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Miscellaneous collection of detective & crime fiction comprising: Sail a Crooked Ship, by Nathaniel Benchley, 1st, Hutchinson, 1961; What Dread Hand, Christianna Brand, 2nd, Michael Joseph, 1969; No Fear or Favour, Henry Cecil): 1st, Michael Joseph, 1968; Dark Hero, Peter Cheyney, 1st, Collins, 1946; After the Funeral, Agatha Christie, 1st, Collins Crime Club, 1953; Sleeping Murder, Agatha Christie, 1st, Collins Crime Club, 1976; Parcels for Inspector West, John Creasey, 1st, Hodder, 1956; Accident for Inspector West, John Creasey, 1st, Hodder, 1957; Strike for Death, John Creasey, 1st, Hodder, 1958; Death of a Racehorse, John Creasey, 1st, Hodder, 1959; Death in Cold Print, John Creasey, 1st, Hodder 1961; Policeman’s Dread, John Creasey, 1st, Hodder, 1962; The World of Tim Frazer, Francis Durbridge, 1st, Hodder, 1962; Dead Cert, Dick Francis, 1st, Michael Joseph, 1962: ex Boots lib.; Whip Hand, Dick Francis, 1st, Michael Joseph, 1979; Banker, Dick Francis, 1st, Michael Joseph, 1982; The High Game, Paul Geddes, 1st, Michael Joseph, 1968; Lonely Hearts, John Harvey, 1st, Viking, 1989; The Andean Murders, Laurence Hazard, 1st, Arthur Barker, 1960; Sinners and Shrouds, Jonathan Latimer, 1st, Methuen, 1956; The Spy Who Came in From the Cold, John Le Carre, 7th impression, Gollancz, Jan 1964; Saturday Games, Brown Meggs, 1st, Collins Crime Club, 1975; The Secret of the Pit, Laurence Meynell, 1st, Macmillan, 1982; Diamonds Bid, Julian Rathbone, 1st, Michael Joseph 1967; The Speaker of Mandarin, Ruth Rendell, 1st, Hutchinson, 1983; Phantom Holiday, Martin Russell, 1st, Collins Crime Club, 1974; Corpse on London Bridge, Louis Southworth, 1st, Robert Hale, 1969. All but Dead Cert with dust-jackets, most books appear good & bright, some with pale spotting to edges of text-block, jackets in varying condition, some very good, varied, collection sold as found with all faults (27)

New Naturalist (Main Series). Nos 1-10. With Ford, (E.B.) Butterflies 1945 + Vesey-Fitzgerald. British Game, 1946. + Fitter (R.S.), Londons Natural History 1945 + Stamp (L. Dudley), Britain’s Structure & Scenery, 1946. + Darling (F. Fraser), Natural History in the Highlands and Islands, 1964 (revised edition) + Ramsbottom, Mushrooms and Toadstools, 1953. + Imms (A.D.) Insect Natural History, 1947 + Boyd (A. W.) A Country Parish, 1951 + Turrill (W.B.) British Plant Life, 1948. All in dustwrappers by Clifford & Rosemary Ellis. (11)

Indien.: Sammlung von 8 Schriften zum Thema Jagd in Indien in englischer Sprache, London 1874-1959. Versch. Formate u. Einbde., jwls. in mod. Pp.-Schuber. ╔Enthält:╗ Ellison,B.C. The Prince of Wales's Sport in India, 1925. - Aflalo,F.G. The Sportman's Book for India, 1904. - Stockley,C.H. Big Game Shooting in the Indian Empire, 1928. - Sanderson,G.P. Thirteen years among the wild beasts of India. 2. ed., 1879. - Dunbar Brander,A.A. Wild animals in Central India. 2. Impr., 1927. - Singh,K. The Tiger of Rajasthan, 1959. - Jepson,S. Big Game Encounters... 2. Impr., 1937. - Baker,S.W. Eight years in Celyon. New ed., 1874. - Tls. etw. Gebrauchsspuren, hs. Besitzverm.

Special 19th century Chinese or Japanese lacquerware game box full of chips made of mother-of-pearl which are engraved with various scenes. Very finely executed paintwork in gold + monogram. Inside are holders with chips, which are fitted with lacquered lids. Dimensions: 14 x 38 x 30 cm. In good condition.

Antique double-barreled hunting rifle with game depictions. Separate barrel structure/central fire. Oxidation. Dimensions: L 111 cm. In decent shape.

Various toys, to include a Computer Battles Game, Mighty Metro Scalextric set, Wilson baseball mitt and baseball, pair of skates, Tank Command game, etc. (a quantity)

Various Playstation games, to include Circuit Breaker, Fighting Force, Xbox game, various games related magazines, etc. (1 box)

George Stubbs ARA (Liverpool 1724-1806 London)A black and white spaniel pointing to the left, in a wooded landscape with a church spire beyond oil on canvas54.4 x 73.2cm (21 7/16 x 28 13/16in).Footnotes:Stubbs was famously the most sought-after painter of horses by all those leading aristocrats of his day who had a passion for breeding and/or racing horses, so it was only inevitable that he was also commissioned to paint some of his patrons' favourite dogs. Alex Kidson has dated the present painting to the second half of the 1770s and the preponderance of Stubbs's exhibited portraits of dogs date from between 1772 and 1782, the bulk of them being shown at the Royal Academy, where he exhibited fifteen dogs of all kinds, largely pet dogs, probably all commissioned by private owners, culminating in the very large portrait of the Duke of York's Newfoundland Dog in 1803. Of these, his most frequent works were of pointers, setters and spaniels. These were all types that were not at that time categorised by their breeds as they are today, but for the most part were described by their sporting functions (making it difficult to identify the descriptions of those of Stubbs's dog portraits that were exhibited at the Royal Academy, with simple titles, such as Portrait of a Dog). In this case what is now recognised as a spaniel is in the act of 'pointing' at game, showing this sporting dog standing characteristically rigid as she scents a bird with muzzle stretched toward the game and one foot raised. Amongst Stubbs's most comparable works are his Spaniel, which he painted for the artist's loyal patron, William Wildman and is thought to have been a companion to a Pointer, which is of similar dimensions, although the latter is on paper laid on panel. Being 61 x 71 cm. and on canvas, William Wildman's Spaniel is a very comparable example of Stubbs's works to the present painting (Collection of British Sporting Art Trust; see Judy Egerton, George Stubbs, Painter. Catalogue Raisonné, New Haven, 2007, 139 and 140, p. 332). Other similar portraits of dogs by Stubbs include a Black and white spaniel following a scent, dated 1771, which is on canvas and measures 59.5 x 70.8 cm. (Private Collection; see Egerton op. cit. no. 170, p. 370); Black and white spaniel following a scent, dated 1771, on canvas, 63.5 x 76.2 cm. (Virginia Museum of Fine Arts, Richmond; see Egerton op. cit., no. 171, p. 370); and Brown and white spaniel following a scent, dated 1777, on panel, 38.1 x 53.3 cm. (Private Collection, Egerton, op. cit., no. 172, p. 371). Stubbs trained himself as an anatomist, having moved from Liverpool to York around 1745 in order to study in the city's hospitals. His drawings of dissections were then used to illustrate Dr. John Burton's Essay towards a Complete New System of Midwifery. He went on to study the physical structure and make-up of horses in order to ensure the accuracy of his paintings and the publication of his The Anatomy of the Horse in 1766 established his reputation. Queen Charlotte even commissioned him to paint her zebra – a remarkably exotic creature at the time, being the first of its kind to be seen in England, when it was installed in a paddock near the royal menagerie in Saint James's Park to 'entertain the populace' – a work that was subsequently sold at Bonhams (fig. 1). Other creatures that caught his attention were deer, a falcon, a monkey, lions, leopards, even a yak, a rhinoceros, a kangaroo and a dingo. It was in the mid-1760s that he turned his attention to dogs. Unlike with his portraits of horses, whose long legs allowed him to fill the space between them with landscapes, the compact build of his dogs necessitated Stubbs to make them fully occupy their space and dominate their settings, as we see here. The present painting is also typical of his working methods in the way in which the exuberantly feathered tail (which he seems to have particularly delighted in painting) was portrayed against a plain and darker background. The background of the picture as a whole echoes those of an early series of portraits dating to the 1770s of black and white or brown and white pointers following a scent, with the backdrop of trees and ground falling away to give a glimpse of a distant church spire set against distant hills: no doubt a clue to the estate to which the dog belonged. In Judy Egerton's words Stubbs was an artist with 'a deep and unaffected sympathy for the country life and English countryside.' In such a setting dogs were especially valued and beloved by both master and servant, where affection for a dog, in even the grandest of country estates, whether a working dog or a pet, was common to all classes of society. Such sensibilities were expressed by William Pitt the Elder when he counted the companionship of a dog as among 'the little-great pleasures of life'. Already common companions to be found in 16th and 17th century portraits of the grandest sitters by the greatest portrait painters, it was inevitable that with Stubbs dogs were to acquire the status of subjects in their own right, valued then as much as they are today.We are grateful to Alex Kidson and Brian Allen for confirming the attribution of this painting to George Stubbs.For further information on this lot please visit Bonhams.com

Attributed to Juan van der Hamen y León (Madrid 1596-1632)A still life with a basket of quinces on a wooden table and damsons hanging from strings on either side oil on canvas39.6 x 57.8cm (15 9/16 x 22 3/4in).Footnotes:Only a handful of artists in Spain would have been capable of painting this hitherto unknown early still life which may, with its centrepiece flanked by fruit hanging from strings, be compared to the unsigned Still life of a Faience Fruit Bowl with Passion Fruit, Crab Apples and Pears, which was thought by the distinguished van der Hamen scholar, the late William B. Jordan to be the artist's work and date from circa 1621 (oil on canvas, 54 x 65 cm., Serra de Alzaga collection, Valencia; see W. B. Jordan, Juan van der Hamen y León and the Court of Madrid, New Haven, 2006, no. 6). The wooden table is unusual in the oeuvre of this artist who more often went on to employ light coloured marble ledges; but a similarly coloured wooden table was employed by Hamen y León in his early Still Life of Sweets and Glassware, in the Museo del Prado which is oil on canvas, signed and dated, 1622 (op. cit. no. 4). It was during this early period that this master established the working pattern of his studio practice and like most early still life painters in Europe, he established a range of picture formats, compositional types and favoured objects that became his stock in trade. Jordan, after 40 years of research on the artist, wrote in his monograph: 'Most of the compositional types for which Van der Hamen is best known are represented by superb examples dated 1621 and 1622.'Adopting some of the essential compositional devices employed by Sánchez Cotán, such as the hanging of fruit and game from strings, van der Hamen fashioned a type of still life uniquely suited to his public at court. In doing this he is believed to have been aware of developments in still life painting outside of Spain as well – such as could be seen in the works of north Italians such as Panfilo Nuvolone and Fede Galizia, or those of Flemish masters like Osias Beert the Elder, Clara Peeters and Frans Snyders. 'Although his fame today has been eclipsed by the long career of Velásquez,' in Jordan's words 'Van der Hamen's star was very bright when his Sevillian rival was just finding his way at the court of the young King Philip IV. When that fire was unexpectedly extinguished at the age of thirty-five, some of his contemporaries, such as the playwright Juan Pérez de Montalvan, lamented the passing of 'the greatest Spaniard of his art who ever lived'.'This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

John Sargent Noble, RBA (British, 1848-1896)The game bagsigned 'J.S Noble' (lower left) oil on panel 38.1 x 26cm (15 x 10 1/4in).Footnotes:ProvenanceAnon. sale, Sotheby's, Gleneagles, 26 August 2008, lot 39.Private collection, UK.For further information on this lot please visit Bonhams.com

William Bromley III (British, fl.1835-1888)The deciding shot, a game of marblessigned 'W.Bromley' (lower right) oil on canvas 35.9 x 46.4cm (14 1/8 x 18 1/4in).For further information on this lot please visit Bonhams.com

Rodger Macphail (b. 1953), A group of four colour prints of game birds, published by the Tryon Gallery, each signed in pencil, 13" x 16", (4).

A pair of limited edition Thorburn prints of game birds, 11" x 15", along with a pair of Berrisford Hill prints of game birds, each signed in pencil, 11" x 16", (4).

An old retro wooden board game.

Palitoy Limited 1975 Parker Games Division Trade 24 page Catalogue, including in the catalogue ‘The Action Man board game, Colditz escape kit, plus six Tri-ang Pedigree price lists and a letter from Tri-ang dated 3rd February 1975 to their stockists (8 items) .

An Early 20th Century French Double Row Mechanical Auto ‘Racing Car Game, marked J.L. metal lever on the front of the game, when pulled spins the six cars, in good working original condition, some loss to green felt, missing French flag pennant, with wooden lid. 26cms x 26cms x 16cms H with lid on.

Quantity of Noddy Vintage Toys, including: Chad Valley Noddy Quoits game, Noddy in fuzzy-felt Toyland circa 1959, Spears games Noddy stencil outfit, in used condition circa 1956, Arrow games Ltd Noddy jigsaw puzzle circa 1971, Spears games Noddy Ring game circa 1960, Chad Valley circa 1958 hand puppet and Lincoln International Noddys Parp Parp Car, circa 1962, battery operated plastic car (un-tested) missing windscreen, box fair.(7 items)

Quantity of Camberwick Green Toys From the BBC Tv Series, including: A scarce Codeg Camberwick green Village set, circa 1966, one end flap missing to box, Arrow Toys Ltd Camberwick Green race board game (only three markers) Marx Toys Camberwick Green bagatelle, boxed Marx Toys Dr.Mopp car, friction motor, plastic body, Harbutt product Camberwick Green plasticine and Camberwick Green mould and colouring set, all in good original condition, boxes fair to good .(6 items)

A CHINESE FAMILLE VERTE PORCELAIN ‘TOUHU’ BRUSH POT, BITONG, QING DYNASTY, KANGXI PERIOD, 1662 - 1722清 康熙 1662-1722 五彩人物故事壺紋筆筒Height: 17cmOf cylindrical form with incised foliate scroll bands, unusually painted with a scene of ladies and officials assisted by a flying demon, playing a game of touhu with a massive arrow vase to the centre of the garden terrace, hidden within a bamboo groveProvenance: From an English private collection, Jakobowicz & Associes, France, 11th June 2018, lot 99Condition ReportIn good condition

A 19th century leather shot flask, embossed with a roundel of game birds, 22cm long; others (3)

A 19th century copper shot flask, embossed with a deer stalking scene, sprung mechanism, 18.5cm long; another, embossed with a roundel of game birds, 20cm long (2)

John Jaques &Son Ltd - New Electrical Game, Electrolette, boxed

A BOXED 'JAQUES' BAGATELLE' GAME

A VINTAGE BOXED ESCALADO GAME WITH INSTRUCTIONS AND A STAKING SHEET

A MULTI ACTION GAME AND A POGO STICK

A HANIMEX TVG3000 VIDEO CARTRIDGE GAME SYSTEM

A SONY PLAYSTATION 1 WITH CONTROLLERS AND GAME

TWO VINTAGE AFRICAN HAND CARVED WOODEN MANCALA GAME COMPLETE WITH SEEDS

LIMOGES GAME BIRD PLATES - OVINGTON BROS, NEW YORK 7 plates each with a variety of Game Bird's in the centre, with a cobalt blue border and gilt rim. Each marked, Fabrique a Limoges, Ovington Bros, New York. 23.5cms diameter. (7)

A tabletop skittles game, mid 20th century, with retractable pins and scoreboard, 50cm x 37cm, together with a 'Pin-Football' tabletop pinball game, 50.5cm long. (2)Footnote: An identical 'Pin-Football' game can be found in the collection of the National Football Museum, Manchester, UK.

A 1930's Wills's Woodbine cricket game, ITC 8560, 15cm wide.

A 1950s Eagle tabletop pro hockey game, with original box, approximately 87cm wide.

A Corinthian bagatelle game, 1951 Abbey model, with balls, 74cm high. (AF)

Lord of the rings - The Fellowship of the ring "Merry and Pippin and Moria mines + Moria orc set, , LOTR ToyBiz Council Legolas figure, a boxed LOTR tradeable miniatures game starter set and a gold & silver metal chessmen set.

A box of miscellaneous game consoles and games + accessories to include Playstation, Xbox 360, etc.

MOUNTAINEERING INTEREST; six books comprising 'Hours of Exercise in The Alps' by Tyndall, 'The Gilgit Game: The Explorers of the Western Himalayas 1865-95' by John Keay, 'The Munros in Winter: 277 Summits in 83 Days' by Martin Moran, 'A History of British Mountaineering' by R. L. G. Irving, 'A Progress in Mountaineering: Scottish Bens to Alpine Peaks' by J. H. B. Bell and 'Mountaineering in Britain: A History from the Earliest Times to the Present Day' by Clark & Pyatt (6).

SAINT AND GREAVSIE; 'Football is a Funny Game', a single volume bearing the signatures of Ian St John and Jimmy Greaves.We have not authenticated these signatures, please satisfy yourself as to the veracity of the item prior to bidding.

FOOTBALL; a quantity of related ephemera, mostly Preston North End, to include 1964 Saturday March 14th Preston North End vs Swansea Town Semi-Final programme, various Wembley ticket stubs from the 1960s, a pamphlet from the Football Association 'The Middle Man', mainly for referees but of interest to the followers of the game, by E Lovick, a printed cardboard picture, possibly from a calendar, Preston North End vs Blackburn Rovers at Deepdale, Easter Monday, April 10th 1950, with image of Tom Finney draws Eckersley-Horton and Holt, published by Lancashire Evening Post, team photographs, various football magazines from the 1960s and 1970s, four circa 1950s black and white photographs, possibly press release, Blackpool, Stanley Matthews, Daily Express, Preston North End vs West Ham United Saturday 2nd May 1964 Song Sheet, etc.

A quantity of house clearance items to include a cased Singer sewing machine, a brass bed warming pan, a fish tank with accessories, a stool, a quantity of bone handled style kitchen knives, a marble lazy Suzan, Snooker balls 1/4 size and half size and table top hockey game and 2 model cars and 2 boxes of classic car mgs

Royal Worcester game tureen, rice jar, Oriental vase, and various plates

After John Sell Cotman, 'The Road to Capel Curig', a coloured print. German School, 3 studies of dead game, relief prints.  Framed.  35x28cm approx (3) (B.P. 21% + VAT)(6) (B.P. 21% + VAT)

CARTON WITH WOODEN 10 GAME SET & A BAG OF GARDEN CHESS PIECES & CHESS MAT

DECORATIVE BRASS & COPPER TIGER MOVING GAME FROM NEPAL WITH INSTRUCTIONS

CARTON WITH BOXED LED LIGHTS, FUJI FINE PIX, JV2 52 CAMERA, SALTER WEIGHT SCALE, CUTLERY SET, CHILD'S NINTENDO GAME KIT & A SWISS KIT TORCH

RUSSIAN TABLE TOP FOOTBALL GAME & A TOMMY COOPERS ' JUST LIKE THAT' GOLF GAME, BOTH IN BOXES

MARBLE MAZE BOARD GAME & AN ARTIST BOX WITH CRAYONS

2 JIGSAWS, A MONOPOLY GAME OF THE DEVON EDITION & A SMALL TRAVELLING GAME SET

BBC Bridge electronic TV game by Unicard, with power adapter, serial VC001-00474. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Wolfgang Grinschgl Head 01, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   HTBLA Ortweinschule/Abteilung Grafik - Design   Select Exhibitions/Awards   2018: Ausstellungsbeteiligung Dean Borghi Fine Arts New York City Ausstellungsbeteiligung „Portrait" RAUMSECHS Düsseldorf Ausstellungsbeteiligung „Not Dark Yet" Kunsthaus Mürzzuschlag 2019: Art Vienna galerie Galerie Ausstellungsbeteiligung „Realität ins Bild bringen" NöArt Contemporary Basel Challery Kunstdinner Performance Galerie Kandlhofer Wien Austellungsbeteiligung „land" Rondell Gallery Schwanberg mit Herbert Brandl, Erwin Lackner, Ronald Kodritsch, Petra Sterry, Bruno Wildbach, Markus Wilfling Ausstellung „Auf Augenhöhe" Galerie Heimo Bachlechner Graz 2020: Art Austria Highlights Galerie Heimo Bachlechner 2021: Parallel Editions Galerie Heimo Bachlechner Ausstellung „Zweischneidig" Galerie Heimo Bachlechner 2022: Galerie Roland Puschitz Vienna Kunsthalle Graz Part of the Game   Gallery Representation   Galerie Heimo Bachlechner Artdepot Innsbruck Galerie Lisa Kandlhofer RAUMSECHS Roland Puschitz   Statement about AOAP Submitted Artwork   The Individual is build by Reality and reflects a new reality back to the viewer You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wolfgang Grinschgl Head 02, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   HTBLA Ortweinschule/Abteilung Grafik - Design   Select Exhibitions/Awards   2018: Ausstellungsbeteiligung Dean Borghi Fine Arts New York City Ausstellungsbeteiligung „Portrait" RAUMSECHS Düsseldorf Ausstellungsbeteiligung „Not Dark Yet" Kunsthaus Mürzzuschlag 2019: Art Vienna galerie Galerie Ausstellungsbeteiligung „Realität ins Bild bringen" NöArt Contemporary Basel Challery Kunstdinner Performance Galerie Kandlhofer Wien Austellungsbeteiligung „land" Rondell Gallery Schwanberg mit Herbert Brandl, Erwin Lackner, Ronald Kodritsch, Petra Sterry, Bruno Wildbach, Markus Wilfling Ausstellung „Auf Augenhöhe" Galerie Heimo Bachlechner Graz 2020: Art Austria Highlights Galerie Heimo Bachlechner 2021: Parallel Editions Galerie Heimo Bachlechner Ausstellung „Zweischneidig" Galerie Heimo Bachlechner 2022: Galerie Roland Puschitz Vienna Kunsthalle Graz Part of the Game   Gallery Representation   Galerie Heimo Bachlechner Artdepot Innsbruck Galerie Lisa Kandlhofer RAUMSECHS Roland Puschitz   Statement about AOAP Submitted Artwork   The Individual is build by Reality and reflects a new reality back to the viewer You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wolfgang Grinschgl Head 03, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   HTBLA Ortweinschule/Abteilung Grafik - Design   Select Exhibitions/Awards   2018: Ausstellungsbeteiligung Dean Borghi Fine Arts New York City Ausstellungsbeteiligung „Portrait" RAUMSECHS Düsseldorf Ausstellungsbeteiligung „Not Dark Yet" Kunsthaus Mürzzuschlag 2019: Art Vienna galerie Galerie Ausstellungsbeteiligung „Realität ins Bild bringen" NöArt Contemporary Basel Challery Kunstdinner Performance Galerie Kandlhofer Wien Austellungsbeteiligung „land" Rondell Gallery Schwanberg mit Herbert Brandl, Erwin Lackner, Ronald Kodritsch, Petra Sterry, Bruno Wildbach, Markus Wilfling Ausstellung „Auf Augenhöhe" Galerie Heimo Bachlechner Graz 2020: Art Austria Highlights Galerie Heimo Bachlechner 2021: Parallel Editions Galerie Heimo Bachlechner Ausstellung „Zweischneidig" Galerie Heimo Bachlechner 2022: Galerie Roland Puschitz Vienna Kunsthalle Graz Part of the Game   Gallery Representation   Galerie Heimo Bachlechner Artdepot Innsbruck Galerie Lisa Kandlhofer RAUMSECHS Roland Puschitz   Statement about AOAP Submitted Artwork   The Individual is build by Reality and reflects a new reality back to the viewer You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wolfgang Grinschgl Head 04, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   HTBLA Ortweinschule/Abteilung Grafik - Design   Select Exhibitions/Awards   2018: Ausstellungsbeteiligung Dean Borghi Fine Arts New York City Ausstellungsbeteiligung „Portrait" RAUMSECHS Düsseldorf Ausstellungsbeteiligung „Not Dark Yet" Kunsthaus Mürzzuschlag 2019: Art Vienna galerie Galerie Ausstellungsbeteiligung „Realität ins Bild bringen" NöArt Contemporary Basel Challery Kunstdinner Performance Galerie Kandlhofer Wien Austellungsbeteiligung „land" Rondell Gallery Schwanberg mit Herbert Brandl, Erwin Lackner, Ronald Kodritsch, Petra Sterry, Bruno Wildbach, Markus Wilfling Ausstellung „Auf Augenhöhe" Galerie Heimo Bachlechner Graz 2020: Art Austria Highlights Galerie Heimo Bachlechner 2021: Parallel Editions Galerie Heimo Bachlechner Ausstellung „Zweischneidig" Galerie Heimo Bachlechner 2022: Galerie Roland Puschitz Vienna Kunsthalle Graz Part of the Game   Gallery Representation   Galerie Heimo Bachlechner Artdepot Innsbruck Galerie Lisa Kandlhofer RAUMSECHS Roland Puschitz   Statement about AOAP Submitted Artwork   The Individual is build by Reality and reflects a new reality back to the viewer You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

NO RESERVE George III (King).- Act of Parliament. An Act for regulating Madhouses, title and 8ff., extract pp.[1090]-1106, 1774; An Act for preserving the Health of Prisoners in Gaol, and preventing the Gaol Distemper, title and 2ff., extract pp. [1390]-1394, 1774; An Act for the Repeal of all former Acts concerning the Longitude at Sea,..., title and 5ff., extract pp. [1486]-1496, 1774, woodcut head-pieces and initials, by Charles Eyre and William Strahan, bound with c.55 other Acts of Parliament, 2 vol., occasional light browning and off-setting, occasional ink markings, together c.58 in 2 vol., modern morocco, small folio (2)⁂ Other topics covered in the Acts here bound are varied, from trade, economics, religion and home government, for example: regulations on the killing of game; protocol for the Justices of the Peace; regulating duties on bills of exchange; reviews of penalties for followers of the "Popish religion"; importation of silks and tiffanies from Italy; punishments for mutiny and desertion; relief for debtors and bankrupts; building regulations for certain parishes in London.

[BOARD GAME] Travel-Ravel Souvenir Game "The Stately Homes of England" boxed game ca. 1970 with instructions, cards, etc.

BAKER (E. C. S.) Indian Ducks and Their Allies, 4to, pict. add. title & 30 col. plates, half morocco by Porter, 1st Edn., L., 1908; Indian Game Birds, 4to, add. pict. title & 19 col. plates, half morocco, 1st Edn., L., 1921 (2).

A VICTORIAN SILVERGILT RECTANGULAR VINAIGRETTE with part engine-turned and part engraved decoration on the cover and base depicting game birds and flowers, initialled "JEH to ABB", the grille with a flower head and scrolls, by Taylor & Perry, Birmingham 1840; 1.55" (4cm) long; 0.7 oz

A VICTORIAN ENGRAVED RECTANGULAR VINAIGRETTE with a chased thumbpiece, a floral spray on the base and game birds and scrolls on the cover, initialled, the grille with scrolls, gilt interior, by Taylor & Perry, Birmingham 1840; 1.5" (3.9cm) long; 0.65 oz

Channel Island interest - Rummage tray, comprising various banknotes to include Jersey Occupation 2 x Sixpence, One Shilling; Two Shillings, 1941 issue; Two shillings, 1942 issue; Ten Shillings, all with Signatory H. F. Ereaut, together with later Jersey and Bank of England banknotes, mostly with stains, creases, folds, fair. (14), together with "Feldpost" labelled chess & draughts game of card and paper construction, used during the Occupation, Maple Leaf Cheese box, OXO tin, modern Plastimo brass ships port hole barometer and a Nauticalia magnifying glass. (quantity)

A set of seven figural animal French silver plate meat skewers, fashioned as pig, rabbit, swan, deer and three pheasant/game birds, the blades marked with TITRE B.C below winged helmet, the tallest, 11in. (28cm.) high. (7) * Some marks rubbed, overall very good.

A Sony Playstation 4 with game and controllers