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Lot 91
1965 FAIRS CUP FINAL Juventus v Ferencvaros played 23/6/1965 in Turin. The Hungarian weekly Sports magazine ''Kepes Sport'' dated 26/6/1965 which reviews the game. Includes extensive reports, pictures and full team line-ups inside plus further pictures on the back cover. No programme was published for the game. Generally good
Lot 976
41950 FIFA WORLD CUP CHILE The 196-page report published in Brazil by ''A Gazeta Ilustrada'' in July 1950 a few days after the tournament ended. This is a Commemorative edition, titled: ''Edicao Commemorativa do Campeonato Mundial de Futbol 1950) published in Portuguese, Includes full colour covers and an extensive report of the FIFA World Cup including full match reports for all 22 matches played (including many pictures and full team line-ups for each game) with extensive Final round coverage plus history of the previous pre-war World Cup tournaments and a large central page team-group poster of the triumphant Uruguay team. Generally good
Lot 985
1960 FAIRS CUP Ujpest Dozsa v Birmingham City (2nd Leg) played 26/101960 in Budapest. The rare weekly Hungarian football magazine ''Kepes Sport'' published in Budapest. Dated 25/10/1960 this issue previews the game and also includes pictures and reports from the first leg played 19/10/1960 in Birmingham. No programme was produced for the game. This was the season Birmingham reached the Final. Generally good
Lot 197
Matthew J. Pitts Little Kniffenberg, 2021 Acrylic and Gesso on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Matthew J Pitts studied Fine Art Painting at Norwich School of Art and Design and is a now based in St Leonards-on-sea, on the south coast of England. His work is in private collections in the UK, Europe, Switzerland, Australia, and the US. Pitts creates work with a warm and open character that explores the formal qualities of painting and pictorial space - composition, shape, line and colour. "Many things influence my paintings and there is no hierarchy: bad jokes, Tintoretto, a dripping tap - it's all fair game and welcomed in equally. The paintings exist as objects in their own right and there is no hidden message or agenda. They are a collection of humble materials that provide a record of endeavour at a particular moment in time. In many ways painting can seem a selfish pursuit, but like many others I have a desire to create and I am drawn to the physical process of painting. I create work in an attempt to better understand the parameters of painting and in turn, better understand the world around me and my place within it. I hope that there is generosity to be found in the images that I make and that viewing them and living with them can be a positive experience." Education BA (hons) Fine Art Painting Exhibitions 2019: Bauhaus, Kobi and Teal, Frome, UK 2019: Design Junction, London, UK 2019: Twice as Nice, PS Marabel, Manchester, UK 2012: Art and Domesticity, Home 2, Hastings, UK 2011: Smalls-Murray 'Screen Test', Norfolk and Norwich festival, UK 2010: Smalls-Murray 'Petty Tache' Coastal Currents Festival, Hastings,UK 2010: Back Door Barter, Back Door Gallery @ Norwich Fringe Festival, UK 2009: Solo Exhibition, Dragon Bar, Hastings, UK 2006: Solo Exhibition, Back Door Gallery, Norwich, UK Representation and collaboration: Wilson, Stephens & Jones, London, UK Dust & Soul, Madrid, Spain About the postcard artworks I enjoyed making work on such an intimate scale. Through their inherent simplicity and economy of visual language I hope the paintings invoke a sense of play and mystery.
Lot 198
Matthew J. Pitts Sebastian Says, 2021 Acrylic, Gesso and Graphite on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Matthew J Pitts studied Fine Art Painting at Norwich School of Art and Design and is a now based in St Leonards-on-sea, on the south coast of England. His work is in private collections in the UK, Europe, Switzerland, Australia, and the US. Pitts creates work with a warm and open character that explores the formal qualities of painting and pictorial space - composition, shape, line and colour. "Many things influence my paintings and there is no hierarchy: bad jokes, Tintoretto, a dripping tap - it's all fair game and welcomed in equally. The paintings exist as objects in their own right and there is no hidden message or agenda. They are a collection of humble materials that provide a record of endeavour at a particular moment in time. In many ways painting can seem a selfish pursuit, but like many others I have a desire to create and I am drawn to the physical process of painting. I create work in an attempt to better understand the parameters of painting and in turn, better understand the world around me and my place within it. I hope that there is generosity to be found in the images that I make and that viewing them and living with them can be a positive experience." Education BA (hons) Fine Art Painting Exhibitions 2019: Bauhaus, Kobi and Teal, Frome, UK 2019: Design Junction, London, UK 2019: Twice as Nice, PS Marabel, Manchester, UK 2012: Art and Domesticity, Home 2, Hastings, UK 2011: Smalls-Murray 'Screen Test', Norfolk and Norwich festival, UK 2010: Smalls-Murray 'Petty Tache' Coastal Currents Festival, Hastings,UK 2010: Back Door Barter, Back Door Gallery @ Norwich Fringe Festival, UK 2009: Solo Exhibition, Dragon Bar, Hastings, UK 2006: Solo Exhibition, Back Door Gallery, Norwich, UK Representation and collaboration: Wilson, Stephens & Jones, London, UK Dust & Soul, Madrid, Spain About the postcard artworks I enjoyed making work on such an intimate scale. Through their inherent simplicity and economy of visual language I hope the paintings invoke a sense of play and mystery.
Lot 313
Kristine Moran Overcoming Waves - Study, 2021 Oil on Arches Paper for Oil Signed on verso 10 x 15cm (3¾ x 5¾ in.) Born in Montreal, Kristine Moran earned a BFA from the Ontario College of Art and Design in 2004 and went on to earn an MFA from Hunter College, NYC in 2008. She has exhibited at Monica DeCardenas Gallery, Milan; Western Exhibitions, Chicago; Nicelle Beauchene Gallery in New York City; The Hole NYC; the Daniel Faria Gallery in Toronto and the Glenbow Museum in Calgary. Her work has been reviewed in Artforum, FlashArt, MOMUS and Artslant.com, as well as in NYArts Magazine, Canadian Art Magazine, Bordercrossings, Art Papers, Elle Magazine and Harper's. Moran's work is featured in Phaidon's painting anthology, Vitamin P2: New Perspectives in Painting. Her work is included in the collection of the Albright-Knox Art Gallery, the Glenbow Museum and the University of Toronto. 2008 MFA, Hunter College, Department of Art, New York City 2004 BFA, Ontario College of Art and Design GROUP EXHIBITIONS 2020 CUBED, The Hole NYC, with artists Andreas Angelidakis, Ara Peterson, Clinton King, Irina Ojovan, Jean Nagai, Jonny Niesche, Kristine Moran, Lilah Rose, Luke Diiorio, Luke Murphy, Palma Blank, Rebecca Ward, Robert Moreland, Thomas Trum 2018 The Armory Show, NYC, with Daniel Faria Gallery Expo Chicago, with Daniel Faria Gallery Art Toronto, with Daniel Faria Gallery 2017 Nasty, Daniel Faria Gallery, Toronto 2016 Cuevas Tilleard, NYC, Scale A Wall, curated by TownHall Meeting Mercer College Gallery, NJ, Magic, curated by Tiffany Calvert Mulherin New York, Practice Makes Practice, NYC Left Field Gallery, CA, How High? curated by Ryan Travis Christian GP Presents, NYC, curated by Anna Ortt RESIDENCIES 2022 Interlude Artist Residency, Livingston New York 2015 Artist Residency, Detroit Michigan 2009-2010 LMCC Workspace Artist-in-Residence, NYC 2008-2009 Marie Walsh Sharpe Foundation Artist in Residence, NYC About the Postcards Through this latest painting series I continue to explore my obsession with swimming and all of its various meanings to me. My paintings contend with the sensations, rhythms and mental states experienced during long periods of time spent swimming across a body of water such as a lake or a river. Because a lack of movement can bring on death, swimming uniquely positions itself as a way to confront one's own mortality. A mental game is played to fight off fears of failure and the desire to survive is expressed at every stroke. The "Mad Cap Swimmers" are a group of women. They are the joining of forces that together are stronger than the sum of their parts. The water begins to rise and the swimmers are ready. They have been training for the challenge ahead. Their goal is an unknown place - an ambiguous landscape that is in view but just out of reach.
Lot 314
Kristine Moran Diving In - Study, 2021 Oil on Arches Paper for Oil Signed on verso 10 x 15cm (3¾ x 5¾ in.) Born in Montreal, Kristine Moran earned a BFA from the Ontario College of Art and Design in 2004 and went on to earn an MFA from Hunter College, NYC in 2008. She has exhibited at Monica DeCardenas Gallery, Milan; Western Exhibitions, Chicago; Nicelle Beauchene Gallery in New York City; The Hole NYC; the Daniel Faria Gallery in Toronto and the Glenbow Museum in Calgary. Her work has been reviewed in Artforum, FlashArt, MOMUS and Artslant.com, as well as in NYArts Magazine, Canadian Art Magazine, Bordercrossings, Art Papers, Elle Magazine and Harper's. Moran's work is featured in Phaidon's painting anthology, Vitamin P2: New Perspectives in Painting. Her work is included in the collection of the Albright-Knox Art Gallery, the Glenbow Museum and the University of Toronto. 2008 MFA, Hunter College, Department of Art, New York City 2004 BFA, Ontario College of Art and Design GROUP EXHIBITIONS 2020 CUBED, The Hole NYC, with artists Andreas Angelidakis, Ara Peterson, Clinton King, Irina Ojovan, Jean Nagai, Jonny Niesche, Kristine Moran, Lilah Rose, Luke Diiorio, Luke Murphy, Palma Blank, Rebecca Ward, Robert Moreland, Thomas Trum 2018 The Armory Show, NYC, with Daniel Faria Gallery Expo Chicago, with Daniel Faria Gallery Art Toronto, with Daniel Faria Gallery 2017 Nasty, Daniel Faria Gallery, Toronto 2016 Cuevas Tilleard, NYC, Scale A Wall, curated by TownHall Meeting Mercer College Gallery, NJ, Magic, curated by Tiffany Calvert Mulherin New York, Practice Makes Practice, NYC Left Field Gallery, CA, How High? curated by Ryan Travis Christian GP Presents, NYC, curated by Anna Ortt RESIDENCIES 2022 Interlude Artist Residency, Livingston New York 2015 Artist Residency, Detroit Michigan 2009-2010 LMCC Workspace Artist-in-Residence, NYC 2008-2009 Marie Walsh Sharpe Foundation Artist in Residence, NYC About the Postcards Through this latest painting series I continue to explore my obsession with swimming and all of its various meanings to me. My paintings contend with the sensations, rhythms and mental states experienced during long periods of time spent swimming across a body of water such as a lake or a river. Because a lack of movement can bring on death, swimming uniquely positions itself as a way to confront one's own mortality. A mental game is played to fight off fears of failure and the desire to survive is expressed at every stroke. The "Mad Cap Swimmers" are a group of women. They are the joining of forces that together are stronger than the sum of their parts. The water begins to rise and the swimmers are ready. They have been training for the challenge ahead. Their goal is an unknown place - an ambiguous landscape that is in view but just out of reach.
Lot 88
Una Ursprung White Tulip, 2021 Watercolour and Acrylic Spray on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Una Ursprung's work is filled with mountains, forests, trees, and flowers. Born in Taipei, the artist has spent much of her life between Taiwan, France, and Switzerland, constantly refreshing her appreciation for sprawling natural landscapes. In these countries, Ursprung enjoyed pastoral, tranquil lifestyles which have inspired her sublime, airy works. Her canvases are dual-layered: a highly realistic natural background is superimposed by a layer of abstract detail, created using oils or acrylic spray paint. Sometimes these abstract details look like pastel oil spills; large, colourful shapes pooling on the surface. At other times, the marks made by the artist are shorter, finer lines, more like microscopic images of bacteria. The artist refers to this layer as a way to capture pollution, whether it be the man-made variety or the fleeting objects in the air, like dust, insects, or leaves, as in her forest sketches. These shapes are trapped in suspension, freezing the moment in front of us and immortalising the ever-chang-ing natural landscape. The spray-painted layer adds to the atmosphere of her landscapes, making them seem deeper and more real, while paradoxically appearing to be flat. The spray
is applied with a loose control, matching the artist's mission to depict, rather than conquer, the landscapes she shows. While Ursprung captures a moment in nature, the contrast of her two layers (one conventional and naturalistic, one wild and abstract) reminds us
that the natural world remains elusive. Unlike traditional landscape painters of the past, Ursprung does not pretend to have mastered her scenes, rather she shows them as ever-changing, unconquerable scenes deserving of our awe. These paintings are conceptually more complex than
 a quick once-over viewing would suggest: they're not landscapes interrupted by separate, abstract motifs, they're a completed whole, made up by a balance of the two styles. Ursprung has found a way to harmonise the two artistic approaches that appeal to her most and, by combining the abstract with the realistic, challenges us with a version of nature that is both tangible and splendid. Words by Verity Babbs. Education 2011MFA, Ecole Européenne Supérieure d'Art de Bretagne, Quimper, France (Graduated with a DNSEP with honors from the EESAB in Quimper) Exhibitions 02/09~01/10/2017 "Accomplishing a Forest", Liang Gallery, Taipei, Taiwan 05/09~30/09/2014 "Journeys to Recover Your Future", Liang Gallery, Taipei, Taiwan 27/12/2011~15/01/2012 "La flâneuse du Finistère", Piaopiao Gallery, Taipei, Taiwan 2020 "Trio show ", Galerie Tracanelli, Grenoble, France "Home Game", online exhibition, Saint Maison Gallery, Tokyo, Japon "Aurelia Arts Festival" online exhibition, Aurelia Arts Fest, London, UK "Wild", Salle Dutrievoz, Bastille, Grenoble, France "Holiday", online exhibition, A Way gallery, British columbia, Canada "Duo show ", Galerie Tracanelli, Grenoble, France "Greetings from Miami", Hashimoto contemporary, New York, USA "Becoming Habits:Chapter one", Studi0, St Moritz, Switzerland 2019 "Where we once were someone", online exhibition,Yngspc, London, UK 2018 "Spring collective exhibition", Liang Gallery, Taipei, Taiwan 2017 "Art Düsseldorf 2017", Areal Böhler, Düsseldorf, Germany "ArtFormosa 2017", Songshan Cultural and Creative Park, Eslite Hotel, Taipei, Taiwan 2016 "Art16 London", Olympia Grand, London, UK "A Place of One's Own", Juming Museum, New Taipei City, Taiwan 2015"Art Kaohsiung 2015", The Pier-2 Art Center, Kaohsiung, Taiwan "Art Taipei 2015", Taipei World Trade Center, Taipei, Taiwan "Art in the Library II - Summer Festival Exhibition", Liang Gallery, Taipei, Taiwan "Art Tainan 2015", Tayih Landis Hotel, Tainan, Taiwan "Freshness of March", Liang Gallery, Taipei, Taiwan 2014"Art Kaohsiung 2014", Chateau de Chine, The Pier-2 Art Center, Kaohsiung, Taiwan "Walking by Taiwanese Art: 1927-2014", Liang Gallery, Taipei, Taiwan "Art Taichung 2014", Millennium Hotels, Taichung, Taiwan "Wondrous Artistry & Diamond Mastery", De Beers Diamond and Artistry Exhibition, Taipei, Taiwan "Young Art Taipei 2014", Regent, Taipei, Taiwan "Kiss Kiss My Baby", Liang Gallery, Taipei, Taiwan "The Decay of the Angel", Kuandu Museum of Fine Arts, Taipei, Taiwan 2013 "Art Taipei 2013", Taipei World Trade Center, Taipei, Taiwan "The Following Shadow", Liang Gallery, Taipei, Taiwan "Spring Exhibition Starry Night Sky", Liang Gallery, Taipei, Taiwan "Art Kaohsiung 2013", Chateau de Chine, The Pier-2 Art Center, Kaohsiung, Taiwan 2012 "Art Taipei 2012", Taipei World Trade Center, Taipei, Taiwan "Young Art Taipei 2012", Sheraton Grande Taipei Hotel, Taipei, Taiwan "The Delightful Color of Spring", Liang Gallery, Taipei, Taiwan "The 57th Le Salon de Montrouge", Paris, France "A Paris Apparus", Galerie Les Petits Carreaux, Paris, France 2011 "Nucleus", Belltable Arts Centre, Limerick, Ireland "Contemporary Classics: A Joint Exhibition of Ten Young Artists", A Gallery, Taipei, Taiwan "Les paysages en été", Piaopiao Gallery, Taipei, Taiwan "Miscellaneous", EESAB, Quimper, France 2010 "Une autre situation", EESAB, Quimper, France "AD HOC", Church of Kerfeunteun, Quimper, France Awards 2012 "The 57th Le Salon de Montrouge", Selected, Paris, France
Lot 89
Una Ursprung Hydrangeas, 2021 Watercolour and Acrylic Spray on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Una Ursprung Una Ursprung's work is filled with mountains, forests, trees, and flowers. Born in Taipei, the artist has spent much of her life between Taiwan, France, and Switzerland, constantly refreshing her appreciation for sprawling natural landscapes. In these countries, Ursprung enjoyed pastoral, tranquil lifestyles which have inspired her sublime, airy works. Her canvases are dual-layered: a highly realistic natural background is superimposed by a layer of abstract detail, created using oils or acrylic spray paint. Sometimes these abstract details look like pastel oil spills; large, colourful shapes pooling on the surface. At other times, the marks made by the artist are shorter, finer lines, more like microscopic images of bacteria. The artist refers to this layer as a way to capture pollution, whether it be the man-made variety or the fleeting objects in the air, like dust, insects, or leaves, as in her forest sketches. These shapes are trapped in suspension, freezing the moment in front of us and immortalising the ever-chang-ing natural landscape. The spray-painted layer adds to the atmosphere of her landscapes, making them seem deeper and more real, while paradoxically appearing to be flat. The spray
is applied with a loose control, matching the artist's mission to depict, rather than conquer, the landscapes she shows. While Ursprung captures a moment in nature, the contrast of her two layers (one conventional and naturalistic, one wild and abstract) reminds us
that the natural world remains elusive. Unlike traditional landscape painters of the past, Ursprung does not pretend to have mastered her scenes, rather she shows them as ever-changing, unconquerable scenes deserving of our awe. These paintings are conceptually more complex than
 a quick once-over viewing would suggest: they're not landscapes interrupted by separate, abstract motifs, they're a completed whole, made up by a balance of the two styles. Ursprung has found a way to harmonise the two artistic approaches that appeal to her most and, by combining the abstract with the realistic, challenges us with a version of nature that is both tangible and splendid. Words by Verity Babbs. Education 2011MFA, Ecole Européenne Supérieure d'Art de Bretagne, Quimper, France (Graduated with a DNSEP with honors from the EESAB in Quimper) Exhibitions 02/09~01/10/2017 "Accomplishing a Forest", Liang Gallery, Taipei, Taiwan 05/09~30/09/2014 "Journeys to Recover Your Future", Liang Gallery, Taipei, Taiwan 27/12/2011~15/01/2012 "La flâneuse du Finistère", Piaopiao Gallery, Taipei, Taiwan 2020 "Trio show ", Galerie Tracanelli, Grenoble, France "Home Game", online exhibition, Saint Maison Gallery, Tokyo, Japon "Aurelia Arts Festival" online exhibition, Aurelia Arts Fest, London, UK "Wild", Salle Dutrievoz, Bastille, Grenoble, France "Holiday", online exhibition, A Way gallery, British columbia, Canada "Duo show ", Galerie Tracanelli, Grenoble, France "Greetings from Miami", Hashimoto contemporary, New York, USA "Becoming Habits:Chapter one", Studi0, St Moritz, Switzerland 2019 "Where we once were someone", online exhibition,Yngspc, London, UK 2018 "Spring collective exhibition", Liang Gallery, Taipei, Taiwan 2017 "Art Düsseldorf 2017", Areal Böhler, Düsseldorf, Germany "ArtFormosa 2017", Songshan Cultural and Creative Park, Eslite Hotel, Taipei, Taiwan 2016 "Art16 London", Olympia Grand, London, UK "A Place of One's Own", Juming Museum, New Taipei City, Taiwan 2015"Art Kaohsiung 2015", The Pier-2 Art Center, Kaohsiung, Taiwan "Art Taipei 2015", Taipei World Trade Center, Taipei, Taiwan "Art in the Library II - Summer Festival Exhibition", Liang Gallery, Taipei, Taiwan "Art Tainan 2015", Tayih Landis Hotel, Tainan, Taiwan "Freshness of March", Liang Gallery, Taipei, Taiwan 2014"Art Kaohsiung 2014", Chateau de Chine, The Pier-2 Art Center, Kaohsiung, Taiwan "Walking by Taiwanese Art: 1927-2014", Liang Gallery, Taipei, Taiwan "Art Taichung 2014", Millennium Hotels, Taichung, Taiwan "Wondrous Artistry & Diamond Mastery", De Beers Diamond and Artistry Exhibition, Taipei, Taiwan "Young Art Taipei 2014", Regent, Taipei, Taiwan "Kiss Kiss My Baby", Liang Gallery, Taipei, Taiwan "The Decay of the Angel", Kuandu Museum of Fine Arts, Taipei, Taiwan 2013 "Art Taipei 2013", Taipei World Trade Center, Taipei, Taiwan "The Following Shadow", Liang Gallery, Taipei, Taiwan "Spring Exhibition Starry Night Sky", Liang Gallery, Taipei, Taiwan "Art Kaohsiung 2013", Chateau de Chine, The Pier-2 Art Center, Kaohsiung, Taiwan 2012 "Art Taipei 2012", Taipei World Trade Center, Taipei, Taiwan "Young Art Taipei 2012", Sheraton Grande Taipei Hotel, Taipei, Taiwan "The Delightful Color of Spring", Liang Gallery, Taipei, Taiwan "The 57th Le Salon de Montrouge", Paris, France "A Paris Apparus", Galerie Les Petits Carreaux, Paris, France 2011 "Nucleus", Belltable Arts Centre, Limerick, Ireland "Contemporary Classics: A Joint Exhibition of Ten Young Artists", A Gallery, Taipei, Taiwan "Les paysages en été", Piaopiao Gallery, Taipei, Taiwan "Miscellaneous", EESAB, Quimper, France 2010 "Une autre situation", EESAB, Quimper, France "AD HOC", Church of Kerfeunteun, Quimper, France Awards 2012 "The 57th Le Salon de Montrouge", Selected, Paris, France
Lot 90
Una Ursprung Rose, 2021 Watercolour and Acrylic Spray on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Una Ursprung Una Ursprung's work is filled with mountains, forests, trees, and flowers. Born in Taipei, the artist has spent much of her life between Taiwan, France, and Switzerland, constantly refreshing her appreciation for sprawling natural landscapes. In these countries, Ursprung enjoyed pastoral, tranquil lifestyles which have inspired her sublime, airy works. Her canvases are dual-layered: a highly realistic natural background is superimposed by a layer of abstract detail, created using oils or acrylic spray paint. Sometimes these abstract details look like pastel oil spills; large, colourful shapes pooling on the surface. At other times, the marks made by the artist are shorter, finer lines, more like microscopic images of bacteria. The artist refers to this layer as a way to capture pollution, whether it be the man-made variety or the fleeting objects in the air, like dust, insects, or leaves, as in her forest sketches. These shapes are trapped in suspension, freezing the moment in front of us and immortalising the ever-chang-ing natural landscape. The spray-painted layer adds to the atmosphere of her landscapes, making them seem deeper and more real, while paradoxically appearing to be flat. The spray
is applied with a loose control, matching the artist's mission to depict, rather than conquer, the landscapes she shows. While Ursprung captures a moment in nature, the contrast of her two layers (one conventional and naturalistic, one wild and abstract) reminds us
that the natural world remains elusive. Unlike traditional landscape painters of the past, Ursprung does not pretend to have mastered her scenes, rather she shows them as ever-changing, unconquerable scenes deserving of our awe. These paintings are conceptually more complex than
 a quick once-over viewing would suggest: they're not landscapes interrupted by separate, abstract motifs, they're a completed whole, made up by a balance of the two styles. Ursprung has found a way to harmonise the two artistic approaches that appeal to her most and, by combining the abstract with the realistic, challenges us with a version of nature that is both tangible and splendid. Words by Verity Babbs. Education 2011MFA, Ecole Européenne Supérieure d'Art de Bretagne, Quimper, France (Graduated with a DNSEP with honors from the EESAB in Quimper) Exhibitions 02/09~01/10/2017 "Accomplishing a Forest", Liang Gallery, Taipei, Taiwan 05/09~30/09/2014 "Journeys to Recover Your Future", Liang Gallery, Taipei, Taiwan 27/12/2011~15/01/2012 "La flâneuse du Finistère", Piaopiao Gallery, Taipei, Taiwan 2020 "Trio show ", Galerie Tracanelli, Grenoble, France "Home Game", online exhibition, Saint Maison Gallery, Tokyo, Japon "Aurelia Arts Festival" online exhibition, Aurelia Arts Fest, London, UK "Wild", Salle Dutrievoz, Bastille, Grenoble, France "Holiday", online exhibition, A Way gallery, British columbia, Canada "Duo show ", Galerie Tracanelli, Grenoble, France "Greetings from Miami", Hashimoto contemporary, New York, USA "Becoming Habits:Chapter one", Studi0, St Moritz, Switzerland 2019 "Where we once were someone", online exhibition,Yngspc, London, UK 2018 "Spring collective exhibition", Liang Gallery, Taipei, Taiwan 2017 "Art Düsseldorf 2017", Areal Böhler, Düsseldorf, Germany "ArtFormosa 2017", Songshan Cultural and Creative Park, Eslite Hotel, Taipei, Taiwan 2016 "Art16 London", Olympia Grand, London, UK "A Place of One's Own", Juming Museum, New Taipei City, Taiwan 2015"Art Kaohsiung 2015", The Pier-2 Art Center, Kaohsiung, Taiwan "Art Taipei 2015", Taipei World Trade Center, Taipei, Taiwan "Art in the Library II - Summer Festival Exhibition", Liang Gallery, Taipei, Taiwan "Art Tainan 2015", Tayih Landis Hotel, Tainan, Taiwan "Freshness of March", Liang Gallery, Taipei, Taiwan 2014"Art Kaohsiung 2014", Chateau de Chine, The Pier-2 Art Center, Kaohsiung, Taiwan "Walking by Taiwanese Art: 1927-2014", Liang Gallery, Taipei, Taiwan "Art Taichung 2014", Millennium Hotels, Taichung, Taiwan "Wondrous Artistry & Diamond Mastery", De Beers Diamond and Artistry Exhibition, Taipei, Taiwan "Young Art Taipei 2014", Regent, Taipei, Taiwan "Kiss Kiss My Baby", Liang Gallery, Taipei, Taiwan "The Decay of the Angel", Kuandu Museum of Fine Arts, Taipei, Taiwan 2013 "Art Taipei 2013", Taipei World Trade Center, Taipei, Taiwan "The Following Shadow", Liang Gallery, Taipei, Taiwan "Spring Exhibition Starry Night Sky", Liang Gallery, Taipei, Taiwan "Art Kaohsiung 2013", Chateau de Chine, The Pier-2 Art Center, Kaohsiung, Taiwan 2012 "Art Taipei 2012", Taipei World Trade Center, Taipei, Taiwan "Young Art Taipei 2012", Sheraton Grande Taipei Hotel, Taipei, Taiwan "The Delightful Color of Spring", Liang Gallery, Taipei, Taiwan "The 57th Le Salon de Montrouge", Paris, France "A Paris Apparus", Galerie Les Petits Carreaux, Paris, France 2011 "Nucleus", Belltable Arts Centre, Limerick, Ireland "Contemporary Classics: A Joint Exhibition of Ten Young Artists", A Gallery, Taipei, Taiwan "Les paysages en été", Piaopiao Gallery, Taipei, Taiwan "Miscellaneous", EESAB, Quimper, France 2010 "Une autre situation", EESAB, Quimper, France "AD HOC", Church of Kerfeunteun, Quimper, France Awards 2012 "The 57th Le Salon de Montrouge", Selected, Paris, France
Lot 91
Una Ursprung Mimosa, 2021 Watercolour and Acrylic Spray on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Una Ursprung Una Ursprung's work is filled with mountains, forests, trees, and flowers. Born in Taipei, the artist has spent much of her life between Taiwan, France, and Switzerland, constantly refreshing her appreciation for sprawling natural landscapes. In these countries, Ursprung enjoyed pastoral, tranquil lifestyles which have inspired her sublime, airy works. Her canvases are dual-layered: a highly realistic natural background is superimposed by a layer of abstract detail, created using oils or acrylic spray paint. Sometimes these abstract details look like pastel oil spills; large, colourful shapes pooling on the surface. At other times, the marks made by the artist are shorter, finer lines, more like microscopic images of bacteria. The artist refers to this layer as a way to capture pollution, whether it be the man-made variety or the fleeting objects in the air, like dust, insects, or leaves, as in her forest sketches. These shapes are trapped in suspension, freezing the moment in front of us and immortalising the ever-chang-ing natural landscape. The spray-painted layer adds to the atmosphere of her landscapes, making them seem deeper and more real, while paradoxically appearing to be flat. The spray
is applied with a loose control, matching the artist's mission to depict, rather than conquer, the landscapes she shows. While Ursprung captures a moment in nature, the contrast of her two layers (one conventional and naturalistic, one wild and abstract) reminds us
that the natural world remains elusive. Unlike traditional landscape painters of the past, Ursprung does not pretend to have mastered her scenes, rather she shows them as ever-changing, unconquerable scenes deserving of our awe. These paintings are conceptually more complex than
 a quick once-over viewing would suggest: they're not landscapes interrupted by separate, abstract motifs, they're a completed whole, made up by a balance of the two styles. Ursprung has found a way to harmonise the two artistic approaches that appeal to her most and, by combining the abstract with the realistic, challenges us with a version of nature that is both tangible and splendid. Words by Verity Babbs. Education 2011MFA, Ecole Européenne Supérieure d'Art de Bretagne, Quimper, France (Graduated with a DNSEP with honors from the EESAB in Quimper) Exhibitions 02/09~01/10/2017 "Accomplishing a Forest", Liang Gallery, Taipei, Taiwan 05/09~30/09/2014 "Journeys to Recover Your Future", Liang Gallery, Taipei, Taiwan 27/12/2011~15/01/2012 "La flâneuse du Finistère", Piaopiao Gallery, Taipei, Taiwan 2020 "Trio show ", Galerie Tracanelli, Grenoble, France "Home Game", online exhibition, Saint Maison Gallery, Tokyo, Japon "Aurelia Arts Festival" online exhibition, Aurelia Arts Fest, London, UK "Wild", Salle Dutrievoz, Bastille, Grenoble, France "Holiday", online exhibition, A Way gallery, British columbia, Canada "Duo show ", Galerie Tracanelli, Grenoble, France "Greetings from Miami", Hashimoto contemporary, New York, USA "Becoming Habits:Chapter one", Studi0, St Moritz, Switzerland 2019 "Where we once were someone", online exhibition,Yngspc, London, UK 2018 "Spring collective exhibition", Liang Gallery, Taipei, Taiwan 2017 "Art Düsseldorf 2017", Areal Böhler, Düsseldorf, Germany "ArtFormosa 2017", Songshan Cultural and Creative Park, Eslite Hotel, Taipei, Taiwan 2016 "Art16 London", Olympia Grand, London, UK "A Place of One's Own", Juming Museum, New Taipei City, Taiwan 2015"Art Kaohsiung 2015", The Pier-2 Art Center, Kaohsiung, Taiwan "Art Taipei 2015", Taipei World Trade Center, Taipei, Taiwan "Art in the Library II - Summer Festival Exhibition", Liang Gallery, Taipei, Taiwan "Art Tainan 2015", Tayih Landis Hotel, Tainan, Taiwan "Freshness of March", Liang Gallery, Taipei, Taiwan 2014"Art Kaohsiung 2014", Chateau de Chine, The Pier-2 Art Center, Kaohsiung, Taiwan "Walking by Taiwanese Art: 1927-2014", Liang Gallery, Taipei, Taiwan "Art Taichung 2014", Millennium Hotels, Taichung, Taiwan "Wondrous Artistry & Diamond Mastery", De Beers Diamond and Artistry Exhibition, Taipei, Taiwan "Young Art Taipei 2014", Regent, Taipei, Taiwan "Kiss Kiss My Baby", Liang Gallery, Taipei, Taiwan "The Decay of the Angel", Kuandu Museum of Fine Arts, Taipei, Taiwan 2013 "Art Taipei 2013", Taipei World Trade Center, Taipei, Taiwan "The Following Shadow", Liang Gallery, Taipei, Taiwan "Spring Exhibition Starry Night Sky", Liang Gallery, Taipei, Taiwan "Art Kaohsiung 2013", Chateau de Chine, The Pier-2 Art Center, Kaohsiung, Taiwan 2012 "Art Taipei 2012", Taipei World Trade Center, Taipei, Taiwan "Young Art Taipei 2012", Sheraton Grande Taipei Hotel, Taipei, Taiwan "The Delightful Color of Spring", Liang Gallery, Taipei, Taiwan "The 57th Le Salon de Montrouge", Paris, France "A Paris Apparus", Galerie Les Petits Carreaux, Paris, France 2011 "Nucleus", Belltable Arts Centre, Limerick, Ireland "Contemporary Classics: A Joint Exhibition of Ten Young Artists", A Gallery, Taipei, Taiwan "Les paysages en été", Piaopiao Gallery, Taipei, Taiwan "Miscellaneous", EESAB, Quimper, France 2010 "Une autre situation", EESAB, Quimper, France "AD HOC", Church of Kerfeunteun, Quimper, France Awards 2012 "The 57th Le Salon de Montrouge", Selected, Paris, France
Lot 49
NO RESERVE Birds.- Wright (Lewis) The New Book of Poultry, 30 colour and 16 black & white plates, numerous illustrations, errata slip, lacking front free endpaper, [1902] § Dewar (Douglas) Game Birds, tipped-in wood-engraved plates by E.Fitch Dalglish, 1928 § Vesey-Fitzgerald (Brian) British Game, New Naturalist No.2, 1946 § Audubon (John James) The Birds of America, New York, 1937 § Ashton (Chris & Mike) The British Waterfowl Association: British Waterfowl Standards, colour plates by Carl Donner, signed by the artist on front free endpaper, 1999 § Lambourne (Maureen, editor) John Gould's Birds of Great Britain, 1988 § Woodhead (Darren) From Dawn till Dusk, Peterborough, 2005 § McCaddin (Joe, editor) Duck Stamps and Prints: The Complete Federal and State Editions, New York, 1988, plates and illustrations, many colour, original cloth or boards, the last three with dust-jackets, some a little rubbed with faded spines; and c.25 others on birds, especially waterfowl, v.s. (c.30)
Lot 282
The New Naturalist, 13 vols, 1, Butterfly's 4, Britain's Structure & Scenery, 8, Insects Natural History, 12, The Sea Shore, 10, British Plant life, 6, Natural History of the Highlands and Islands, 63, British Thrushes, 7, Mushrooms and Toadstools, 3 London's Natural History, 62,British Tits, 5, Wild flowers, 64, The Natural History of Shetland, and 2 British Game (13)Various loss to dust jackets, sold with all faults, not subject to return
Lot 768
Wedgwood 19th century Majolica large game dish with lid: Decorated all over with game and floral designs. The piece has a small chip and firing fault to underside edge, the tureen has various hairlines in the body, visible from the inside, together with staining and crazing. Non of the hairlines extend to an edge, nor is the stability of the piece compromised. Glaze losses to the majority of the rim of the tureen. The extreme bottom left and right of the base have chips, one side minor, the other more significant. There is localised glaze/paint loss around the body of the piece. Despite the above condition comments, the piece is solid, nicely coloured and displays very well. Impressed Wedgwood to base. Measures 34.5cm x 23cm x 20.5cm high approx.
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