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86094 item(s)/page
Lot 1
Empson (Charles) Narratives of South America, large paper copy, 14 fine hand-coloured lithographed and etched views plus one (of 2) hand-coloured plate of coleoptera, small embossed library stamp to title and plates, occasional spotting, contemporary half roan, worn, upper cover detached, spine partialy detached with head missing, [Abbey, Travel 702; Sabin 22548; Tooley 210], folio, for the Author, 1836.
![[Dalvimart (Octavien)] The Costume of Turkey, engraved title-vignette and 60 plates, all hand-coloured, some light oiling a](http://lot-images.atgmedia.com/SR/1574/2025574/407-25-1574_468x382.jpg)
Lot 1
[Dalvimart (Octavien)] The Costume of Turkey, engraved title-vignette and 60 plates, all hand-coloured, some light oiling and offsetting, first plate with small tear to lower margin crudely repaired with sticky tape, modern cloth, g.e., rubbed, [cf.Blackmer 444 & Abbey Travel 370, notes], folio, 1804 [but text water-marked 1818 and plates 1820/21].
Lot 1
Rycaut (Sir Paul) The Present State of the Ottoman Empire..., second edition, lacking engraved frontispiece but with 2 engraved plates and 19 illustrations in text, with the final blank, small rust-hole in M1 with loss of one or two letters, lightly soiled, a few small stains, contemporary calf, rebacked, worn, spine defective, [Wing R2413], folio, for John Starkey and Henry Brome, 1668.
Lot 1
Rycaut (Sir Paul) [The history of the present state of the Ottoman Empire. Containing] the maxims of the Turkish polity, 3 books in one vol., engraved plates, lacking all before B, and table of contents, modern half morocco over marbled boards, folio, for R. Clavell, J. Robinson and A. Churchill, [1686].
Lot 1
HUGH GOLDING CONSTABLE (1868-1949) A FOLIO OF MARINE STUDIES Twenty four, five signed or initialled, two dated 1926-1927 (some others bear attributions in a descendant's hand), some incribed by the artist, pencil, unframed The largest 18 x 25.5cm. (24) ++ Good overall; some slight paper discoloration
Lot 1
HUGH GOLDING CONSTABLE (1868-1949) A FOLIO OF MARINE WATERCOLOURS Nine, two signed or initialled, one dated 1-10-19, (some others bear attributions in a descendant's hand), some inscribed recto or verso, watercolour and pencil, unframed The largest 19.75 x 25.25cm. (9) ++ Good overall; some with slight foxing
Lot 1
HUGH GOLDING CONSTABLE (1868-1949) A FOLIO OF MARINE DRAWINGS Twelve, five signed or initialled, four dated 1927-1928, (some others bear attributions in a descendant's hand), some inscribed, each pencil with coloured chalks, unframed The largest 17.5 x 25.5cm. (12) ++ Good overall; some with slight foxing
Lot 1
HUGH GOLDING CONSTABLE (1868-1949) A FOLIO OF LANDSCAPE SUBJECTS Eight, three initialled and dated 1923-1926, (some others bear attributions in a descendant's hand), some inscribed recto or verso, watercolour, pencil, coloured chalks, unframed The largest 18 x 14cm. (8) ++ Good overall; some in need of light clean
Lot 1
ARTHUR ROYCE BRADBURY (1892-1978) A FOLIO OF COASTAL AND LANDSCAPE VIEWS Twelve, five signed or initialled, some inscribed or dated 1915-1973, including "The last drawing made in the old Four Winds studio, Sark, Sept 3 1939", watercolour, some with pencil The largest 19 x 28.5cm. (12) ++ Good condition overall
Lot 1
ARTHUR ROYCE BRADBURY (1892-1978) A FOLIO OF POOLE SUBJECTS: BOATS, THE HARBOUR, BROWNSEA ISLAND etc. Fourteen, eight signed or initialled, some inscribed or dated 1929-1949, watercolour, some with pencil The largest 29 x 38cm. (14) ++ Good condition overall; some a little faded or discoloured
Lot 1
ARTHUR ROYCE BRADBURY (1892-1978) A FOLIO OF MARINE SUBJECTS Eighteen, seven signed, some inscribed or dated 1913-1934, nine watercolour with pencil, the others pen and ink or pencil, some with watercolour The largest 32 x 40.5cm. (18) ++ The watercolours good overall; the drawings with some creases, short tears or handling marks etc.
Lot 1
ARTHUR ROYCE BRADBURY (1892-1978) A FOLIO OF LINOCUTS An interesting collection of approx. 70 linocuts, many replicated, some with hand colouring, a few initialled in the block, the subjects to comprise still lifes, coastal and marine themes, windmills, cottages etc. The largest 18 x 12.5cm.; with a selection of 28 original lino blocks for these (and other) prints. (a lot) ++ Good
Lot 1
A Victorian Figured Walnut and Metal-Mounted Canterbury/Whatnot, the top divided into two trays inlaid with specimen wood parquetry, raised on fluted pillars with leaf-carved capitals, over gilt-brass folio rods and a flush drawer to the base, on carved turned feet with castors, {94cm by 62cm by 35cm}
Lot 1
Romeyn de Hooghe- 'Voyage de sa Majeste Britannique en Hollande...', 1692; engraving, 33.2x22cm: Martin Schongauer- Three figures; engraving, from a later edition: together with a mixed folio of mostly old master and later prints by and after different hands, various sizes, (a lot), (unframed)
Lot 1
William Strang, R.A., R.E.- Traveller's rest; etching, signed and dated '85 within the plate, 17.2x22.7cm: together with a mixed folio of prints by different hands, including examples by: C. W. Rhead, F. A. Laguillermie, W. Wise, A. Briend de Matignon, R. W. MacBeth, L. Lhermite, L. Marvy and others, various sizes, (a lot), (unframed)
Lot 1
Wenceslaus Hollar and Cornelius Galle- River village landscape, 1649 after P. Brueghel; etching, 19.6x27.5cm: Johann Georg Dietrich- Figures in an interior with a satyr, 1739; engraving: together with a mixed folio of prints by or after different hands, c18/19th century, various sizes, (a lot), (unframed)
Lot 1
John W. Wadsworth- Village cottages; pencil and watercolour, 39.2x28.4cm: Murray O. Thomas- 'From a Chalet on the Leigen'; pencil and watercolour, signed and dated 21 Sept '30: together with a book jacket design possibly by the same hand for Jerome K. Jerome's 'Three Men in a Boat', and a mixed folio of drawings and watercolours by different hands, c20th century, various sizes, (a lot), (unframed)
Lot 1
A Japanese colour woodblock print depicting soldiers fording a river beneath the banner of the rising sun, early 20th century, signed and sealed, 36x24.7cm: together with a mixed folio of Japanese colour woodblock prints, mostly 20th century, and two framed Chinese brush drawings of a deity, various sizes, (a lot), (part unframed)
Lot 1
John Thomas Serres- '1. Nice, Villa Franca Light-House; 2.The Light House of Villa Franca, Entrance of Monaco; 3. The Island of St. Marguerite, opposite to Cannes in Provence', from Little Sea Torch, London 1801; hand-coloured aquatint, 24x38.2cm: together with a mixed folio of prints including Japanese colour woodblock prints and Chinese gauche paintings on rice paper, (a lot), (unframed)
Lot 1
Gustave Fraipont, Belgian School 19th century- Trompe-l'oeil of sentimental vignettes; pen and black ink, signed, and inscribed and dated 1849 on the mount, 40x56.2cm: European School 19th century- 'Hamburgh'; pencil, inscribed: together with a mixed folio of prints, and reproductions, various sizes, (a lot), (unframed)
Lot 1
Fortesque Bate- 'General Post Office, London'; hand-coloured aquatint, 26.4x43.2cm: French School 19th century- 'Promenade Aerienne du Jardin Beaujon, Folie du Jour dessinee d'apres Nature, Barriere de Neuilly'; hand-coloured engraving: together with a mixed folio of prints watercolours and drawings by and after different hands, (a lot), (unframed)
Lot 1
Cassell & Company, Limited, London, publ.- 'Gems of Scenery from Picturesque Europe', division 2, 3 and 4, from a set of five, originally comprising fifty steel engravings each by John Godfrey, J. Saddler, E.P. Brandard, A.Willmore, T. Heawood, and others, after drawings by Birket Foster, H. Fenn, E. T. Compton, E. M. Wimperis and others, 52x36cm., (incomplete folio), (sheet size), (3)
Lot 1
European School c1940- Contorted figures; lithograph, signed, inscribed, numbered 6/30 and dated 1942 in pencil, 32x32cm: together with one other similar lithograph by the same hand, and a mixed folio of 20th century prints some printed in colours by different hands including those by: Mircou Soma, Martin Emond, M. Taum, Bernard Stern, and others, various sizes, (a lot), (unframed).
Lot 1
Nigerian School late 20th century- 'Setting Sun'; oil on paper, signed, dated '92, and inscribed on the reverse, 48.5x28cm: together with seven other similar works on paper by the same hand, and a mixed folio of drawings by different hands, 19th and 20th century, (a lot), (various sizes), (unframed)
Lot 1
Brayley (Edward Wedlake). Lambeth Palace illustrated by a series of views representing its most interesting antiquities in buildings, portraits, stained glass, &c., Printed by S. Gosnell, Little Queen Street, for E.W. Brayley, 1806, EXTRA ILLUSTRATED with 174 portrait plts. mainly laid-down onto 157 leaves (inc. 4 hand-col.), plus eighteen eng. plts. mostly views (inc. 1 hand-col.), late 19th c. dark green half morocco, a little rubbed to extrems., large folio (1)
Lot 1
Dodsworth (William). An Historical Account of the Episcopal See, and Cathedral Church, of Sarum, or Salisbury, 1814, addn. eng. title, nineteen engraved plts. and one eng. vignette. (all Proof plates), correct as list, list of subscribers, t.e.g., contemp. half morocco gilt, rubbed, and a little wear to extremities, folio. Large Paper copy. (1)
Lot 1
Hall (S.C.). The Baronial Halls and Pictureque Edifices of England, 2nd ed., 2 vols. bound in 1, 1844, seventy-two tinted litho. plts. after Harding, Cattermole, Prout, Muller & Holland, wood engs. to text, some minor scattered spotting, t.e.g., recent qtr. morocco, elaborate gilt dec. spine, folio (1)
Lot 1
Letts's Popular County Atlas. Being a Complete Series of Maps Delineating the Whole Surface of England and Wales, 1884,. forty-seven double-page maps, a.e.g., orig. gilt dec. cloth, spine crudely repaired with adhesive tape, folio, together with Ordnance Survey Atlas of England & Wales, 1922, twenty-four linen backed double-page maps, orig. cloth, spine deficient, rubbed & cuffed, sq. folio (2)
Lot 1
Nattes (John Claude). Scotia Depicta; Or, the Antiquities, Castles, Public Buildings, Noblemen and Gentlemen's Seats, Cities, Towns, and Picturesque Scenery, of Scotland, Illustrated in a Series of Finished Etchings, by James Fittler, 1819, eng. frontis., forty-eight uncol. copper plt. eng. views by Fittler after Nattes, each with associated leaf of text, a.e.g., contemp. gilt dec. straight-grained plum morocco, slightly rubbed on spine, folio. A handsome copy. (1)
Lot 1
Tickell (R. Eustace). The Vale of Nantgwilt. A Submerged Valley. Illustrative and Descriptive of the Elan and Claerwen Valleys in Radnorshire shortly to be Submerged by the Reservoirs for the Water Supply of Birmingham, 1894, twelve uncol. etched plts., number applied in ink to half-title, t.e.g., orig. qtr. vellum, slight wear to upper joint, oblong folio (1)
Lot 1
*Gloucestershire. Leonard Stanley, Album of watercolour and pencil views, c.1830s, album containing ten pencil & wash views, four pencil views and one watercolour, each of locations in the Leonard Stanley area, each approx. 180 x 250mm and pasted to album leaves, together with a loosely inserted folding county map of Gloucestershire from Lewis' Topographical Dictionary, contemp. boards with recent morocco spine, slight wear to boards, slim oblong folio. Includes titled views from Mr. Holbrow's ground; from Farmer Brown's Field; Mr Skip's House at Stonehouse; from Mr. Barnard's, Stonehouse Cross and Dudbridge near Stroud. (1)
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86094 item(s)/page