There are 75789 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeStar Trek, MB Games, Others - A factory sealed boxed Star Trek The Next Generation Interactive Board Game with a boxed Star Trek Scene it? DVD Game (Unchecked for completeness in a Good box); with a selection of Star Trek related memorabilia and ephemera, including VHS cassettes, books, DVD's, collectable plates and mugs.
Lorna Robertson An Afternoon in Bergen, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Lorna Robertson was born in Ayr on the west coast of Scotland in 1967. She studied at Duncan of Jordanstone College of Art in Dundee and currently lives and works in Glasgow. Her densely coloured paintings, often made with a combination of oil paint and collage, have a distinctly nostalgic tone; shimmering female forms with swinging skirts from the 1950's or bonneted bathers from the 1920's jostle with richly described interiors; and crowded table- tops. ""My paintings"" she says ""sit somewhere between abstraction and figuration, a tangled game of hide- and-seek that plays with the visibility and readability of an image. I often paint to find out what to paint, creating harmonies and tensions through placement of shape, specificity of colour - the process itself becoming an act of revealing". The characters in her work are at once deeply evocative, and yet strangely anonymous. They conjure an unreliable sense of time and place, flitting between decades and moods from one moment to the next. Hints and glimpses of something tangible - a fashion model, for example, or a vase of flowers, appear and then fragment into painterly patterns and explosions of colour. Lives and works in Glasgow Education 1990 BA (Hons) in Fine Art, Duncan of Jordanstone College of Art, Dundee, UK 1991 Post-Graduate Diploma, Duncan of Jordanstone College of Art, Dundee, UK Exhibitions/Awards Selected Solo Exhibitions 2013 Kodachroma, Glasgow Project Room, Glasgow, UK 2008 This Dark Ceiling, Intermedia Gallery, C.C.A, Glasgow, UK 2 2006 The Overlooked, Atelier Am Eck, Dusseldorf, Germany 2005 New Paintings, 64 Osborne Street, Glasgow, UK 1997 Air Gallery, London, UK Selected Group Exhibitions 2020 In Situ, Marianne Boesky Gallery, New York, USA 2019 Brexit: Mail Art from a Small Island, Sipgate Shows, Düsseldorf, Germany Lorna Robertson and Robert MacBryde, Kingsgate Project Space, London, UK 2011 Psychopathology of Everyday life, Glasgow Project Room, Glasgow, UK 2003 Vistas, Glasgow Project Room, Glasgow, UK 1990 Seagate Gallery, Dundee, UK 1991 Dick Institute, Kilmarnock, UK Selected Awards 1990 John Kinross Traveling Scholarship to Florence 1989 Summer Scholarship, Hospitalfield School of Art, Arbroath"
Lorna Robertson In A Glasgow Tenement, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Lorna Robertson was born in Ayr on the west coast of Scotland in 1967. She studied at Duncan of Jordanstone College of Art in Dundee and currently lives and works in Glasgow. Her densely coloured paintings, often made with a combination of oil paint and collage, have a distinctly nostalgic tone; shimmering female forms with swinging skirts from the 1950's or bonneted bathers from the 1920's jostle with richly described interiors; and crowded table- tops. ""My paintings"" she says ""sit somewhere between abstraction and figuration, a tangled game of hide- and-seek that plays with the visibility and readability of an image. I often paint to find out what to paint, creating harmonies and tensions through placement of shape, specificity of colour - the process itself becoming an act of revealing". The characters in her work are at once deeply evocative, and yet strangely anonymous. They conjure an unreliable sense of time and place, flitting between decades and moods from one moment to the next. Hints and glimpses of something tangible - a fashion model, for example, or a vase of flowers, appear and then fragment into painterly patterns and explosions of colour. Lives and works in Glasgow Education 1990 BA (Hons) in Fine Art, Duncan of Jordanstone College of Art, Dundee, UK 1991 Post-Graduate Diploma, Duncan of Jordanstone College of Art, Dundee, UK Exhibitions/Awards Selected Solo Exhibitions 2013 Kodachroma, Glasgow Project Room, Glasgow, UK 2008 This Dark Ceiling, Intermedia Gallery, C.C.A, Glasgow, UK 2 2006 The Overlooked, Atelier Am Eck, Dusseldorf, Germany 2005 New Paintings, 64 Osborne Street, Glasgow, UK 1997 Air Gallery, London, UK Selected Group Exhibitions 2020 In Situ, Marianne Boesky Gallery, New York, USA 2019 Brexit: Mail Art from a Small Island, Sipgate Shows, Düsseldorf, Germany Lorna Robertson and Robert MacBryde, Kingsgate Project Space, London, UK 2011 Psychopathology of Everyday life, Glasgow Project Room, Glasgow, UK 2003 Vistas, Glasgow Project Room, Glasgow, UK 1990 Seagate Gallery, Dundee, UK 1991 Dick Institute, Kilmarnock, UK Selected Awards 1990 John Kinross Traveling Scholarship to Florence 1989 Summer Scholarship, Hospitalfield School of Art, Arbroath"
Lorna Robertson Paper Caravan, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Lorna Robertson was born in Ayr on the west coast of Scotland in 1967. She studied at Duncan of Jordanstone College of Art in Dundee and currently lives and works in Glasgow. Her densely coloured paintings, often made with a combination of oil paint and collage, have a distinctly nostalgic tone; shimmering female forms with swinging skirts from the 1950's or bonneted bathers from the 1920's jostle with richly described interiors; and crowded table- tops. ""My paintings"" she says ""sit somewhere between abstraction and figuration, a tangled game of hide- and-seek that plays with the visibility and readability of an image. I often paint to find out what to paint, creating harmonies and tensions through placement of shape, specificity of colour - the process itself becoming an act of revealing". The characters in her work are at once deeply evocative, and yet strangely anonymous. They conjure an unreliable sense of time and place, flitting between decades and moods from one moment to the next. Hints and glimpses of something tangible - a fashion model, for example, or a vase of flowers, appear and then fragment into painterly patterns and explosions of colour. Lives and works in Glasgow Education 1990 BA (Hons) in Fine Art, Duncan of Jordanstone College of Art, Dundee, UK 1991 Post-Graduate Diploma, Duncan of Jordanstone College of Art, Dundee, UK Exhibitions/Awards Selected Solo Exhibitions 2013 Kodachroma, Glasgow Project Room, Glasgow, UK 2008 This Dark Ceiling, Intermedia Gallery, C.C.A, Glasgow, UK 2 2006 The Overlooked, Atelier Am Eck, Dusseldorf, Germany 2005 New Paintings, 64 Osborne Street, Glasgow, UK 1997 Air Gallery, London, UK Selected Group Exhibitions 2020 In Situ, Marianne Boesky Gallery, New York, USA 2019 Brexit: Mail Art from a Small Island, Sipgate Shows, Düsseldorf, Germany Lorna Robertson and Robert MacBryde, Kingsgate Project Space, London, UK 2011 Psychopathology of Everyday life, Glasgow Project Room, Glasgow, UK 2003 Vistas, Glasgow Project Room, Glasgow, UK 1990 Seagate Gallery, Dundee, UK 1991 Dick Institute, Kilmarnock, UK Selected Awards 1990 John Kinross Traveling Scholarship to Florence 1989 Summer Scholarship, Hospitalfield School of Art, Arbroath"
Alina Zamanova Untitled, 2020 Dry pastels and charcoal on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Alina Zamanova is an emerging artist based in Kyiv, Ukraine. Zamanova is concerned with matters of the the human body, its flesh and the emotional darkness it possesses. Within a globalising world, the artist perceives each person to hold an internal struggle between finding their own individuality and conforming to prescribed social norms. The dark conflict that is created within each person is one that Zamanova strives to expose. Using colour, texture and the portrayal of intimate relationships, Zamanova's art transforms emotions, memories and distress onto canvas. The artist is in international private collections, including the USA and UK. Notable collectors include Mohamed Hadid and Parris Goebel. With close links to the fashion industry, Zamanova has also collaborated with Revlon, showStudio and Alexander McQueen.2012 - 2015 University of the Arts London, BA (Hons) Fashion Illustration Nov 2020-2021- Solo exhibition, Gillian Jason Gallery, London, UK, "Inside Me" Apr 2019 - Solo exhibition, Art Ramus Gallery, Kyiv, Ukraine, "Ugly Game" Apr 2019 - Group exhibition, Raum Gallery, Hamburg, Germany, "The Art Odyssey" Mar 2019 - Group exhibition, The Art Vacancy , NYC, USA, "Origins" Nov 2018 - Solo exhibition, École française internationale de Kiev, Kyiv, Ukraine, "French Ladies" Nov 2018 - Group Show, SHOWstudio, London, UK, "100 Women" Sep 2018 - Group Show, TheArtVacancy Gallery, NYC, USA Jun 2018 - Solo exhibition, The Old Bank Vault Gallery, London, UK, "Diverse Beauty" Apr 2018 - Griffin Gallery Group show, Hospital Rooms, London, UKGillian Jason Gallery About the postcard artworks Alina Zamanova's artworks embrace multifaceted feelings of the individual towards one's body and transforms differing personalities, desires and insecurities into figures on the canvas. For this unique series with Art on a Postcard, Zamanova has focused on specific parts of the female body. Depicting only one half of the face, torso, arms and legs, the artist explores ideas of fantasy and duality. Condition Report: Condition Report Disclaimer
Alina Zamanova Untitled, 2020 Dry pastels and charcoal on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Alina Zamanova is an emerging artist based in Kyiv, Ukraine. Zamanova is concerned with matters of the the human body, its flesh and the emotional darkness it possesses. Within a globalising world, the artist perceives each person to hold an internal struggle between finding their own individuality and conforming to prescribed social norms. The dark conflict that is created within each person is one that Zamanova strives to expose. Using colour, texture and the portrayal of intimate relationships, Zamanova's art transforms emotions, memories and distress onto canvas. The artist is in international private collections, including the USA and UK. Notable collectors include Mohamed Hadid and Parris Goebel. With close links to the fashion industry, Zamanova has also collaborated with Revlon, showStudio and Alexander McQueen.2012 - 2015 University of the Arts London, BA (Hons) Fashion Illustration Nov 2020-2021- Solo exhibition, Gillian Jason Gallery, London, UK, "Inside Me" Apr 2019 - Solo exhibition, Art Ramus Gallery, Kyiv, Ukraine, "Ugly Game" Apr 2019 - Group exhibition, Raum Gallery, Hamburg, Germany, "The Art Odyssey" Mar 2019 - Group exhibition, The Art Vacancy , NYC, USA, "Origins" Nov 2018 - Solo exhibition, École française internationale de Kiev, Kyiv, Ukraine, "French Ladies" Nov 2018 - Group Show, SHOWstudio, London, UK, "100 Women" Sep 2018 - Group Show, TheArtVacancy Gallery, NYC, USA Jun 2018 - Solo exhibition, The Old Bank Vault Gallery, London, UK, "Diverse Beauty" Apr 2018 - Griffin Gallery Group show, Hospital Rooms, London, UKGillian Jason Gallery About the postcard artworks Alina Zamanova's artworks embrace multifaceted feelings of the individual towards one's body and transforms differing personalities, desires and insecurities into figures on the canvas. For this unique series with Art on a Postcard, Zamanova has focused on specific parts of the female body. Depicting only one half of the face, torso, arms and legs, the artist explores ideas of fantasy and duality.
Alina Zamanova Untitled, 2020 Dry pastels and charcoal on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Alina Zamanova is an emerging artist based in Kyiv, Ukraine. Zamanova is concerned with matters of the the human body, its flesh and the emotional darkness it possesses. Within a globalising world, the artist perceives each person to hold an internal struggle between finding their own individuality and conforming to prescribed social norms. The dark conflict that is created within each person is one that Zamanova strives to expose. Using colour, texture and the portrayal of intimate relationships, Zamanova's art transforms emotions, memories and distress onto canvas. The artist is in international private collections, including the USA and UK. Notable collectors include Mohamed Hadid and Parris Goebel. With close links to the fashion industry, Zamanova has also collaborated with Revlon, showStudio and Alexander McQueen.2012 - 2015 University of the Arts London, BA (Hons) Fashion Illustration Nov 2020-2021- Solo exhibition, Gillian Jason Gallery, London, UK, "Inside Me" Apr 2019 - Solo exhibition, Art Ramus Gallery, Kyiv, Ukraine, "Ugly Game" Apr 2019 - Group exhibition, Raum Gallery, Hamburg, Germany, "The Art Odyssey" Mar 2019 - Group exhibition, The Art Vacancy , NYC, USA, "Origins" Nov 2018 - Solo exhibition, École française internationale de Kiev, Kyiv, Ukraine, "French Ladies" Nov 2018 - Group Show, SHOWstudio, London, UK, "100 Women" Sep 2018 - Group Show, TheArtVacancy Gallery, NYC, USA Jun 2018 - Solo exhibition, The Old Bank Vault Gallery, London, UK, "Diverse Beauty" Apr 2018 - Griffin Gallery Group show, Hospital Rooms, London, UKGillian Jason Gallery About the postcard artworks Alina Zamanova's artworks embrace multifaceted feelings of the individual towards one's body and transforms differing personalities, desires and insecurities into figures on the canvas. For this unique series with Art on a Postcard, Zamanova has focused on specific parts of the female body. Depicting only one half of the face, torso, arms and legs, the artist explores ideas of fantasy and duality.
Alina Zamanova Untitled, 2020 Dry pastels and charcoal on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Alina Zamanova is an emerging artist based in Kyiv, Ukraine. Zamanova is concerned with matters of the the human body, its flesh and the emotional darkness it possesses. Within a globalising world, the artist perceives each person to hold an internal struggle between finding their own individuality and conforming to prescribed social norms. The dark conflict that is created within each person is one that Zamanova strives to expose. Using colour, texture and the portrayal of intimate relationships, Zamanova's art transforms emotions, memories and distress onto canvas. The artist is in international private collections, including the USA and UK. Notable collectors include Mohamed Hadid and Parris Goebel. With close links to the fashion industry, Zamanova has also collaborated with Revlon, showStudio and Alexander McQueen.2012 - 2015 University of the Arts London, BA (Hons) Fashion Illustration Nov 2020-2021- Solo exhibition, Gillian Jason Gallery, London, UK, "Inside Me" Apr 2019 - Solo exhibition, Art Ramus Gallery, Kyiv, Ukraine, "Ugly Game" Apr 2019 - Group exhibition, Raum Gallery, Hamburg, Germany, "The Art Odyssey" Mar 2019 - Group exhibition, The Art Vacancy , NYC, USA, "Origins" Nov 2018 - Solo exhibition, École française internationale de Kiev, Kyiv, Ukraine, "French Ladies" Nov 2018 - Group Show, SHOWstudio, London, UK, "100 Women" Sep 2018 - Group Show, TheArtVacancy Gallery, NYC, USA Jun 2018 - Solo exhibition, The Old Bank Vault Gallery, London, UK, "Diverse Beauty" Apr 2018 - Griffin Gallery Group show, Hospital Rooms, London, UKGillian Jason Gallery About the postcard artworks Alina Zamanova's artworks embrace multifaceted feelings of the individual towards one's body and transforms differing personalities, desires and insecurities into figures on the canvas. For this unique series with Art on a Postcard, Zamanova has focused on specific parts of the female body. Depicting only one half of the face, torso, arms and legs, the artist explores ideas of fantasy and duality.
Vanessa Mitter Leda and the Swan (Part one), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London. Education BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London Exhibitions/Awards Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen). Mitter was a joint winner of the Hackney Wicked Art Prize in 2015. She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London About the postcard artworks Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?
Vanessa Mitter Leda and the Swan (Part two), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London. Education BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London Exhibitions/Awards Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen). Mitter was a joint winner of the Hackney Wicked Art Prize in 2015. She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London About the postcard artworks Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?
Vanessa Mitter Leda and the Swan (Part three), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London. Education BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London Exhibitions/Awards Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen). Mitter was a joint winner of the Hackney Wicked Art Prize in 2015. She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London About the postcard artworks Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?
δ Marc Chagall (1887-1985)Cirque (Cramer 68)The book, 1967, comprising 38 lithographs, 23 printed in colours, with title-page, text and justification, this copy signed in pencil, numbered from the edition of 250, printed by Atelier Mourlot, published by Tériade Éditeur, Paris, on Arches paper, the full sheets loose with the tissue guards in the original glassine paper wrappers and linen covered boards and slipcase, overall size 450 x 350mm (17 ¾ x 13 ¾ in)⁂ One of the most important livre d'artiste of the 20th century. "A circus is disturbing. It is profound. A timeless dancing game where tears and smiles, the play of arms and legs take the form of a great art" wrote Chagall in 1966. His deep fascination with the circus began in his childhood in Vitebsk, Russia, where travelling acrobats and showmen entertained crowds at local village fairs. Later, the artist's dealer and print publisher Ambroise Vollard, also a circus lover, allowed Chagall to use his box at the Cirque d'Hiver in Paris and suggested he produce a suite of paintings about the subject. It then took almost 40 years for Chagall to produce this book using the earlier gouaches as the basis for the stunning lithographs, published by Tériade Éditions with accompanying text written by Chagall himself. The plates in their typically vibrant colours perfectly capture the wonder and spectacle of the occasion and one can feel the energy of the performers and hear the noise and gasps of the audience. A thrilling and truly personal production.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
COLLECTION OF BLACK & WHITE PHOTOGRAPH ALBUMS from the William Herbert Peto family, comprising of family photographs, travel, military campaigns and sporting, with various newspaper cuttings and inscriptions on various military figures of the war in 1915, scenes at Deauville in 1918, various postcards, photographs of Captain Clement Peto with game shot in India, and various hand-drawn drawings of scenes, a photograph of Prince Harold of Denmark dated 1905, photographs of game scenes in Africa in 1905 etc..
JAKOB EMANUEL GAISSER 1825 Augsburg - 1899 München Gemäldepaar: Kaffestunde (1), Kartenspiel (2) Jew. Öl auf Holz. Jew. 28 x 38 cm (R. 44 x 54 cm). Signiert 'J. Gaisser' unten rechts (1), unten links (2). Jew. min. rest. Rahmen. Provenienz: Rheinische Privatsammlung. JAKOB EMANUEL GAISSER 1825 Augsburg - 1899 Munich Pair of paintings: Coffee party (1), Game of cards (2) Each oil on wooden panel. Each 28 x 38 cm (F. 44 x 54 cm). Signed 'J. Gaisser' lower right (1), lower left (2). Each min. rest. Frame. Provenance: Rhenish private collection.
Sporting Interest, Golf - a 1940's novelty Table Golf game, comprising green felt layout, four painted cast lead golfers, each individually painted in different attire and holding a golf club with twist like action, four coloured golf balls in packet, two bunker pieces and a set of marker flags, boxed
A set of four Royal Crown Derby figures, Allegorical of the Seasons, Spring, she stands, bare footed with two floral rings, long flowing skirt, Summer, he stands bare footed with scythe and wheatsheaf, Autumn, she stands bare footed, holding a bunch of grapes aloft and others in her skirt, a grape chaplet in her hair and Winter, he stands arms folded skating, wearing a broad brimmed hat and fur lined coat, dead game tied to a sash, each on pierced scroll and anthemion moulded shaped circular bases, 24cm high, printed marks, signed J Taylor, S Tivey, V Akers (4)
Colman (Sir Jeremiah) The Noble Game of Cricket, Illustrated and Described from Pictures, Drawings and Prints in the Collection of Sir Jeremiah Colman at Gatton Park, Surrey, Batsford, 1941, quarto, mounted colour frontis, 104 plates, some colour (mounted, several double page, top edge gilt, dust wrapper
Ephemera An interesting collection comprising; Moveable Pictures - 'This pretty mansion Monsieur Souris Hall ....', a watercolour of a house, painted on cobweb or beehive which when lifted by string reveals a mouse; - A watercolour coastal scene, with cobweb or beehive which when lifted reveals a naval figure, 1787-88 in ms. to rear; - A watercolour flap picture in book form commemorating Queen Victoria's Coronation; Den Ufejlbarlige Lille Fugl [The Infallible Little Bird], game in small circular box with compass and metal piece, label to lid; Peep Show Viewer, a river view, small format in three dimensional concertina style, two intermediate border plates, glazed picture frame lid, closed front image of figure and barrel (dated 1811); The Scarboro' Basket, two floral or snowflake shaped cards with circular illustrations on each 'petal', eight to each card (one lacks central label); A child's spherical rattle or ball, illustration to each hemisphere; A small commonplace book, with verse, prints and pencil sketches, embossed binding; A Lady's Trousseau or Wedding Outfit, fifteen cut-out miniature items of clothing on folded sheet, fixed in original envelope; Greetings Cards, four cards in attractive embossed box of A. & G. Taylor, Photographers to the Queen with title 'Royal Packet of Choice Christmas and New Year Cards'; Sillouettes, eight historical and literary figures and animals, with ms. instructions to hold between candle and wall, in early paper wrap (Mrs Harrison of Bagworth)
More than 3,000 football cards of Premier League players from the Shoot Out trading card game (seasons 2004/5, 2005/6, 2006/7), a green-backed set (season unknown) and the Topps Match Attax trading card game. There are also a small number (approximately 28) cards from the Subbuteo Squads series included. See the photo of the reverse of the cards. The cards are nearly all in very good condition. A few have minor faults. A lot of cards are repeated. A few Pompey players are included (see photo), alongside a number of top stars from various other English clubs, including a young Gareth Bale, Christiano Ronaldo, Wayne Rooney, Didier Drogba, Thiery Henry, Ryan Giggs, Steven Gerrard, Paul Scholes and Dennis Bergkamp.
Retro cameras to include The Button and a Polaroid Square Shooter together with Tasco binoculars and a game of Petanque together with two cash tins and contents of one, to include modern day coinage and a 1981 Commemorative Crown together with a five window carriage clock (face A/F, with key) Location: 1:4
Game of thrones Kit Harrington signed 10x8 colour photo pictured in his role as Jon Snow. Christopher Catesby Harington (born 26 December 1986), known professionally as Kit Harington, is an English actor and producer. Harington studied at the Royal Central School of Speech & Drama. He made his professional acting debut with the lead role of Albert Narracott in the critically acclaimed West End play War Horse at the National Theatre. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
A quality selection of around 44 LPs. Artists. titles include Faust - The Faust Tapes (VC501, Ex), Queen - Queen II (EMA 767), Glastonbury Fayre - The Electric Score (REV1, with 'Dome Sweet Dome' poster and brown booklet, no further inserts and no original outer plastic sleeve), Peter Green - The End Of The Game (RSLP 9006), Syd Barrett - The Madcap Laughs (SABB-11314 US RE LP housed with Ex condition original UK '6911' gatefold sleeve), Pink Floyd - Ummagumma (SHDW 1/2), Carol Grimes and Delivery - Fools Meeting (UK original B&C CAS 1023 - strong Ex record/VG+ a little light edge/ringwear), Family inc Entertainment, Jim Hendrix - Axis Outtakes (Sealed), Crosby Stills Nash & Young - Deja Vu, Brand X - Unorthodox Behaviour, Roxy Music inc S/T, Country Life, Warped Leatheress. Howard Wales & Jerry Garcia - Hooteroll?, Blind Faith, Ciril, The Rolling Stones. Condition is generally VG+ to Ex+.
Loading...
