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Art - Alken (Henry, illustrator) & Zeitter (John Christian, Illustrator), Rudiments for Drawing The Horse, three-part set, first edition, London: R. Ackermann [...], at The Eclipse Sporting Gallery and New Sporting Magazine Office, 1837, illustrated with 12 full-page monochrome etchings as called for, original paper wrappers, numbered in contemporary ink MS, oblong crown folio (28.5cm x 38.5cm), [3]

Art Photography - Salgado (Sebastião) & Salgado (Lélia Wanwick, editor), Genesis, two-volume set, copy no. 486/500 signed by the photographer, Taschen, 2013, apparently lacking the original print, contemporary full morocco, the spines and upper-covers lettered in black, rouge endpapers, folding stand and packing en suite, atlas folio (71cm x 48cm), [2]

Bell's Common-Place Book, Form'd generally upon the Principles Recommended and Practiced by Mr Locke, London: Printed for John Bell, near Exeter Exchange in the Strand, 1770, copperplate title-page engraved by J. Ellis after Chinnery Junior, 8pp (Illustration/examples), then sepia printed index leaves and red-ruled contents blank of manuscript entries, original green vellum over boards, apparently as issued (judging by other copies in past commerce), faintly blind-ruled covers, gilt-lettered red morocco label, marbled endpapers, crown folio (39cm x 26cm), [1]

Bible, Biblical Criticism - Burkitt (William, M.A., Late Vicar and Lecturer of Dedham in Essex), Expository Notes, with Practical Observations, on the New Testament [...], seventh edition, London: Printed for John Wyat [...], 1719, black-ruled throughout, the text printed in double-columns, contemporary panelled calf (worn), dated contemporary ink MS ownership inscription: Henry Parsons, 1719, folio (39.5cm x 26cm), (1); Henry (Matthew), An Exposition of the Old and New Testament [...], nine-volume set, London: James Nisbett & Co., [n.d., c. 1880], black-ruled, contemporary cloth, 4to, (9); Cobbin (The Rev. Ingram, M.A.), The Condensed Commentary [...] of the Holy Bible [...], Illustrated with Maps and Engravings, London: William Tegg, 1869, repaired contemporary black morocco, all-edges gilt, 4to, (1); Religious History, Picard (Bernard), Naaukeurige Beschryving der Uitwendige Godsdienst-Plichten, Kerk-Zeeden en Gewoontens van alle Volkeren der Waerelt [...], Amsterdam: Hermanus Uytwerf [...], 1736, title printed in red and black, text only, folio, marbled boards, folio (44cm x 28cm), (1), [12]

Bible, Wright (Paul, D.D., F.S.A., editor), The Christian's New and Complete British Family Bible [...], London: Alex. Hogg [...], [n.d., 1795], full-page Adamesque engravings, contemporary calf (repaired), crown folio (40.5cm x 26cm), [1]

Bibliography, Incunabula and Early Printing - [Sotheby (Samuel Leigh)], A Collection of Nearly 500 Facsimiles of The Water Marks, Used by The Early Paper Makers [...], [&] A Collection of Facsimiles of The Types, Woodcuts and Capital Letters, Used by Early Early Printers, two parts in one (as issued), London: [s.n.], 1840, 26 lithographs of watermarks, 42 of early printing (ff. 36-41 wrongly numbered), original boards (disbound, chipped), crown folio (36.5cm x 26cm), [1] Provenance: 1) Sir Charles Bunbury, 8th Baronet, FRS (1809-1886); his defaced armorial bookplate; 2) Charles Clark (1806-1880), of Totham, Essex, the noted publisher and satirist; his printed label dated 1866; 3) Sotheby & Co., their book label.

Botany – Hogg (Thomas, Florist), A Concise and Practical Treatise on the Growth and Culture of the Carnation, Pink, Auricula, Polyanthus, Ranunculus, Tulip, Hyacinth, Rose, and other Flowers […], third edition, London: G. and W.B. Whittaker, 1824, illustrated with 6 hand-coloured botanical plates, later papered boards, 12mo, (1); Barker (Nicolas), Hortus Eystettensis: The Bishop’s Garden and Besler’s Magnificent Book, London: The British Library, 1994, pictorial dustjacket over black cloth, crown folio, (1); Erasmus Darwin facsimiles, 4to, (2); etc., [9]

Byronmania, Messrs Pott and Neale of Nottingham, Particulars and Conditions of Sale of the Venerable Abbey and Baronial Residence of Newstead, Nottinghamshire, [...] Will be Sold by Auction [...] At the Auction Mart, Bartholomew Lane, Opposite the Bank of England, [London], On Wednesday, the 13th day of June, 1860, at 12 at Noon, In One Lot, the auction catalogue illustrated with 2 named-view full-page lithographs of the country house by Waterlow & Sons, 1 plan of it and its gardens, 2 plates of its floorplan, and 1 large three-fold hand-coloured map of the estate and its parochial liberties, original cloth over printed paper wrappers, royal folio (50cm 32cm), (1); Local Interest, The Wollaton Estate, Nottingham, Part III, Portions of the Estates of [...] Lord Middleton, 23rd & 24th March, 1925, b/w plates and plans, original paper wrappers, crown folio (40.5cm x 25.5cm), (1), [2]

Cartography - Blaeu's Atlas of England, Scotland, Wales, and Ireland, copy no. 203/500, facsimile of the original 1645 & 1654 editions, London: Thames and Hudson, 1970, illustrated with 115 maps, of which 5 are coloured as well as Blaeu's title-page, original red quarter-morocco gilt over grey cloth boards, slipcase and packing case en suite, royal folio (53.5cm x 33.5cm), [1]

Children's and Juvenile Books - Dulac (Edmund, illustrator), The Sleeping Beauty and other fairy tales, From the Old French, retold by Sir Arthur Quiller-Couch, London: Hodder and Stoughton, [n.d., 1910], illustrated with 30 tipped-in colour plates, original red cloth pictorial gilt, in imitation of a Rococo morocco binding, 4to, (1); Rackham (Arthur, illustrator) & [Barham (Richard)], The Ingoldsby Legends, or Mirth & Marvels, [London]: William Heinemann, 1909, tipped-in colour plates and b/w in-text illustrations, original blue cloth pictorial gilt, top-edge blue, 4to, (1); Copping (Harold, illustrator), The Gospel in the Old Testament: A Series of Pictures [...], London: The Religious Tract Society, tipped-in colour plates, contemporary cloth gilt, top-edge gilt, folio, (1), [3] Provenance: the Chandos-Pole family, removed from the Library of Radbourne Hall, Derbyshire.

Children's Books - Hale (Kathleen), Orlando (The Marmalade Cat) Buys A Farm, first edition, fourth impression, London: Country Life Limimted, 1950, illustrated, original pictorial boards, folio, (1); other children's books, some illustrated by well-known illustrators, including Charles Robinson, Margaret Tempest, etc; mid-20th century vintage and retro children's hardback fiction, pictorial dustjackets; further illustrated books; etc., [2 boxes] Provenance: the Chandos-Pole family, removed from the Library of Radbourne Hall, Derbyshire.

De Grandmaison (Aubin-Louis Millin), Peintures de Vases Antiques, vulgairement appelés étrusques, two-volume set bound as one, first edition, Paris: Didot l’ainé, 1808 [-1810], pp: engraved title-page (laid on linen), [iv], xx, 124, 70 engraved plates (of 72, lacking nos. 59 & 61; 34 repaired); [ii], 146, 76 engraved plates (of 78, lacking nos. 29, 65 & 66, though 64 duplicated; 49 repaired, 78 laid on linen), some soiled and foxed margins throughout, marginal damp-staining affecting some quires, most points of condition not affecting within the platemark of the engravings, 20th century calf over blue boards, red-speckled edges, elephant folio (59cm x 46.5cm), [Blackmer 1129], [1]Dedicated to the Empress Joséphine, this work describes and reproduces Ancient Greek vases and Classical antiquities from the collections of Malmaison, the Imperial Library, and the Sèvres factory, as well as pieces from the Duke of Dalmatia, Galitzine and other French collections.

Fashion - Sacchetti (Enrico, illustrator), Robes et femmes, copy no. 99/300, Paris: Dorbon-Ainé, 1913, illustrated with 11 pochoir colour plates (of which 1 is double-page), each satirising the avante garde fashion designs of Paul Poiret, title-page vignette and colophon leaf with further costume, bound in contemporary Parisian purple polished calf, outlined in blind and gilt-rolled to a scrolling geometric design, six-compartment spine of raised bands, lettered in the second, red-speckled edges, marbled endpapers, original pictorial papered portfolio en suite, crown folio (38cm x 30.5cm), [1]

Folio Society - Anthony Trollope, 48 volumes, various titles, mixed dates, cloth, slipcases en suite, [48]

Folio Society - approximately 80 volumes, non-fiction and fiction, including Thomas Hardy, other literature; Roman Classics; Myths and Legends; art history, various; etc., 8vo & 4to, [approx. 80]

Folio Society - Johnson (Samuel), A Dictionary of the English Language [...], two-volume set, facsimile of the first edition of 1755, copy no. 205/1,000, London, 2006, printed by the St. Edmundsbury Press on Favini toned paper, three-quarter dappled calf by Smith Settle of Otley, the boards and edges marbled by Ann Muir, two-division buckram slipcase, crown folios (41.5cm x 26.5cm), [1]

Folio Society - nineteen titles, both fiction and non-fiction, including The Arabian Nights, Grimm's Fairy Tales, Hans Andersen's Fairy Tales, Captain Scott's Journals, original cloth binding, mostly slipcased, 4to & 8vo, [19]

Folio Society - seventeen titles, fiction and non-fiction, including works by Dylan Thomas and Edith Sitwell, original cloth bindings, some slipcased, 8vo & 4to, [17]

Folio Society - Thomas Hardy, 18 volumes, various titles, mixed dates, cloth, slipcases en suite, [18]

Folio Society - Wodehouse (P.G.) & Cox (Paul, illustrator), Best of Blandings, six-volume set, 2004, illustrated, pictorial cloth bindings, slipcase en suite, 8vo, (6); The Plums of P.G. Wodehouse, 1997, pictorial gold cloth, slipcase en suite, 8vo, (1), [7]

Folio Society, Crime & Thrillers - Sayers (Dorothy L.) & Ledwidge (Natacha, illustrator), Crime Collection, five-volume set, London, 1998, illustrated, pictorial boards, slipcase en suite, 8vo, (5); Chandler (Raymond) & Grandfield (Geoff, illustrator), The Complete Novels, seven-volume set, 1989, pictorial cloth, slipcase en suite, 8vo, (7); Ian Fleming; Rumpole; Agatha Christies; etc., [20]

Folio Society, Fiction - approx. 65 books of English, European, and World Literature, both prose and verse, including Galsworthy's The Forsyte Saga, Jane Austen's Works, various others, etc., cloth bindings, some pictorial &/or decorative, occasional slipcases en suite, mostly 8vo, [approx. 65]

Folio Society, Non-Fiction - approx. 78 books, comprising history, art history, travel, etc., cloth bindings, some pictorial &/or decorative, occasional slipcases en suite, 4to & 8vo, [approx. 78]

Illustrators - Doré (Gustave, illustrator) & Vaughan (Robert, editor), Milton's Paradise Lost, London: Cassell, Petter, and Galpin [n.d., c. 1880], illustrated with full-page wood-engraved plates, contemporary quarter-morocco over marbled boards (disbound, rubbed, chipped, with losses), marbled edges and endpapers, crown folio (37cm x 31cm), (1); Children's, Woodward (Alice B.W.) & O'Connor (Daniel), The Peter Pan Picture Book, London: George Bell & Sons, 1907, colour plates, pictorial boards, 8vo, (1); Jessop (Ernest M., illustrator): Ingoldsby's The Knight & The Lady, [&] The Lays of St. Aloys, first editions thus, London: Eyre & Spottiswoode, [n.d, c. 1885], chromolithograph-printed, original pictorial papered boards, crown folios (37.5cm x 28cm), (2); Commedia dell'arte, Beijer (Agne), Recueil de plusieurs fragments des premières Comédies Italiennes [...], copy. 90/490 on Blanchet Kléber paper, Paris: Éditions Duchartre et Van Buggenhoudt, 1928, illustrated with a folio of full-page mixed media plates, original wrappers, crown folio (40cm x 29.5cm), (1); Fortune Magazine, July 1934, illustrated with various advertising and ephemera, original wrappers, folio, (1); Bartsch Peintre-Graveur: Atlas, illustrated with mixed media prints after Old Masters and others, original cloth, 4to, (1); P.G. Wodehouse, (1), [8]

Japan - Morton-Cameron (W.H.) & Feldwick (W., editor), Present Day Impressions of Japan: The History, People, Commerce, Industries and Resources [...], first edition, London: The Globe Encyclopedia Company, 1919, title-page and prelims chromolithograph-printed, profusely illustrated throughout, fold-out colour map, original publisher's decorative binding of brown leather gilt (slightly rubbed, split and chipped upper-joint on upper-cover), all-edges gilt, marbled endpapers, large 4to, (1); Netto (C.) & Bender (Paul, illustrator), Papier-Schmetterlinge aus Japan, first edition, Leipzig: T.O. Weigel, 1888, 1 chromolithographic plate, further monochrome lithographs, in-text illustrations, original publisher's cloth over papered pictorial boards, crown folio (36.5cm x 28cm), (1), [2]

John Allcott, Marine Artist, copy no. 388/500, signed and numbered by the artist's son Rodney Allcot, Sydney: Macarthur Press, [n.d., 1978], printed in Gouldy Old Style type on Hollingsworth rag paper from Turkey Mill, Kent, the plate paper Geisha Gloss Art, illustrated with 40 tipped-in colour plates of the artist's nautical works, 20pp, original blue leatherette binding, pictorial gilt, cloth slipcase en suite, folio (50.5cm x 38cm), (1); two William Calladine signed nautical prints (2), [3]

Local Interest - Chantrey (Sir Francis, RA), Illustrations of Derbyshire, a folio of 23 proof state engravings (of 29), all lettered, dated 1818 between 1819, in-keeping 20th century half-calf over marbled boards, upper-cover retaining the contemporary gilt-lettered morocco label, crown folio (37cm x 27.5cm), [1]

Local Interest - The Nostell Priory Copy, Thoroton (Robert) & Throsby (John, editor), The Antiquities of Nottinghamshire [...], three-volume set, second edition, London: Robert White, et al., 1790, full-page engraved plates, contemporaneous quarter-calf over marbled boards, 4to, (1); Provincial Imprint, Deering (Charles), Nottinghamia vetus et nova [...], first edition, Nottingham: George Ayscough, 1751, lacks 3 plates, contemporary sheep, 4to, (1); two copies of Blackner's Nottingham, 1815, various states, one ex-lib, folio, (2); Dickinson's Newark, 1816, lacks 1 plate, original publisher's boards, 4to, (1); Brown's Newark-upon-Trent, 1879, illustrated with engravings, and with 9 Woodbury Permanent Process photographic prints, original green morocco gilt (rubbed), 4to, (1), [8] Provenance: 1st: Charles Winn (1795-1874), of Nostell Priory, West Yorkshire; his seal armorial bookplate to each pastedown.

Local Interest -Rayner (Samuel), The History and Antiquities of Haddon Hall: Illustrated by Thirty-Two Highly Finished Drawings; with an Account of the Hall in its Present State, Derby: Robert Moseley, London: Weale [...], 1836, illustrated with lithograph plates printed on India paper and tipped onto leaves, 20th century half-calf over marbled boards, folio (34.5cm x 23cm), [1]

Local Interest, Newspapers - Nottingham Evening News, bound collection dated from 3rd July, 1945, to 29th December, 1945, quarter-leather over cloth (faults), elephant folio (60cm x 41cm), (1); others, loose, (1), [2]

Miscellaneous – 20th century Cime and Horror, Mysteries and the Unexplained, Travel and Exploration, including Crimes, Creeps and Thrills […], London: E.H. Samuel, [n.d., 1936], original green cloth, 8vo, (1); Modern Tales of Horror, 1932, 8vo, (1); Gardner (Edward L.), Fairies: The Cottingley Photographs and their Sequel, second edition, London: The Theosophical Publishing House, 1951, repaired pictorial dustjacket over cloth, 4to, (1); RMS Titanic and its conspiracies, various; further transport; Hayes La mer libre du pole, Paris, 1868, contemporary leather over marbled boards, 8vo, (1); Folio Society; etc., [approx. 35]

Miscellaneous - Hope (Thomas), Costume of The Ancients, first edition, London: William Miller, 1809, illustrated with approximately 200 etched full-page plates, Edwardian three-quarter morocco gilt over cloth, all-edges gilt, 8vo, (1); Mill (John Stuart), On Liberty, People's Edition, London: Longman [...], 1865, printed in double-columns, original publisher's cloth, 8vo, (1); Darwin (Charles), Journal of Researches into the Natural History and Geology of the Countries Visited [...], London: Ward, Lock, and Co., 1889, in-text illustrations, original publisher's cloth, 8vo, (1); Buffon's Natural History, two defective odd volumes from an early 19th century English imprint, some plates, reverse calf, 8vo, (2); further natural history, various; mathematics; The Art Journal, 1904, contemporary blue half-morocco gilt over cloth, crown folio, (1); Sale's Koran, [n.d., c. 1870], original publisher's cloth, 8vo, (1); limp leather bound Holy Bible, (1); further Bibles, devotionals and prayer books, various; Epitaphia, 1909, 8vo, (1); Wagner Stories, (1); Oliver Cromwell, (2); etc., [approx. 30]

Miscellaneous - Local Interest, The Imperial Album of Matlock and Neighbourhood, illustrated, (1); others, similar, Chesterfield, Chatsworth & Haddon Hall, (2); The Nottingham Magazine, November 1885 to April 1886, bound as one, contemporary cloth, 8vo, (1); Children's Books, early-mid 20th century Beatrix Potter, Frederick Warne & Co Ltd imprints, (7); Bannerman's Little Black Mingo; Geology/Mineralogy, Oxford University PhD thesis, two volumes, 1981, 4to, (2); Folio Society, six various titles, 8vo, (6); 19th century London, social history, various; 19th century theatre, stage and drama, various; music; Gilbert White; Old English Wood- Carving Patterns, illustrations, folio; bibliography and book catalogues; American Folk Art; early 19th century and later leather, part-leather, and decorative cloth bindings, various, mixed sizes; loose ephemera, including carte de visite portrait photographs; etc., [5 boxes]

Miscellaneous – Raby (Julian, editor), The Nasser D. Khalili Collection of Islamic Art, volume XV: Glass, The Nour Foundation, 2007, dustjacket over cloth, slipcased, folio, (1); Cookery, Roberts (Emma), A New System of Domestic Cookery […], London: John Murray, 1840, original cloth, 8vo, (1); early 19th century and later books, including post-Regency children’s, various; Charles Dickens: A Gossip about his Life, Works, and Characters […], six-part set, London: Cassell & Company, [n.d., 1880], cloth over papered boards, folio, (6); Country Life, volume XII, 1912, original cloth, folio, (1); The Antiquarian Horological Society Journal, volumes I-III, facsimile reprints, cloth, 4to, (3); Pictures from “Punch”, 4to, (4); Japanese book; literature, verse and literature; etc., [approx. 50]

Miscellaneous – The Enlightenment, De Gébelin [(Antoine Court)], Monde primitif, analysé et comparé avec le monde modern, nine volumes, mixed editions and imprints, Paris, 1782-1787, later institutional buckram, some stamps, 4to, (9); Russo-Turkish War, 1768-1774, [De Verdy du Vernois (Adrien-Marie-François) & De Tott (Baron François)], Essais de géographie, de politique et d'histoire, sur les possessions de l'empereur des Turcs en Europe […], Neuchâtel: De l’Imprimerie de la Société Typographique, 1784, fold-out geneaological table, 20th century red leather, 8vo, (1); Provincial Printing, Brookes General Gazetteer of Geographical Dictionary […], two-volume set, Newcastle upon Tyne: K. Anderson, 1807 & 1808, illustrated with maps, contemporary calf, 8vo, (2); Bindings, eight odd volumes of Pearson's Magazine, 1900-1912, uniformly bound in contemorary three-quarter morocco by Townsend, stamped, 4to, (8); Platts (The Rev. I.), The Book of Curiosities […], London: The Caxton Press, [n.d., c. 1820], contemporary calf, 8vo, (1); The Spectator, 1797, volumes 1-3, 5, & 8 only, contemporary mottled calf gilt, 8vo, (5); Victorian Family Bible, folio, (1); Automobilia, motoring and cars, (7); late 19th century and early 20th century cloth bindings, including Dumas, Charlotte Brontë; hunting, including Robert Smith Surtees; etc., [approx. 60]

Music - Corelli (Arcangelo), Conerti Grossi [...], three parts, London: Preston, [n.d., c. 1790-1800], contemporary reverse calf over marbled boards, 4to, (3); Haydn (Joseph), Three Quartets for Two Violins [...], London: Printed by Muzio Clementi & Comp:y, [n.d., 1799], engraved title-page, copperplate-printed, within a further four folios of chamber music, including Mozart, contemporary quarter-morocco over boards, the spines gilt with lyres and foliage, crown folio (35cm x 25.5cm), (4); ink manuscript musical scores; later 19th century European imprints of Mozart, Beethoven, Schubert, etc; a few others, later; Rubinstein recording of Tchaikovsky, HMV record; etc., [30]

Music - Handel (Mr [George Frideric]), Messiah, An Oratorio in Score, As it was Originally Perform'd, Composed by [...] Handel, To which are added His additional Alterations, first edition, ?third issue, London: Printed by Messrs. Randall & Abell Successors to the late Mr J. Walsh [...], [n.d., c. 1767], copperplate-printed, pp: [vi], 188, 35, [1] (blank), a complete and respectable copy, some pencil annotations, repaired title leaf, a few other marginal repairs in places, page 111/112 torn but without loss, scuffs, grime, and a handful of corner creases elsewhere throughout, early 19th century quarter reverse-calf over marbled boards, refreshed 20th century endpapers, folio (37cm x 27cm), [1]Here the list of subscribers before its reset state: "Mr" not "Dr" Samuel Arnold, ditto for Samuel Howard; "Pindar" not "Pinder"; John Perkins, Organist of "Findon" rather than "Finedon; while the order under H is Heaton, Howkins, Holden, Howard, Hague, Hudson, & Hurdis. Provenance: Robert Loxley, of Sheffield; his early 19th century gilt-lettered morocco book label to upper-cover.

Private Presses – Fraser (Eric, illustrator) & Martin (Frank, illustrator), The Book of the Thousand Nights and One Night, four-volume set, third impression thus, The Folio Society, 1973, original gilt-lettered vellum over decorative boards, top-edge red, slipcase en suite, 8vo, (4); further Folio Society volumes, including seven Jane Austen titles, Anthony Trollope, further fiction and non-fiction, etc., (27); Nonesuch Press Shakespeare, three volumes only (of 4), 1953, 8vo, (3); another Nonesuch title, (1); Cobden Sanderson, (1), [50]

Queen Anne Sombre Binding, The Holy Bible [...], Oxford: Printed by the University Printers, 1707, black-ruled title-page, contemporary panelled black morocco, marbled endpapers, contemporaneous and later ink MS ownership inscriptions, 12mo, (1); The Holy Bible [...], Cambridge: Printed by John Burges Printer to the University [...], 1800, separate New Testament title-page, contemporary reverse calf, contemporaneous and later ink MS ownership inscriptions, 8vo, (1); Saxton (The Late Mrs. Henry), Occasional Papers [...], Manchester: C.D. Cheetham, 1864, original wrappers, 8vo, (1); Folio Society, various fiction and non-fiction, including Hardy and Trollope, (22); etc., [26]

Royalty - Orders of Chivalry and Knighthood, The Royal Victorian Order: List of Members, London: Harrison and Sons, Printers in Ordinary to His Majesty, 17th February, 1906, [& loosely inserted] The Statutes of the Royal Victorian Order, the membership alphabetically arranged and printed in red and black, contemporary pictorial boards, cloth spine, the statutes in original pictorial wrappers, small folio (33.5cm x 21.5cm), (1); The Illustrated London News Record of the Glorious Reign of Queen Victoria 1837 - 1901 [...], with Fourteen India Proof and other Photogravures [...], London: The Illustrated London News and Sketch, [n.d., 1901], the text printed within decorative pictorial chromolithographed columns in tones of red, blue, and green, chromolithographed pictorial wrapper, contemporary three-quarter morocco over cloth, gilt-lettered upper-cover, red-speckled edges, pictorial endpapers, medium folio (40.6cm x 30.4cm), (1), [2]

Scottish Sombre Binding, The Holy Bible [KJV] [...], Edinburgh: Printed by James Watson, 1722, architectural title-page engraved by Robert Wood, separate black-ruled New Testament title-page, printed in double-columns, contemporary black morocco, tooled and panelled and blind, all-edges gilt, printed polychrome endpapers, slightly later ink MS ownership inscription: W.T. Procter, 8vo, (1); De Cervantes Saavedra (Miguel) & Jarvis (Charles, translator), The Life and Exploits Of the ingenious gentleman Don Quixote de La Mancha [...], volume I only, second edition thus, London: J. and R. Tonson, 1749, engraved plates contemporary calf, Chippendale armorial bookplate: Evert Geo. Coussmaker Esqr, 8vo, (1); Zola, Rome, first English edition, 1896, 8vo, (1); Priestley's Good Companions, prize binding of three-quarter calf gilt, 8vo, (1); Folio Society, various, (7); etc., [21]

Textiles, Fashion & Costume - Sample Book, Americana IV, 1945, Book 2/Printed Dress Rayons, 99 tipped-in colourful fabric samples, original black cloth, crown folio (38.5cm x 29.5cm), (1); The Ladies' Self Instructor in Millinery and Mantua Making, Embroidery [...], Illustrated with Numerous Engravings, Philadelphia: J. & J.L. Gihon, 1853, original publisher's cloth, 12mo in 6s, (1); The Boudoir: An Illustrated Magazine for Gentlewomen, Vol. I No. 3, February 1904, illustrated with various advertisements, original upper-cover wrapper only, 4to, (1); further publications and ephemera, similar; a 1930/40s French upholstery sample book, 4to, (1); etc

The Great Historical, Geographical and Poetical Dictionary; Being A Curious Miscellany […], London: Henry Rhodes et al, 1694, black-ruled title-page printed in red and black, the text in double-columns, original calf (worn, tired), folio (1); Jacob (Giles, Gent.), A New Law-Dictionary […], seventh edition, Savoy: Henry Lintot, 1756, printed in black-ruled double columns, occasional Blackletter printing, contemporary calf (upper-cover detached), folio, (1); Herries (The Reverend John, editor) et al., The Royal Universal Family Bible […], two-volume set, London: J. Fielding, 1781, printed in double-columns, illustrated with full-page engravings, rebacked contemporary calf, crown folios (39.5cm x 25.5cm), (2); an early 18th century copy of Bailey’s Etymological English Dictionary, possibly the first edition of 1721, lacks all before A2 (the dedication leaf to Frederick, Prince of Wales (1707-1751) when Duke of Gloucester (1717-1726), disbound, 8vo, (1), [5]

Theology & Divinity - [Pearson] (John, Lord Bishop of Chester), An Exposition of the Creed, The Twelfth Edition Revised and Corrected, London: Printed for D. Midwinter [...], 1741, some New Testament Greek printing, occasional Gothic Black Letter and Hebrew, portrait frontispiece, contemporary calf, contemporaneous and later MS ownership inscriptions, 19th century lot label to top spine compartment: Lot 163, small folio, (1); etc., [2]

Theology & Divinity - Taylor (Jeremy): The Great Exemplar of Sanctity and Holy Life, three parts in one volume, first edition, London: R.N. for Francis Ash [...], 1649, [a-a1] supplied in 19th century manuscript, a2-[c4], [A]-L3, [2] (blank), [¶2], Aa-[Ll4], ¶2 ,Aaa-[Mmm3], [2] (blank), Nnn-[Nnn4], Ooo-[Ooo4], d5 incorrectly signed d3, contemporary calf, blind-ruled borders, 18th century ownership inscription to recto pastedown, 4to, (1); A Course of Sermons For All the Sundays of the Year [...], second edition, London: Richard Royston, 1655, black-ruled title-page printed in red and black, [¶], A-[A7], B-[Ff2], [¶4], *4, A-[Hh6], Ii-Kk2, [A]-[E5], 20th century calf over buckram, the calf blind-tooled in the 17th century taste, folio, (1); Tegetmeier (Denis, illustrator), The Mysteriousness of Marriage, copy no. 194/300, Capel-y-ffin: Francis Walterson, 1928, original publisher's cloth over papered boards, 8vo, (1), [3] Provenance: 2nd: Jo: Hopkinson, contemporary mid-17th century ink MS ownership inscription to title-page.

Theology & Divinity - Taylor (Jeremy, D.D.), Ductor Dubitantium, or The Rule of Conscience [...], two parts in one volume, first edition, London: Printed by James Flesher, for Richard Royston at the Angel in Ivy-lane, 1660, engraved emblematic frontispiece, red-ruled title-pages, the secondary title-page with a vignette: the Parable of the Lost Sheep engraved by Pierre Lombart, [A4], [a6], b-d4, B-[Bbb4], [¶], [A]-[Z6], Aa-[Zz6], [Aaa4], contemporary speckled divinity calf binding, expertly-repaired by V. Stoakley (loosely-inserted note), folio, [1]

Van der Burg: (A.R.) & (P.), School of Painting for the Imitation of Woods and Marbles [...], Second Edition, With numerous Engravings and Chromolithographs, London: Crosby, Lockwood and Co., 1887, contemporary cloth over pictorial boards, medium folio, (48.5cm x 32cm), (1); Phaidon's Century, h/b, d/j, cased en suite, 4to; Hafez; travel, including Greek and Macedonia, Lithuanian; etc., [17]

World Wars One and Two, Literature and History - Churchill (Winston S.), The Second World War, six-volume set, mixed editions: volume I second impression of the first edition, volume IV second edition, volumes II, II, III, V, & VI first editions, original publisher's dustjackets over black cloth gilt, 8vo, (6); The Wipers Times [...], first complete edition, London: Eveleigh Nash & Grayson, 1930, original brown cloth, 4to, (1); Folio Society titles, (7); twenty-one books by or about Siegfried Sassoon, his works mostly reprints, (21); Bibliography, John Marrin Rare Books' The Great War catalogues, odd nos. between 65 & 74, original wrappers, (8); British Advance on the Somme, Detachable Postcards, original wrappers, (1); Ian Hay, (3); etc., [approx. 55]

A 19th century folio scrap album, various prints and engravings, 18th and 19th century, Old Masters and others, Giuseppe Nogari; The Oratory Beachamp Chapel by and after Joseph Murray Ince; portraits, Sir Thomas Moore, Thomas Overbury; Thomas Percy; Jacob Hall, The Famous Rope Dancer; William Knollis; boar hunting; Sir Samuel Garth; others, quarter bound morocco

A mid-Victorian hand-scrivened and illuminated manuscript vellum address, "To The Rev. Stephen Bridge MA., on his relinquishing the Incumbency of St. Matthew's Denmark Hill, [Camberwell, London], 1868", subscribed to and presented by his congregation and other residents of the district, ff. [12] Designed & Executed by Witherby & Co., London, signed ffep, gilt-ruled borders enclosing decorative initials and scrolling foliate tendrils, the valediction is concluded by an ink MS list of the contributors' names, finely bound in contemporary red morocco gilt over bevelled boards, elaborately blocked and tooled in gilt, the covers outlined with a graduating and alternating double-fillet border, enclosing foliate spandrels and rolls, the upper-cover centred by the recipient's name, restrained spine of raised bands, gilt dentelles, all-edges gilt, silk moiré endpapers, folio (37.5cm x 28cm), [1] The Reverend Stephen Bridge, M.A. (1812-1895), was "of the extreme Evangelical type. [And] of that type of Churchmanship, while he liked the services to be decently and reverently conducted and was jealous for the appearance of the Church": presumably his aesthetic eye was gratified by this sumptuous gift. Following his incumbency at St. Matthew's, Bridge was the rector of Droxford, Hampshire, - where he had his pulpit from St. Matthew's moved to! - until 1886, and where he died in 1895.

An early Victorian scrap album, enclosing tipped-in contemporary ephemera viz. boating and rowing in and around Nottingham, including Colwick Water, the Trent regatta, etc., further typical illustrations of colour scraps, topographical and Old Master engravings, some caricatural book illustrations, etc., contemporary green half-morocco gilt over cloth, marbled endpapers, folio, (1); a mid-19th century lady’s drawing-room commonplace album, dated 1858, artfully inscribed in ink MS. with verse and prose, illustrated with original watercolour and pencil illustrations, including an Italian Grand Tour named-view landscape in the Bay of Naples, typical tipped-in mixed media prints and ephemera, contemporary decorative blind-stamped roan (lacking spine), restrained by an unlocked clasp, 4to, (1); another, similar, including a named-view watercolour sketch of the Hermitage at Frogmore, [Windosr Castle], contemporary green roan over tartan papered boards, 4to, (1); (1); a mid-Victorian and later album of newspaper clippings, 4to, (1); 20th century scrapbooks of European ephemera, mostly hotels and transport, (3), [7]

Architecture, Victorian Gothic Revival - Sir George Gilbert Scott RA (1811-1878) & William Bonython Moffatt (1812-1887), a set of three country house floorplans, New House at Alton Manor, [Idridgehay], Derbyshire/For James Milnes Esq:re, the Ground Floor sheet later delineated by a slightly later hand with plumbing drainage, each sheet inscribed with the architect's name from their Spring Gardens, London, premises, titled, pen-and-ink with wash on paper, 36.5cm x 51.5cm, loosely-inserted in a folio of contemporary morocco over decorative cloth boards, stamped C. Smith [...] of Piccadilly, elephant folio (56cm x 38cm), [1]

Ephemera - Stoker (Bram), The Secret of the Growing Cold, first edition, first appearance in print within Black & White, No. 51 - Vol. III, Saturday, January 23, 1892, which also includes eight extra pages on the death & funeral of The Duke of Clarence, illustrated, original wrappers, contemporary Australian bookseller's ticket: W.B. Stephens, Adelaide, folio, (1); other Victorian/Edwardian magazines and reviews, including The Sphere; [Dorset], Okeden (D.O.P., Esq), A Letter, to the Members in Parliament, for Dorestshire, on the subject of Poor-Relief and Labourers' Wages [...], second edition, Blandford: Printed and Sold by John Shipp, 1830, disbound, 8vo, (1); Music, 18th century musical scores and libretto for Handel; further sheet music, principally 19th century; Victorian full-page chromolithographs and wood engravings, including Tennyson; The Metropolitan New Album of London, [n.d., c. 1890], topographical named-view prints, original wrappers, (1); Henry Irving; theatre programmes; etc., [collection]

Local Interest - a George III and later ink manuscript rental book, the Charley Rental, the property of the Bosworth family, Leicestershire, 86ff (just under half the volume), inscribed and tabulated from 23rd December, 1816, with the tenants' names, their land, the rental value and disbursement, infrequent remarks, the MS. culminating in its sale in August 1860, contemporary reverse calf, the upper-cover with a gilt-lettered and tooled morocco piece, speckled edges, marbled endpapers, folio (33.5cm x 21.5cm), [1]

Miscellaneous Manuscripts – a Victorian office muniments archive, the ledger folio enclosing MS. notes, schedules of deeds and annuities, etc., various dates and formats tipped-in, approx. three-quarters of the volume filled, contemporary reverse calf over boards, folio, (1); Scotland, Business and Commerce, Private Letter Book No. 1, MS. and later typed, dated from October 1886 to December 1950, contemporary reverse calf over marbled boards, 4to, (1); Food & Drink, 4pp of early cocktail and other wine-based drink recipes, the remaining 1919 dated ledger vacant, cloth over boards, small folio, (1); a mid-Victorian and later stock and accounts book, 1849-1860, contemporary papered boards, 4to, (1); Textiles, 20th century purchase book of bolts, threads, etc., small folio, (1); day book; vacant ledgers; etc., [10]

Postcard Artwork - a folio of cartoons, caricatures and specimen drawings, by D N Fergusson of Port Shepstone, South Africa, titled and annotated, some for the Holidays on the Lower South Coast Series, There's a Wealthy Sugar-Baron Seeking Gay Sophisticated Mate to Lighten His Few Remaining Years; Mr Van Plonk has managed to get himself higher than usual; How Wonderful to be Getting Away From it All; ...and I Say Get Back to the Tourist Class Ballroom at Once; others, black pen, mostly 20cm x 33cm, the largest 25.5cm x 38.5cm (36)

An early 19th century French Directoire red morocco print-collector's album, three-quarters of which is illustrated with uniform contemporary cabinet engravings of earlier Old Masters, the leaves of which are 'framed' and ruled in black ink, the finely bound covers outlined and tooled with a foliate roll, the angles with sunburst spandrels, the spine with Adamesque paterae in ruled compartments, all-edges gilt, marbled endpapers, folio (36cm x 27cm), [1]

D'Anville [(Jean-Baptiste Bourguignon)], an atlas of 18 engraved maps of ancient history and city states (of which 7 are folding), principally monochrome but some with hand-coloured delineation, dated between 1738-1740 within the plate's cartouche, but almost certainly from the 'Atlas Contenant Vingt-Sept Cartes Geographiques, pour Servir a l`Histoire Ancienne et Romaine', [Paris, ?1801], the cartographic sammelband extra-illustrated with a further 6 maps and 3 engravings, including Baur [(Friedrich Wilhelm)], A Correct Plan of the City of Winchester/the adjacent Parts with the Hessian Camp [...], London: Printed and Sold at Will:m Haskolls [...], 1756; A New and Accurate Plan of Fort St. Philip's in the Island of Minorca, Dublin: Printed for John Exshaw, [n.d., c. 1755]; 17th century and later etched French domestic islands, Bennett's Germany [n.d., c. 1760]; etc., early 19th century cloth over marbled boards, tacked-over with cloth, crown folio (33.5cm x 24cm), [1]

A late Victorian photograph album of European and British topographical views, predominantly Switzerland, France, and Belgium, some noted English churches and their interiors, occasionally annotated in ink MS, contemporary black morocco binding, tooled in gilt and blind, moiré endpapers, large oblong folio (31cm x 44cm), [1]

Australasia, The State of Tasmania, Australia - a late Victorian photograph album, illustrated with 71 mixed size sepia photographs, each mounted to card leaves and annotated with named-view topography in MS. pencil, including Government House - New Norfolk, the River Derwent of the same, Fern Scenery, Silver Falls - Fern Free Gully, Government House from Rosny, Township of Kingston - Browns River, Part of Hobart Town from Castray Esplanade, Mount Wellington & Holbrook Place, Franklin Square, further urban architecture, ports and ships, mountain and other natural scenery, ferns, etc., very infrequent personages within the plates, contemporary decorative cloth over bevelled boards (disbound), oblong folio (39.5cm x 27.5cm), [1]Provenance: 'From J. Noel White/To H.H. Perkins Esqr/In grateful recognition of his unvarying/courtesy, & many acts of kindness in the past/Hobart 1.1.80' [?Sidney Hobart-Hampden-Mercer, 7th Earl of Buckinghamshire (1860-193), styled Lord Hobart from 1875 to 1885].