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Lot 588
A Kalli cricket helmet, bearing various signatures from the players in the England v. New Zealand game at Trent Bridge in June 1994, together with a Gilbert England Rugby flag ball, with various signatures, one other Gilbert rugby world cup 2003 official match ball, and a miniature leather football
Lot 38
Game of Thrones, typed script, "The Children", fourth season finale of HBO's fantasy television series, written by David Benioff and D. B. Weiss, 2013, based on A Song of Ice and Fire by George R. R. Martin, signed in bold black ink by the cast with an additional autograph message of thanks from Jerome Flynn. Autographs/signatures as follows: Emilia Clarke; Kit Harington; Iain Glen; Alfie Allen; Aiden Gillen; Jerome Flynn; Conleth Hill; Rory McCann; Gwendoline Christie; Julian Glover; Isaac Hempstead Wright; Gemma Whelan; Michael McElhatton; Eugine Simon; Natalie Dormer; Tom Wlaschicha; Dean-Charles Chapman; Michael Huisman; Nikolaj Coster-WalauProvenance: Vendor purchased this signed script from a charity auction at The Star pub in Great Wyrley on 8 November 2015. She later met Jerome Flynn in London who signed the script again, 'To Angela, Thanks for your generosity, Big Love, Jerome Flynn' (photographs of this event included in Lot)
Lot 66
Lothar Goetz Ball Game - Green, 2020 Watercolour on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Whilst Götz' practice ranges in scale from site-specific wall paintings and room-sized spatial installations to paintings and drawings, there is a clear coherence and dialogue across his body of work through its continual referencing and engagement with ideas about architecture and space and its characteristic use of abstract geometric forms, fields and lines of intense colour, juxtaposed with one another. His work is informed by real factors of circumstance, site, or the particular inhabitants or histories of a building, space or place, but mixes these factors with further imaginary or fantasy ones. Similarly many of his drawings represent the floor plans of idealized dwellings, sometimes for specific people or historical figures, sometimes for imagined ones. Together they form part of an ongoing series exploring spatial ideas for domestic spaces: apartments, houses, bungalows, villas.
Lot 67
Lothar Goetz Ball Game - Ochre, 2020 Watercolour on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Whilst Götz' practice ranges in scale from site-specific wall paintings and room-sized spatial installations to paintings and drawings, there is a clear coherence and dialogue across his body of work through its continual referencing and engagement with ideas about architecture and space and its characteristic use of abstract geometric forms, fields and lines of intense colour, juxtaposed with one another. His work is informed by real factors of circumstance, site, or the particular inhabitants or histories of a building, space or place, but mixes these factors with further imaginary or fantasy ones. Similarly many of his drawings represent the floor plans of idealized dwellings, sometimes for specific people or historical figures, sometimes for imagined ones. Together they form part of an ongoing series exploring spatial ideas for domestic spaces: apartments, houses, bungalows, villas.
Lot 228
Perishable Rush Skimask Amsterdam GG, 2020 Mixed media collage on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I Perishable Rush (Netherlands 1975) am a street artist in the broadest sense of the word. I find my inspiration and materials by having a good look around when I'm outside, always on the lookout for a story that needs be told and how that should be done. I work primarily on two series of artworks; masks and portraits. In my masks I focus on visualizing my observations of the world we live in. And in my portraits I pay tribute to characters that inspire me, to game-changers and innovators.
Lot 229
Perishable Rush Skimask Amsterdam LV, 2020 Mixed media collage on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I Perishable Rush (Netherlands 1975) am a street artist in the broadest sense of the word. I find my inspiration and materials by having a good look around when I'm outside, always on the lookout for a story that needs be told and how that should be done. I work primarily on two series of artworks; masks and portraits. In my masks I focus on visualizing my observations of the world we live in. And in my portraits I pay tribute to characters that inspire me, to game-changers and innovators.
Lot 54
Game of Thrones actor Miltos Yerolemou 8x10 signed colour photograph British/Greek actor best known as Syrio Forel from television series Game of Thrones. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Lot 360
Thomas Rowlandson (London 1756-1827)The coach booking office, the artist and Henry Wigstead paying their fares pencil, pen, ink and watercolour on paper17.7 x 28.6cm (6 15/16 x 11 1/4in).Footnotes:ProvenanceThe Earl of MayoCaptain Desmond Coke His sale, Christie's, London, 22 November 1929, lot 28 (bt. Sabin, 46 gns)With Frank T. Sabin, 1936 where acquired byMajor Leonard Dent, in 1939His sale, Christie's, London, 10 July 1984, lot 2 (£16,200), where purchased byWith Leger Galleries, London, 1987, where purchased by the present ownerExhibitedLondon, Frank T.Sabin, Watercolour Drawings by Thomas Rowlandson, 1933, no. 93, ill.Reading, Museum and Art Gallery, Thomas Rowlandson: Drawings from Town and Country, 1962, no. 64London, Richard Green and Frank T.Sabin, Thomas Rowlandson, 1980, no. 2, ill. (loaned by Major Dent)London, Leger Galleries, English Watercolours, 1984, no. 37New York, The Frick Collection; Pittsburgh, The Frick Art Museum & Baltimore, Baltimore Museum of Art, The Art of Thomas Rowlandson, 1990, no. 16London, Lowell Libson Ltd, Beauty and the Beast: a loan exhibition of Rowlandson's works from British private collections, 2007, no. 31LiteratureH. Faust, 'A Note on Rowlandson', Apollo, June 1936, ill.The Illustrated London News, 12 Sept, 1936, ill. p. 452F. Gordon Roe, Rowlandson: the Life and Art of a British Genius, 1947, ill, pl. XIR.R. Wark, Rowlandson's Drawings for a Tour in a Post Chaise, 1963, p.13 noteL.M.E. Dent, Hillfields: Notes on the Contents, 1972, p. 19J. Hayes, The Art of Thomas Rowlandson, 1990, pp.58-9L. Libson, H. Belsey, J. Basket et al, Beauty and the Beast: A loan exhibition of Rowlandson's works from British private collections, London, 2007, pp. 74-5, illHenry Wigstead (c. 1745-1800) was, over a 20 year period, one of Rowlandson's closest friends as well as being a neighbour in Soho. He had been an executor to the estate of Rowlandson's aunt whose support had been fundamental to the artist's development as she financed his attendance of the R.A. schools. Wigstead and Rowlandson made three trips together, the first a 12 day sortie to Hampshire and the Isle of Wight in 1784 which produced around 70 sketches entitled A tour in a post chaise, the majority of which were acquired in the 1920s by Henry E. Huntington. Their format is somewhat smaller than the present drawing. Several of the prints emanating from the trip are said to be 'after Wigstead' but they are clearly by a more skilful hand and it is likely that it was Rowlandson who brought to life compositions suggested by his companion. Drawings from the subsequent trips made by the pair to Brighton in 1789 and Wales in 1797 were published in books with text by Wigstead and illustrations by Rowlandson. As the present work is not reproduced in print it has not so far been possible to identify the expedition to which it relates. Very little is recorded of Rowlandson's life through documentary evidence so what we do know of him is largely through his artistic output, making the present drawing of particular interest. He is known to have spent time in Paris in his early years and the influence of French artists is particularly evident in this work. He has turned his assured and fluent penmanship to describing a moment during one of the tours when he and Wigstead find themselves in a coach booking office with a yawning postillion and a porter lugging a trunk and an armful of game. He achieves a sense of depth not just with the use of dark foreground washes but by varying the ink used for the outlines, darker in the foreground and paler as the composition recedes. It is first and foremost an anecdotal record of their journey but Rowlandson was nothing if not an acute observer of his fellow men and he adeptly captured the foibles of those he encountered en route. The drawing was once in the collection of Major Leonard Dent, DSO, whose group of 39 works by Rowlandson is still regarded as one of the great collections; it was sold as a single-owner sale in 1984 achieving the highest price for a drawing by Rowlandson ever to be sold at auction (a work now in the Getty Museum, California), a record that still stands today.For further information on this lot please visit Bonhams.com
Lot 404
TRADE, cricket & football, inc. Glos CCC, Gold Cricket Cards, Sudocards, Brindley, Harbour Digital, Hobbypress, Huntley & Palmer, Jacques, Rapid Cricketline cards, Kane, Keech, Imperial War Museum The Greater Game, biographical pages removed from magazine etc., mixed sizes, in modern album, G to VG, 330*
Lot 293
Sporting Sketches (Horses) by G. Finch Mason published W.P. Spalding and W. Kent (c1880) oblong folio illustrated throughout in cloth backed pictorial boards, Cross Country With Hounds by F.A. Stewart, published Collins 1936 with 12 plates in colour and sketches in original cloth boards, with (Game Board) The Steeple Chase a folding board comprising an oval numbered circuit with colour pictorial design (c1880) with gilt vignette (3)
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75789 item(s)/page