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Lot 108
Karl Lagerfeld for Chanel: a Black Blazer JacketEarly 1990sStylised notched lapels with oversized leather covered CC buttons, four patch pockets and silk linedCondition Grade B+ (Handwritten production label removed)Labelled size 42For further information on this lot please visit Bonhams.com
Lot 520
GOOD AND EMOTIVE F.A.A. R.N.V.R. MEDAL GROUP AND ARCHIVE, ACTING SUB-LIEUTENANT ALFRED SALISBURY, comprising the Atlantic Star, The 1939-1945 Star, and the 1939-1945 War Medal with oak leaf (signifying mention in despatches), also with certificate of issue, Fleet Air Arm bullion cap tally, wings patch, silver and enamel brooch, and Sub-Lt. epaulette, further docments including details relating to his service and Airmen of H.M.S. TrumpeterNote: KIA 10th August 1944, operating from light fleet carrier H.M.S. Trumpeter. Operated Avenger Mk.I at this time, mine laying operations off Norway. Copied documents includes that detailing Operation Offspring, 'Description of Services for which Officer or Man is recommended. For skill and determination in an Avenger minelaying striking force on the Norwegian coast in the face of considerable anti-aircraft opposition. Acting as Radar Guard, this Observver had been of great assistance in conning the force to its target.', Posthumous Mention in Despatches,
Lot 41
A WW1 1914 Star and ‘Mons’ clasp trio, awarded to 7583 Pte F. Apling of the 2nd Bedfordshire Regiment, and the Military Foot Police. To include: the 1914 Star with clasp (the clasp is of later production date and appears to be glued on to the ribbon), the British War Medal, and the Victory Medal. Notes: Pte Apling first disembarked for service on October 6th 1914. His medal index card notes that he served with the Military Police as a Lance Corporal, using the service number P3840. The award of the clasp for the 1914 Star is confirmed on the roll. He would appear to have been Court-Martialled on January 1st 1918. The trio is confirmed as his full entitlement. Condition: Generally good. The BWM has a small patch of black corrosion to the obverse, but this may be able to be cleaned off. The other 2 medals have toned with age. Each medal is complete with later replacement ribbons.
Lot 346
A good selection of modern British Special Forces embroidered patches and metal badges, plus other patches / badges from various countries. To include: SAS Malayan Scouts shoulder titles and shoulder patches, SAS Marksmanship bullion badges, SAS shoulder titles, 21st SAS Artists Rifles patch, 22nd SAS gilt metal parachute wings, 22nd SAS RSM rank insignia, several 22nd SAS bullion parachute qualification wings, anodised 22nd SAS beret badge, LRAS metal badge, embroidered SAS qualification wings, Royal Marines SBS parachute wings, United Stated Navy Seal metal badges, plus Turkish commando and a South African Special Forces badge. 56 patches / badges in total. Condition: very good. Many of the patches and badges appear to have had little to no use, and remain in good clean condition. All of the badges are loosely mounted on paper backing with labels (easily removable if desired).
Lot 358
A good selection of British and European Special Forces embroidered patches, printed patches and metal badges. To include: Australian Special Air Service bullion dress wings, Australian SAS E troop patch, Australian SAS regiment printed shoulder titles, Australian SAS embroidered patces, Belarus 38th guards patches, Belarus 5th Spetsnaz patches, Belgian Commando patch, OSONS patches, Bosnia Herzegovina and Brazil patches, German Special Forces Command and Paratrooper metal beret badges, embroidered combat swimmer badges, Kyrgyzstan Special Forces patches, Latvian Special Forces patches, Latvian Reconnaissance metal beret badge, Latvian parachute qualification wings, and others. 65 patches total. Condition: very good. Many off the patches and badges appear to have had little to no use, and remain in good clean condition. All are loosely mounted onto a paper backing, with label (easily removable if desired).
Lot 345
A good selection of modern and and some vintage embroidered British military patches, plus some European and Commonwealth examples. To include: Royal Army Ordnance Corps ammunition trade badge (1948-1959) other RAOC embroidered and bullion badges, Royal Logistic Corps bullion badges, Royal Navy bomb disposal badges and other RN patches, Royal Air Force bomb disposal squadron patches, a reproduction WW2 Home Guard bomb disposal badge, Algerian Police patch, Austrian Police patch, Australian police and army patches, Canadian army technician qualification badges, Royal Canadian Navy diving qualification badges, and a Dutch Explosive Ordnance Disposal Badge. 45 patches in total. Condition: very good. Many of the patches appear to have never been used, and remain in good clean condition. Each badge is loosely mounted on to a paper background, with label (easuly removable if desired).
Lot 359
A good selection of modern Special Forces embroidered patches, from various countries. To include: Lithuanian parachute wings and special forces patches, Macedonian patches, Polish special forces patches, Norwegian Mary ranger command patches, New Zealand SAS parachute wings, Panama Special Forces patch, plus numerous Russian patches. 42 patches total. Condition: very good. Many of the patches appear to have little to no wear, and remain in good clean condition. Each patch is loosely mounted on to a paper backing with label (easily removable if desired)
Lot 302
A small collection of WW2 and later British formation patches, plus other examples. To include: an embroidered 52 Lowland Division (mountain) title, a printed 14th army printed patch, a pair of 43rd Wessex Division printed patches, a printed Allied Forces South East Asia patch, an embroidered 2nd Army patch, a pair of printed 11th East Africa Division formation signs, a 21st Army Group printed patch, a Drivers trade patch, a Skilled Drivers trade patch, a Worcestershire Regiment bullion blazer badge, plus 6 other embroidered patches. 18 total. Condition: generally good, with normal service wear. A number of the patches are uniform removed, and have light soling and pulls to the fabric that you’d associate with normal use.
Lot 44
A WW1 1915 Star trio, awarded to 4887 Pte Duncan McArthur of the 6th Argyll & Sutherland Highlanders. To include: the 1915 Star, British War Medal, and the Victory Medal. Notes: Pte McArthur first disembarked for service in France on November 10th 1915. His medal index card notes that he also served in the Machine Gun Corps, using the service number 149492. His was discharged from service on March 21st 1919. The trio is confirmed as his full entitlement. Condition: fair. The Star has a small patch of verdigris / black spotting to the front, left of the date scroll. The BWM is good, with age related toning and a good level of detail remaining. The Victory Medal has more substantial corrosion / verdigris to the front, and a further small patch to the reverse. Each of the medals is complete with their original ribbons.
Lot 344
A selection of modern, mostly European embroidered military and police patches. To include: French ministry of the interior Demining, French Foreign Legion 1st Engineer Regiment, German EOD/Bomb Squad K9, German armed forces EOD patch, Greek Police bomb squad, Greek army EOD qualification badge, Greek Air Force explosives disposal squad, Greek EOD/Bomb Squad Coast Guard, Latvia Naval Special Forces EOD, Hong Kong police Ammunition technician, Kosovo EOD/Bomb squad police patch, Macedonia Police bomb squad, Portugal K9 EOD patch, Taiwan EOD/Bomb Squad police patch, Norwegian Navy IEDD, 28th Ordnance Company EOD U.S. Army, Singapore army technician, South African police bomb disposal team, Swiss army KFOR EOD diving team, K9 Ukraine police EOD dog unit. 34 patches total. Condition: very good. Many of the patches appear to have had little to no use. Each is loosely mounted on to a paper backing with label (easily removable is desired).
Lot 148
A REGENCY MAHOGANY FUSEE DIAL WALL TIMEPIECE THE DIAL SIGNED FOR JAMES MCCABE, LONDON, CIRCA 1825With a four knopped pillar single chain fusee movement incorporating bottle-shaped plates and anchor escapement for regulated by lenticular bob pendulum, the backplate signed James McCabe, Royal Exchange, London, fitted to the 13.5 inch circular cream painted Roman numeral dial inscribed JAMES McCABE, Royal Exchange, LONDON to centre, with steel spade hands set behind hinged glazed caddy-moulded cast brass bezel incorporating canted silvered insert to interior, the drum-type case with curved hinged access flap to right hand side and base.44cm (17.25ins) diameter, 16cm (6.25ins) deep. James McCabe junior succeeded his father of the same name was one of the most successful English clock and watchmakers of the 19th century. He was apprenticed to Reid and Auld of Edinburgh and was admitted to the Clockmaker's Company as a Free Brother in 1822. Around this time McCabe entered into a short-lived partnership with Strahan (probably Charles who gained his freedom of the Clockmaker's Company in 1815). From 1826 James McCabe managed the business alone from 97 Cornhill until 1838 when he was forced to temporarily relocate to 32 Cornhill due to a major fire at the Royal Exchange. It was at this time (1825-43) that Thomas Cole worked for McCabe before setting up his own to produce distinctive and highly decorative timepieces in his own unmistakable style. The business was subsequently continued by Robert Jeremy until his retirement in 1883. Evidence to the back of the dial of the present timepiece suggests that a different movement was originally intended. The present movement, however, would otherwise appear to have been fitted to the dial at a very early date hence is probably more likely to be a 'rethink' by the maker rather than a later replacement. Indeed the dial retains old original surface with 'witness marks' within the finish corresponding to the present dial feet being in use throughout the clock's life. Condition Report: Movement is in fine clean working condition and appears fundamentally all-original with the only noticeable replacement being the centre wheel arbor. Please note the notes within the catalogue description above re dial fittings. The dial retains old surface with overall light crazing; the numerals and signature have been retouched. The bezel is in fine condition. The case is in very good condition. The circumference has some relatively light shrinkage cracking and a few very well executed veneer patch repairs, faults are otherwise limited to very minor bumps. The lower flap is also a replacement.Timepiece has pendulum, a case key (for bottom flap) and a winder. Condition Report Disclaimer
Lot 189
A WILLIAM III WALNUT AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCKJOHN COTTON, LONDON, CIRCA 1695The five finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 11 inch square brass dial with subsidiary seconds dial, ringed winding holes and scroll border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and Arabic five minutes within the outer minute track, with scroll pierced steel hands and winged cherub mask and foliate scroll cast spandrels to angles, the lower margin of the dial plate with engraved signature Iohn Cotton in ye Strande, in a case with later domed caddy superstructure over architectural entablature and hinged glazed dial aperture incorporating floral marquetry decoration to surround and flanked by three-quarter columns to the front angles, the sides with rectangular windows and bargeboards at the rear, the trunk with ebonised ground grotesque mask-centred floral trail decorated convex throat moulding over 41.5 inch rectangular door inlaid with an architectural urn within bird inhabited flowering foliage into an ebonised ground, centred with an oval lenticle and with half-round edge mouldings set into a herringbone inlaid surround, over base with stepped ogee top moulding and conforming floral marquetry panel within herringbone border to fascia, on shallow moulded band and ogee bracket feet.196cm (77ins) high excluding later superstructure and feet, 223cm (88ins) high overall, 48cm (19ins) wide, 25.5cm (10ins) deep. John Cotton is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born circa 1669, apprenticed to Charles Lowndes in 1683 and gaining his Freedom of the Clockmakers' Company in 1695. Loomes notes that Cotton paid quarterage until 1697 and is thought to have died the following year. His son of the same name was apprenticed to Edward Comins, a shipwright of Woolwich, London. Condition Report: The movement is essentially in working condition with no visible evidence of alteration or noticeable replacements. The mechanism is a little dirty/dusty hence requires a clean and service. The dial is in good clean condition with only a couple of light blemishes to the matted decoration to the centre only. The movement rests on a replacement seatboard with packing to the cheek uprights indicating the movement and dial are not original to the case. The case is structurally sound and retains all its important elements including good long backboard continuing down well into the plinth (has some shrinkage cracking and a couple of small patch repairs to the panel). The sides are also in good condition retaining almost all of their original length. The case has however seen some historic 'updating' and requires overall work. The caddy is a 19th century replacement as is the entablature moulding and hood columns. The sides of the hood have lost their veneers and rear quarter columns. The hood door has one small loss to the marquetry otherwise is in good condition. The throat moulding has some losses/flaking and historic filling to the marquetry, the trunk door also has s a few similar localised losses to the marquetry and some filling mostly to cracks near the top and bottom margins (due to shrinkage between the door panel and the clamps applied at each end). The trunk door lock is a replacement and there is a veneer patch repair to the escutcheon area. The sides of the case have a scumbled stain finish over the original veneers which appear sound; an attempt to clean back this finish has been made to the lower rear right causing patchiness. The base top mouldings have shrinkage cracking and some historic worm damage. The plinth retains its original marquetry panel which is in similar condition to the rest of the marquetry. The lower edge of the plinth appears to have been reduced slightly and applied with later moulding and ogee bracket feet. The side veneers of the plinth re in sound condition; the banding around the front panel has chips/losses and repairs. The plinth is a little out of square in relation to the trunk causing the clock to lean a little when the plinth is stood square on the ground. Otherwise faults to the case are essentially limited to age related bumps, scuffs, shrinkage and a few small localised repairs.Clock is generally a sound restoration project and has a pendulum, pair of brass cased weights and a winder. Condition Report Disclaimer
Lot 144
A REGENCY MAHOGANY FUSEE DROP-DIAL WALL TIMPIECEUNSIGNED, CIRCA 1820The four knopped pillar single fusee movement with bottle-shaped plates and anchor escapement regulated by lenticular bob pendulum, the 12 inch cream painted circular convex Roman numeral dial with steel moon hands set behind hinged convex-glazed moulded cast brass bezel, with conforming turned dial surround secured via pegs to the rear box case with door to right hand side and the lower section visible beneath the dial fronted with a brass fillet edged shaped glazed aperture for the pendulum, flanked by fan-carved ears over curved base incorporating pendulum access flap to underside.50cm (19.75ins) high, 37cm (14.5cm) wide, 16.5cm (6.5cm) deep. Condition Report: Movement is in clean working condition with no visible evidence of alteration or noticeable replacements. Thew dial retains old/original surface with some light scratching, wear and rubbing most noticeably to the minute track; the numerals may have seen some re-touching. The case has been cosmetically restored hence is very presentable with visible faults essentially limited to minor shrinkage, wear and small veneer patch repairs to the edge of the glazed pendulum aperture and the curved base.Timepiece is complete with a case key and winder. Condition Report Disclaimer
Lot 191
AN INTERESTING PROVINCIAL PARQUETRY DECORATED WALNUT SMALL THIRTY-HOUR LONGCASE CLOCKMAJOR SCHOFIELD, ROCHDALE, CIRCA 1750, THE CASE PROBABLY EARLIERThe four pillar two-handed countwheel bell striking movement with Huygens endless rope winding and anchor escapement regulated by seconds pendulum, the 10.25 inch square brass dial with calendar aperture and dummy winding holes to the rococo scroll and floral spray engraved centre signed Major, Schofield, ROCH,DALE to centre, within applied Roman numeral with foliate scroll half hour markers and large Arabic five minutes beyond the arcaded minute ring incorporating text Tempus Fugit to upper margin, with scroll pierced blued steel hands and applied figural cast 'four seasons' spandrels to angles, in a case with generous ogee cornice and plain frieze over hinged glazed dial surround applied with Solomonic twist three-quarter columns to front angles, the sides with small rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with slender rectangular door centred with a 'bullseye' lenticle set a moulded surround between two parquetry star motifs within line-edged crossbanded surround and half-round cross grain mouldings, the plinth base with stepped ogee top moulding over conforming parquetry star-centred decoration to front and moulded skirt.202cm (79.5ins) high, 49.5cm (19.5ins) wide, 27cm (10.27ins) deep. Major Schofield senior is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as born in 1707 and working in Manchester, Salford and Rochdale until his death in 1783, He was succeeded by his son of the same name. The case of the current lot is notable in that the form and design echoes that of London work of around 1680, in particular details such as Solomonic twist columns and rear bargeboards rising up into the cornice to the hood, convex throat mouldings and large parquetry motifs around a lenticle to the trunk (see Robinson, Tom THE LONGCASE CLOCK page 92). This would suggest that either the case is either a late 17th century 'provincial' model following slightly earlier London practice or, if was made at the same time as the movement and dial, was executed in an 'archaic' style. Condition Report: Movement is complete and in reasonably clean working order. The mechanism appears very original with no obvious replacements. The pinions show wear and all wheel above the greatwheels have been moved along the arbor slightly to ensure engagement with a unworn part of the next pinion in the train. This is a traditional sensitive repair to enable the clock be to used without having to replace pinions. The bell and stand appear to be replacements and there is some noticeable hammering around the lower lower right movement pillar to the backplate. The dial is in relatively clean condition and is complete with calendar mechanism. The right hand false winding square has been bent a little to endure correct alignment with its hole and one of the cartwheel spokes has an old rivet repair. The hour hand is a replacement and the spandrel securing screws have been renewed other wise faults are limited to light uneven oxidation.The case is constructed with elm carcass except for the trunk door which is pine. The backboard has a cut just above the top of the throat moulding and a separate section (in elm) also fitted via a lap joint to the inside surface continuing up to dress the rear of the hood. Although this appears to be a later repair the colour of the timber (where visible) as well as the way in which the top of the principal part of the backboard is dressed would indicate that it was done a very long time ago. The seatboard appears equally ancient/original to the movement and is secured to uprights (also in elm) which are applied to the inside of the side of the trunk which terminate at throat level. This detail is very similar in its execution as to the panel applied to the backboard suggesting that they were done at the same time. The back panel and seatboard have an old wash of black paint. The hood is in fine original condition with faults essentially limited to shrinkage cracking and small losses to the sides around the glazed apertures following the lines of the joints within the carcass beneath. The inside rear edges of the hood also have a black wash, the rear edges (behind the bargeboards) have been rubbed back suggesting that the may have been fitted with tongues for rising in grooves cut into the upper part of the original backboard.The trunk is generally in fine condition although the backboard has historic worm damage, losses and splitting towards the lower edge requiring a bracing panel to be fitted over the back pf the plinth. Otherwise the structure of the plinth appears all original and in sound condition with the exception of the skirting which is a fairly recent replacement. There is no evidence to suggest the clock was ever fitted with bun feet. The veneers and mouldings are generally in fine original condition. The left hand side of the trunk has an oval patch insert which was required to fill a scoop cut into the inside surface of the carcass to allow for the pendulum swing. The right-hand side has a similar scoop which is not deep enough to affect the veneers on the exterior. The centre of these scoops is each approximately 7cm below the centre of the lenticle. Otherwise faults are limited to historic small losses to the veneers, relatively light age-related shrinkage and other blemishes. The trunk door retains its original lock and hinges.Clock has a lead weight, pendulum (rod snapped at the junction with the rod block) and a case key.Useful dimensions;Hood - depth between inside edge of frame around dial and the backboard - 15.5cmHood - height between bottom edge of front glass and the upper edge of the seatboard - 6cmHood - dimensions of front glass - 25cm wide, 26cm highHood - height of lower edge of the side glasses from the upper surface of the chin - 13cmHood and Trunk - distance between lower edge of the hood front glass to the centre of the lenticle - 74cm Condition Report Disclaimer
Lot 149
A GEORGE IV BRASS INLAID MAHOGANY QUARTER-CHIMING BRACKET CLOCKALEXANDER PURVIS, LONDON, CIRCA 1825The five pillar twin chain fusee movement with three-in-two quarter chiming on a graduated nest of eight-bells and sounding the hour on a further larger bell, the going train with anchor escapement regulated by engraved lenticular bob pendulum with 'stirrup' type regulation adjustment and an effective length of around 12.5 inches, the geometric border engraved backplate signed Alex'r Purvis, North Audley St, LONDON to centre over pendulum holdfast clamp, the 10 inch circular slightly convex circular silvered brass Roman numeral dial signed Alex'r Purvis, North Audley Street, Grosvenor Square, London to centre, with pieced steel moon hands and CHIME/SILENT selection switch at twelve o'clock set behind a hinged convex glazed cast brass bezel, the ogee-top case with large brass pineapple to the cushion capped upstand incorporating scroll-pierced brass sound frets to front and sides, the front inlaid with delicate brass scrollwork populated by rosettes above the dial and shaped panel enclosing stylised symmetrical motifs beneath, within brass line and dot decorating raised outer edge mouldings, the sides with rectangular brass fish scale sound frets beneath foliate ring handles, the rear flush with shallow arch door set within the frame of the case, on skirt base with ebonised fluted band to upper margin, lozenge-centred brass inlaid decoration to front and generous brass ball feet, (lacking rear door glass).70cm (27.5ins) high, 35.5cm (14ins) wide, 19cm (7.5ins) deep. Alexander Purvis is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Complete 21st Century Edition as working from North Audley Street, Grosvenor Square, circa 1820. Loomes also notes a maker with the same name working in Cheapside 1828-44. Condition Report: Movement is three-in-two quarter chiming on a nest of eight bells, i.e. the hour-striking and quarter-chiming mechanisms are combined into one train rather than across two trains. The mechanism is complete with no visible evidence of alteration or notable replacements. The strike train is also running however it is a little lazy and probably requires some adjustment. The quarter bells are currently mis-aligned hence the hammers do not engage with the bells - this can be easily remedied by bending the quarter bell stands back into position; the bells themselves are in good condition and provide a good sound. The pendulum is present and complete but the lower half is presently detached where it joins the lower part of the stirrup. The movement will require a gentle clean/service before putting to use. The dial is well made and of relatively heavy gauge; the silvering has patchy tarnishing and wear and there are a few shallow scratches, the hour hand has been repaired.The case is generally in very good original condition with notable faults limited to the rear door lacking its glass and with wear/losses to the veneer overlaps of the aperture and corner chips. The cushion-shaped section of the superstructure is a little loose in its joints (glue has dried-out) and the brass fret to the right-hand side of the upstand has been poorly re-glued into position. Both sides have well-matched veneer patch repairs to the overlaps of the brass fret panels. The brass inlay to the front is generally in very fine condition with the only real fault being some movement to the lower left-hand corner causing the edge strip to distort. The skirt base has some slight wear to the loser edge. Faults are otherwise very much limited to minor shrinkage, bumps, scuffs, bruises and small localised veneer repairs commensurate with age and use and the surface is of good even colour.Clock has pendulum (see comment above) a case key, but no winder. Condition Report Disclaimer
Lot 171
A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK MADE FOR THE IBERIAN MARKETTHOMAS LOZANO, LONDON, CIRCA 1775The five pillar two train rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with calendar aperture, rosette decorated recessed silvered subsidiary seconds dial and silvered arched nameplate engraved THOMAS LOZANO EN LONDRES to the matted centre, within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll-pierced steel hands and applied rococo scroll cast spandrels to angles, the arch with subsidiary Strike/Silent selection dial flanked by conforming rococo cast mounts, the figured mahogany case with concave-sided 'pagoda' superstructure fronted with a shaped foliate pierced fret over break-arch cavetto cornice and brass stop-fluted columns flanking the hinged glazed dial aperture, the sides with rectangular windows and plain quarter columns set against bargeboards at the rear, the trunk with break-arch door fronted with flame figured veneers within complex mouldings, the plinth base with concave top moulding over raised panel to fascia, on moulded double skirt incorporating shaped apron to lower margin.244cm (96ins) high excluding finials, 53cm (21ins) wide, 26.5cm (10.5ins) deep. Thomas Lozano was Spanish by birth and is known to have worked in both London and Spain. Whilst working in London it seems that he primarily produced timepieces for export to his native Spain; he is also known to have successfully repaired damaged marine chronometers for the Spanish Navy in 1786. Condition Report: Movement in fine clean working condition and appears all-original with no evidence of alteration or noticeable replacements. The pivot holes have been 'dished'. The dial is in fine clean condition with the only observation being that the minute hand has been repaired. The movement and dial rest on what appears to be the original seatboard direct onto the cheek uprights of the case; it is therefore most probable that the movement and dial are original to the case. The case is generally in very good condition. The hood has some slight shrinkage cracking to the veneers and side panels otherwise is free form notable defects. The rest of the case is in similar condition with notable faults limited to a few well matched small localised veneer patch repairs to the plinth as well as other very small cosmetic repairs to fill edge bruising. The sides of the plinth also has slight undulation in the surface due to movement in the timber beneath although there are no cracks or losses due to this movement. The lower skirting (incorporating the shaped apron) is a well-made replacement.Clock is complete with pendulum, two brass-cased weights, winder and two case keys. Condition Report Disclaimer
Lot 94
POSTCARD RECORDS AND RELATED - 7" COLLECTION. A smashing collection of 34 indie/ alt 7" singles. Mostly Scottish artists, released or associated with Postcard Records. Artists/ titles include Josef K inc Chance Meeting (ABS 1, record Ex/ sleeve VG, has a sticky/ tacky patch at the top of the rear), It's Kinda Funny, Radio Drill Time (x2), Sorry For Laughing, Pictures, The Farewell Single. The Parts - 1990's Pop EP, The Prats - Die Todten Reyten Schnell. Fire Engines inc Get Up And Use Me, Meat Whiplash. Aztec Camera inc Just Like Gold, Mattress Of Wire, Oblivious (x2) inc (AZTEC 1F, Limited No: 6759), Pillar To Post, Deep Wide & Tall. The Jasmine Minks, Jazzateers, The Laughing Apple, APB, Paul Haig. Condition is generally VG to Ex+.
Lot 26
INDIE/ ALT/ POP - LP RARITIES PACK. A smashing selection of 4 indie/ pop LPs. Artists/ titles include Keane - Hopes And Fears (ILPS8145, Limited Edition No: 2833 inc printed inner sleeve. Record Ex, wispy paper marks. Sleeve Ex), James Blunt - All The Lost Souls (286396-1, printed inner has edge splits. Record Ex/ sleeve Ex), Paul Simon - Surprise (49982-1, includes insert. Ex+ record. Sleeve strong VG+, has some light corner/ edge creasing) & The Civil Wars - Barton Hollow (88691941861, printed inner has some edge splits. Record i Ex+/ sleeve is VG+, a little heavy patch of shelf wear in the middle of the top edge, hasn't split through).
Lot 628
A BOXED STEIFF LIMITED EDITION 'DISNEY 101 DALMATIANS PATCH', with black and white mohair and cotton, gold coloured ear button and white label no 355912, swing tags attached, limited edition 648/2000 with certificate, approximate height 24cm (1 + box + certificate) (Condition Report: appears in good condition)
Lot 523
A BOXED LIMITED EDITION STEIFF NOAH'S ARK SET ONE, comprising Noah, Noah's Wife, a bull elephant and a cow elephant, all made from cotton and mohair, together with a stained pine Ark, bears/animals with ear button and white label no 421440, limited edition 288/500, with certificate, Ark approximate measurements: height 26cm x width 62cm x depth 26cm, Noah's height 12cm (Ark + 2 bears + 2 elephants + box + certificate) (Condition Report: good general condition, one elephant has a minor tiny bald patch on its hind quarters, otherwise no obvious damage)
![AUSTEN, Jane. Novels by Miss Jane Austen [Standard Novels], first illustrated edition, complete, six novels in five volumes,](https://cdn.globalauctionplatform.com/81293cfd-6b82-4daf-8f13-b11b009ece00/4ae496d3-345a-4ae8-8a8b-b11f00af60d1/468x382.jpg)
Lot 39
AUSTEN, Jane. Novels by Miss Jane Austen [Standard Novels], first illustrated edition, complete, six novels in five volumes, comprising Sense and Sensibility, Pride and Prejudice, Emma, Mansfield Park, Northanger Abbey, and Persuasion, London: Richard Bentley, 1833. All titles & plates dated 1833. Final imprint of each volume stating 'London: Printed by A. Spottiswoode, New-Street-Square', Vols. III-V additionally stating on verso of title 'London: Printed by Samuel Bentley, Dorset Street, Fleet Street.' Octavo, full contemporary polished calf with morocco title labels lettered in gilt, marbled endpapers & page edges, each volume commencing with an opening blank leaf, engraved frontispiece, protective tissue-guard, engraved vignette title, and main title, each volume with a final blank leaf at rear, no advertisements. Internally well-preserved, good & bright, light fold-lines to some page corners, the occasional small mark or blemish, some pale spotting to endleaves and plates, neat owner inscriptions for "Isabella G. Allen, 1841" & "I. G. L. Phillips, 1842", a small paper patch at foot of Vol. IV title, bindings attractive, tight & square, discreet restoration to headcaps & joints, three of the morocco labels replaced to style. A very good example of this scarce and desirable set, being the first collected edition of Austen's novels. Early and important publications - no English reissue of Austen's novels is known after 1818, making these as follows: Emma, Northanger Abbey, and Persuasion (second editions overall); Sense and Sensibility (third edition overall); Pride and Prejudice (fourth edition overall). (5)
Lot 5020
FUSSBALL - VfB Stuttgart Heimtrikot 16/17, mit den Autogrammen von u.a. KAPITÄN CHRISTIAN GENTNER, MATTHIAS ZIMMERMANN, ALEXANDRU MAXIM, BENJAMIN PAVARD uvm., aus der Aufstiegssaison 2016/2017.Trikot von Puma mit gesticktem Emblem und VfB Logo, links unten Puma Patch mit Artikelnummer "#09084251", HxL: ca. 93,5x73,5 cm, hochwertig gerahmt im gebürstetem Aluminiumrahmen mit Glas. Rückseitig bezeichnet "Zur Erinnerung an unsere wundervolle Begegnung, Stuttgart 20. Mai 2017" von SAVO SAVIC CREATIVE COMPANY. Geringe Altersspuren.Anmerkung: Am letzten Spieltag dieser Saison feierte der VfB in diesem Trikot am 21.05.2017 gegen den FC Würzburger Kickers mit einem Sieg (4:1) den deutlichen Wiederaufstieg und die Zweitliga-Meisterschaft in der ausverkauften Mercedes-Benz-Arena vor 60.000 Zuschauern.| FOOTBALL - VfB Stuttgart home jersey 16/17, with the autographs of, among others, CAPTAIN CHRISTIAN GENTNER, MATTHIAS ZIMMERMANN, ALEXANDRU MAXIM, BENJAMIN PAVARD and many more, from the 2016/2017 promotion season. Puma jersey with embroidered emblem and VfB logo, bottom left Puma patch with item number "#09084251", HxL: approx. 93.5x73.5 cm, high-quality framed in a brushed aluminium frame with glass. Inscribed on the reverse "In memory of our wonderful encounter, Stuttgart 20 May 2017" by SAVO SAVIC CREATIVE COMPANY. Minor traces of age. Note: On the last matchday of this season, VfB celebrated their clear re-promotion and second division championship in this jersey on 21 May 2017 against FC Würzburger Kickers with a victory (4:1) in front of 60,000 spectators in the sold-out Mercedes-Benz Arena.
Lot 1655
MALER/IN DES 17. JH., "Herrenportrait", 2. Drittel 17. Jh., Halbbildnis vor einer roten Draperie stehend. Sein Blick ist dem Betrachter zugewandt. Seine rechte Hand ruht auf der Mitte seines Körpers. Unter dem schwarzen Gewand ein weißes Hemd mit bauschigen Ärmeln, deren Manschette mit Spitze und Bändern verziert ist. Der breite Kragen ist ebenfalls mit Spitze besetzt. Das schulterlange, lockige Haar und der schmale Schnurrbart auf der Oberlippe geben ebenso wie seine Gewandung einen Hinweis auf die Mode der damaligen Zeit. Öl auf Leinwand, doubliert, HxB: ca. 106 x 80 cm (HxB des Rahmens: ca. 120 x 95 cm). Alters- und Beriebspuren, restauriert und retuschiert, mit Doublierflicken. markante Farbfehlstellen und leichte Verschmutzungen. Mit Rahmen (Starke Beschädigungen). | 17th CENTURY PAINTER, "Portrait of a gentleman", 2nd third of the 17th century, half-length portrait standing in front of a red drapery. His gaze is turned towards the viewer. His right hand rests on the centre of his body. Under the black gown is a white shirt with puffy sleeves, the cuffs of which are decorated with lace and ribbons. The wide collar is also trimmed with lace. The shoulder-length, curly hair and the narrow moustache on his upper lip, like his clothing, give an indication of the fashion of the time. Oil on canvas, relined, HxW: approx. 106 x 80 cm (HxW of the frame: approx. 120 x 95 cm). Signs of age and rubbing, restored and retouched, with doubling patch, striking colour losses and slight soiling. With frame (heavy damage).
Lot 308
Chanel, a Timeless Medallion tote, crafted from pink caviar leather with the maker's classic diamond quilting and a large applied CC logo to the centre front, with a rear patch pocket, thin rolled leather handles, and a top zip fastening with a gold-tone logo medallion, measuring 15 by 24 by 30cm- Overall very good condition- No obvious marks to the bag exterior or interior lining- Very slight wear to the base corners- Date code 8921340 (2003-2004)- Without maker's dust bag or authenticity card- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 417
Louis Vuitton, a vintage black epi Keepall 60 luggage bag, featuring a black textured leather exterior and smooth leather trim, with a single patch pocket to one side, rolled leather top handles with a detachable leather ID tag, and double top zip fastening, measuring 32 by 36 by 61cm- Overall good condition- Few minor scuffs to the epi leather exterior - Light wear to the base corners- Date code VI0960 (June 1990)- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 340
Fendi, a Mini Zucca Camera bag, crafted from the maker's signature monogram FF coated canvas, with smooth black leather trim, featuring front leather logo patch, detachable leather crossbody strap, and top zip fastening, measuring 7 by 12 by 18cm, with maker's dust bag, box and care guide- Overall very good condition- No obvious marks or wear to the bag exterior or interior lining- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 313
Chanel, a Classic Single Flap handbag, designed with a black diamond quilted caviar leather exterior, with polished silver-tone hardware, a rear patch pocket, double chain and interwoven leather shoulder straps, CC turn-lock fastening, and a smooth black leather-lined interior with two inner pockets, measuring 8 by 20 by 30cm, with maker's dust bag- Overall good condition- Very light wear to the base corners- Scuffs and scratches to the interior lining- Date code 8995258, circa 2003-2004- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 312
Chanel, a vintage Jumbo Single Flap handbag, featuring a black quilted leather exterior, with 24k gold plated hardware, rear patch pocket, CC logo turn-lock fastening, chain and interwoven leather strap, and a smooth black leather lined interior, measuring 8.5 by 20.5 by 29.5cm- Overall very good condition - No obvious marks or wear to the bag exterior- Very few light scuffs to the smooth leather lining- Date code 4387455 (1996-1997)- Without maker's dust bag or authenticity card- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 395
Longchamp, a Le Foulonne leather backpack, crafted from grained black leather, featuring a front and a rear zip pocket, drawstring closure and snap button fastening, adjustable leather shoulder straps, and one interior patch pocket, measuring 10 by 28 by 36cm- Overall good condition- Very slight wear to the base corners- Interior lining is clean and unmarked- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 317
Chanel, a blue patent Classic Jumbo Double Flap handbag, crafted from diamond quilted blue patent leather, with polished silver-tone hardware, a rear patch pocket, CC logo turn-lock fastening, double chain and interwoven leather strap, and an inner flap closure with blue leather lining, measuring 9 by 20 by 30cm, with maker's dust bag- Overall very good condition- No obvious marks or wear to the bag exterior- Few scattered scuffs to the smooth leather lining- Date code 19907481 (2014)- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 306
Chanel, a quilted Top Handle handbag, crafted from brown quilted lambskin leather, with a single leather top handle, rear patch pocket, silver-tone CC turn-lock fastening, and one interior zip pocket, measuring 8 by 14 by 19.5cm - Overall good condition - Light wear to base corners- Few noticeable scuffs to the leather exterior- Light scuffs to the underside of the flap closure- Date code 10356025, circe 2005-2006- Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 345
Givenchy, a small Antigona handbag, designed with a grained burgundy leather exterior, with a triangular patch featuring the maker's logo, oversized zip and silver-tone metal details, rolled leather top handles, flat leather shoulder strap, and beige canvas interior lining, measuring 15 by 23 by 28cm- Overall good condition- Few scuffs and scratches to the leather exterior- Very minor wear to the base corners- Very few small marks to the interior lining- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 405
Louis Vuitton, a monogram Alzer 80 hard suitcase, featuring the maker's monogram coated canvas exterior with logo stamped trim, single rolled leather handle, brass rivets and reinforced corners, S-lock central fastening with keys and two latches at either side, cream Vuittonite lining, and a removable interior tray with support straps, measuring 26 by 52 by 80cm- Overall fair to good condition- Some scuffs and marks to the coated canvas exterior - Scuffs and wear throughout the stamped trim- Some nicks and minor damage to the edges - One small patch repair to the coated canvas top right side- Minor marks to the interior lining- Code 1036400- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 350
Gucci, a large Bamboo backpack, designed with a navy blue suede exterior with grained leather trim, featuring a curved bamboo top handle, two front patch pockets with bamboo turn-lock details, front buckle and leather drawstring top fastening, dual adjustable shoulder straps and diamante fabric lining, measuring 10 by 30 by 30.5cm - Overall good condition- Slight wear to the base corners and edges- Small areas of abrasion to the suede exterior- Interior lining is clean- Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 1788
Pedigree Sindy and Patch group of 3 comprising a Sindy with brown hair and wearing her Weekenders outfit, comes with stand and model range leaflets, the box lid would benefit from being reglued, a boxed Patch - Sindy's little sister, with brown hair, comes with stand (the metal pole is missing), and model range leaflets, sold in a nice clean box, and a single loose doll
Lot 1031
British School (early 20th Century)"Algiers"Inscibed and dated 1910, oil on canvas, 55cm by 44.5cmQuite heavy surface dirt and discoloured varnish in evidence to canvas. Sporadic clusters of dark spots and surface imperfections, mostly visible throughout the sky. Stretcher shadow. Some rubbing around the edges likely due to frame, and some transfer of gilt from the frame to the canvas along the top edge. Some slight buckling to the canvas just above the lower edge. Small shiny patch in the top left hand corner, possibly where a clean has been attempted or the area has been rubbed. No examined under UV light.
Lot 23
A rare small size Bru Brevete bebe, with pressed bisque, blue striated glass eyes with dark rim to iris, shaded lids, pale brown brows, delicately painted mouth with slight unpainted gap, pierced ears, impressed 2/o, cork pate with brown mohair wig on bisque shoulders impressed E, gusseted kid body with bisque arms, painted nail edge and shaded knuckles, stitched toes, well made recent pink dress, pink socks, underclothes, net and lace trimmed straw hat and brown leather shoes —13 1/2in. (34.5cm.) high (hole to back of shoulder, kid patch to front and arm)
Lot 468
Vinyl - 20 limited edition Experimental / Abstract / Electronic albums and one 10" to include: Philip Perkins – Drive Time (2013 BD4), Erik Satie, Alan Marks – Vexations (2019 clear vinyl, TWI 1245), Henk Badings – Evolutions (2013 10” 4CACK-A), Emerald Web / S. McLoughlin & A. Cooper – Garden Of Mirrors / Supernatural Lancashire Volume 2 (2013, DiM 6), Monoton – Monotonprodukt 07 30Y++ (2012 double album, dsr 034lp), Mort Garson – Music From Patch Cord Productions (2020, purple vinyl, SBR 3032), F.C. Judd – Electronics Without Tears (2012, PUBINF 003), Ursula Bogner – Recordings 1969-1988 (2018, FAITICHE 01LP), Richard Youngs – Advent (2006 JAG 62), Human Skab – Thunder Hips And Saddle Bags (2010, FV 27), Experimental Audio Research – Worn To A Shadow (2005 pic sure disc album, LUMB001LP), Chris Cutler, Fred Frith, Thomas Dimuzio – Golden State (2010 Orange vinyl, ReR 196.96655), Craig Leon – Nommos (2013, SV 017), Pierre Schaeffer – Le Trièdre Fertile (2012, REGRM 001), Alwin Nikolais – Choreosonic Music Of The New Dance Theatre Of Alwin Nikolais (2013, 10 CACKLP), Beak> – Beak>> (2012 double album, INV 107LP). Marletta – Percussioni Ed Effetti (2019, INTERVALL 013), Don Preston – Filters, Oscillators & Envelopes 1967-75 (2012 white marbled vinyl, SRV 334), Don Harper – Cold Worlds (2014, DUAL 007LP), Ron Geesin – Electrosound (2008 blue vinyl, GLO-SPOT 1102), Robert Turman – Flux (2012 double album, SP 010). Condition at least EX overall
Lot 870
Memorabilia - Collection of ticket stubs to include Rolling Stones, Fleetwood Mac, Dire Straits, Neil Young, Jethro Tull, Elton John, Crosby Stills & Nash, Jackson Browne, Bob Seger, Steppenwolf, Daryl Hall & John Oates, Leon Russell, Eric Clapton, Chris Rea, Ry Cooder and more. Also a Rolling Stones patch.
Lot 266
A CALTAGIRONE MAIOLICA BOTTLE-SHAPED VASE, 17-18TH CENTURY. With tall neck, painted overall with flowerheads and scrolling foliage in yellow, green, manganese, on a blue sgraffito pattern ground, 22.8cm highOverall in good order, with two circular patch of glaze flaking to body, minor losses to glaze at upper rim, some chipping to glaze at the foot rim, inscribed in ink with collection no. a13163
Lot 299
AN INDONESIAN SUMATRAN LAMPUNG CEREMONIAL GOLD THREAD TAPIS SARONG, EARLY 20TH CENTURY.Embroidered with stylised trees, flowerheads and animals in gold thread and sequins, on a striped dark claret and purple ground, 119cm x 167cmOverall in good order, with some pulling to threads and minor losses to threads and sequins, small stitched patch repair to dark purple ground.Acquired in Jakarta, circa 1970.
Lot 189
A SET OF THREE CHINESE PITH PAINTINGS, QING DYNASTY - Each finely painted depicting various figures including Emperor and Empress sitting in their throne being presented a ruyi sceptre and attendants, watercolour on rice paper, margin size: 27 x 19 cm, mount size: 33.5 x 41 cm each, mounted and unframed (3)Empress: Patch of restoration above throne. crack across painting from right edge approx. 8 cm long with two small cracks below that. Tear to lower left corner. Emperor with one attendant: Restoration to lower right edge, area of loss to lower left corner, small crack to upper right edge. Emperor with two figures: crack with small area of loss on Emperor's face. Restoration to lower left corner. All have marks and discolourations as expected for their age.
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