, folio, plus other related reports, pamphlets and ephemera, mostly early 20th-centuryQTY: (a carton)

Breval (John Durant). Remarks on Several Parts of Europe: Relating chiefly to the History, Antiquities and Geography of those Countries, 1st edition, 2 volumes in 1, London: Bernard Lintot, 1726, engraved frontispiece to each volume, double-page engraved map, 42 engraved plates (some folding), subscriber's list, engraved head and tailpieces, washed-out contemporary inscription to frontispiece verso '£1-5-0 Beauclerk 1781', lightly dust-soiled, a few leaves to rear with marginal damp-stain, front blank and front free endpaper loose, contemporary calf gilt, joints weak, spine cracked, worn, folio, together with:Sonnini (Charles Nicolas Sigisbert). Travels in Upper and Lower Egypt: Undertaken by order of the old government of France... translated from the French by Henry Hunter, 3 volumes, 1st edition in English, London: printed for John Stockdale, 1799, engraved frontispieces, folding map, 36 engraved plates, occasional light spotting and marginal damp stains, contemporary calf, four covers detached, rubbed, 8vo, plusWalpoole (George Augustus). The New British Traveller; or, a Complete Modern Universal Display of Great Britain and Ireland: being a new, complete, accurate, and extensive tour, London: Alex. Hogg, [1784], engraved frontispiece, 105 engraved plates (only), 2 folding maps (only), lightly spotted and dust-soiled, contemporary terracotta calf gilt, joints weak, worn and marked, folio, andStevens (Francis). Views of Cottages and Farm-Houses in England and Wales, London: R. Ackermann, 1815, etched frontispiece, 53 etched plates (some bound out of sequence), spotting, contemporary half calf gilt over marbled boards, red morocco title label, all edges gilt, rubbed and lightly marked, folio, andStuart (Gilbert). The History of Scotland from the Establishment of the Reformation, till the death of Queen Mary, 1st edition, 2 volumes in 1, London: J. Murray, 1782, bookplate of John Rutherfurd to front pastedown, front free endpaper lacking, preliminary and rear leaves spotted, contemporary half calf, joints weak, worn, 4to, with 5 others relatedQTY: (2 cartons)

Menpes (Mortimer, illust.). The Grey River by Justin McCarthy, Mrs. Campbell Praed, and Mortimer Menpes, London: Seeley & Co., Ltd., 1889, 12 etchings by Menpes, each signed by the artist in pencil to lower margin and with oval ink library stamp beneath image, ink stamp to title and final leaf, edges untrimmed, front free endpaper frayed and detached, old public library bookplate, original cloth, covers detached, dust-soiled and some wear, spine torn, folio (limited edition 27/230 copies, of which 30 are for presentation), together with:Jones (Owen), Flowers and their kindred thoughts, London: Longman & Co, 1848, chromolithograph title and 14 plates (text printed in gilt to plates versos), gutta-percha perished and contents loose, bookplate of Frank Spicer to verso of front free endpaper, all edges gilt, contemporary relievo leather binding by Remnant, Edmonds & Remnants, extremities rubbed, 8vo,Willis (Nathaniel Parker), America Scenery ... illustrated in a series of views by W.H. Bartlett, London: George Virtue, c.1840, engraved title and 64 plates, some scattered spotting and light browning (mostly to margins), all edges gilt, contemporary half calf, neatly rebacked preserving original spine, 4to,Ruskin (John), The Stones of Venice, 3 volumes in four, London: Smith, Elder & Co, 1851-53, numerous lithograph and engraved plates, first volume with tipped-in autograph letter signed from Ruskin's secretary Laurence Hilliard dated 7 April 1877, original cloth, some worn with loss to spines, 8vo, plus other books including architecture, design related etc. (including ironwork)QTY: (2 cartons)

Buckman (David). Artists in Britain Since 1945, 2 volumes, new edition, Bristol: Art Dictionaries, 2006, colour illustrations, original cloth in dust jackets & slipcase, covers lightly rubbed to head & foot, large 4to, together with:Éditions Gallimard, publisher, Henri Matisse, Roman, by Aragon, 2 volumes, 1971, numerous colour & monochrome illustrations, original cloth in dust jackets & slipcase, volume 1 front cover slightly dented with a small tear, covers lightly rubbed to head & foot, 4to, plusLanchner (Carolyn), Paul Klee, 1st edition, New York: The Museum of Modern Art, 1987, numerous colour & monochrome illustrations, some minor marginal toning, original cloth in dust jacket, covers lightly toned & rubbed to head & foot, large 4to, and other modern art reference & related, mostly original cloth in dust jackets, some paperback editions, G/VG, 8vo/folio QTY: (6 shelves)

Columbia University, publisher. Piranesi, Drawings and Etchings at the Avery Architectural Library, the Arthur M. Sackler Collection, 1st edition, New York, 1975, numerous monochrome & sepia illustrations, original wrapper in slipcase, large 4to, together with:Held (Julius S.), Rubens, Handzeichnungen, Koln: Phaidon, 1960, 6 tipped-in colour plates plus numerous monochrome illustrations, original red cloth in slipcase, large 8vo, plusPope-Hennessy (John), Italian High Renaissance and Baroque Sculpture, 2nd edition, 1970, Italian Renaissance Sculpture, 2nd edition, 1971, London: Phaidon, numerous monochrome illustrations, some minor marginal toning, both original cloth in dust jackets, covers lightly rubbed to head & foot, large 4to, and other pre-20th-century & old master art reference, including Great Drawings of the Louvre Museum, 3 volumes, by Roseline Bacou & Maurice Sérullaz, 1st edition, New York: George Braziller, 1968, original uniform cloth in dust jackets & slipcase, large 8vo, many original cloth in dust jackets, some paperback editions, G/VG, 8vo/folioQTY: (6 shelves)

Hooper (Steven, editor). Robert and Lisa Sainsbury Collection, 3 volumes, 1st edition, New Haven: Yale University Press1997, numerous colour & monochrome illustrations, original cloth in dust jackets, covers lightly marked & rubbed to head & foot, large 8vo, together with:Butor (Michel et al), Parure, 1st edition, Paris: Imprimerie Nationale Éditions, 1994, numerous colour illustrations, original cloth in dust jacket & slipcase, spine lightly rubbed to head & foot, folio, plusBihalji-Merin (Oto, editor), Art Treasures of Yugoslavia, 1st edition, Beograd: Jugoslavija, 1973, numerous colour & monochrome illustrations, some light marginal toning, original cloth in dust jacket, covers slightly toned & rubbed to head & foot, small tears to the spine, large 4to, and other tribal art reference, including Studies in Ancient American and European Art, the Collected Essays of George Kubler, edited by Thomas F. Reese, 1st edition, New Haven: Yale University, 1985, original cloth in dust jacket, 4to, many original cloth in dust jackets, some paperbacks edition, G/VG, 8vo/folioQTY: (3 shelves & a carton)

Morell (Charles). The Tales of the Genii: or, The Delightful Lessons of Horam The Son of Asmar, 2 volumes, London: printed for James Wallis, 1805, 12 etched plates, period inscriptions to the head of the title pages, some light toning, spotting & marks, rebound retaining contemporary gilt decorated calf boards, rubbed with some minor loss, 8vo, together with:Chambers (E.), Cyclopaedia: or, An Universal Dictionary of Arts and Sciences;...2 volumes, 4th edition, London: printed for D. Midwinter et al, 1741, monochrome plates & folding plates, bookplates & period inscriptions to the front endpapers, volume 1 front endpapers detached, some light toning throughout, original uniform full calf, boards & spines rubbed with loss, folio, plus other mostly 19th-century literature & reference, including dictionaries, some foreign language, mostly leather bindings, some original cloth, overall condition is generally good, 8vo/folioQTY: (3 shelves)

Chamberlain (Henry). Vistas e Costumes da Cidade e Arredores do Rio De Janeiro em 1819-1820, Sao Paulo: Livraria Kosmos Editora, 1974, 42 colour & monochrome plates, some minor marginal toning, publishers full morocco in slipcase, spine slightly faded, boards & spine slightly rubbed, slipcase rubbed & partially disbound, oblong folio, limited edition 101/1315, together with:Coe (Michael D. et al), The Olmec World, Ritual and Rulership, 1st edition, New Jersey: Princeton University, 1996, numerous colour & monochrome illustrations, minor marginal toning, original cloth in dust jacket, oblong 4to, plusSchávelzon (Daniel). Arqueología y Arquitectura del Ecuador Prehispánico, 1st edition, México: Universidad Nacional Autónoma De México, 1981, numerous monochrome illustrations & folding plans, some minor marginal toning, original cloth in dust jacket, covers rubbed , large 8vo, andEbnöther (Marcel), Vom Toten Meer zum Stillen Ozean [Alte und Neue Welt - Eine Gegenüberstellung], 1st edition, Ostfildern-Ruit: Verlag Gerd Hatje, 1999, numerous colour illustrations, original cloth in dust jacket, large 8vo, plus other South American art reference & history, many original cloth in dust jackets, some paperback editions, G/VG, 8vo/folioQTY: (5 shelves)

Vanbeselaere (Walther). De Hollandsche Periode (1880-1885) In Het Werk Van Vincent van Gogh (1853-1890), Antwerp: De Sikkel, 1927, monochrome illustrations, some toning & light spotting throughout, original cloth, boards & spine slightly rubbed to head & foot, 8vo, together with:Van Messel (Rela), Letters to an Artist, From Vincent van Gogh to Anton Ridder van Rappard 1881-1885, 1st U.K. edition, London: Constable & Co., 1936, monochrome illustrations, some light toning throughout, original blue cloth in dust jacket, covers toned & rubbed with minor tears & loss to head & foot, 8vo, plusMeier-Graefe (Julius), Vincent van Gogh, a Biographical Study..., London: The Medici Society, 1922, 102 monochrome illustrations, with paper guards, some light toning & spotting, original uniform green cloth spines to boards, slightly rubbed to head & foot, large 8vo, and other modern Vincent van Gogh reference & related, including some modern ephemeral items, many original cloth in dust jackets, some paperback editions, G/VG, 8vo/folioQTY: (5 shelves)

Teignmouth (Lord & Charles G. Harper). The Smugglers, Picturesque Chapters in the History of Contraband, 2 volumes, 1st edition, London: Cecil Palmer, 1923, monochrome illustrations, some light spotting & toning, original uniform blue cloth, boards & spines slightly marked & rubbed, 8vo, together with:Westlake (Herbert Francis), Westminster Abbey, the Church, Convent, Cathedral and College of St. Peter, Westminster, 2 volumes, large paper edition, London: Philip Allan, 1923, monochrome illustrations with tissue guards, some minor toning, top edges gilt, original uniform gilt decorated blue cloth, boards & spines slightly toned with minor rubbing to head & foot, folioForbes (Archibald), Czar and Sultan, the adventures of a British Lad in the Russo-Turkish War of 1877-78, 1st edition, Bristol: J. W. Arrowsmith, circa 1894, 13 illustrations, gutters cracked, some light toning, spotting & marks throughout, original red cloth, boards & spine rubbed, 8vo, and other 19th-century & modern military & history reference, all original cloth, some in dust jackets, G/VG, 8vo/folioQTY: (6 shelves)

Dali (Salvador). Dali: The Wines of Gala, 1st U.S. edition, New York: Harry N. Abrams, 1978, numerous colour illustrations, original cloth in dust jacket, covers lightly rubbed, large 8vo, together with:Descharnes (Robert & Gilles Néret), Salvador Dali, The Paintings, 2 volumes, 1st edition, Köln: 1994, numerous colour & monochrome illustrations, original cloth in dust jackets & slipcase, folio, plusKlepac (Lou), The Life and Work of Russell Drysdale, 1st edition, London: Bay Books, 1983, numerous colour & monochrome illustrations, original cloth in dust jacket, spine lightly rubbed to head & foot, folio, andSilber (Evelyn & David Finn), Gaudier-Brzeska, Life And Art, with a Catalogue Raisonné of the Sculpture, 1st edition, London: Thames And Hudson, 1996, numerous colour & monochrome illustrations, original cloth in dust jacket, large 8vo, plusRussoli (Franco), Modigliani, Drawings And Sketches, 1st edition, New York: Harry N. Abrams, 1969, numerous colour & monochrome illustrations, some light spotting & marginal toniing, original cloth in dust jacket, large 4to, and other modern art reference, many original cloth in dust jackets, some paperbacks, G/VG, 8vo/folioQTY: (6 shelves)

Hall (Sidney). The English Counties..., with all the Railroads accurately Laid down and the Boundaries Coloured. Also, General maps of Scotland, Ireland and Wales, Chapman & Hall, circa 1870, title page and index spotted, frayed and each with a long repaired closed tear, title page detached, 46 (complete as list) lithographic maps with contemporary outline colouring, slight spotting to a few maps, some maps with foredge strengthened on verso, bookplate to the front pastedown 'From the Library of Charles Dickens, Gadshill Place June 1870', hinges and joints weak and cracked, contemporary quarter morocco heavily worn and lacking spine. gilt title to upper cover, folioQTY: (1)

Hutchins (John). The History and Antiquities of the County of Dorset, 3rd edition, 4 volumes, Westminster: John Bowyer Nichols and Sons, 1861-70, full-page steel-engraved plates throughout, titles printed in red and black, light marginal spotting, contemporary green morocco gilt, all edges gilt, rubbed and lightly marked, folioQTY: (4)

Manning (Owen & Bray, William). The History and Antiquities of the County of Surrey, 3 volumes, London: John White, 1804-14, two folding engraved maps, 84 engraved plates, including 13 facsimile Domesday plates and mezzotint portrait of Sir Henry Fletcher (mezzotint portrait shaved at top and fore margin), engraved illustrations to letterpress, numerous folding pedigrees, some toning, offsetting and scattered spotting, bookplate of Rousdon, Devon to upper pastedowns, contemporary gilt panelled and decorated brown morocco, spines and joints rubbed, folioQTY: (3)NOTE:Provenance: Sir Henry William Peek, 1st Baronet (1825–1898), founder of the Rousdon Estate, an importer of spices, tea and other groceries, philanthropist and Conservative Member of Parliament for Surrey Mid (1868-1884).Upcott pp. 1209-1216.

Smeaton (John). The Report of John Smeaton, engineer, concerning the Drainage of the North Level of the Fens, and the Outfall of the Wisbeach River, [London?, 1768], 24pp., folding engraved chart, original wrappers, 4to, together with:Golborne (John), The Report of John Golborne, engineer, concerning the Drainage of the North Level of the Fens, and the Outfal [sic] of the Wisbeach River, [Chester?, 1769], 11, [1]pp., folding engraved plan, original wrappers, 4to,Yeoman (Thomas), The Report of Thomas Yeoman, engineer, concerning the Drainage of the North Level of the Fens, and the Outfal [sic] of the Wisbeach River, [London?, 1769], 12pp., folding engraved chart, original wrappers, 4to, plus two others related, Remarks upon that part of the Great Bedford Level, called the North Level..., first published in 1748, and now corrected..., c.1850; and A plan for obtaining an Act of Parliament for the better draining the North-Level, part of the Great Level of the Fens..., c.1850, both 3, [1]pp., folio (folded)QTY: (5)NOTE:ESTC T118032; T123085; T126188 respectively.

Stockdale (Frederick Wilton Litchfield). Etchings from Original Drawings of Antiquities, in the County of Kent, London: Published for the Proprietor by J. & A. Arch, 1810, 40 engraved plates including engraved title, occasional light spotting, contemporary half calf, gilt decorated spine with black morocco title label, lower joint split and some wear, slim folio, together with:Amsinck (Paul), Tunbridge Wells, and its Neighbourhood, illustrated by a series of etchings, and historical descriptions, London: William Miller and Edmund Lloyd, [1810?], half-title, etched frontispiece and 30 plates, etched vignette illustrations, some browning and spotting, edges untrimmed, contemporary red half morocco, printed title label to upper board, joints cracked and some wear to extremities, large 4to,Clifford (J., publisher), The Tunbridge Wells Guide or an account of the ancient & present state of that place..., 4th edition, Tunbridge Wells: J. Clifford, [1827], folding hand-coloured engraved map frontispiece, engraved title and dedication leaf, copper & wood engraved plates and illustrations, edges untrimmed, original printed boards bearing edition and publication date, boards loose and covers worn, 12mo in 6s, plus a 5th edition of the same work in original printed boards, lacking spine, worn, 12mo, and two view books, comprising Views & Scenery of Hastings, published by F.S. Mann, circa 1850, and Twenty four views of Tunbridge Wells, published by R. Pelton, circa 1850,[Willis, Henry Norton], Biographical sketches of eminent persons, whose portraits form part of the Duke of Dorset's collection at Knole. With a brief description of the place, London: John Stockdale, 1795, half-title, engraved frontispiece and one other plate, 4 pages publisher's catalogue at rear, light damp stain to fore-margins, modern dark blue morocco, gilt decorated spine, 8vo,Ireland (William Henry), England's Topographer, or A new and Complete History of the County of Kent; From the earliest records to the present time, including every modern improvement. Embellished with a series of views from Original Drawings by Geo. Shepherd, H. Gastineau, &c., 4 volumes, London: George Virtue, 1828-30, engraved title to volume 1, folding engraved map, 122 engraved plates, initial four & final two leaves in volume 1 with adhesive tape to gutter margins, a couple of tears to gutter margin of volume 2 title, occasional fraying to margins, some spotting and toning, modern half calf, morocco labels to spines, 8vo,Moss (William George), The History and Antiquities of the Town and Port of Hastings, London: W.G. Moss, 1824, engraved frontispiece, folding engraved plan, 17 plates on India paper (of 18), some damp staining to margins to few leaves and plates, early marginalia, edges untrimmed, later free endpapers, original boards with black morocco spine and corners, 8vo[Virtue, George], The Picturesque Beauties of Great Britain: illustrated by topographical, historical, and critical notices..., Kent, London: George Virtue, [1829], engraved frontispiece, additional engraved title, folding engraved map, 126 engraved views on 63 plates, occasional offsetting and scattered spotting, manuscript name to verso of plates, contemporary half calf, gilt decorated spine with black morocco title label, spine torn with loss at foot, joints split, 4to, plus another copy of the same work, and other Kent related 19th century publications,Pugin (Augustus), Paris and its Environs, displayed in a series of picturesque views. The drawings made under the direction of Mr. Pugin, and engraved under the superintendance [sic] of Mr. C. Heath, 2 volumes in one, London: Jennings & Chaplin, [1831], engraved title from vol. 2 transferred to front of volume, 202 engraved views on 101 plates, occasional light spotting, some browning and offsetting to text, all edges gilt, original cloth, gilt & blind blocked decoration, covers detached from text block, joints torn and frayed at head & foot, 4to,Pugin (Augustus), Paris and its Environs, displayed in a series of two hundred picturesque views..., 2 volumes, London: Jennings & Chaplin, 1831, additional engraved title to volume 2 only, 202 engraved views on 101 plates, occasional spotting, armorial bookplate of Thomas Rodick to upper pastedowns, contemporary half calf, 4to, plus another copy of the same work bound in one volume, includes additional title to volume 1, damp stained throughout, contemporary half morocco, extremities worn, 4to,Ritchie (Leitch), Wanderings by the Loire, London: Longman, Rees, Orme, Brown [& others], 1833, additional engraved title and 20 plates after Turner, all edges gilt, contemporary gilt decorated morocco, joints and extremities worn, 8voQTY: (24)

D'Anville (Jean Baptist Bourguignon). Atlas de Géographie Ancienne pour servir a L'Intelligence des Oeuvres de Rollin..., Paris, 1818, printed title and index, 27 uncoloured engraved double-page maps (including 4 folding) with another five maps after D'Anville not called for in the index, the map of 'La Dace' trimmed along the horizontal; margins but with no loss, marbled endpapers, all edges gilt, contemporary green morocco gilt, slight wear, folioQTY: (1)

China - MASON, George Henry., The Punishments of China, illustrated by twenty-two engravings with explanations in English and FrenchLondon, 1804 printed for William Miller, Old Bond-Street, by Bulmer and Co. Cleveland-Row, St. James's, 22 hand coloured stipple engravings, folio, contemporary gilt and blind tooled full straight grained Morocco, gilt edgedCondition:Some offsetting, End papers with light foxing/ spotting Occasional marks. Binding with bumped corners and light wear to board edges. Spine chipping top and bottom. Faint ring mark to front board Overall a good

Books. Nine shelves of antiquarian and general stock, including Burke's Peerage, Baronetage & Knightage 1953; Debrett's 1959; Kelly's 1938 & 1969, (2): Who's Who 1943; Illustrated London News, 1851, disbound part-leather folio; The Ancestor periodical, various; further antiquarian and genealogy; bindings; history; topography; transport, etc.

Books. Six shelves of general stock, including late Victorian/early Edwardian pictorial annuals, Rhodesia, Folio Society volumes, Thomas Hardy, Peter Scott, Meccano, etc.

Folio Society. Two shelves of books, mostly slip cased; others.

Folio Society - Lang (Andrew, editor) & Van Sandwyk (Charles, illustrator), The Blue Fairy Book, 2003, pictorial binding, slipcase en suite, 8vo, (1); Dulac (Edmund, illustrator), Perrault's Fairy Tales, 1998, pictorial binding, slipcase en suite, 8vo, (1); Robinson (William Heath, illustrator), Hans Andersen's Fairy Tales, 1995, pictorial binding, slipcase en suite, 8vo, (1); The Brontës' Complete Novels, seven-volume set, 1991, illustrated, green silk moiré bindings, conforming slipcase en suite, 8vo, (7); further FS titles, various, (5).

Books. Twenty shelves of 19th/20th c and later general stock, including Playne (Caroline E.), Society at War 1914 - 1916, first edition, London: George Allen & Unwin Ltd, 1931, original dustjacket over boards, 8vo, others comprising Folio Society, art and architecture, history, literature, politics, vintage Penguin and Pelican paperbacks, Family Bible, periodicals, etc.

GEORGE III MAHOGANY ESTATE CABINET 18TH CENTURY the guilloche moulded cornice above a fluted and flower head carved frieze, over a pair of moulded panel doors opening to an arrangement of drawers, pigeon holes, and folio compartments; the projecting base with a crossbanded border over a fluted frieze and moulded panel doors opening to shelves, raised on bracket feetDimensions:104cm wide, 222cm high, 48.5cm deep

VICTORIAN OAK FOLIO CABINET LATE 19TH CENTURY the tambour front opening to reveal nine sliding traysDimensions:48cm wide, 102cm high, 41cm deepProvenance:Provenance: The Bellamy Collection, County Down, Northern Ireland

Neil Bousfield The Calling, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield Scout, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield Coastal Sunrise, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield The Return, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

BLUSSÉ -- DORDRECHT -- BLUSSÉ, A. De beste opvoeding der jeugd, ten nutte van dit Gemenebest; en Bespiegelingen bij een onweder. Dordr., Blussé en Zoon, 1776. Hcf., spine dec. in gilt w. label. (Spine dam., boards chafed, much shelfwear). Convolute containing 23 (occasional) poems by A.B. -- Added: Id. Iets Dichtmaatigs. Dordr., P. Blussé, 1784. W. engr. title-p & some plts. Hcf.,. spine dec. in gilt w. label. (Bottom of spine dam., some shelfwear). -- Id. 2 manuscript exercise books. H. mor. (N.D.). -- And: COLLECTION of c. 50 occasional poems, speeches and leaflets, all written by members of the Blussé family or their friends, relatives & associates between 1750 and 1808. (Some with lovely decorated wrappers.) -- And: Out-Dordrecht's Nieu-Maere. 1897. Folio. 33 editions of this novelty newspaper, published during the Oud-Dordrecht exhibition of 1897. (Vols. 1 and 3 double, lacking vol. 6). -- And 8 o., all written or published by Blussé family members. NOTE:Abraham Blussé (1726-1808), bookseller and publisher of many books and of the Dordrechtse Courant.

FOLIO SOCIETY -- DARWIN, Ch. On the origin of species. - The descent of man. (2007-08). 2 vols. Ocl. In or. slipcases. -- R. DAWKINS. The selfish gene. (2012). Ocl. -- Ch. DICKENS. Martin Chuzzlewit. 1988. Ohcl. In or. slipcase. -- Ch. MATURIN. Melmoth the wanderer. 1993. Obrds. In or. slipcase. -- And 5 o. publ. by The Folio Soc. (10).

ORNITHOLOGY -- GOULD -- COLLECTION of 10 coloured and hand finished lithographed plates drawn from nature, taken from John Gould's 'Folio Bird Books', incl. 2 duplicates. London, printed by Hullmandel & Walton, 1840's/50's. 555 x 384 mm each (paper size). (Some marginal splits and staple holes in places, but in fine and clean condition). NOTE:The quality of Gould's lithographs hardly needs comment; they are among the best made in the nineteenth century. Present: "Pteroglossus Humboldtii" - "Eulampis Holosericeus" - "Eriocnemis Squamata" (2x)- "Hirundo Filifera" - "Paëtornis Intermedius" (2x) - "Spathura Rufocaligata" - "Dorifera Johannæ" - "Ramphomicron Vulcani".

FUNERAL CEREMONIES -- COLLECTION of 35 death-related prints. 17th-19th c. (mostly 18th c.). various sizes and techniques (mostly engravings). Under passepartouts, measuring c. 420 x 300 mm. NOTE:Varied collection, comprising a.o. leaves from a folio-edition of Cats (Alle de Wercken), views of funerary monuments, historical funerary processions and other burials and rituals, etc. - Sold as a collection of prints, not subject to return.