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A rare South Staffordshire enamel rosebud bonbonniere, unmarked, circa 1770, painted in pink enamel, the sepals in two tones of green, 5cm (2in) highCondition Report: There are small crazing cracks to the enamel, there is an area by the lip towards the front where the enamel has been patched, with yellowed paint to the interior covering a chip, there is another slightly lumpy patch to the lip by the hinge, but not further noticeable paint to the interior.Condition Report Disclaimer
A pair of diamond ear hoops, the hoops set throughout with brilliant cut diamonds, approximately 3.80 carats total, 4.7cm diameter, 17.8g grossCondition Report: There is a patch on one of the earrings where it has been previously acid tested, the settings are unmarked, but gold. The diamonds are all present and correct, bright an lively, colour estimated I-L, clarity VS-SI. Condition Report Disclaimer
A ruby and diamond ring, the central ruby claw set above channel set step cut diamonds, to brilliant cut diamonds set borders, approximately 0.72 carats total, finger size N, 9.6g grossCondition Report: The ruby is bright, some typical inclusions, there is a scratch to the table and some small nibbles, the diamonds are bright and lively, the setting is unmarked, but a small patch of gold colour is showing through at the back of the shank where it has been rubbed.Condition Report Disclaimer
JOHN COLTRANE - LP HMV RARITIES. A smashing pack of 2 LP rarities by John Coltrane, both UK pressings on His Master's Voice. Titles include Crescent (CLP 1799, 1964 UK mono pressing on HMV. The labels are lovely, bright and clean. The record is in stunning Ex+ condition. The front laminated flip-back sleeve is beautiful Ex condition) & Impressions (CLP 1695, 1963 UK mono pressing on HMV. Side 1 has a small patch of inner sleeve transfer sheen, VG+. Side 2 is beautiful Ex. The front laminated flip-back sleeve has a tiny sticker at the top of the back cover, condition is stunning Ex).
GUCCI; a cloth and black leather monogram 'GG' canvas belt/waist bag, serial no.1011530, with silver tone hardware, a large zip pocket to the back, a small zip pocket to the front and a flap pocket, 29 x 16 x 2cm, with dustbag.Additional InformationOverall condition is good, with only a few signs of very light wear. There is a small patch of whitening to one of the front pockets, but otherwise overall condition both inside and out is good.
LOUIS VUITTON; a blue denim monogram 'Baggy GM' bag made from monogram denim with beige leather trim and gold tone hardware, with a zip fastening top and a large zip pocket at the front, alcantara lined interior two two patch pockets to the front, no.SB1025, 34 x 35 x 13cm.Additional InformationOverall, condition is good, with signs of very occasional wear. The shoulder strap looks unused, with no marks, scratches or scuffs to the leather, as does the handbag. There are no stains to the base or the sides of the handbag.
SIX BOXES OF ASSORTED CERAMICS AND GLASS etc, to include Royal memorabilia presented at diners at Moxhull hall 1897, 1902 and 1911, Buckingham palace giftware patch box, Clifton Pottery tobacco jar, Coalport and Portmeirion trinket trays, Royal Doulton atomiser perfume bottle, four small Art Deco glass bowls with enamel and cut decoration, assorted ceramics, ornaments, drinking glasses and pressed glass etc
SIX PIECES OF MODERN COLOURED GLASSWARE, including three paperweights, one of penguin form, a Kosta Boda amethyst swirl heavy conical bowl, diameter 11cm and a green glass vase etched with squirrel, acorns and oak leaves, height 12.5cm (Condition:- Kosa Boda bowl has wax deposits, millefiore paperweight has nibbles to foot rim, squirrel vase has nibbles to top rim, ribbed green glass vase has a patch of sticky deposit, items not mentioned are in good condition)
dating: 1847 provenance: Austria, Octagonal, rifled, 14 mm cal. barrel, with cylindrical nozzle, stamped 'F.F.', 'V', crowned 'S' and 'A', rear sight of two heights with foldaway sight leaf, brass fore-sight, clutch for a bayonet. Tang marked '129' and, further back, also '837'. Lock with Augustin system, dated '847' and with imperial stamp; wooden, full stock (small missing parts), 'FF' and 'D' stamps, brass mounts with remains of silvering, butt with patch-box. Mechanics still working. Scarce. length 105 cm.
dating: 17th/19th Century provenance: Germany, Rifled, octagonal, 17 mm cal. barrel with rear sight and foresight, lateral mark at the base, the vent closed; inner wheel lock (missing parts of the mechanics), engraved with hunting and floral motifs, sliding pan cover; handmade wooden stock with several bone and pearl-inlaid works representing animals in the wood or fantasy creatures, hunting scenes, hunter with a wild boar, floral motifs and geometrical patterns. Patch box. Iron anatomical trigger guard. Bone-tipped wooden ramrod. length 105.5 cm.
A George II coffee pot with wooden handle and hinged lid, profusely decorated with floral swags.London 1757. 32.33ozHeight 26cmCondition report: Not misshapen. Stands true, no wobbles. No holes. Lid closes nicely, virtually no play in hinge. Interior shows solder, corresponding with evidence of an historical split beneath handle (see photo). Well repaired. The lines of the scroll to the bottom right of spout show signs of having been filled in an 8mm patch (see photo). Only a lion hallmark on the lid.
FRAMED GROUP OF WWI & WWII SERVICE MEDALS, comprising the Great War for Civilisation, 1914-18, and Bravery in the Field medals (2389754 Pte. T.W. Adams, Roy. Corps of Signals), 1938-45 star, the Atlantic star and the 1939-45 medal (3326891 John Lee 1Bty. 1 Maritime Reg. KIA 30th Oct. 1942 aged 22), the 1914-15 star and Great War for Civilisation medals (to 24223 Pte. H. Lee Cam High. and 30502 Sjt. D. Martin 9/Scot Rifles respectively) mounted with photographs, 35cm x 42cm overall, along with a felt cap, a military patch with bagpipes, and seven cap and other badges
A Clarice Cliff Windsor shape teapot in the Autumn Crocus pattern, together with a small collection of same pattern pieces to include a slop bowl, a jug, a honey pot (lacking lid), an egg cup, an ashtray, a posy flower holder, salt and pepper shakers, a tea bag holder, a pair of pots and a lidded sugar pot, the teapot 12.5 cm high x 15 cm wideCondition report: teapot chipped + cracked + crazed, the jug is very worn/scratched/paint losses, the mustard pot lid is cracked/reglued, has a reglued chip and another chip to rim of the pot, another pot with chip, pair of little pots have one discoloured with hairline crack and repair, the bowl has restoration to the rim, egg cup with chip, the beehive pot has a chip to the base and underside and a large restoration patch to the underside, loss of paint to most pieces
A 19th century mahogany tea table, fold-over top with stringing above a frieze with inlaid oak leaf and acorn motif, on square tapering legs to castors, 77 x 92 x 45cm. CONDITION REPORT A small patch repair to the back right corner of the top section, further light surface scuffs and scratches throughout which have been over polished, it has been given a glass top which has minor nibbles and chips, minor losses and tack marks to the boxwood stringing on the lower section of the frieze, there are various light surface wear scratches etc to the legs.
Private Purchase Officer's Battle Dress Jacket khaki material, single breasted, open collar, short jacket. Lower extended belt. Patch chest pockets with buttoned flaps. Rank from shoulder straps partly loose but present. Brigadier collar tabs loose. Post war SHAEF badge loose. Together with an Officer's issue, khaki field service cap. Plastic General Service buttons. Un-badged.
1922 Pattern Converted Doublet Pattern Tunic khaki woollen, single breasted, high fold over collar tunic. The lower front cut away in doublet pattern. Patch chest and lower hidden pockets, all with buttoned flaps. Brass, KC General List buttons. Internal linen issue label. Traces of badges being removed. Minor service wear.
1952 Dated Officer's Special Air Service Patrol Tunic black, single breasted tunic. Light blue, high collar with silvered and gilt SAS badges. Pleated chest pockets with buttoned flaps. Lower patch pockets with plain flaps. Pointed cuffs with two regimental buttons. Right arm with bullion embroidery SAS parachute wings. Silvered, Captain's rank stars. Silvered SAS buttons. Separate belt with brass buckle ... Matching black trousers with light blue side lines. Some damage to waistband. All items with Flights Ltd tailor's labels named to 2/Lt R W Cundy dated 26/4/52. Some minor service wear.
Five Various Modern Scottish Doublets khaki, single breasted, doublet front tunics. Patch chest pockets and lower hidden pockets. All with anodised buttons. Including Royal Regiment of Scotland ... HLI ... A & SH ... QC Cameron Highlanders ... QC Scots Guards complete with titles and piper's badge. 5 items.
Loyal North Lancashire Regiment Officer's Patrol Tunic dark blue, single breasted, high collar tunic. Pleated chest pockets with buttoned flaps. Lower patch pockets with plain flaps. Silvered, gilt and enamel. KC collar badges. Anodised QC buttons. Rank badges absent. WW2 medal ribbons. Together with a pair of black trousers. 2 items.
Rare WW2 Civil Defence Tunic with RFC Wings attributed, WW2, dark blue, Civil Defence, short battledress jacket. Patch chest pockets. The left pocket with embroidery KC C D Wimbledon badges. Upper chest with embroidery, KC RFC pilot wings over Boer War and WW1 medal ribbons. Both shoulders with embroidery Warden titles. Lower right cuff with 5 printed chevrons. Yellow lanyard with ARP chrome whistle. Some heavy moth patches and wear to tunic. Together with two, black and white photos of the owner wearing a boiler suit with RFC wings attached. From the estate of Edgar Pennington Maxsted Robinson, Loyal North Lancashire Reg and RFC
A collection of 19th and 20th century hand sewn and machine made crotchet tablecloths A/F, together with fifteen square tablecloth insertion crotchet squaresCondition: first white tablecloth 150 x 250cm, four holes, second cream tablecloth 82 x 89cm, seven holes, third white cotton Chinese tablecloth 33 x 33cm, two holes, fourth white cotton scalloped edge tablecloth, 120 x 120cm, no holes, a patch of damage - see photo, fifth circular cloth with scalloped edge, 76cm diameter, three holes, sixth white tablecloth with beige silk thread, 150 x 206cm, several stains, seventh cream circular cloth with lace trim, 54cm diameter, one stainLocation: 1:6
Channel Islands football interest - a rare Guernsey Football Association patch - Belgrave Wanderers Football Club Jackson Team 1932-33 photograph and medals, to include a silver Jackson League medal awarded to R. Morton 1932-33 (front row left on photograph); together with three other medals; and a silver Old English pattern spoon, engraved to terminal 'T.I. 1950 S/H R. Morton Winner', 7in. (18cm.) long, gross weight of spoon and silver medals 2.4 tr.oz. (7)
Guru Nanak, by the artist Hari Singh (1894-1970) Punjab, circa 1950-60watercolour on paper, signed lower left 52 x 40.5 cm.Footnotes:Paintings of Guru Nanak, done in the late Pahari style, continued to be made at the Sikh courts and later, well into the 20th Century. The growing popularity of the calendar art of Raja Ravi Verma, the availability of new materials, such as machine-made paper and watercolours, together with other European influences, were absorbed by the artists of the time such as Hari Singh. Born in 1894, Singh produced remarkable portraits of eminent personalities of the Sikh courts, warriors - and the Sikh Gurus. Our painting is the original iconic image of Guru Nanak which has been reproduced widely over the last half century or more in posters, diaries and calendars and continues to be so even today. Here, Guru Nanak sits in a meditative pose on a terrace, against lush foliage of greenery and flowers with a Gurudwara behind him. Depicted as a serene aged figure holding rosary beads in hand, he wears a patch-worked wrap over his golden robe and a high flap cap with a domed top. His slippers, water vessel, lotus flowers and a fly whisk made of peacock feather surround him. One of Hari Singh's early patrons was M. S. Randhawa who recommended the purchase of a series of paintings by the artist depicting figures such as Maharaja Ranjit Singh, Maharaja Duleep Singh and Rani Jindan Kaur. However, Hari Singh is most well-known for his religious paintings which appear in several museums across the Punjab and in the most important Gurudwaras, both in India and the world over. A painting depicting Guru Nanak with Bala and Mardana, is in the Nankana Sahib (Pakistan); another depicting Guru Gobind Singh is at the Sri Hazoor Sahib at Nanded. His painting of Guru Hargobind was at the Akal Takhat until 1984 when it was reportedly destroyed during Operation Blue Star. In recognition of his contribution, Hari Singh's own portrait was acquired and hangs in the museum in the Golden Temple complex in Amritsar.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Spanish Colonial painted copper panel of the Immaculate Conception with Saints, 18th century, with the crowned Virgin Mary standing on an orb and crescent moon, surrounded by Saints and within a strapwork reserve with lilies and amorini to the spandrels, 43 x 37cm overall including gilt composition frameCondition Report: The panel bears the usual minor marks knocks and scuffs overall consistent with age.There is a patch of verdigris oxidisation to the lower left corner, and further, smaller patches to the middle of the right side and the top edge.Not inspected outside of the frame. There is a repaired crack to the right hand side, and another to the lower left corner.Minor flaking and scratching to painted surface, and the colour has possibly been refreshed in places, including possibly to the figure of the Virgin herself.Not inspected outside of frame, though the panel is a little bent in the middle.Frame has been re-gilt, and there is evidence of old worm. Condition Report Disclaimer
A Mohajeran carpet, approximately 350 x 273cmCondition Report: Some wear overall. Some patches of additional wear/balding to centre field and borders. Old patch repair to central field (see images). Binding to longest edges with some wear and undulation. They have folded over in places. Fringing is short at both ends. It has wear and fraying but this does not encroach into the pile. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A George III mahogany secretaire cabinet, circa 1785, attributed to Gillows, the interior of the secretaire drawer being shaped and incorporating small drawers, a cupboard and twin compartments fronted by false book bindings, 222cm high, 120cm wide, 59cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old splits, chips and some losses. Upper doors open to three adjustable shelves. Lower doors open to three sliding trays. Splits to the moulding of the upper doors. Section of moulding to the fall front and to the right upper door lacking (see images). The upper doors do not close flush and the lock catch is lacking. The strips of moulding between both pairs of doors are possibly later and are lighter in colour. There is a patch of replacement veneer to the back of the fall where the fixtures of one handle secure. However, the handles appear original. Later blocks to the backs of feet and some repaired splits to feet. Old plugged hole to one lower door. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A set of six Regency mahogany dining chairs, circa 1815, each tablet moulded top rail above a twin X-shape splats, flanked by reeded uprights, above the padded and leather upholstered tapering rectangular seat, on reeded sabre legs, each 83cm high, 45cm wide, 50cm deep overallCondition Report: Please note, all chairs are stamped 'MB' to the rear seat rails. All chairs with marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. All chairs structurally solid. The leather to all seats with the expected wear and discolourations. All seats with some splits to the leather and abrasions/losses to the edges (see images for extent). One chair with old patch repair made to front of seat. Evidence of old worm to the undersides of the seat rails. One chair with later supporting corner blocks to the backs of the seat rails. One chair with later metal bracing where the two front legs meet the rails. This chair also has a neatly executed old glued repair to a split through the top of one rear leg. One chair with later metal bracing where the two rear legs meet the rails. Two other chairs with 'shadow' and old screw holes to the rails and legs from where metal bracing once sat. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A walnut and feather banded bureau, 18th century and later, the stepped top with a hinged lid and four finials, above a fall front enclosing a fitted interior, over two short and two long drawers and raised on bun feet,92cm wide61cm deep116cm highCondition report: Appears somewhat fanciful in form. Splits, scratches and marks to veneer. Evidence of repair and/or alteration. Re-finished. Marks, knocks, splits and wear to interior. Patch repairs to veneer. Feet possibly later. General wear throughout.
Manner of Sir Anthony van DyckTwo Apostlespastel42 x 43cmBetween 1610 and 1612, Rubens painted a series of 12 apostles that are now in the Prado and they must have inspired his pupil, Van Dyck, to copy the same idea. Van Dyck went overboard and there are dozens of paintings, some in groups, that show the apostles. They are discussed in great detail by Nora de Poorter in the catalogue raisonné published by Yale in 2004. All these are individual heads and none are double portraits like the present pastel. The figures in this pastel are similar to Simon and Jude (Judas Thaddeus) but they are by no means identical. The figure types are very similar, but the poses adjusted, and they are inspired by Van Dyck, but not copied from him.Condition report: 19th century. Small grey spots of foxing throughout. Also some large white spots, possibly mould or damp visible in the darker areas. A pale rubbed patch in the background, top centre, and some paler areas down the righthand edge. Not seen outside of glazed frame.
Circle of Charles Robinson (c.1760-1821)Portrait of a gentleman, bust length, in a blue coat and white stockminiature on ivory3 x 2cm, oval, in a 15ct gold frame, with blue enamel bezel and seed pearl borderCondition report: The frame with bracelet box clasp fittings, and with later brooch fitting. A small patch of possible retouching to the left of the face, between collar and hair. Dust under the glass. Not seen outside of glazed frame.
*John Miller (1931-2002)La Santa Maria della Salute, Venice from across the Lagoonsigned l.r. and inscribed and signed verso, oil on canvas56 x 76cm*Artist's Resale Right may apply to this lot.Condition report: Oil on canvas which has not been lined. The canvas has good tension and the paint layers are in a very good condition. Under ultraviolet light there is a dark patch in the middle of the right edge, but this is possibly related to the artist as it matches other dark blue brushstrokes. The painting has a layer of dirt and on close inspection there are small brown spots across the surface which may be related to a fine varnish layer. But overall the painting is in a very good condition.

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