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Louis Vuitton Pochette Félicie Pochette in Schwarz mit LV-Initialen und Game on Canvas. Der künstlerische Leiter Nicolas Ghesquière liess sich von Spielkarten inspirieren, um dieses farbenfrohe Design zu kreieren. Länge 21 cm, Breite 3 cm, Höhe 12 cm. Serien-Nr.: M80232. Guter Zustand. Mit Originalbox, Kaufquittung liegt bei.Bedingung:*
A SMALL COLLECTION OF JAPANESE ITEMS EDO AND LATER, 17TH CENTURY AND LATER Comprising: nine small seashells and two larger ones, each painted in gold and polychrome for the kai-awase ('matching shells') game; a parcel-gilt copper menuki with prancing shishi; an iron tsuba with radiating design and a large door plate embellished with auspicious objects, 34cm max. (14)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
A remarkable gouache on illustration board painting by prolific American outdoor illustrator, Lynn Bogue Hunt. The painting presents an osprey mid-plunge with its wings outspread and its talons digging into its prey. The solid sky-blue background and abstracted green splashes create emphasis on the subject and its actions. In the lower right corner, the painting is addressed To Otto Scheer with the artist's signature written in pencil. The painting is bordered with a brown matte and is encased in a wood frame with a beige and gold flake painted finish. Lynn Bogue Hunt (American, 1878-1960) was a prolific outdoor illustrator, huntsman, and fisherman. He painted 106 covers for the widely distributed Field and Stream magazine and was a known friend to other famous outdoor enthusiasts such as author Ernest Hemingway. Interestingly, in a forward written by Colonel Theodore Roosevelt in a book titled Our American Game Birds by Van Campen Heilner, it is mentioned that Hunt's color plate works were collected by the infamous du Pont family and were borrowed by Colonel Roosevelt and Heilner for their superb quality for the book's illustrations. Sight size: 30.5"W x 20.75"H; frame: 33.5"W x 23.75"H x 1.00"D. Artist: Lynn Bogue HuntCountry of Origin: United StatesCondition: Age related wer. Frame is worn and has chips in paint. Frame joints show slight separation, but are intact. Matte border has tear to top edge. Stains throughout the piece- will require cleaning.
Adolphe Lalauze (French, 1838-1906) after Jean-Louis-Ernest Meissonier (French, 1815-1891). Etching on laid paper after an 1869 Ernest Meissonier painting titled "Playing Bowls at Antibes" depicting an a group of figures playing a ball game outside city walls, 1883. Signed in plate by Lalauze along the lower right. Meissonier signature and date in plate along the lower right of the image. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: There is light toning and undulation to the sheet throughout. There is light wear along the edges. Pencil number 14 along the upper right corner. There is a minute hole along the lower right corner of the image; the hole is only noticeable upon close inspection or with a back light. Not framed.
An exceptional Beilby enamelled tumbler, dated 1768Of plain tapering shape with a solid base, painted in opaque white with a landscape vignette depicting a sportsman standing with his legs astride, wearing a smart frock coat and wide-brimmed hat, aiming his gun at a flock of three birds startled by his dog, a tree and shrub behind him, the reverse inscribed 'Success. to,/ R. Brown;/ 1768' in script, 9.8cm highFootnotes:ProvenanceSotheby's, 25 March 1991, lot 81With Asprey, 1991Durrington CollectionLiteraturePeter Dodsworth, The Durrington Collection (2006), no.32ExhibitedBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.44Wildfowling scenes such as this were a popular theme on Beilby enamelled glasses and a number of examples with closely related decoration are recorded, each showing a single figure shooting game birds in flight. This includes a clear glass flask inscribed 'Thomas Brown, Nenthead, 1769' in the Ashmolean Museum (inv. no.WA1957.24.2.181), which is illustrated by James Rush, A Beilby Odyssey (1987), p.69, pl.29. Compare also to the earlier South Staffordshire polychrome enamelled opaque white flask depicting a similar scene, possibly by William Beilby working for John Haseldine, sold by Bonhams as part of the Kaplan Collection on 15 November 2017, lot 39.A celebrated set of Beilby enamelled opaque twist wine glasses, of which at least three are so far recorded, is decorated with similar wildfowling scenes. An example now in the Laing Art Gallery (inv. no.F6317) was sold by Sotheby's on 1 November 1982, lot 38 and is illustrated by L M Bickerton, Eighteenth Century English Drinking Glasses (1986), p.332, no.1079. Another was in the Hamilton Clements Collection, illustrated by Francis Buckley, A History of Old English Glass (1925), pl.XXXV and sold by Sotheby's on 15 May 1930, then again as part of the Henry Brown Collection on 14 November 1947, lot 255. A third from the Darell Thompson-Schwab Collection was sold by Bonhams on 30 November 2022, lot 139. Other glasses with related wildfowling scenes include that illustrated by Martine Newby, Eighteenth Century English Glass from the Collection of Julius and Ann Kaplan (1998), p.12, fig.3, which was sold by Bonhams on 15 November 2017, lot 25. See also the example from the A C Hubbard Jr Collection illustrated by Ward Lloyd, A Wine Lover's Glasses (2000), p.72, pl.89 and that from the Sir Hugh Dawson Collection illustrated by both Bickerton (1986), p.332, no.1080 and R J Charleston, English Glass (1984), pl.41f.The identity of 'R Brown' is uncertain and there are a number of individuals to which the name could refer, including Richard Brown, agent for William Henry Cavendish-Bentinck, 3rd Duke of Portland, who was involved in managing game birds on the duke's estate in Northumberland.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Soft Cell and Marc Almond LPs/EPs to include Marc Almond - Singles 1984-1987 (FAITH 3) - 1987 release - Excellent including sleeve; Soft Cell - It's A Mugs Game (AM-62201-1) - 1987 US release - Very Good Plus in Excellent red version sleeve; Soft Cell - Say Hello Wave Goodbye (BZS 712) promotional 12" single - 1982 UK release - Very Good Plus in generic sleeve; The Burmoe Brothers (featuring Marc Almond) - Skin (WBY 1221) - 1985 UK release - Very Good Plus including sleeve; Bronski Beat (featuring Marc Almond) - I Feel Love (BITEX 4) - 1985 UK release - Excellent including sleeve plus others where conditions are generally Very Good Plus in Very Good Plus to Excellent sleeves and Marc Almond and Friends - Discipline (LYN12505) - 7" Flexipop single-sided flexidisc - Very Good Plus. (29)
World. Wallis (Edward), Wallis's New Game exhibiting a Voyage round the World, circa 1820, engraved map with contemporary wash colouring, sectionalised and laid on linen, the margins decorated with an additional five hemispheres including one title 'Explanation of Geographical Characters, very slight dust soiling, old pin holes to each corner, 400 x 610 mmQTY: (1)
Actius (Thomas). De Ludo Scacchorum in Legali Methodo Tractatus. Nunc primum in lucem editus cum summariis & indice. Ad serenissimum franciscum mariam II. Ducem Urbini VI, 1st edition, Pesaro: Hieronymum Concordiam, 1583, woodcut vignette to title, woodcut portrait of author, woodcut initials, errata leaf at rear, early notation in brown ink to title, discreet old paper repair to title lower blank margin, small closed tear to A3 outer blank margin, faint old damp-staining to many quires, contemporary limp vellum, manuscript title to spine, a few small wormholes to spine, lower cover with faint damp-stain, lacking ties, 4toQTY: (1)NOTE:Brunet VI (suppl.), 635; Graesse I, 17; Zollinger 742.A rare early work on chess, using the game as a metaphor for society.
Carrera (Pietro). Il Gioco de Gli Scacchi, Diviso in Otto Libri, 1st edition, Militello: Giovanni de' Rossi, 1617, 556 [i. e., 552], [87] pp., woodcuts of chessboard to title and p. 531 (the latter full-page), full-page woodcut of the Branciforte coat of arms to title verso, 2 further smaller woodcuts, 18th-century armorial bookplate of 'Joannes Joseph S. R. J. Comes de Thun' to front pastedown with corresponding ink inscription to front free endpaper (struck out), 20th-century ownership ink stamp of Dr Rob Blass to front blank, early ink stamp of Tetschner Bibliothek to title, first few preliminary gatherings with faint old damp-stain, kk7 with small loss to lower corner (not affecting text), early 18th-century mottled calf gilt, joints cracked, small shelf label to foot of spine (with remnants of another to fourth spine compartment), some wear, 8voQTY: (1)NOTE:Brunet I, 1599. A first edition of one of the scarcest early Italian chess manuals. Pietro Carrera was a historian and priest who gained considerable notoriety as a chess player. The treatise is divided into eight books, with subjects including probability and endgames. Carrera also invented a variation of the game on an 8x10 chessboard to which two new pieces were added, the "Champion" (a combination of the moves of the tower and the knight) and "Centaurus" (a combination of the bishop and the knight).The work is also important as it was the first book printed in Militello, at the private press of Prince Francesco Branciforte.
England & Wales. Wallis's Tour Through England and Wales, A New Geographical Pastime, London: John Wallis, 24th December 1794, engraved map with contemporary wash colouring, sectionalised and laid on linen, two columns of rules and town descriptions to left and right margins, some dust soiling, a few marks and spots, one section chipped with slight loss, some abrasion to the printed surface around the title, 510 x 660 mm, contained in a contemporary card slipcase with a decorative publisher's printed label to the upper board, slipcase worn and frayedQTY: (1)NOTE:The printed label on the slipcase is dated 1802. Wallis did reissue this game in 1802 (See Whitehouse page 9.). However with this example, he is probably using up the remaining sheets of the 1794 issue, but in a new slipcase to give the appearance of being up to date (in fact there is no difference between the two issues other than the date alteration.) An early board game requiring the players to move counters around the game and to 'visit' various towns and cities. The game is completed in London.
A late Victorian oak 'Royal Cabinet of Games' compendium by Leuchars & Sonsthe box with swing doors opening to reveal a fitted interior containing a black and red leather folding games board for chess, draughts, backgammon and a horse racing game, a turned boxwood and ebony 'Staunton' pattern chess set, two removable lift out trays, one containing boxwood and ebony counters, set of six bone dice and peg markers, cribbage board and a set of bone dominoes beneath, the other whist markers and three unopened packs of playing cards in original wrappers, beneath compartments holding boxwood shakers and six lead horses and three obstacles, accompanied by a guide bound in gilt decorated cloth, bears label 'Leuchars & Sons 38 & 39 Piccadilly, London'height 18cm., width 32.2 cm., depth 22cm.Condition: Good condition commensurate with age. Key present.
GASTRONOMY -- CIERLIJCKE VOORSNYDINGE Aller Tafel Gerechten. Amst., H. Sweerts, 1670. 96 pp. W. engr. ti. and 31 (of 32) engr. 8°-obl. Cont. vellum. (Vellum a bit stained, first free endpaper loose, old owner's entry on ti., margins sl. foxed in places). NOTE: Rare manual for cutting game. Unfortunately (as often) lacking the double-page plate depicting knives and forks, all other plates present and in fine condition. - Landwehr 17-3; Witteveen & Cuperus 6510; Waller 1790.
ARMENIA -- REITLINGER, G. A Tower of Skulls. A Journey through Persia and Turkish Armenia. 1932. Ocl. -- D.E. & L.T. MILLER. Survivors. An oral history of the Armenian Genocide. (1993). Ocl. w. dust-j. -- D. BLOXHAM. The Great Game of Genocide. Imperialism, Nationalism, and the Destruction of Ottoman Armenians. (2005). Obrds. w. dust-j. -- ARMIN T. WEGNER e gli Armeni in Anatolia, 1915. Images and testimonies. (1996). 4°. Owrps. (Italian/English ed.). -- And 14 o. (also smaller) works. (18).
BOARD GAME -- "BOER- EN ROOINEKSPEL". Amst., Gebr. Koster, n.d. (c. 1902). Cold. lithogr. by F.G. Schlette. 625 x 850 mm. (Vertical fold split, upper blank margin and corners (a bit) dam., but else no harm to image). NOTE: Board game on the theme of the Boer Wars in South Africa between the farmers and the English. Two portraits with a ribbon of numbered squares running over the contours of their headgear and over their chins. On the left an English soldier (English soldiers were referred to as "Rooinekken" because they soon had burnt skin in the neck due to the bright sun), on the right a South African farmer with a red beard. In the bottom margin the rules in seven columns. - Rare.
A RARE AND EXCEPTIONALLY WELL-CARVED CHINESE RHINOCEROS HORN LIBATION CUP 17TH CENTURY The sides are crisply carved in high relief illustrating a river landscape scene with pine and wutong trees growing amongst over-hanging rocks and boulders; to one side, three scholars sit on a flattened rock shelf around a small table playing weiqi while a boy attends to a brazier. The water is represented as finely defined almond-shaped waves, the handle as two gnarled and knotted pine tree trunks and the flat base is carved as water and rocks. The trees and rocks extend to the wide mouth, the interior depicts a small chilong in high relief confronting a larger dragon emerging amidst clouds above the handles. The material is of a rich dark caramel tone darkening to walnut and with a high polish. The cup is raised on an elaborate hardwood stand, pierced and carved as high rocks, lingzhi and cascading water, 478g, 13.8cm high, 19cm long. (2) Please note that an export licence will only be granted for rhinoceros horn pieces, should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight. Provenance: from an English private collection, Lincolnshire, purchased by the current owner from Sworders, 8th November 2016, lot 218. Cf. J Chapman, The Art of Rhinoceros Horn Carving in China, p.210, no.289, for a closely related libation cup. See also T Fok, Connoisseurship of Rhinoceros Horn Carvings in China, no.16, for a similar cup in the collection of Harvard University, Art Museums. The subject on the side of this cup cannot be definitively identified. A closely related example in The Metropolitan Museum of Art, New York, a gift by J Pierpont Morgan, no.08.212.10, with a similar scene of three figures amongst pine trees in a rocky river landscape, is described by Jan Chapman, The Art of Rhinoceros Horn Carving in China, p.210, no.289, as decorated with a scene from the famous Song dynasty poem, ‘Later Ode to the Red Cliff’. There is no boat or raft visible in the scene, and the same cup is also described by the Metropolitan Museum, as depicting the ‘Three Laughers of Tiger Ravine’, which is an allegory referring to the unity of the three religious doctrines: Buddhism, Confucianism, and Daoism. However, perhaps they are just three scholars enjoying each other’s company and a game of weiqi in a beautiful mountainous river landscape. 十七世紀 犀角雕松下高士圖螭龍紋杯及底座 來源:英國林肯郡私人收藏,2016年11月8日購於Sworders拍賣行,編號218。
30.5inch sighted damascus barrels inlaid with gold poincons at the breeches RYAN & WATSON, gold lined touch holes, border and game engraved locks with rain proof pans and inlaid with a further gold poincon to either lock, half stocked with chequered fore-end and wrist, border and scroll engraved rubbed mounts, brass topped wooden ramrod. Works well on FC and HC with lightly pitted bores, slight wood loss to left side of the fore-end, mounts rubbed and pitted.
29.5inch sighted damascus barres, border and scroll engraved locks decorated with hounds and game birds, half stocked with chequered wrist, border and scroll engraved steel mounts. Works crisply on FC and HC. Sold with a quantity of research about James Brewster, Gunsmith and Inspector of Weights & Measures.
29.75inch browned Damascus barrels inlaid with gold and platinum at the muzzles and breeches, similarly inlaid Damas Extrafins on the sighting rib, very finely engraved back action locks decorated with scrolling vines and game shooting scenes, the mythical beast hammers decorated to match, border and vine engraved white metal mounts, the very finely carved wooden stock decorated with a bearded man to the underside, and a serpent and fowl to one side and inset with a white metal patch box to the other, this decorated with a wolf, contained in its red velvet lined close fitted mahogany case complete w commensurate accessories.
28inch sighted damascus barrels, border and scroll engraved breech decorated with a game bird, border and scroll engraved back action locks signed HUTCHINS, half stocked with chequered fore-end and wrist, border and scroll engraved steel mounts, contained in its brown velvet lined oak case, complete with large oil bottle, large capper and measure.
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75628 item(s)/page