Chinese porcelain small dish, serpentine rim, celadon crackle glaze, diameter 10cm, unmarked, with a hardwood folding stand.Qty: 2Condition report:No chips or restoration. The colouring within the veins of the craquelure glaze varies throughout, with an obviously darker colour to a patch in the middle of the well. There is a burst glaze bubble/ pit mark about the size of a pinhead to the edge of the border. The paper label on the underside is just peeling slightly revealing some sort of glazed firing mark to the centre (see image).
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An oak tripod table,18th century, Continental, the circular dished top over an unusually shaped birdcage, a baluster-turned column and hexagonal pedestal base and three square, shaped, outswept supports,46cm diameter73cm highCondition ReportTop with old splits and 4.5 x 2cm patch and 11cm long patch.Later screws and fittings to top fixing, thus top possibly a marriage.Later screws to legs.
LAWRENCE EMMANUEL; a George V hallmarked silver and enamelled patch box of circular form, decorated with roses and swags, Birmingham 1912, a hallmarked silver squat candlestick, cut glass dressing table bottle with hallmarked silver and enamelled cover, and a selection of silver plated items, also a Victorian snuff box.
Palitoy, Action Man - A Palitoy Action Man figure in Field Training Exercise outfit . The blonde flock haired figure with gripping hands, is marked 'Made in England by Palitoy Under License From Hasbro © 1964' to rear of torso and has some minor surface marks to torso with a small bald patch on head, and mark age related mark to head from beret wear, otherwise appears to be in Very Good condition. The figure comes with overalls, Tank Regiment beret, webbing belt, boots, SLR rifle with plastic strap - outfit and accessories appear Very Good - overall badge is detached but present. (This does not constitute a guarantee)
A GENTLEMAN'S CLASSIC BURBERRY RAINCOAT, in navy blue, signature check lining with a detachable 100% wool signature check lining, size XL, together with a Dak's 100% wool navy blue duffle coat, horn toggle fastenings, patch pockets and large hood, size Euro 54 (2) (Condition report: Daks duffle coat is in good condition, slight signs of wear, the Burberry rain coat has little sign of wear)
Circa 1930s Boudoir Dolls, comprising a fabric mounted doll with painted face, black hair, wearing a brown and black trimmed dress, matching bonnet, 78cmanother with composition shoulder head, painted face, blonde wig, wearing a pale pink gauze dress and matching bonnet, 56cm (2)Fabric doll - stitched patch to the back of the neck, water damage and wear to the fabric head, hands possibly restored, some damage to her dress.Composition doll - crack to the back of the shoulder plate, scuffing to face and general wear.
FOUR CHINESE FRAMED PAINTINGS, CIRCA 1900. Ink and watercolour on paper, depiciting figures including Immortals and scholars crossing a bridge and within landscape, within giltwood frames, approx. 30cm x 25cm exc. frameExample with figure on horseback - large area of staining and discolouration to lower right, areas of creasing. The example with two ladies before prunus - with small patch of discoloured staining to lower left, two small tears/losses to prunus. Example with scholars/Immortals crossing bridge - some slight staining and creasing to mount. Example with seated man and boy - some tear/crease to lower part, slight staining to picture and mount. All with some wear, slight staining and some creasing.
A SECOND WORLD WAR R.A.F. IRVIN STYLE BROWN LEATHER FLYING JACKET electrically wired thermally insulated, with a sheepskin lining, unlabelled, with dot zips to front and cuffs, complete with waist belt, chest approximately 42 inches. Provenance: 1590681 Flight Sergeant John Francis Grimshaw, 99 Squadron, Royal Air Force Volunteer Reserve, killed 3rd December 1944. He is believed to have acquired the jacket from an Australian member of the same squadron, presumably as a 'spare' or potential upgrade. Condition Report : Generally good condition; all zips working; scuffed patch (1.5cm x 1cm) to lower right sleeve; some mildew spotting to back; generally rubbed; lacking connectors to side-seam wiring. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Dahl (Roald) Matilda, first edition, signed presentation inscription from the author "To Nicholas and Susannah love Roald Dahl" to half-title, original boards, very small patch of staining to lower corner, dust-jacket, a fine copy, housed in custom morocco-backed drop-back box, 8vo, 1988.⁂ Dahl's classic children's novel, adapted twice for the cinema, including a new musical adaptation based on the successful West End production. Rare signed.
Fleming (Ian) You Only Live Twice, first edition, second state with "March 1964" on copyright p., original boards, silver lettering to spine, Japanese characters in gilt to upper cover, dust-jacket, light creasing to head and foot, very short tear to head of upper panel, else fine, housed in custom morocco-backed drop-back box, 1964; The Man with the Golden Gun, first edition, second state plain boards, lettered in gilt on spine, dust-jacket, very small patch of browning to head of lower joint, minute spot to foot of lower panel, but a fine, bright example generally, housed in custom morocco-backed drop-back box, 1965; and a near-fine copy of Octopussy and the Living Daylights, 8vo (3)
Thompson (Hunter S.) Hell's Angels, first English edition, original cloth-backed boards, dust-jacket, price-clipped, minor chipping to corner tips, chip to head of lower panel, closed tear and patch of surface tearing to head of upper panel, rubbed, still a very good example of a scarce jacket, preserved in custom drop-backed box, 8vo, 1967.⁂ The scarce first English edition of Thompson's classic work of gonzo journalism. This edition is far scarcer than the American true first edition, Thompson allegedly assumed that the book first appeared in Britain as a paperback as he'd never seen a hardback copy.
A GEORGE III MAHOGANY AND BRASS BOUND PEAT BUCKETCIRCA 1780Of coopered form34cm high, 30cm diameterProvenance: Property from the Phillip Lucas Collection, Spitalfields HouseCondition Report: There are marks, scuffs, cracks, knocks and abrasions consistent with age and use.Observations include; the brass liner probably later, with part of the rim cut away to go around the handle, some splitting to the brass; the base probably later and set at a higher level than the bottom of the pail; some later screws to the handle; a patch close to one screw fixing the handle; some chips and visible coopered section lines; the underside with some white residue of brass cleaner.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
A 19th century Continental porcelain patch box of shaped triangular form, the hinged lid painted with a couple standing in a landscape, width 6cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 60s/70s men's fur coat, silk lined seal from the Siberian fur store, Hong kong. The coat has patch pockets with flaps, and leather lined and bound wrists. The shorn beaver collar, could be unpicked so that the coat can be worn with the simple seal collar and three button fastening, the collar is original to the garment, but a post manufacturing addition (also with Siberian fur store label) (1) 44 inch/112cm chestexcellent condition, there are snaps inside that would indicate that there was once a detachable lining, or at least that it was made with the option of adding one.
A GEORGE IV MAHOGANY INVERTED BOWFRONT SIDE CABINETATTRIBUTED TO GILLOWS, CIRCA 182585.5cm high, 117cm wide, 54cm deepCondition Report: Cabinet with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Pleated silk to the doors is later replaced. There are old filled tack holes to the backs of the door frames from where previous backing once was fixed. Key present and operates lock. Old repaired splits to the outset front corners of the top - see images. One side of the top with well disguised patch repair (approx. 16x5cm). Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Y A GEORGE IV ROSEWOOD CENTRE TABLECIRCA 1830 69cm high, the top 122cm diameterCondition Report: Looks to have had a clean and polish in the last 30 years- quite shiny surface.- patch repair to platform above one foot. Some scuffs and scratches to surface which shows signs of filler to grain. Possibly reduced in height but we cannot confirm this.Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Y A REGENCY GONCALO ALVES AND PARCEL GILT SIDE CABINETIN THE MANNER OF HENRY HOLLAND, CIRCA 1800ALMOST CERTAINLY BY MARSH & TATHAMapproximately 84cm high, 204cm wide, 53cm deepThis fine bookcase is characteristic of the work of Henry Holland, architect to the Prince of Wales, later George IV, having particularly marked affinities with a pair of chiffoniers in the Whitbread collection at Southill Park, Bedfordshire. These were originally supplied under Holland's direction to the great 18th century brewer Samuel Whitbread, circa 1796-1800, illustrated in M. Jourdain and R. Edwards, Regency Furniture 1795-1830, rev. ed., 1965, p. 17, fig. 5 and F. Watson, Southill: A Regency House,1951, fig. 36.Henry Holland was the Prince Regent's architect from the late 1780s, and worked at both the Brighton Pavilion and Carlton House. He was an authority on contemporary French design and decoration, an influence which he employed with great success in the interiors of Carlton House, integrating colours and styles to form complete interiors such as the Flesh Coloured Room or Rose Satin Drawing Room.In association with the marchand-mercier Dominique Daguerre, Holland purchased French Neoclassical furniture for the Prince Regent by makers such as Weisweiler, Jacob and Hervé, and it is from these sources, rather than his British contemporaries, that Holland's own furniture designs derive. Comparable furniture from Southhill, Bedfordshire, Holland's most complete surviving interior, is illustrated in Frances Collard, Regency Furniture, 1985, pp. 38-43.Holland employed most of the major cabinet-making firms of the day in one or another of his projects - notably Morel, Marsh, Tatham, Mayhew and Ince, and Bailey and Saunders - and exerted considerable influence on a whole generation of British designers. Thomas Sheraton's pattern book The Cabinet-Maker and Upholsterer's Drawing Book,1793 includes two illustrations of the Chinese Drawing Room at Carlton House. Related cabinets attributed to Holland were sold, Sotheby's New York, The Arthingworth Collection, Dec 12th 1996 lot 230 ($65,000) and another, Sotheby's New York 18th October 2014, The Kentshire Collection, Lot 87 ($81,250). Please note, in the printed catalogue, the attribution, estimate and footnote for this lot has been transposed with that of lot 231. The full description, estimate and measurement should read as listed online. Condition Report: Please note: In the printed catalogue, the attribution, estimate and footnote for this lot has been transposed with that of lot 231Please note: The size of this lot should read: 84cm high, 204cm wide, 53cm deep and not as originally printed in the catalogue The full description and estimate should read as listed online. There are scuffs, knocks, cracks and scratches consistent with age and use. There are losses, restorations and observations including: Cleaned finish with some use of filler; some pitted marks to the top, chips and replacement veneers; there is some evidence of worm; veneer splits to the sides; one door with a circular patch above the keyhole; The gilding later with some cracks and rubbing. The back of panelled construction. The drawer linings are cedar, pleasingly high quality. The handles and locks appear to be original, the two keys are later replacements. The raw silk to the doors is a later replacement. Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
A WALNUT AND BURR WALNUT SIDE TABLECIRCA 1690 AND LATER68cm high, 87cm wide, 51cm deepCondition Report: There are scuffs, scratches, marks and knocks consistent with age and use.There are losses, restorations and observations including; some movement to the top sections with filled veneer ridges; replaced and renewed veneers including some knots, edge mouldings; cleaned; there is evidence of worm including to the top, legs, feet and underside, extensive worm to the bun feet; later elements including to the stretcher, drawer runners, underside of the top, later blocks and other sections; the drawer with later nails, fixings, a patch to one side lining.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
AFTER LOUIS 'L'AVEUGLE' VIDAL (1831-1892) A BRONZE ANIMALIER FIGURE OF A PACING LIONESSLATE 19TH/EARLY 20TH CENTURY Signed to cast 20.5cm high, base 29cm wide Condition Report: Wear to surface as per age, handling and use- slightly -paler to back and flanks- later yellow baize to underside- small patch of glue (?) to side of plinthPlease refer to additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer
A GEORGE II MAHOGANY WINE TABLE OR CANDLESTANDCIRCA 175056cm high, the top 33.5cm diameter, the base 43cm wideCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. The top with an old glued split across one side - see images. Block to the underside of the top has some age but is a replacement. Old repaired split where one leg meets the stem. There is glue residue visible to the underside of this join. Some fading and dark marks to timber. The tops with some additional small indentations/chips. The centre of the top has a circular patch or plugged repair. This has been well disguised but is visible upon close inspection. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Taxidermy: Indian Leopard Skin Rug (Panthera pardus fusca), circa 1900-1930, India, adult skin rug with snarling open-mouthed head mount, limbs outstretched, nose to tail 235cm, across the forelimbs 159cm, across the rear limbs 148cm, backed onto period black woven materialre-painted around mouth, nose, eyes, three historically repaired circular holes to shoulder areas, one historical patch repair to left shoulder 8cm by 4cm, original teeth remain although some damage to upper right fang and lower canine teeth - (i do not know if the original skull is within), all claws remain, tail complete, in need of light cleaning, restoration to nose area, all whiskers have been replaced with immatation whiskers, both ear lobes have had historical and recent repairs, 04/10/22
Taxidermy: A North American Black Bear Half Mount (Ursus americanus), circa late 20th century, North America, a wall mounted half body mount, with mouth agape in aggressive pose, both limbs outstretched in front, 74cm from the wall, 78cm highCites Annex B, Appendix IISmall patch of hair missing from right foreleg, small patch of hair missing from top of head (not visible when hung). 24/11/22
Vintage Hong Kong Patch, Poppet and Betsey dolls and clothes, Patch wearing dungarees, additional clothes include winter coat, hat and scarf, nightdress and dressing gown, Mam’selle dress with cake, Poppet wearing tartan skirt and jacket, together with eight Tressy dresses, selection of clothes for Toots, selection of clothes for Faerie Glen and an undressed vintage doll, (lot).
A good Derby biscuit group of Two Virgins Awakening Cupid, circa 1780The three figures set on a rocky base before a leafy tree, Cupid asleep with his head resting upon a quiver, one virgin reaching out to him as the other looks on, 31.7cm high, patch marks, incised 'No 195'Footnotes:The model is based upon a stipple engraving by Francesco Bartolozzi after the painting by Angelica Kauffman.For further information on this lot please visit Bonhams.com
A pair of Derby 'Pale Family' candlestick figures, circa 1756-58Modelled as a farmer and his wife, each standing before a trunk applied with flowers and surmounted by a candle nozzle, the scrolled bases picked out in puce and green and applied with more flowers, their costumes washed in bright colours and painted in 'cotton stem' style, 25cm high, patch marks (2)Footnotes:ProvenanceBrenda Dunning CollectionFor a very similar pair see Dennis G Rice, Derby Porcelain (1983), p.104, fig.51.For further information on this lot please visit Bonhams.com
A pair of Derby candlestick figures of Italian Farmers, circa 1765Modelled as a well-dressed couple standing on ornate high-scrolled bases before flowering bocage, she holding a hen and he a cockerel, her patterned skirts matching his natty trousers, the bases picked out in pink, turquoise and gold, 17.2cm high, patch marks (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A very rare Derby 'Macaroni' group, circa 1775-80Modelled as a young dandy wearing a ridiculous hairdo and a patterned pink waistcoat, a tiny tricorn hat in his right hand and a walking cane in his left, his simply dressed father standing beside him, berating him for his excess, standing on an irregular base before a tree, 18.7cm high, patch marks, incised '85'Footnotes:The source is an engraving by John Dickinson titled 'WELLADAY! is this my Son Tom?' after the painting by Samuel Hieronymus Grimm, published in 1773. The entry for number 85 is unidentified in the list of Derby models published by Peter Bradshaw, Derby Porcelain Figures (1990), p.239.For further information on this lot please visit Bonhams.com
A rare Derby 'Peepshow' group, circa 1800Modelled as three children with a peepshow, a boy standing to one side operating the machine, a girl kneeling down to look through the viewing hole, and a younger child standing beside her, their costumes richly patterned and gilded, the irregular green base applied with flowers, 15cm high patch marks, incised 'No 94'Footnotes:This model echoes a Sèvres group by Falconet. See Peter Bradshaw, Derby Porcelain Figures (1990), p.248. Another example was sold by Bonhams, 20 November 2019, lot 287.For further information on this lot please visit Bonhams.com
A Derby model of a cat, circa 1760Modelled seated on a scrolled base picked out in green and puce, its tail curled around its hind quarters, its right front paw raised, its left paw restraining an unfortunate brown mouse, its tortoiseshell markings represented in bright orange and puce, 9.5cm high, patch marksFootnotes:ProvenanceG C Bond CollectionA pair of similar cats was sold by Christie's on 14 May 2003, lot 222 and a single cat by Bonhams on 23 June 2021, lot 238. See also Yvonne Hackenbroch, Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection (1957), pl.105, fig.282.For further information on this lot please visit Bonhams.com
A group of Derby models of birds, circa 1765-1800Comprising a pair of goldfinches perched on stumps applied with flowers, a pair of bluetits perched on white woody stumps, a single bluetit on a green stump and another bird with brightly coloured plumage, 7.5-10cm high, patch marks (6)Footnotes:ProvenanceG C Bond CollectionFor further information on this lot please visit Bonhams.com
A fine platinum and diamond halo cluster ring, French hallmark to outside of shank, the principal brilliant cut diamond originally from an earlier, French piece of jewellery, weighing approx. 2.85ct, within a halo border of small single cut diamonds, the shoulders each set with eight brilliant cut diamonds, size G.* The principal diamond is an old mid-century French stone which has been re-set by the current owner. There is no damage to the stone - no chips, cracks or other faults. As an old stone, it does draw some colour - we would assess the colour as approx. K-L. Clarity approx. SI1 - there are a few small, scattered inclusions and a small patch of tiny carbon spots near to the culet, which are visible through a 10x lens, but not to the naked eye. The claws have some wear but are secure and there is some wear to the platinum around the outer circumference of the halo, but again the claws are all intact and the smaller diamonds secure and all present and original. The shank appears to have been sized in the past.
A ladies Omega Dynamic stainless steel manual wrist watch, c.1972, movement no. 27850817, the signed, circular 19mm. gold dial with blue chapter ring with white baton markers, the oval case 30mm. at widest, numbered 700L 102 to case back, original dark blue corfam strap, in the original box with guarantee booklet. Winds and runs. Dial has some flaking from batons and patch of pitting to outer orange border at 11 o'clock. Case good, some scratching to case back. Strap fair. Case good. Outer card box has some ink grafitti to one side.
A Gucci G Wave black leather hobo shoulder bag, in soft, grained black leather with gold toned hardware, with unusual short crocodile handle with braided edges and 'G' logo fitting, adjustable long shoulder strap and additional braided leather, fixed length shoulder or cross body strap, the interior with zipped and open flat pockets, 16 x 15in. (40.5 x 48cm.), with dust bag.. Used condition - has some wear to the handles, edges and corners of the leather. Light scratching to hardware. There is a patch of heavier wear to the surface of the leather to the lower centre of one side of the bag.
A large Chinese gouache painting, early to mid-20th century, depicting a noblewoman and attendant beside a lake in a fenced garden, unsigned, 63¾ x 30¾in. (162 x 78cm.), in a plain gold painted frame. Contact marks & damp spotting to surface of painting around the margins. Small scratches and damp spot marks to the building and clouds to right hand side, and also some to lighter areas elsewhere. Marked brown stain spots and a larger patch to the main figure's orange-red sleeves. Horizontal fold crease visible across the paper, approx. one-third up from bottom edge.
William Woollett (1735-1785), after George Stubbs ARA (1724-1806), Shooting, a set of four, engravings, published by Thomas Bradford, 1769-1771, 17¼ x 21½in. (43.8 x 54.5cm.), in Hogarth frames. (4) Paper toned to all four engravings - plus several spots of darker staining to margins on all four. None examined out of frame - possibly laid down. - Plate I: Large circular stain to lower right and large dark stain upper right. Spotting and surface dirt across the sheet. Old restoration to tear lower left corner. Two small tears visible to top centre margin. - Plate II: Dark stained hole at lower left corner and abrasion/damage to surface of paper to left and above this hole. Several small old splits to paper and creases, plus general light surface abrasions across the sheet in sky. Some spotting throughout. - Plate III: Large restored tear to top centre and another tear lower left margin. Dark stain patch lower right corner and crease above this just above treeline. Two small abrasions to paper surface at top left corner. - Plate IV: Small slightly darker stain mark at lower left. Otherwise good.
T. W. Brouard (Guernsey, early 20th century), Two naive style paintings of the White Star Line ocean liners RMS Titanic and RMS Aquitania at sea, with much smaller vessels to the foreground to emphasise the huge scale of the liners,. * gouache on board, each signed and dated 1925 lower left, in original frames. * Titanic 20¼ x 28¼in. (51.5 x 71.75cm.), Aquitania 21 x 29½in. (53.3 x 75cm.). (2). * Both framed behind glass - dirt behind glass and some surface dirt to paint, which is more pronounced on the Aquitania. Aquitania also has three mould spots to the paint surface to the funnels and some yellowed varnish patches in the sky, and a patch of paper adhered to the paint surface at the lower right margin. Both with some losses from frames.
Joe Townend, (British b. 1946), A1 Class Steam Locomotive 60155 ‘Borderer’ at York Station. oil on canvas, signed lower right, framed. 21½ x 27½in. (54.6 x 69.8cm.). * This engine started life in 1949 as 60155 ‘Borderer’, an east coast mainline stalwart. The engine often hauled the heavy sleeper trains between England and Scotland. It was scrapped in 1965.. Canvas spotted with mould. Repaired with a patch lower left.
A facet-cut moulded-stem sweetmeat and a pair of patch stands, first half 18th centuryThe first with a heavy broad double ogee bowl, cut with bands of ellipses and facets below a barbed and scalloped rim, on a six-sided pedestal stem with diamonds at the shoulder, with an unusual wide basal collar, the domed foot with a scalloped footrim, 14.5cm high, the patch stands of attractive small size, the trays with everted rims and moulded with radiating gadroons to the undersides, raised on bobbin knopped stems and folded conical feet, 5.9cm high (3)Footnotes:ProvenanceDr Harwood Stevenson Collection (sweetmeat)With Jeanette HayhurstGraham Vivian Collection (sweetmeat)Stephen Pohlmann CollectionA related moulded-stem sweetmeat glass is illustrated by W A Thorpe, A History of English and Irish Glass (1929), pl.CV, no.1. Similar patch stands are illustrated by Keith Kelsall, Glass in 18th Century England: The Footed Salver (1989), nos.21 and 24.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Two South Staffordshire enamel patch boxes, circa 1780-90One of circular, waisted form, embossed and painted with panels of flowers and geometric yellow on a pink linen or gingham ground, 5.3cm diam, the other of oval form, with a faux tortoiseshell design around a blue roundel and radiating raised enamel and gilt dots, a mirror to the interior, 5.4cm wide (2)For further information on this lot please visit Bonhams.com
A South Staffordshire enamel anti-slavery patch box, circa 1800Of oval form, the hinged lid printed and hand-coloured with a kneeling black man, his chained hands clasped together, between a distant settlement and a slave ship, below the motto 'AM I NOT A MAN AND A BROTHER', the base washed in pink, the cover inset with a mirror, 4.7cm wideFootnotes:The powerful image of the kneeling slave and the accompanying motto was famously produced by Josiah Wedgwood, namely in the form of jasperware medallions. An example was sold by Bonhams on 29 September 2020, lot 123. To show and generate support for the plight of slaves the image was adapted to be used on a variety of small tokens, easily displayed or worn on the person. The leading abolitionist Thomas Clarkson noted 'Thus fashion...which usually confines itself to worthless things, was seen for once in the honourable office of promoting the cause of justice, humanity and freedom.'For further information on this lot please visit Bonhams.com
Two South Staffordshire enamel patch boxes, circa 1770-90Of oval form with hinged covers, one painted with the portrait of a lady, with foliate surround, the base embossed with colourful flowers on a deep blue ground, 4.7cm wide, the larger example embossed with scattered floral sprigs, picked out in colours against an attractive yellow ground, 6.2cm wide (2)For further information on this lot please visit Bonhams.com
A South Staffordshire enamel patch box, circa 1770Of oval form, the hinged lid and waisted sides painted with bucolic scenes within raised rococo scrolled gilding, on a green ground heightened with white enamel dots, the gilt metal mounts opening to reveal a fitted mirror and inscribed with the motto 'Fidelle & sincere' within puce scrollwork, 4.7cm wideFor further information on this lot please visit Bonhams.com
A South Staffordshire enamel patch box, circa 1793-95Of oval form, printed in black with a titled bust-length portrait of King Louis XVI of France, the base washed in bright blue, the hinged lid inset with a mirror, 5.6cm longFootnotes:The execution of King Louis XVI in January 1793 sent shockwaves across Europe. A contemporary patch box depicting the unfortunate king at the guillotine was sold by Bonhams on 1 December 2021, lot 379.For further information on this lot please visit Bonhams.com
Two South Staffordshire enamel patch boxes, circa 1800One in the form of a pocket watch with a gilt metal hinge, mount and hanging loop, the dial with moveable hands behind glass, the reverse painted with flowers on a sea-green ground, with white enamel scrolls, 5.2cm long including loop, the other of oval form, the hinged lid inset with a mirror and painted with reversible portraits of a man and woman, inscribed 'One Month before MARRIAGE' and 'One month after MARRIAGE', oak leaves and acorns encircling the base, 5.3cm wide (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A South Staffordshire enamel spaniel patch box, circa 1770-80Of circular form, the hinged lid moulded in high relief with a reclining spaniel, its coat, curly ears and tail picked out in black and white, encircled by raised gilt scrollwork on a pink ground, the pink base embossed with colourful flowers and gold sprigs, the interior fitted with a polished steel mirror, 4.8cm diamFor further information on this lot please visit Bonhams.com

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