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Gemma Whelan Actress Signed Game Of Thrones 8x10 Photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

AMENDMENT: Please note, the chess pieces are Staunton pattern but not stamped for Jaques London.A Victorian brass-bound mahogany games compendium, c.1880, by Parkins & Gotto, the lid with two folding tooled leather boards for chess, backgammon and 'The Steeple Chase Game', the fitted interior with compartments containing a Jaques Staunton pattern chess set, draughts, two boxwood shakers, a group of blue glass marbles, a gavel, six painted lead horses, five cards and instructions for dominoes, with frieze drawer below, inset with ivorine trade label for PARKIN & GOTTO, LONDON, W., 19.5cm high, 45cm wide, 25cm deep (VAT charged on hammer price)Please refer to department for condition report

A Gameboy 120 game cassette

A 19th Century Victorian novelty bronze walking stick cane handle top in the form of a hunting dog with game bird in mouth. Measures approx; 7cm x 6cm.

COLLECTION OF STAR TREK RELATED TOYS AND MEMORABILIA,including Monopoly game, umbrella, socks, bottle opener, badges, cup, collector's plates, first day covers and many more

Charles Dixon's Game Birds and Wildfowl, 1st Ed.1900, all colour plates in tract; binding worn at the spine edges.The Story of the Birds, 1900 Col. frontis of a Bird of Paradise by Chas. Whymper, Migration of British Birds, Blrds 1895. with six fold out. maps. Birds Nests, 1902 illus. in b/w by A.T.Elwes. Our Favourite Song Birds 1897 with b/w illus. by Harry Stannard. The Bird Life of London 1909, with number of colour and b/w plates. a number of other fine bindings. A four-vol. set of the Tatler, 1813 quarter bound; worn. A six vol. set of Brownings Poems. 1874/5 Half bound. with an inscription to; CT.& C.B Mitchell from Samuel and Hentietta Barrett Aug. 17th 1878. Also a number of other fine bindings (two shelves)

Jack Vettriano OBE (b.1951) Scottish"Game On"Signed and numbered 127/495, giclee print, 55.5cm by 45.5cmProvenance: The Railings Gallery, London

TWO IRON HANGING GAME HOOKS including a four hook example, with a 49cm approx. drop height, and another, with approx. 46cm drop height (2)Provenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.

A vintage Sinclair ZX Spectrum Plus 2 James Bond 007 Action Pack computer game with extra games

Two boxes of books, toys and board games, large print books, Portrait of The Channel Islands, Countdown board game etc

A VINTAGE BOXED CORINTHIAN WOODEN BAGATELLE GAME WITH BALLS

FOUR ASSORTED FRAMED AND GLAZED PRINTS TO INCLUDE A TIGER COLOUR ENGRAVING ENTITLED 'ROYAL GAME' - H 36 CM W 49 CM

John Players & Sons (29 Full sets and (1) part set including Wild Birds, From the Plantation to Smoker, Dogs, Struggle for Existence, Game Birds and Wild Fowl, Modern Naval Craft, Wonders of the World, Military Head Dress, Cycling, Butterflies, Gilbert and Sullivan, Kings and Queens of England etc. Two albums with sleeves, VG/EX

1990s Micropicturquiz What is it? Can You Tell? - The camera tests your perceptibility. Projector miniature film quiz game produced by Harold Baim, a Ron Harris release on 16mm film.

A 19th Century bronze cup and cover by Pierre Jules Mene (1810-1877), modelled as a segmented tusk, the cover surmounted with a heron above dead fish and game in relief, the body with fox and stag hunting to each side in a woodland scene, the pedestal worked with a lizard attacking a bird's nest and bird chasing a beetle, on leaf cast oval base, signed and dated twice 1849, height 40cm.

A Sega Game Gear in carry case with six games.

19th Century English School Still Life "Dead Game and Fruit," pastel, Unsigned, approx. 84cms x 71cms (33" x 28"), in gilt frame. (1)

HUNTING. A group of three game books, circa 1902-1980, probably compiled by Lt. Col. A. Forrest Harper, regarding hunts, shoots and fishing trips in Britain and overseas.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

William Buelow Gould, Australian 1803-1853- Still life scenes with dead rabbit and birds; oils on canvas, each 25.6 x 30.5 cm., two (2). Provenance: Private Collection, UK. Note: We are grateful to Dr Garry Darby for confirming the attribution of the present pair of paintings. Gould was a British-born Tasmanian artist, who was transported to Australia as a convict in 1827. Drawing on the artistic training which he received before his transportation, Gould continued to practice painting and watercolour whilst in Australia, producing still-lives and botanical studies whilst under placement as a house servant to two amateur natural historians, Dr James Scott and Dr William de Little. The present works, depicting tables laden with dead birds and game (as in many of Gould's paintings) recall the compositions of Flemish artists such as Joachim Beuckelaer (c.1533-c.1570), but are nevertheless imbued with the artist's highly distinctive style. These pieces therefore fit very neatly into Gould's oeuvre, displaying a striking similarity with the paintings held by institutions such as the Art Gallery of South Australia and the Art Gallery of New South Wales. For further information on the artist and his oeuvre, see Garry Darby, 'The life and works of William Gould', Sydney, 1980.Please refer to department for condition report

1943 Football League South War Cup Final, Charlton Athletic v Arsenal, a folded single sheet pirate programme from the game played at Wembley on May 1st 1943, published by Blooms Printing Works, London, E1; and five post-war F.A. Cup round matches played at neutral grounds comprising Chelsea v Arsenal at Tottenham March 22nd 1950; Luton Town v Brentford at Arsenal February 18th 1952; semi-final replay Manchester United v Fulham at Arsenal March 26th 1958; Manchester United v West Ham United at Hillsborough March 14th 1964; and Chelsea v Sheffield Wednesday at Villa Park April 23rd 1966 (6)Condition Report:1943 - score of 1 v 7 pencilled lightly on front cover.1950 - folded single sheet chipped and creased around the edges with manuscript team changes.All generally reasonably good condition just a little grubby consistent with age and use.

Various clubs - thirty-five home game programmes for Manchester United (7) 1949/50 - 1957/58 including F.A. Cup 5th round replay games; QPR (7) 1949/50 - 1983/84; Leyton Orient (2) 1951/52 & 1952/53; Charlton Athletic (5) 1948/49 - 1956/57; Stoke (3) 1949/50 - 1951/52; Peterborough (2) 1961/62; Brentford (4) 1947/48 - 1950/51; Derby (3) 1950/51; and WBA (2) 1956/57 & 1965/66; some memorabilia with Manchester United programmesCondition Report:Condition varies but most reasonable consistent with age and use with usual rusting of staples and general grubbiness.Some with manuscript team changes and some with traces of vertical pocket folding.

Arsenal F.C. - forty-nine home programmes for 1956/57 (21), 1957/58 (13) & 1958/59 (15) including Division One, F.A. Cup (including replays) and Friendly Matches (49). Auctioneers Note: The February 1st match against Manchester United (result Arsenal 4 Manchester United 5) was the final domestic league match played by the Manchester United first team before the Munich Air Crash - thus it was the last game played in the U.K. by the 'Busby Babes', before the tragic death of several of these players.Condition Report:Condition is reasonably good consistent with age and use with the usual rusty staples and slight grubbiness.Some manuscript team changes.Odd ones with traces of pocket folding.

An early Victorian silver snuff box, of waisted, elongated oval form, engraved with scrolling foliage, by Hilliard & Thomason, Birmingham 1855, presentation inscription, 8.8cm wide, a Continental silver snuff box, the lid embossed with a huntsman retrieving game, stamped 925, and one other snuff box. (3)

Two Subbuteo Sets and a Chad Valley Soccer Game

Books-A collection of JK Rowling Harry Potter first edition books and others comprising Half Blood Prince, Order of the Phoenix x 2, Deathly Hollows x 2 in child covers, Order of the Phoenix in adult covers, and Goblet of Fire in paperback, all others later editions, along with Harry Potter Top Trumps tin, trading card game, and Half Blood Prince CD set and other itemsLocation:

After Taylor. Dr WG Grace, print, 35cm x 24cm, The Laws of the Noble Game of Cricket, coloured print, various other cricket related prints, pictures, etc. (a quantity)

Various cigarette cards, John Player and Sons These Authentic Pictures of Life onboard a Man of War, International Airliners, Gems of British Scenery brown backs, Game Birds and Wild Foul green backs, Poultry, Polar Exploration, large size Zoo Babies, etc. (1 album)

[Howlett, Robert]. The Royal Pastime of Cock-Fighting. Or the Art of Breeding, Feeding, Fighting and Curing Cocks of the Game. Published purely for the good, and benefit of all such as take Delight in that Royal, and Warlike Sport. To which is Prefixed, A short Treatise, wherein Cocking is proved not only Ancient and Honourable, but also Useful, and Profitable. By R. H. a lover of the Sport, And a Friend to such as delight in Military Discipline, 1st edition, London: D. Brown & T. Ballard, 1709, engraved frontispiece, relaid with small loss to upper left corner, [34], 92pp., heavy spotting throughout, 19th-century black half calf over marbled boards, gilt-lettered spine, small old circular library label with ink number ’85’ at foot of upper joint, slightly rubbed, small 8vo (158 x 92 mm) QTY: (1)NOTE:ESTC T72874. This is believed to be the second book in English entirely about cocking, the first being William Machrie, An Essay upon the Royal Recreation and Art of Cocking, 1705. There are five poems in praise of the sport at the end, including one by Sir Richard Blackmore.A rare work, the last copy traced at auction being the James Brodie copy sold by Christie’s, New York, 12 February 1982, lot 95.

Golf. Golf Illustrated. The Weekly Organ of the "Royal and Ancient" Game, 2 volumes, January-December 1909, numerous monochrome illustrations and advertisements, a few minor spots, volume I rear hinge and volume II front hinge broken, contemporary cloth, volume II upper cover detaching, joints splitting, spines toned, folioQTY: (2)

Golf. Golf. A Weekly Record of "Ye Royal and Auncient" Game, volumes XI & XII, London: The Office, 1896, illustrations, original wrappers bound at rear, one or two small ink annotations, vertical crease to volume XI title, press cuttings, contemporary half calf, some wear to spines, rubbed, 4toQTY: (2)

Golf. Golf. A Weekly Record of "Ye Royal and Auncient" Game, volumes III &, IV, London: The Office, 1891-1892, illustrations, original wrappers bound at end. occasional light spotting, contemporary half calf, tears to volume IV spine, edges rubbed, 4toQTY: (2)

Golf. Golf. A Weekly Record of "Ye Royal and Auncient" Game, volumes V & VI, London: The Office, 1892-93, illustrations and advertisements, original wrappers bound at rear, a little minor spotting, contemporary half calf, a little rubbed and scuffed, 4toQTY: (2)

Golf. Golf. A Weekly Record of "Ye Royal and Auncient" Game, volumes VII & VIII, London: The Office, 1893-94, original wrappers bound at rear, slight marginal toning, contemporary half calf, 2 covers detached, spines defective, rubbed and scuffed, 4toQTY: (2)

Golf. Golf. A Weekly Record of "Ye Royal and Auncient" Game, volumes XIII & XIV, London: The Office, 1896-97, original wrappers bound at rear, scattered light spotting, contemporary half calf, volume XIII upper cover detached, volume XIV spine with tears, edges rubbed, 4to QTY: (2)

Golf. Golf. A Weekly Record of "Ye Royal and Auncient" Game, volumes XV & XVI, London: The Office, 1897-98, original wrappers bound at rear, contemporary half calf, volume XVI upper joint split, rubbed and scuffed, 4toQTY: (2)

Golf. Golf. A Weekly Record of "Ye Royal and Auncient" Game, volumes 1 & 2, London: The Office, 1891, illustrations, original wrappers bound at rear (a few small marginal chips), issue 51 in volume II (pp. 413-414) title right-hand column partly excised, occasional light spotting, press cutting to volume II rear pastedown, contemporary half calf, loss at head of volume I spine, a little rubbed and scuffed, 4toQTY: (2)

Mervyn Griffiths referee/lineman 1950 World Cup in Brazil two photographs in original presentation folders of referees/officials at reception World Cup, first photograph 9.5 by 8in. in mount and folder 12 by 9in. of all referees/officials/linemen at reception, mount signed in ink by approx. 37, includes George Reader who refereed the opening and final game, Rec Leafe, Sir Stanley Rous, Dattilo who refereed England v USA, Gardelli Brazil etc., second photograph sold with second presentation folder with photograph of selection of referees signed to mount in ink, (5), including Scottish referee George Mitchell who refereed Sweden v Paraquay 29th June Mervyn Griffiths referee/lineman 1950 World Cup in Brazil. Lots 23 to 27. Mervyn "Sandy" Griffiths international referee started his career as a linesman in 1939. And was a Football League referee from 1945-59 and FIFA listed 1949-58. He refereed international matches all over the world, together with the famous 1953 Cup final Bolton v Blackpool, his decision with two minutes to go enabled Stan Mortensen to equalise with a free kick, the rest is history. He went into the crowd before the match and bought 50 programmes to give to his pupils back in Newport, Wales, where he was a teacher. Griffiths represented Wales in three World Cups 1950, 1954 and 1958. In 1950 he appeared in the opening match as linesman and refereed Brazil v Yugoslavia and Uruguay v Spain. In 1954 he refereed the opening game Yugoslavia v France and semi-final Hungary v Uruguay and assisted William Ling as lineman in the final Hungary v West Germany with the score at 3-2 Griffiths flagged for offside, Ferenc Puskas shot which beat West Germany goalkeeper Toni Turek. In 1958 he refereed Yugoslavia v France and Brazil v France in semi-final. He set a unique hat tick, first Welshman to referee an international at Wembley, to referee a Cup final and the only Welshman to appear in a World Cup Final. Next four lots also relate to Mervyn "Sandy" Griffiths

Mervyn Griffiths was referee for two matches and lineman in another in 1950 World Cup in Brazil three photographs, covering all three matches, 1.) referee Brazil v Yugoslavia 1st July original presentation folder taken before kick-off with linemen Da Costa Portugal, Beranek Austria; 2.) large 12 by 9in. photograph Spain v Uruguay 9th July, show captains with officials at kick-off exchanging pennants, linemen Lemsic Yugoslavia and Dattilo Italy; 3.) linesmen Yugoslavia v Switzerland 25th June with referee Dattilo Italy taken pre-match in presentation original folder; sold with original rare two-page Brazilian report which covers the handling of two very difficult matches Spain v Uruguay 9th July, Brazil v Yugoslavia 1st July in English and shows Griffiths was highly regarded, (4) Mervyn Griffiths referee/lineman 1950 World Cup in Brazil. Lots 23 to 27. Mervyn "Sandy" Griffiths international referee started his career as a linesman in 1939. And was a Football League referee from 1945-59 and FIFA listed 1949-58. He refereed international matches all over the world, together with the famous 1953 Cup final Bolton v Blackpool, his decision with two minutes to go enabled Stan Mortensen to equalise with a free kick, the rest is history. He went into the crowd before the match and bought 50 programmes to give to his pupils back in Newport, Wales, where he was a teacher. Griffiths represented Wales in three World Cups 1950, 1954 and 1958. In 1950 he appeared in the opening match as linesman and refereed Brazil v Yugoslavia and Uruguay v Spain. In 1954 he refereed the opening game Yugoslavia v France and semi-final Hungary v Uruguay and assisted William Ling as lineman in the final Hungary v West Germany with the score at 3-2 Griffiths flagged for offside, Ferenc Puskas shot which beat West Germany goalkeeper Toni Turek. In 1958 he refereed Yugoslavia v France and Brazil v France in semi-final. He set a unique hat tick, first Welshman to referee an international at Wembley, to referee a Cup final and the only Welshman to appear in a World Cup Final. Next three lots also relate to Mervyn "Sandy" Griffiths.

Mervyn Griffiths World Cup 1950 exceptionally rare itinerary belonging to Griffiths re: England to cover complete World Cup 24th June to 16th July, in the itinerary it shows the other four British referees travelled with the English team, Reader, Ellis, Leafe - England, Mitchell - Scotland, Griffiths is not mentioned so it is not know if he was a late addition or travelled independently; sold with various photographs including 1.) presentation folder Brazil v Yugoslavia 1st July with linemen Da Costa Portugal and Beranek Austria; 2.) smaller picture before match Brazil v Yugoslavia 1st July; 3.) linemen Yugoslavia v Switzerland 25th June with referee Davilo Italy, (4) Mervyn "Sandy" Griffiths international referee started his career as a linesman in 1939. And was a Football League referee from 1945-59 and FIFA listed 1949-58. He refereed international matches all over the world, together with the famous 1953 Cup final Bolton v Blackpool, his decision with two minutes to go enabled Stan Mortensen to equalise with a free kick, the rest is history. He went into the crowd before the match and bought 50 programmes to give to his pupils back in Newport, Wales, where he was a teacher. Griffiths represented Wales in three World Cups 1950, 1954 and 1958. In 1950 he appeared in the opening match as linesman and refereed Brazil v Yugoslavia and Uruguay v Spain. In 1954 he refereed the opening game Yugoslavia v France and semi-final Hungary v Uruguay and assisted William Ling as lineman in the final Hungary v West Germany with the score at 3-2 Griffiths flagged for offside, Ferenc Puskas shot which beat West Germany goalkeeper Toni Turek. In 1958 he refereed Yugoslavia v France and Brazil v France in semi-final. He set a unique hat tick, first Welshman to referee an international at Wembley, to referee a Cup final and the only Welshman to appear in a World Cup Final. Next two lots also relate to Mervyn "Sandy" Griffiths.

Mervyn Griffiths selection of photographs covering the three World Cups he officiated at, Brazil 1950, Switzerland 1954 and Sweden 1958, 1.) 1950 with wife at Cardiff Station leaving for Brazil; 2.) 1954 post card sized photograph of referees relaxing in Swiss mountain setting; 3.) photograph with wife on train at Cardiff Station leaving for Switzerland; 4.) opening match of World Cup 1954 between Yugoslavia v France 16th June Lausanne, Griffiths has refereed teams and officials lined up before ick-off; 5.) 1958 Sweden large photograph referees on boat trip Stockholm, (5) Mervyn Griffiths referee/lineman 1950 World Cup in Brazil. Lots 23 to 27. Mervyn "Sandy" Griffiths international referee started his career as a linesman in 1939. And was a Football League referee from 1945-59 and FIFA listed 1949-58. He refereed international matches all over the world, together with the famous 1953 Cup final Bolton v Blackpool, his decision with two minutes to go enabled Stan Mortensen to equalise with a free kick, the rest is history. He went into the crowd before the match and bought 50 programmes to give to his pupils back in Newport, Wales, where he was a teacher. Griffiths represented Wales in three World Cups 1950, 1954 and 1958. In 1950 he appeared in the opening match as linesman and refereed Brazil v Yugoslavia and Uruguay v Spain. In 1954 he refereed the opening game Yugoslavia v France and semi-final Hungary v Uruguay and assisted William Ling as lineman in the final Hungary v West Germany with the score at 3-2 Griffiths flagged for offside, Ferenc Puskas shot which beat West Germany goalkeeper Toni Turek. In 1958 he refereed Yugoslavia v France and Brazil v France in semi-final. He set a unique hat tick, first Welshman to referee an international at Wembley, to referee a Cup final and the only Welshman to appear in a World Cup Final. Next two lots also relate to Mervyn "Sandy" Griffiths.

Mervyn Griffiths unique collection of letters written to or about Griffiths relating to his referee appointments and career, re: his appointment to referee famous Cup Final 1953 Blackpool v Bolton (4), letters of congratulations from Alf Bono (referee) Swansea Town, London FA, Abratillery Council plus letter on Stamford Bridge Grounded headed signed Ted (Ted Drake) congratulating him on fine performance; sold with three appointment letters on FA headed appointing Griffiths to referee USSR v Israel in Moscow 11th July 1956 with envelope and England v Rest of World 21st October 1953 letter, London FA v Berlin FA 11th March 1953; sold with further letters re: his retirement ad death in 1974. All letters are original on various letterheads and all personally signed including Hardacre, Rous, Drake, Bono, Leafe etc., also includes Griffiths programme for Russia v israel an Olympic qualifying match Mervyn Griffiths referee/lineman 1950 World Cup in Brazil. Lots 23 to 27. Mervyn "Sandy" Griffiths international referee started his career as a linesman in 1939. And was a Football League referee from 1945-59 and FIFA listed 1949-58. He refereed international matches all over the world, together with the famous 1953 Cup final Bolton v Blackpool, his decision with two minutes to go enabled Stan Mortensen to equalise with a free kick, the rest is history. He went into the crowd before the match and bought 50 programmes to give to his pupils back in Newport, Wales, where he was a teacher. Griffiths represented Wales in three World Cups 1950, 1954 and 1958. In 1950 he appeared in the opening match as linesman and refereed Brazil v Yugoslavia and Uruguay v Spain. In 1954 he refereed the opening game Yugoslavia v France and semi-final Hungary v Uruguay and assisted William Ling as lineman in the final Hungary v West Germany with the score at 3-2 Griffiths flagged for offside, Ferenc Puskas shot which beat West Germany goalkeeper Toni Turek. In 1958 he refereed Yugoslavia v France and Brazil v France in semi-final. He set a unique hat tick, first Welshman to referee an international at Wembley, to referee a Cup final and the only Welshman to appear in a World Cup Final. Next two lots also relate to Mervyn "Sandy" Griffiths.

2 Nintendo DS game consoles with approx 68 various games.

PAIR OF BLACK FOREST CARVED HUNTING TROPHY WALL PLAQUES LATE 19TH CENTURY with hanging game and powder flasks, on shaped shield-backsDimensions:each 64cm high

Cricket collection 40 vintage 1938 John Player and Sons Cigarette cards includes some legendary names of the game such as Les Ames, Dennis Compton, Bill Edrich, Wally Hammond, Len Hutton, Will Voce, Don Bradman plus many more great names. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Football Autographed John Giles 12 X 8 Photo Colour, Depicting The Leeds United Midfielder And Billy Bremner Side By Side During A Break In Play, During A Game At Elland Road, C1974, Signed (By Giles Only) In Black Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Football Autographed Allan Clarke 16 X 12 Photographic Edition - B/W, Depicting A Superb Image Showing The Leeds United Striker Celebrating In Front Of Photographers Following A 1-0 Victory Over Arsenal In The 1972 Fa Cup Final, Clarke Scored The Only Goal Of The Game With A Wonderful Diving Header, Signed In Blue Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Football Autographed Bobby Charlton 16 X 12 Photographic Edition Colour, Depicting The Man United Captain Raising His Arms In Acknowledgement, During A Game At Old Trafford, C1970, Signed In Black Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Cricket Andrew Strauss signed 12x8 colour photo. Sir Andrew John Strauss OBE (born 2 March 1977) is an English cricket administrator and former player, formerly the Director of Cricket for the England and Wales Cricket Board (ECB). He played county cricket for Middlesex and captained the England national team in all formats of the game. A fluent left-handed opening batsman, Strauss favoured scoring off the back foot, mostly playing cut and pull shots. He was also known for his fielding strength at slip or in the covers. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Spode collection of five cabinet plates of game birds and two with boxes blue room series milkmaids Aesops fables.

Manner of Frank Moss BennettA Game of Chessoil on panel, 34.5cm x 24.5cm

A rosewood chess/backgammon games box, containing bone dominoes, draughts pieces and a London Sights or All Round St. Pauls game mat Condition Report:Available upon request

A modern full sized wooden framed table football game by BCE Table Sports, complete with 6 footballs. Approx. 85 x 141 x 115 cm with handles extended. Damage to wood on one handle.

Collection of Yu-Gi-Oh trading cards, toys and collectables. Comprising: 45 Ultra Rare trading cards, 35 Staks magnets, 16 Walkers Taz coins, 1996 Dark Magician and Flame Swordsman action figures. Together with 1993 electronic Tomy Meowth Pokémon figure, 1989 Dragonball Gogeta action figure, and 2003 "Yu-Gi-Oh!: Power of Chaos - Yugi the Destiny" PC video game.

A box of assorted Marvel Spiderman sealed & unopened toys & games. To include: Walkie Talkies, Web Attack battle game, stationery backpack, stickers, tattoos and puzzle.

Dover Patrol vintage boxed tactical Naval game by H P Gibson & Sons Ltd. Complete and in very good condition for age.

JOAN FONTCUBERTA (Barcelona, 1955)."Pin Zhuang", 2004.Comprises: a thermoformed container, an artist's book together with an original text written by Jorge Luis Marzo, a DVD, eight photographic prints and a sculpture entitled Tiger Zhuang II made up of 21 pieces belonging to the 1:32 scale model of the F-5E Tiger II fighter plane, which the user can build following the author's proposals.Copy 63/100.Publisher's page, hand signed and numbered.Measurements: 44 x 32 x 42 cm (box).Joan Fontcuberta is inspired by a real event that took place in April 2001, when an American aircraft, which was violating the airspace of the People's Republic of China, collided with a Chinese army fighter. The Chinese authorities seized the sophisticated US aircraft, which only after arduous negotiations was returned, albeit piece by piece. Pin Zhuang in Chinese means 'disassembly' or 'jigsaw'. The idea of undoing and redoing an object from its fragments takes us back to the childhood experience of Meccanoes and dismountable models. With this symbolic gesture, on the one hand, those technological devices that are paradigms of power and violence become harmless objects, a kind of poetic sculptures that pay tribute to the aesthetics of science fiction while critically alluding to the threatening "defence" programmes of the great war powers. On the other hand, the game of disobeying instructions turns these flying ready-mades not only into the object of an aesthetic experience of play and the combination of forms, but also into a pretext for confrontation between authority and subversion, between order and dissidence, between rule and daring.Artist, teacher, essayist, critic and art promoter specialising in photography, Joan Fontcuberta has developed a successful career, which has earned him awards such as the David Octavius Hill by the Fotografisches Akademie GDL in Germany (1988), the Chevalier de l'Ordre des Arts et des Lettres by the French Ministry of Culture (1994), and the National Photography Prize, awarded by the Spanish Ministry of Culture (1998). A graduate in Information Sciences, Fontcuberta teaches Audiovisual Communication Studies at Pompeu Fabra University in Barcelona and Harvard University in Cambridge (Massachusetts, USA). He also contributes to various publications specialising in image. In 1980 he co-founded the magazine "PhotoVIsion", where he was editor-in-chief. As a promoter of events related to the art of photography, he has organised the Jornades Catalanes de Fotografía, collaborated in the constitution of the Primavera Fotogràfica de Barcelona, and has curated important exhibitions in Madrid, New York, Barcelona, Marseilles, etc. His extensive photographic work is characterised by the use of computer tools in its treatment, and by its interactive presentation with the spectator. His language represents a critical vision of reality, photographic, historical or fictitious truths through photography and its context. Between 1985 and 2001, Fontcuberta's work has been exhibited in more than thirty museums and art galleries in Europe, North America and Japan, notably the MoMA in New York, the Folkwang Museum in Essen, the IVAM in Valencia, the Parco Gallery in Tokyo, the MNAC in Barcelona, the Redpath in Montreal, the Musée de l'Élysée in Lausanne, the Fine Arts Museum in Bilbao and many others. He is currently represented in numerous private collections and also in many public collections, including the Centre Georges Pompidou in Paris, the Metropolitan and MoMA in New York, the Art Institute of Chicago, the Museum für Kunst und Gewerbe in Hamburg, the IVAM in Valencia and the Museo de Bellas Artes in Buenos Aires.

William Kentridge (born 1955)Soho in Bed with Rhinoceros' (Drawing for Mine) signed 'Kentridge' and dated '91' (lower right)charcoal and red chalk120 x 141cm (47 1/4 x 55 1/2in).Footnotes:ProvenanceAcquired by the current owner at the Goodman Gallery, 'Drawings for Projection' in 1992;A private collection.ExhibitedJohannesburg, Goodman Gallery, 'Drawings for Projection', February, 1992.Brussels, Palais des Beaux-Arts/Paleis voor Schone Kunsten; Munich, Kunstverein München; Austria, Neue Galerie Graz am Landesmuseum Joanneum, William Kentridge, May, 1998 to January, 1999.LiteratureDan Cameron, William Kentridge, (London, 1999) p.115 (illustrated)Mark Rosenthal, William Kentridge, Five Themes, (New Haven and London: Yale University Press, 2009), p. 79 (illustrated)Carolyn Christov-Bakargiev, William Kentridge, (Brussels: Societe des Expositions du Palais des Beaux-Arts de Bruxelles/Vereniging voor Tentoonstellingen van het Paleis voor Schone Kunsten Brussel, 1998), p. 69 (illustrated)Lilian Tone, William Kentridge Fortuna, (London: Thames & Hudson, 2013), p. 151 (illustrated)Matthew Kentridge, The Soho Chronicles, 10 Films by William Kentridge, (London, New York & Calcutta: Seagull Books, 2015), p. 187 (illustrated) Margaret K. Koerner, Smoke, Ashes, Fable, William Kentridge In Bruges, (New Haven and London: Yale University Press, 2017), p. 125 (illustrated) This drawing, which dates from 1991 is from Mine, the second of Kentridge's animated films. It was used as the final sequence in this film from 5:25 min to 5:32 min., when the Rhinoceros tenderly nuzzles at Soho's out-stretched hand.The work is the most significant of the 'Drawings for Projection' to come to the market in recent times and has not been seen publicly since its inclusion in the 1998/99 exhibition.'In these films Kentridge established the story line that would prevail throughout the series: the evolution of the dark-suited industrialist Soho Eckstein, whose complex combination of economic power, personal ruthlessness, and guilt-laden memory characterize one aspect of contemporary South Africa, and his alter ego Felix Teitlebaum, who is portrayed as nude and thoughtful, an artist who wins Soho's wife at least temporarily. In these early films Soho builds his empire and becomes a civic benefactor... ...The early films focus extensively on the struggle of Soho and Felix for Mrs. Eckstein...Soho's appearance derives from a linocut Kentridge had made in his youth of 'my grandfather in his three-piece pin-stripe suit sitting on Muizenberg beach from an old family photograph'...In these early films, Soho is most often seen in his bed surrounded by a clutter of half-eaten food and office machines. The utter jumble of these objects on his bed, and the conjunction of Soho's public and private life, recall the late self-portraits of Philip Guston, in which the artist lies haunted by nightmare and doubt' (Neal Benezra, William Kentridge: Drawings for Projection, exhib. cat. for New York, pgs. 19-20).Playing a consistent caricature throughout Kentridge's work, references of the rhinoceros can be seen in early drawings from the 1980's, to a symbol of the repressed by the hands of the German colonial force in Black Box created in 2005. Here we see the rhinoceros not as a wild animal, but a domestic pet tamely interacting with Soho who dominates the scene. While this may be a display of Kentridge's affection for the animal, given his favourable use of the subject, the rhinoceros also symbolises the bourgeois exploitation of the South African ecosystem. Following the consequences that the mining industry had on the South African environment, Kentridge critiques conservation motivations whilst simultaneously examining the irony of controlling wild animals through eco-tourism. Eco-tourism, Kentridge analyses, has obscured and consequentially manipulated the nature in South Africa, throwing into question the definition of 'wild' given the nature and game reserve's domesticized state.'The technique I use is to have a sheet of paper stuck up on the studio wall and, half-way across the room, my camera, usually an old Bolex. A drawing is tarted on the paper, I walk across to the camera, shoot one or two frames, walk back to the paper, change the drawing (marginally), walk back to the camera, walk back to the paper, to the camera, and so on. So that each sequence as opposed to each frame of the film is a single drawing. In all there may be twenty drawings to a film rather than the thousands one expects. It is more like making a drawing than making a film (albeit a gray, battered and rubbed about drawing). Once the film, editing, adding sound, music and so on proceeds like any other. '...I started filming drawings as a way of recording their histories. Often I found – I find – that a drawing that starts well, or with some interest in its first impulse, becomes too cautious, too overworked, too tame, as the work progresses. (The ways in which a drawing can die on you are depressingly numerous.) A film of the drawing holds each moment. And of course, often, as a drawing proceeds, interest shifts from what was originally central, to something that initially appeared incidental. Filming enables me to follow this process of vision and revision as it happens. This erasing of charcoal, and imperfect activity, always leaves a gray smudge on the paper. So filming not only records the changes in the drawing but reveals too the history of those changes, as each erasure leaves a snail-trail of what has been.' (Lecture, 1993, published in Cycnos: Image et Langage, Problemes, Approches, Méthodes, Nice, vol. 11 no.1, 1994, pp. 163-168. Republished in C. Christov-Bakargiev, William Kentridge, William Kentridge, Societe des Expositions du Palais de Beaux-Arts, Bruxelles 1998, pgs.61-64)BibliographyMatthew Kentridge, The Soho Chronicles, 10 Films by William Kentridge, (London, New York & Calcutta: Seagull Books, 2015)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Nadia Tsakova The Game, 2022 Lino Cut on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in Plovidv in 1977 and based in London. Figurative artist working in oils and printmaking mediums.   Education   MA of Fine Arts, National Academy of Fine Arts, Sofia   Select Exhibitions/Awards   Royal Academy Summer Exhibition (2006 and 2022), ING Discerning Eye, Royal Society of Portrait Painters (RP), NEAC. Award from National Print Exhibition at The Mall Galleries and Royal Institute of Oil Painters (RI) Prize Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

A J W Spears & Sons The Grand National Steeple-Chase, two fold board with six ‘flat’ horse with jockeys, in original box -11 ½in. (29cm.) wide; a Parker Brothers Peg’ity; Spear’s Easy-score Letter-racks for Scrabble; Pepys Guess What? Party game and two Halma, in original boxes

70+ Funko Pop figures. Themes include; Minions, Labyrinth, Toy Story, Matrix, Fifth Element, Game of Thrones, Harry Potter, Turtles, Flash Gordon, Futerama, A Team, etc. Generally GC. £40-60