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[GARDEN] MILLAIS (J. G.) Rhododendrons. In which is set forth an Account of all Species, lge. folio, 75 / 500 copies, 17 col. plates after Beatrice Parsons, Archibald Thorburn & others, 14 collotypes, & other photo illus., green cloth, L., 1917 [a follow up volume was published some years later].
[GARDENING] TIPPING (H. AVRAY) English Gardens, folio, photo illus., green cloth, L., 1925; GARDENS Old & New, folio, photo illus., green dec. cloth designed by Will Jenkins, Country Life n.d.; CROCKER (Emmeline) Thirty-Nine articles on Gardening, 8vo, illus., clo., "with author's compliments", L., 1908; & 4 others (7).
JAMES TURRELL (AMERICAN, B. 1943) AND THOMAS JOSHUA COOPER (AMERICAN, B. 1946)EclipseBoxed folio containing booksigned and numbered in pencil 'IX/X James Turrell 38/100'with two original prints by James Turrell, one signed in pencil 'Turrell' (in the margin), one inscribed with date in pencil '1636' (in margin)each 27 x 21cmand two prints by Thomas Joshua Cooper, each signed and dated in pencil '1999' (in margin), one numbered in pencil '37/100', the other numbered in pencil '38/100' (in margin)each 17 x 24cmProvenanceHaunch of Venisontogether with The Gazing Engine CD of music composed and produced by Paul Schutzeoverall size 29.5 x 23 x 4cmProvenanceHaunch of VenisonCondition reportThe box, book and prints are all in excellent, mint condition.
Pablo Picasso (1881-1973)L'Atelier de Cannes, frontispiece for Ces peintres nos amis, Vol. II (Mourlot 279; Bloch 794) Lithograph in colours, 1957, on wove paper, from the unsigned edition of 250, with text by Gilberte Duclaud, printed by Mourlot, Paris, published by Galerie 65 Cannes, 1960, the full sheet, bound (as issued), minor time staining, otherwise in good conditionFolio 445 x 330mm. (17 1/2 x 13in.)Footnotes:The work was first produced in 1956 as a frontispiece for the book Dans l'atelier de Picasso, Picasso later embellished the print with additional colours, for the cover of Ces peintres nos amis, Volume II.This lot is subject to the following lot symbols: • AR• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Casson (Sir Hugh) Sketch Book: A Personal Choice of London Buildings drawn 1971-1974 and introduced by John Betjeman, number 86 of 100 facsimile reprints, signed by the artist and Betjeman on front free endpaper, colour plates, original spiral-bound wrappers, Lion & Unicorn Press, 1975 § Thompson (Hunter S.) & Ralph Steadman. The Curse of Lono, original boards, dust-jacket, Cologne, 2005 § Glasham (John) John Glasham's World, original boards, dust-jacket, 1991, folio & 4to (3)
Dryden (John) Of Dramatick Poesie: An Essay 1668...preceded by a Dialogue on Poetic Drama by T.S.Eliot, number 489 of 580 copies, publisher's slip bound in at title, bookplate of Richard Hamilton, original buckram-backed marbled boards, uncut, dust-jacket, very slightly soiled but still a very good copy, Haslewood Books, 1928 § Cobden-Sanderson (T.J.) Ecce Mundus: Industrial Ideals and the Book Beautiful, book-label of Anthony Frederick Walker, original vellum-backed boards, uncut, printed at the Chiswick Press, 1902, small folio & 8vo (2)
Eliot (T.S.) The Waste Land: a Facsimile and Transcript of the Original Drafts including the Annotations of Ezra Pound, edited by Valerie Eliot, one of 500 copies, frontispiece portrait, illustrations, original cloth, spine slightly faded, slip-case, 1971; Four Quartets, bound in green morocco, by Bayntun-Rivière of Bath, spine titled in gilt, g.e., turn-ins ruled in gilt with small ornamental corner-pieces, Folio Society, 1968, 4to (2)
Fleece Press.- Chapman (Hilary) The Wood Engravings of Ethelbert White, one of 200 sets with 2 original engravings by White, tipped-in illustrations, original pictorial wrappers, uncut, engravings tipped into hinged card mounts, together in original cloth drop-back box, illustration mounted on upper cover, folio, Wakefield, Fleece Press, 1991.
Fleece Press.- Methuen-Campbell (James) Ploughshare & Hayrick: The Life and Work of Claughton Pellew and Kechie Tennent, one of 55 special copies with 4 additional wood-engravings (rather than the usual 3), from an edition limited to 335, with tipped-in wood-engraving 'Amsterdam', illustrations, many colour, some tipped in, original cloth-backed pictorial boards, 4 additional wood-engravings loose in original cloth-backed board folder with another illustration to upper cover, together in original cloth drop-back box, bump to top corner, folio, Upper Denby, Fleece Press, 2019.⁂ This copy contains 4 additional wood-engravings, not 3 as stated in the colophon, and is bound as the ordinary copies and not in "quarter imitation vellum" as stated. The press has confirmed that this binding is correct, "as it simply looked better that way".
Gemini Press.- Graves (Ida) Epithalamion, number 241 of 330 copies signed by the author, full-page wood-engravings by Blair Hughes-Stanton, some spotting, original boards, uncut, spine rubbed and bumped at ends, board slip-case (worn), small folio, Colchester, Gemini Press, 1934.⁂ The first, of only two, books issued by the Gemini Press, established by Ida Graves and Blair Hughes-Stanton after the latter's departure from the Gregynog Press having left his wife Gertrude Hermes. Despite being unable to marry this was a celebration of the couple's union. Only half the edition was sold and in 1970 Hughes-Stanton sold the remaining sheets to the Basilisk Press who reissued the work in 1980. This original issue is more commonly found signed by the artist rather than the author.
Graham (Rigby) Leicestershire, number 32 of 150 copies signed by the author/artist, numerous illustrations by Graham, many colour, some full-page and tipped in, pictorial endpapers, original morocco-backed cloth, together with prospectus and other related ephemera in cloth slip-case, folio, Leicester, Gadsby Gallery, 1980 § Scott (Thea) Fingal's Cave, out-of-series copy from an edition limited to 150, colour linocuts by Rigby Graham, original cloth, slightly rubbed, Leicester, Tony Savage at Pandora Press, 1962, folio & 4to (2)
Nonesuch Press.- Symons (A.J.A.) Desmond Flower & Francis Meynell. The Nonesuch Century: An Appraisal...and a Bibliography...1923-1934, number 407 of 750 copies, illustrations, tipped-in samples, plates and illustrations, original green buckram, roan label, uncut, spine slightly faded, dust-jacket rubbed and frayed, tear to lower panel, small folio, Nonesuch Press, 1936.
δ Old Stile Press.- Barnfield (Richard) The Affectionate Shepheard, one of 200 copies on handmade paper and signed by the artist, this copy also signed by the binder, cliché-verre illustrations by Clive Hicks-Jenkins, prospectus loosely inserted, bound in alum-tawed white goatskin painted with geometric design in red and black acrylics through stencils and tooled with small gilt dots, by David Esslemont, red paste-paper endpapers, uncut, signed and dated 1999 in ink on rear endpaper facing colophon, preserved in cloth drop-back box, small folio (c.340 x 225mm.), Llandogo, Old Stile Press, 1998.⁂ Commissioned binding on a work first published in 1594.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Parrot Presses.- James (Henry) Winchelsea, Rye & 'Denis Duval', with an Introduction by Alan Tucker, number XI of 32 special copies partly hand-coloured by Sylvia Stokeld and signed by Tucker and the artist, from an edition limited to 192, illustrations by Rigby Graham, some hand-coloured, original hand-coloured pictorial boards, slip-case, 1991 § Bishop (Hal) The Wood Engravings of Frank Martin: A Selection...and a Catalogue of all the Relief Prints, number 209 of 360 copies signed by the author and artist, original cloth-backed patterned-paper boards, 1998, small folio, Church Hanborough, Previous Parrot Press (2)
δ Piper (John).- Thomas (Dylan) Deaths and Entrances, edited by Walford Davies, number I of 18 specially-bound copies, from an edition limited to 268, double-page colour plates by John Piper, Lord Kenyon's copy with his ink inscription to front free endpaper, bound in light brown goatskin, by James Brockman, covers with shaped panel at head of inlaid grey, light blue, yellow, magenta, light green, sage green and dark grey calf forming abstract landscape design, tooled in gilt with irregular outline shapes, spine titled in gilt, citron suede doublures, g.e., tiny ink mark to spine, with prospectus in dark green goatskin-backed cloth drop-back box, folio (c.360 x 240mm.), Newtown, Gwasg Gregynog, 1984.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Golden Cockerel Press.- Bligh (William) Bligh's Voyage in The Resource from Coupang to Batavia..., edited by Owen Rutter, number 324 of 350 copies, wood-engravings by Peter Barker-Mill, prospectus loosely inserted, original two-tone cloth, uncut, very slight fading to spine, 1937 § Besterman (Theodore, editor) The Pilgrim Fathers, number 267 of 300 copies, wood-engravings by Geoffrey Wales, original morocco-backed cloth, 1939, both uncut, Golden Cockerel Press; and 3 others from the press, small folio & 8vo (5)
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86082 item(s)/page