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Collection of Six Spode 'The Maritime England' Plates, numbered: comprising No. 1 The Glorious Fist of June 1794; No. 2 The Battle of the Nile 1798; No. 3 The Four Days Battle, June 1666; No. 4 The Battle of Trafalgar 1805; No. 5 The Battle of Camperdown 1797; and No. 6 The Taking of Porto Bello 1739. Together with two Spode Armada Series plates, No. 1 A Game of Bowls 1588; and No. 2 The Armada Leaving Ferrol 1588.
MIRROR MATCHED PAIR OF 19TH CENTURY KUTANI PORCELAIN BOTTLE VASES, depicting game birds ,peacock and hen amongst flowers and foliage, all within elaborate scroll work panels above a double stylised petal band. Nine character marks to the bases. 60cm high approx. (B.P. 21% + VAT) One has been badly and significantly broken to the neck area and repaired poorly. The other appearing good overall, rather grubby with some wear to decoration in places.
Millais (John Guille). The Natural History of British Game Birds, limited issue, London: Longmans, Green and Co., 1909, 18 colour plates, 17 photogravures, 2 illustrations, top edge gilt, original cloth-backed boards, spine faded with a few small wormholes and small stain, 4toQty: (1)NOTESMullens & Swann p. 406; Nissen IVB 636; Wood p. 464. Limited edition 190/550.
* Lowther (Hugh Cecil, 1857-1944, 5th Earl of Lonsdale), English nobleman and sportsman. Two Typed Letters Signed, 'Lonsdale', 14 Carlton House Terrace, Pall Mall, London, 26 January 1914 & Lowther, Penrith, 21 September 1917, both to the editors of 'Tit Bits', the first in response to being asked his views on whether girls should learn to box, saying that his views would probably be of little interest to anyone but that 'I should do all that I could to discourage any feminine relations of mine from learning the "noble art", for I am one of those who think that a woman should have all the refinements of feeling and feminine charm; and a feeling that she is full of all sensitive feelings that a woman should have is to me the greatest charm in a woman's character. And I am always under the impression that the woman who appeals most to a man is one who may be full of courage and determination but who in everything she undertakes and in all her actions is essentially feminine. I do not think that Boxing is in the least feminine, and, therefore, it goes without saying that anything that is calculated to make a woman masculine must be to the detriment of a woman herself, and somehow there is, to my mind, something repulsive about seeing, or even thinking of, a woman boxing', with a few further comments and also adding that Foils is, on the other hand, a good sport for some women, a few pencil marks and corrections, a little spotting and soiling, 2 pages on 2 leaves, 4to, the second letter in response to whether ladies should play football, to which he replies, 'I have not the slightest hesitation in saying that I think that one game ladies ought not to play is certainly Foot-ball. It is not a game for women. There is nothing so splendid as a well set-up, active Englishwoman, and there are many games in which she can compete with man, and almost on equal terms, but Foot-ball is certainly not one of those which is conducive to either the interest of the woman or to civilisation. Foot-ball is essentially a masculine game... it would be an impossibility to recognise Foot-ball matches woman against men, which is an impossibility, as must be known to all Foot-ball players as well as it is known to myself', a little spotting and marginal browning, one page, 4toQty: (2)NOTESLord Lonsdale was an avid sportsman and a founding member of the National Sporting Club. He donated the original Lonsdale Belts for boxing and, as a keen football fan, was chairman of Arsenal Football Club for a brief period in 1936.
* Victoria (Queen of Great Britain & Ireland, 1819-1901). Autograph signature, cut signature of Queen Victoria taken from a commission document, with portion of printed text and blue paper blindstamp, somewhat marked and creased, sheet size 13.7 x 11cm (5.5 x 4.25ins), together with other autographs and ephemera, including cut signatures of Alfred R. Wallace, and Sir Samuel Baker and his wife Florence, a 4pp. autograph letter signed from Sir Archibald Paull Burt, written from Perth, Western Australia, 1861, an envelope with the autograph signature of Robert Owen, a vellum document relating to Benjamin Franklin of Wootton Bassett, circa 1784, and a printed Game Licence, Cape of Good Hope, giving Mr William Lawson permission to shoot and kill game from 1st December 1823 to 30th June 1824Qty: (12)
* Maguire (Helena J.). Five studies of hanging dead game: Widgeon & Partridges, Capercartzie & Pigeons, Hare and French Partridges, Wild duck [and] Black cock & Ptarmigan, Raphael Tuck & Sons, circa 1880, together five chromolithographs, each with an old dealers stamp to verso, occasional marginal closed tears, each 620 x 310 mmQty: (5)
* Heath (Archie Edward, 1887-1961). An archive of manuscript and typescript lecture notes, letters, printed articles and pamphlets by Archie Edward Heath, Professor of Philosophy at University College, Swansea from 1925 to 1952, together with an oil portrait of Archie Heath by Jean Creedy, circa 1950, including lecture notes, typescript and manuscript, many with his corrections with titles including 'The Physiological Approach: Body and Mind', 'Moral Values: The Rationalist View', 'The Philosopher as Critic', 'The Demand for Construction in Philosophy', 'Disunity in the Self: Control through Knowledge', 'A Rationalist Talks About Values', 'The Relation Between Aesthetic Appreciation and Objective Reality', 'A Scientific Basis for Freedom', 'The Basis of Freedom: An Essay in Scientific Method', 'Philosophy as Poet and Prophet, Reflection in the field of values', plus printed pamphlets 'Thinking Ahead. The Place of Reflection in Civilization' and 'A Psychological Approach to the Problems of Sexual Hygiene. II. The Game of Life and the Art of Love', a manuscript letter from Albert Mansbridge (1876-1952, educator, and pioneer of adult education), some correspondence with Jasmine Chatterton, literary advisors regarding the publication of his book 'Psychology Questions Answered', 1946, correspondence with Kodak Research Laboratory regarding printing a history chart, 1955, a Trinity College, Cambridge menu to commemorate the unveiling of a statue of Alfred, Lord Tennyson, 19 October 1909, signed in pencil by Heath and others, some overall toning and a few tears and folds, staple rust, all loosely contained in contemporary folder with manuscript label (some spotting), the framed oil portrait of A.E. Heath by Jean Creedy (1920-2014) measuring 38 x 27.5 cmQty: (archive)NOTESArchie Edward Heath (1887-1961) was Professor of Philosophy at University College, Swansea from 1925 to 1952, a friend of Bertrand Russell and contemporary of Ludwig Wittgenstein, who much influenced the 'Swansea School of Philosophy', which included Wittgenstein's pupil Rush Rhees, Dewi Phillips and others.
* Vanity Fair caricatures. A collection of 16 Game shooters, Fox Hunters, Carriage Drivers and Falconers, late 19th century & early 20th century, lithographs and photolithographs, with examples after 'Spy', 'Who', 'C.B.' and 'Gaf', including The Hon. Gerald William Lascelles (Falconry), Walter Winans, Otho Paget (Beagling), Lord Rufford, Mr Alfred Gwynne Vanderbilt and John Welby (Fox Hunting), each approximately 370 x 215 mmQty: (16)
* Edward (Duke of Windsor, 1894-1972), King of the United Kingdom January-December 1936. A highly important Typed Letter Signed, ‘Edward’, Boulevard Suchet, Paris, 13 March 1939, to Lord Beaverbrook ('My dear Beaverbrook'), the Duke announces 'I feel it both important and urgent to draw your attention to the comments on the Duchess and myself which appeared in the Londoner's Log of yesterday's issue of the "Sunday Express”', and adds that while he appreciates the general tone of the article, it contained two definite misstatements which 'confuse the whole situation', further explaining 'Knowing that it is not your intention that anything published in your newspapers should create a false impression which could react adversely upon the Duchess and myself, I think that you may wish to dispel the one created in yesterday's Sunday Express, as soon as and in whatever form you judge to be consistent with "good timing" and dignity’; the Duke continues 'Of course you know as well as I do, that it is for no other reason than for fear lest the attitude my mother and sister-in-law seem likely to adopt towards my wife may provoke some controversy in England and adverse criticism of them in America, that I have been advised to postpone our projected visit to England this Spring, until after the King and Queen's official journey to Canada and the United States. In accordance with the policy of playing my brother's game, I have agreed to another postponement, but, believe me, for the last time’; he concludes 'I know I need not stress the highly confidential nature of this letter, or the grave danger of the information it contains ever being traced back to me. But as I look upon you as one of our staunchest supportest (sic) I am anxious that you should know the truth’, with four holograph additions to the text, 2 pages on two leaves of the Duke's personal monogrammed stationery, typed ‘Private and Confidential’ at head, very light paperclip rust stain to the upper left corner of the first page, two file holes to left margin not affecting text or signature, 4to, together with An accompanying enclosure, being a typescript of the two misstatements contained in The Londoner's Log of the Sunday Express which the Duke refers to in his letter, light toning, two file holes to left margin matching the Duke’s letter where previously filed, one page, 4to, with the Duke’s responses, in full: '1. "He lives as a refugee in France not because of the laws of England prevent his return, but because he wishes to do so". While the Duchess and I have received the greatest courtesy in all the countries, especially France, where we have resided since our marriage, I have not lived out of England for over two years by preference. It is true that there exists no law to prevent my returning to my country whenever I wish to do so, but I have remained away out of deference to my brother in order to leave the field clear for him to establish himself on the throne, which it is admitted he has succeeded in doing. 2. "The Duke has set his own conditions of return. He requires that the Duchess of Windsor shall be accorded the title of Royal Highness, and that she shall be received by both the Queens. Until these requests are granted, the Duke has announced that he will not set foot in England". I have never made any such announcement nor would I ever set conditions upon my return to England. Regarding the two stipulations I am alledged (sic) to have made, I wish to say firstly, that while naturally the matter of witholding (sic) the title of Royal Highness from the Duchess is an insult which I as her husband and a member of the Royal Family have always resented far more deeply than she has, we have too many other more important interests to worry over such a triviality. Secondly, whatever may be the behaviour of Queen Mary and Queen Elizabeth towards the Duchess, it would in no way affect any plans we might make for going to England.’Qty: (2)NOTESA letter of truly remarkable historical content written in the years following King Edward VIII's abdication and subsequent marriage to Wallis Simpson, and demonstrating that the Duke was under absolutely no illusions as to the attitudes of his mother, Queen Mary, and sister-in-law, Queen Elizabeth, towards the Duchess of Windsor. Max Aitken (1879-1964), 1st Baron Beaverbrook. Anglo-Canadian business tycoon, politician & writer, owner of the Daily Express and London Evening Standard newspapers.
Petrus van Schendel (Belgian 1806-1870)Still life of game on a candlelit tablesigned 'P.van Schendel' (lower centre) oil on panel 16.8 x 27.6cm (6 5/8 x 10 7/8in).Footnotes:This work appears to be a study for The poultry stall on the Groenmarkt, The Hague painted in 1868, sold at Bonhams, New Bond Street, 14 March 2018, lot 8 (£60,000) and reproduced in Jan M.M. de Meere's book, Petrus van Schendel (1806-1870) Een leven tussen licht en donker, Primavera, Leiden, 2012 on page 165 (ill. 284) and on page 167, (ill. 285). Van Schendel often made separate studies before, and also after, his completed larger compositions.We are grateful to Dr. Jan de Meere for confirming the attribution to Petrus van Schendel on the basis of photographs.For further information on this lot please visit Bonhams.com
THE GAME - IT'S SHOCKING WHAT THEY CALL ME 7" (ORIGINAL UK PARLOPHONE DEMO RELEASE - R 5569). Gettin' all fuzzed out with The Game, here's a top condition original demo copy of It's Shocking What They Call Me c/w Help Me Mummy's Gone. The record is fantastic Ex+ condition showing only a couple of extremely faint, slight and wispy paper hairline marks. Some light wear to the labels, the four prong centre is fully intact. Housed with original Parlophone company sleeve.
THE WAILERS MEMBERS (MARCIA GRIFFITHS, JUDY MOWATT, PETER TOSH, RITA MARLEY) - LP/12" COLLECTION. Excellent split collection of 19 x LPs/12" from these artists who performed with Bob Marley & The Wailers. Titles are Marcia Griffiths (x4) - Sweet Bitter Love (TRLS 94 - Ex+/VG+), Steppin' (High Note JA), Electric Boogie (12IS 112) and Tribulation (Solomonic JA), Judy Mowatt (x4) - Black Woman (2 x JA copies, variant labels), Mr. Dee-J (JA) and Love On A Two Way Street (Sonic Sounds), Peter Tosh (x6) - Equal Rights (V 2081), Legalize It (inc. stock UK and US promo w/hype sticker), Buk-In-Hamm Palace (US promo and UK stock), (You Got To Walk And) Don't Look Back (US promo w/Mick Jagger) and Rita Marley (x5), Who Feels It Knows It (JA and EU copies), Harambe, One Draw and Play The Game Right. Condition is generally VG+ to Ex+.
QUEEN - PLAY THE GAME 7" (UK WHITE LABEL PROMO - EMI 5076). Scarcely seen original UK white label test pressing of the classic 1980 track. The record (white labels, 'Queen A' hand written on the A side, the B side blank) is in Ex condition showing just a couple of light and minor surface marks. Official pressing with ridged edge, Matrix: EMI 5076 A-1 BLAIR'S & B-1. Housed with original UK picture sleeve in VG+ condition.
Scalextric, Meccano and Cricket set; a Rally-Cross set (a/f), and six boxed slot-cars, including C026 March Ford 721, C137 Elf Renault RS-01, C136 Ferrari 312 T3, C281 red motorcycle combination, C119 Porsche Turbo with lights, C051 BRM P160, a Meccano Highway set and Test Match table cricket game by Pan games.
AN AMERICAN EMBOSSED POWDER FLASK, decorated with dogs and game, probably the American Flask & Cap Company, some minor dents, a Dixon slanting nozzle Colt? flask, a very large gun flask, four embossed flasks, Wild Horses, Stag and Oak Leaves, Vines, Bulls Eye, an acanthus and a plain gun flask, faults, a further embossed mid-sized flask, a vellum flask, two horn flasks and a leather shot flask and a silvered embossed pistol flask. (15)
A 20-BORE DOUBLE BARRELLED FLINTLOCK SPORTING GUN BY JOHN MANTON, 31.75inch sighted damascus browned barrel, inlaid in gold MANTON LONDON, gold lined breeches, border engraved locks decorated with floral sprays at the tails, rain proof pans, French cocks, half stocked with border engraved steel mounts decorated with game birds, brass capped wooden ramrod. Serial number 3803 for 1802. Wrist and ramrod cracked and repaired.
China, blauw wit porseleinen porseleinen balustervaas in Kangxi stijl, Qing dynastie, waarschijnlijk 19e eeuw, met decor aan één zijde van go spelende dames, de andere zijde kalligraferende dames. De cilindervormige hals met een horizontale band en ruyi-motieven. De voet met een uitlopende rand. Gemerkt met dubbele ring. Provenance: Nalatenschap Dr. Cornelis Henning, oud docent aan de UVA. (twee plekjes met verbrand glazuur) h. 46 cm. [1] China, blue and white porcelain vase, Qing dynasty, probably 19th century. Kangxi style painting of two groups of ladies one playing the game go, the other around a calligraphy table. Marked with a double ring. With two brown glaze spots, one spot with small crack in glaze. Provenance: Estate Dr. Cornelis Henning, former professor at UVA University, Amsterdam .
Wartime b&w photograph of the British Army football team in Belfast, Northern Ireland, in 1941, showing team and officers before kick-off, signed in ink on mount margin by the full squad of 16 players including Mercer, Sproston, Goslin, Swift, Beattie, Compton, Britton, Walker, Hogan, Welsh, Mannion, Lawton, Cullis, Birkett, Caradine and Edleston, 6 by 7in., mountedThe British Army team played three games of football and a game of cricket:Sat Sept 13. Irish XI 1 – 5 British Army Mon Sept 15 (Eve) NI Army 1 – 6 British Army Tues Sept 16 Cricket Match Wed Sept 17 Irish League 0 – 5 British Army
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75789 item(s)/page