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Three jade 'fruit' togglesThe first depicting a bee resting on two pomegranates growing from a common stalk, a russet patch in the pale greenish-white stone left on the top of one pomegranate fruit; the second of flattened gourd shape and off-white hue enveloped by a curling dragon; the third depicting a moth hovering on a flattened melon hanging from a deeply undercut leafy vine, the gray-green stone showing opaque straw colored inclusions.1 3/4in (4.3cm) length across pomegranates (3).

A white jade brush washer19th centuryThe naturally formed shallow vessel enmeshed with delicately undercut woody branches bearing pleasing flowering plum blossoms, portions of the thin branches extended to the underside of the vessel serving as the foot, further decorated with two lively magpies, one perching on a branch, and the other on the edge of the vessel; the attractive white matrix marked with cloud-like inclusions and a small russet patch.5in (12.7cm) long

A collection of gold jewellery, two 22 carat gold wedding bands (one cut), approximate weight 8.3gms, an un-marked wedding band 1.7gms, a 9 carat yellow gold patch box, very thin gauge, monogrammed and dented, gross weight including mirror in cover 9gms, a 9 carat rose gold frame and belcher link necklace with 9c pad stamp, 6.3gms. (Qty: 6)

L. Lewis (British C19th) gilt framed watercolour, lakescene with figures and sailboats, signed and dated 1889.Condition report intended as a guide only.Discoloured patch.

A mid-Victorian figured walnut three-division music canterbury, having end carry handles and turned finials, to further turned columns and base drawer, h.53.5cm, w.55.5cm, d.38cm.Stands well.Colour / patina good and original.Several small patch repairs to veneers at edged extremities and lower left corner of drawer.

Late 19th/early 20th century: An ivory netsuke; an ivory small elephant (damaged trunk); an ivory patch box; an ivory ornamental, probably for an Obijime; An ivory small bird with gold eye; and an ivory small model of a fan

A silver and blue guilloche enamel lidded oval patch pot with lid mirrored to the inside.

A Queen's South Africa medal, (1899-1902) 2nd type reverse with ghost dates, having S.A. 1901, Laing's Nek, Transvaal, Relief of Ladysmith, Orange Free State and Tugela Heights clasps, naming 5588 Pte. H. SNOW 2/Dorset Reg. 5588 Private H. Snow was killed in action 26/09/1901 in the battle at Itala Mountain, included in this lot are letters from Captain Cecil Alured Rowley D.S.O., the first dated 4/10/01 informing Snow's mother of his death "whilst gallantly repelling an attack of the Boers on the English position, he is buried with six others on the top of Itala Mountain." The second dated 10/12/01 in which he reassures Snow's mother of his conduct "It was very satisfactory and he always did his best to do his duty. He died doing his duty on Itala Mountain when the party in which he belonged was surrounded by the Boers he fought on until shot from behind by a Boer." To be sold with a formation patch and buttons, contained in a Queen's S.A. Christmas gift tin.

A Victorian Sepoy Percussion Carbine, the 63cm round steel barrel incised with Farsi script at the breech, the lock plate marked with crowned VR, 1857 TOWER, the walnut half stock with steel furniture, the butt set with steel patch box, with steel sling swivels, ramrod and leather sling

A late 18th Century Bilston enamel oval patch box, the hinged jewelled cover with motto 'Love me Always', width 4cm (s.d)

An early 19th Century Bloor Derby patch pot and a late 19th Century Minton rouge pot - sold with a Lille enamel patch box and another similar, both a/f

AN ELIZABETH II SILVER MOUNTED TIMEPIECE, 6.5 X 5 CM, SHEFFIELD 1996, A SILVER PHOTOGRAPH FRAME, 8.5 X 7 CM, INDISTINCTLY MARKED AND A SILVER PATCH BOX, 3 X 2 CM, MARKED 925 STERLING (3)

AN 18TH C SOUTH STAFFORDSHIRE ENAMEL PATCH BOX, ANOTHER OF LATER DATE WITH YELLOW GROUND, AN EARLY 19TH C ENGLISH SCHOOL PORTRAIT MINIATURE OF A GENTLEMAN, UNFRAMED, A BRASS BOTTLE CAP INSET WITH GLASS PICTURE OF A CATHEDRAL, ETC

A FIRST HALF 20TH CENTURY CHINESE SILVER ROSE BOWL, of circular form, domed grille over a concave band and a repousse border of geometric patterns and fruit, flared circular foot, two sets of character marks stamped to the underside of the base, approximate weight 12.7ozt, 396 grams, height including grille 15cm x diameter 18.5cm (condition: sits fairly level on a flat surface, sign of a rectangular patch to the interior, a large number of dints and creases to the body and foot rim, some deep scratches to the rim interior)

A ROYAL WORCESTER FRUIT STUDY POT POURRI, shape No.H169A, painted with apples and black cherries between gilt arches, signed Roberts, printed and painted marks, height 15.5cm (condition: no signs of chips, cracks or restoration, a few spots of household paint/residue and a slight patch of raised glaze to the left of the foremost cherry, gilding worn/darker on base and on neck of finial)

A PAIR OF ROYAL WORCESTER BLUSH IVORY TWIN HANDLED VASES, shape No.1674, printed and painted with pink and yellow roses, forget-me-nots and foliage, date cyphers for 1895, puce printed marks, height 27cm (2) (condition: one vase has restoration to both handles, the other vase has a patch of restoration to the rim)

AN EARLY 19TH CENTURY SALTGLAZED STONEWARE JUG WITH PLATED RIM, engraved 'Sacred to Friendship to Mirth & Mild Ale', horizontally ribbed neck above an ovoid body decorated with a rectangular Punch Party plaque which is surrounded by applied trees, foliage and hunting scene, base unmarked, height 22cm (condition: copper showing through in places to plated rim, rough patch to the top of the handle, a few small firing faults to the applied decoration)

THREE PIECES OF PILKINGTON LANCASTRIAN POTTERY, comprising a lidded storage jar decorated in a flambe glaze, dated 1912, height approximately 21cm, a baluster vase, shape No.3022, height approximately 20cm (from the Bill Coles Collection) and a lobed gourd shaped vase decorated in a strawberry and white streaked glaze, height approximately 17cm (3) (condition:The squat lobed vase has a patch of restoration to the rim and is crazed, the baluster vase has a restored neck/rim and possible patch of restoration to underside of base/foot, patches of heavy crazing was also noted under UV light, the lid on the lidded jar is cracked around the outer edge and may even be well glued in on a clean break, more obvious under UV light)

A VICTORIAN TUNBRIDGE WARE RECTANGULAR NEEDLEWORK BOX, faded and in need of restoration, the hinged lid inlaid with a spray of roses within a geometric border, opening to reveal a pink silk and patterned paper interior above double doors enclosing three drawers, each inlaid with a different geometric pattern, on a plinth style base lacking one foot, height 21cm x width 24.5cm x depth 19cm (condition: outside of box faded from sunlight bleaching, several veneer repairs which are prominent due to fading, patch of veneer loss and splits to the lid, knobs on doors are replacement but drawer knobs look original, door interiors have oval replacements, one foot missing)

A 10 BORE PERCUSSION MUSKET, bearing the Rampant Lion motif on the lock indicating former ownership by the East India Company, its 25 1/2'' smooth bored barrel has a fixed rear sight, has a patch box fitted into the stock and two attachment points for a sling, the lock is in correct working condition, there are some cracks in the stock situated on either side of the lock

A .177'' B.S.A CADET AIR RIFLE, serial number BC40511, its serial number dates its production between 1951 and 1959, it has retained almost all its original finish with the exception of a small patch of rust at the muzzle end, all the acid etching markings on the top of the action are clearly visible, it is in correct working condition and shows little evidence of usage (The purchaser must be 18 years old or over)

A WILLIAM IV ROSEWOOD FOLDOVER CARD TABLE, the rectangular top with rounded corners opening to reveal a green baize lined interior, on a turned and moulded baluster pedestal to a shaped rectangular base with circular reeded detail, on four bun feet, closed dimensions width 92cm x depth 45cm x height 74.5cm (condition: patches of veneer loss to sides of top and around the base, the apron has a lighter patch and some fading, the base has veneer splits)

AN EARLY 19TH CENTURY MAHOGANY AND INLAID BOW FRONT SIDEBOARD, fitted with a single drawer above a reeded wavy apron, flanked by a deep drawer and a cellarette drawer, on square tapering legs with spade feet, width 152.5cm x depth 75.5cm x height 89cm (condition: wear commensurate with age and use, patch of liquid damage to front edge, small area of veneer loss to front)

A silver and pink enamel patch box

Manner of Harry Becker - Ploughing scene, oil on canvas, 28 x 41 cm (unframed)Good condition, unframed, but properly stretched canvas on sturdy mount, small patch of canvas absent on top edge (not visible face-on)No patches of flaking of paintwork

Two silver trinket boxes the first of rectangular form, the hinged cover inset with turquoise mosaic, the sides with engraved floral decoration, 1½in. (3.8cm.) long; together with a circular silver pill/patch box, the pull-off cover and base inset with mother of pearl, the base plain, cover with concentric meander design, 1¼in. (3.2cm.) diameter, gross weight 0.96 tr.oz. (both unmarked). (2) *Condition: Mother of pearl with chip to outer edge, otherwise fine, rectangular version good, nothing to note.

A Chinese porcelain blue and white double gourd vase and cover probably 18th / early 19th century, potted with two distinct bulbs and elongated, slightly flared neck with domed, stopper-style cover, painted with a pair of phoenix in flight amidst stylised clouds, the smaller bulb above with gnarled prunus and pine trees below a floral and diaper decorated neck, the two gourds divided by a wavy girdle, over a basal band of floral reserves on a keywork ground, six character mark to base, 14in. (35.5cm.) high, neck and cover a/f. *Condition: Cover with glued repair, glued repair to upper neck and small chip to rim, a patch of heavy abrasion to glaze to lower neck. A few small frits to edge of base.

Three small Chinese porcelain blue and white vases comprising two sleeve vases, one painted with two dragons amidst flowers and foliage, below a diaper and bamboo border below the everted rim, 6in. (15.1cm.) high, the other painted with two rectangular reserves with figures in a garden, on a ruyi diaper ground, with four character Xuantong mark (1909-1911) and probably of the period, 5½in. (14.1cm.) high; and a baluster vase with similar decoration, with four character Kangxi mark but later, 4 7/8in. (12.3cm.) high. (3) *Condition: - Sleeve vase (dragons): Small glaze chip to rim. Otherwise good. - Sleeve vase (scholars): 2in. hairline to rim. - Baluster vase: Small patch of glaze abrasion to rim. No other faults.

A Chinese bronze and cloisonné enamel archaic style jardinière probably 19th century, bell form with everted rim and tripod feet, cast four character mark in archaic script to base, the exterior in patinated bronze with a cloisonné band of stylised masks and dragons suspending four floral pendant reserves, 8¼in. (20.8cm.) high. *Condition: Water scale residue to interior from use. Small oxidised patch to surface of bronze below rim. Tiny ding and scratch to lower body. No losses to enamel. Blister to metal to one foot.

A collection of Royal Doulton figurines comprising Disney's 101 Dalmatians - Rolly; Lucky; Patch in basket; Penny and Freckles, Bunnykins - Girl Skater; Boy Skater; Father, Mother & Victoria; Sailor; Mother; Hornpiper; together with two others, Mrs Crustybread and Foxy Whiskered Gentleman. (12) *Condition: no faults found, good condition.

A Persian rug third quarter 20th century, the madder field with all over decoration of flowers and vines in dark blue, pink, light green, pale brown, pale blue and buff, within a dark blue floral and foliate border and buff and dark blue floral meander guards, 113 x 72in. (287 x 183cm.). *Condition: Dirty and would benefit from cleaning. Otherwise good. Colours remain good. Very small patch of old moth damage to pile to one corner. No other damage.

A brass bound mahogany cased two-day marine chronometer by Norris and Campbell, Liverpool mid 19th century, c.1850, no.486, the circular four-pillar single chain fusee movement with Earnshaw type escapement, compensated cut bi-metallic balance with circular weights, helical spring and faceted diamond end-stone, the spotted backplate with blued steel spring set-up ratchet and movement pillar securing screws, the 3¾in. circular silvered Roman dial with subsidiary seconds dial at six, up/down register and engraved 'Norris and Campbell, Liverpool No.486', with gold hands, secured by a screw-down bezel into a brass bowl with sprung shuttered winding hole to underside, mounted via gimbals into a mahogany three tier case, with vacant brass name plaque to top, capped corners over strap-bound edges and the sides with brass carrying handles, the front with vacant ivory roundel below a push-button catch, over a shaped brass key escutcheon, with winding keys, the case 6½in. (16.5cm.) square, 6¾in. (17.1cm.) high. *Condition: Very good condition overall and appears to be original and unrestored. Winds and runs. A few very faint scratches to dial, small faint patch of oxidisation inside seconds dial, movement very clean, case very good, some wear to gilt to brass, lacks case key.

A mahogany cased barograph by Short & Mason Ltd, London the silvered dial marked RD No.428606, with bevelled glass, eight tier vacuum, gilt brass fittings and single recording arm, cylinder stamped 'Pat. 3715.02', with a single drawer, with original 'Self-Recording Barometer' instruction leaflet, 14¼ x 8½in. (36.2 x 21.5cm.), 8½in. (21.5cm.) high. *Condition: Winds and runs. Some crazing/dulling to polish to case and wear to colour on corners. Spotting to brass and dark stained patch to brass below back of vacuum. Two large patches of deterioration to lacquer to top of cylinder.

Robert Robin Fenson, alias Henry Maidment (British, act.1889-1914) Pastoral landscapes at dusk oil on canvas, both signed 'R. Fenton' and dated (18)97, in period gilt painted frames 7 5/8 x 11½in. (19.3 x 29.2cm.). (2) *Condition: On both the canvas is slightly uneven and is slightly loose on the stretcher. Figure on bridge has a small tear to lower centre just above river - has a small patch applied to back of canvas. Small brush mark of gold paint from frame to upper left margin. Both have been cleaned in fairly recent past and revarnished. Frames overpainted gold.

Leighton (Robert). Bp . Lighton's Catechism for Children, Edinburgh: Printed and sold [by J. Watson] in Wariston's Closs , [1695], 11,[1]pp., general toning throughout, pale patch to lower blank margin of title possibly where signature washed out, early 20th century half calf, green morocco title label to spine, rubbed to spine, slim 12mo (Wing L1027D), together with Gouge (Thomas) , The Young Man's Guide trhough [sic] the Wilderness of this World, to the Heavenly Canaan. Shewing him how to carry himself Christian-like in the whole course of his Life, London: Printed by T.B., 1696, early manuscript shelf number to title, error in paging: p. 4-5 lacking in number only, browned and dampstained, verso of front free endpaper inscribed 'this book belonges to me Margaret Campbell March 12th 1698 price 10 pence', upper pastedown with armorial bookplate of the Rt. Hon. Patrick Hume, Earl of Marchmont... Lord High Chancellor of Scotland, contemporary sheep, upper joint split and board loose, some wear, 12mo, plus [Theology] , Eniautos; or, A Course of Catechizing; being the Marrow of all Orthodox and Practical Expositions upon the Church-Catechism, and of all Controversies upon the Church-customs and Observations..., 2nd edition, London: Printed by J.C. for Fra. Kirkman, 1674, 40 of 48 engraved plates, signature E. Marshall 1850 to title, light dust-soiling, spotting & browning, later endpapers, armorial bookplate of George Martyn Gorham to upper pastedown, contemporary speckled sheep, rebacked, preserving original spine, 12mo, and Simson (Alexander) , The Destruction of Inbred-Corruption: or, The Christians Warfare against his bosome Enemy. Being a sure, certaine, and choice antidote against fleshly lusts. By that faithfull and painfull labourer in the Lords Vineyard, Mr. Alexander Symson late minister of Gods Word at Merton in Scotland, London: John Wright, 1644, short tear at foot of title and A2 with burn hole at foot, some dust-soiling, late 19th/ early 20th century half calf, 12mo, and 5 other antiquarian, mostly late 17th century publications (Qty: 9)

German Third Reich RLB Reichsluftschutzbund cloth insignia (National Air Raid Protection League) comprising a machine embroidered tunic badge and an Officer's silver bullion patch (2)

German Third Reich cloth insignia comprising a Heer NCO/Officer's flatwire breast eagle, silver against dark green backing together with a white/gray and black SS eagle, a tropical machine woven BeVo SS eagle and a diamond SD patch (4)

A small group of German Third Reich and reproduction cloth insignia comprising edelweiss patch, two BeVo skulls, swastika oval patch, two SS machine woven tropical eagles, three enlisted/NCO SS eagles, one bullion SS eagle and one further SS embroidered eagle together with bullion wreath with swastika (12)

A German Third Reich Railway tunic constructed of dark blue wool with four pockets closed by single gold pebble buttons, with collar tabs for the Rail Line Service and Paygroup 10 shoulder straps, BPD Ausburg patch to the right arm and further circular patch the right arm and the interior lined in a black rayon

Manner of George Armfield (1808-93), Guarding the vegetable patch, oil on board, 20cm x 30cm

Sindy and Patch clothing

Patch (Sindy's sister) doll - boxed

An Ann Rutherford skirt from Gone With the WindMGM, 1939. Designed by Walter Plunkett. Pale seafoam-colored full-length skirt with the lower 14 inches of the skirt consisting of a different fabric of pale tan with subtle stripes, bearing a green-lettered 'Selznick Int. Pictures Inc.' interior label inscribed, 'Carreen / 20-108 W.W. 358' in black ink and a second interior label inscribed, '1st dress / cotton patch.' Rutherford's performance of the sweet O'Hara sister, Carreen, contrasted effectively with the whiny sister, Suellen, played by Evelyn Keyes. This skirt was worn in the scene where Suellen and Carreen have been reduced to picking cotton in the fields of Tara, a far cry from their days as pampered Southern belles. Suellen is famously slapped by Scarlett for complaining, while the docile Carreen attempts to console her regarding the Southern niceties which have faded because of the war: 'I guess things like hands and ladies don't matter so much anymore.' Accompanied by a DVD of the film.

A JERRY GARCIA STUDIO RACKcomprising 1. a Roland GR50 guitar synthesiser; 2. An MX8 midi patch bay/processor; 3. An Opcode Systems Studio 3 Midi Interface; 4. two Meyer Sound 833 Studio Moniters; 5 a Mitsubishi VP video controller VC-1200U; and 6. An APT Holman preamp

TOWER ARMOURIES, LONDONA .704 PERCUSSION SERVICE RIFLE, UNSIGNED, MODEL 'BRUNSWICK, SECOND MODEL', no visible serial number, COMPLETE WITH BAYONET,dated 1864, with iron 30in. two-groove rifled barrel, applied fore-sight, rear-sight with one standing and one folding leaf, scarce variant bayonet bar with central locking notch mounted on the right side of muzzle, borderline engraved bar-action lock marked 'ENFIELD' together with the date, an Indian government mark and a 'V.R.' crown device, walnut full-stock (old repairs to cracks at wrist) with brass furniture including large patch-box to right hand side of butt, iron stirrup swivels and period iron under-barrel ramrod (woodwork with wear and repairs, light staining to iron surfaces) and complete with a period brass hilted bayonet with leaf shaped blade for same, no scabbard.

G.H. DAW, LONDONA .577 (APPROX.) SINGLE-SHOT SPORTING CARBINE, no visible serial number, WITH MATCHING MOULD,circa 1850, with browned twist 23 1/2in. round barrel rifled in four broad grooves for a 'Jacob' style winged bullet, the flat sighting plane signed at breech 'GEORGE H. DAW' and in front of rear-sight '57 THREADNEEDLE ST. LONDON', dove-tailed blade fore-sight, standing notch rear-sight with provision for three folding leaves (one absent), fully scroll engraved top-tang, border and scroll engraved lock signed on the bar 'GEORGE H. DAW', engraved dolphin headed hammer, chequered walnut half-stock with iron furniture including engraved patch-box to the right hand side of butt, spurred lower tang and engraved fore-end cap, complete with a heavy duty under-barrel mahogany ramrod and a period brass single cavity mould with turned mahogany handle..

WESTLEY RICHARDS & CO, LONDONA .451 (WHITWORTH) PERCUSSION BREECH-LOADING SPORTING-RIFLE, MODEL 'MONKEY-TAIL ', serial no. 4572,dated for 1874, with round 30 1/4in. hexagonal rifled barrel, the raised and half matted sighting rib marked 'WHITWORTH PATENT', dove-tailed blade fore-sight, elevating ladder rear-sight with additional standing notch and two further flush-fitting folding blades, scroll engraved flip-up breech-block marked 'MANUFACTURED BY WESTLEY RICHARDS', border and scroll engraved lock signed on the bar 'WESTLEY RICHARDS & CO' and dated in a triangle trademark on the tail, refinished pistol-grip half-stock (some inlet and other repairs), iron furniture including patch-box to the right hand side, moulded iron pistol-grip cap (chipped and cracked) and brass-tipped wood under-barrel clearing rod, iron surfaces refinished with some mild pitting.

J. PURDEY, LONDONA FINE 40-BORE PERCUSSION DOUBLE-BARRELLED SPORTING RIFLE, serial no. 5796,for 1860/61, with 30 1/2in. re-browned damascus Purdey two-groove rifled barrels, smooth flat top-rib signed 'J. PURDEY 314 1/2 OXFORD STREET LONDON', elongated bead fore-sight, standing notch rear-sight with three additional folding leaves, all with central platinum lines, re-blacked breech-blocks, engraved rib-end, platinum line and plugs, fully engraved top-tang with renewed colour, re-colour hardened bar-action locks signed 'PURDEY', sliding safes forwards of the drum based dolphin-headed hammers, chequered walnut half-stock with shallow raised cheek-piece, engraved iron furniture including chequered heel-plate and chequered grip-spur to lower tang, side of butt with rose and scroll engraved patch-box, eyelets for a sling and original brass-tipped mahogany ramrod..

SHARPS, USAA .56 PERCUSSION BREECH-LOADING RIFLE, MODEL 'SHARPS 1859 INFANTRY RIFLE', serial no. 39445,circa 1860, with 30in. barrel, block and blade fore-sight for socket bayonet, folding ladder rear-sight, the base marked 'R.S. LAWRENCE PATENTED FEB 15TH 1859', iron receiver with vertical dropping breech, the left hand side marked 'C.SHARPS' PAT. SEPT. 18TH 1848', the right side 'R.S. LAWRENCE PAT APRIL 12TH 1859', lockplate with side-hammer, walnut straight-hand butt-stock inlet with a hinged steel patch-box to the right hand side, iron heel-plate, under-lever operation with locking catch to lower tang, three-quarter length fore-end with three iron barrel-bands, iron swivels, some surface corrosion and staining.

CHURCHILL (GUNMAKERS) LTD.A LEATHER DOUBLE MOTOR CASE WITH CANVAS AND LEATHER OUTER,fitted for 25in. barrels (would adapt to 27in.), claret baize lining with gold-tooled Churchill (Gunmakers) Ltd. leather trade label, some accessories and with keys to twin brass locks, leather reinforced corners, the lid outer with stitched leather name patch initialled 'J.E.C.' in gold, the canvas and leather outer (some wear and staining) gold-initialled 'J.B.C'.

WESTLEY RICHARDS & CO.A PAIR OF 12-BORE SINGLE-TRIGGER 1897 PATENT DETACHABLE-LOCK EJECTORS, serial no. 17672 / 3,28in. sleeved nitro barrels, the ribs engraved 'WESTLEY RICHARDS & CO. LONDON.' and gold-inlaid '1' and '2' at the breech-ends (No.1 rib with rust patch), 2 3/4in. chambers, bored approx. 1/4 and 3/4 choke, scroll-back treble-grip actions incorporating J. Deeley and L.B. Taylor patent hand-detachable locks, patent no. 17731 of 28th July 1897 with improved 'lighter pull-off' modification, patent no. 10567 of 7th May 1907, use numbers 2842 / 3, A.E. Lard patent single selective trigger, patent no. 3952 of February 2nd 1899, use numbers 387 / 8, the toplevers engraved 'Westley Richards Patent One Trigger' and gold-inlaid '1' and '2', automatic safeties with gold-inlaid 'SAFE' details, hinged floorplates, barrel selector switches with gold-inlaid 'R' and 'L' details, fine acanthus scroll engraving surrounding the maker's name within a cartouche, the triggerguards engraved with a pointer, brushed bright and reblued finishes overall, 15 1/2in. figured stocks including 1 3/4in. wooden extensions (inked in to match), fore-ends with Deeley & Edge patent release catches and horn finials, weight 6lb. 13oz., in their brass-cornered oak and leather case with quilted effect lid lining and Conduit Street London address paper trade label. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

A late 19th century hand painted fan, together with a tortoiseshell box, a patch box, an enamel box and two pen knives (6)

A Stage-worn George Harrison Vest1974black leather vest with star-shaped silver metal 'Apollo / Police' badge to left breast, 2 front pockets, four circular metal buttons with leather tasseled detail, labeled inside 'Distinctive / Leather / Fashions / By Simco Leather Co.,' size 36, with additional yellow 'Western Costume / Hollywood' stamp, the right pocket containing a folded blue denim tasseled patch applied with 5 small metal charm bells. Accompanied by a notarized letter of provenance from the current owner confirming how he acquired it when he went to see George Harrison's show at the Los Angeles Forum on 12 November 1974.

A small Victorian silver patch box of diamond form having push on lid with frilled rim and moulded decoration, Birmingham 1892, maker MKH, an HM silver pin etc

Three early 19th century Staffordshire enamel patch boxes and an egg shaped vinaigrette

A BILSTON ENAMEL PATCH BOX "Love the Giver". 1.25ins.

A pair of late 18th century Derby soft paste porcelain companion figures, William Duesbury & Co., circa 1775, modelled as a male and female ballad singer, each in standing pose wearing a cape, with an arm raised holding a sheet of music in their hands and a hand on hip, on shaped naturalistic bases encrusted with flowers, patch marks to bases, female 21cm high, male 20cm high. (2) Provenance: Private Deceased Estate.Notes: See comparable figures in the collection of the V&A, museum numbers C.200-1935 and C.200A-1935 in different colourways.

A Chelsea-Derby porcelain reticulated eel-trap vase, circa 1760, emblematic of 'Water', inspired by a Meissen model, part of a set of four 'Elements' vases produced in two sizes and designed by J. J. Kändler, modelled as an oviform eel basket resting on a sloped rocky ground, with two pierced rows to the everted rim and shoulder, the wicker work of the basket picked out with gilt lines to a white glazed ground, bullrushes extending up the sides into handles, a pair of waterfowl applied at the base and three eggs hidden in the foliage to the far side, further enamelled with a butterfly and two insects to the body, patch marks to base, 14 by 22cm high.Provenance: Private Deceased Estate.Notes: See comparable vase in the collection of the V&A, museum number C.315-1935.Evidence of restorations, at least one of the vertical reticulated sections repaired. Hairline crack visible inside neck. Generally in good restored condition.

Circle of WILLIAM LIONEL WYLLIE (1851-1931) BritishPool of LondonOil on canvas, signed with initials, framed. 75 x 49.5 cm. CONDITION REPORTS: Generally good condition, expected wear, tear and associated slight losses to canvas, re-lined, some stretcher shadows to canvas, some slight crazing and lifting, some possible patch repairs and associated over painting, could do with a light clean.

A 17th/18th century panelled oak bacon cupboardThe twin plank rectangular top above twin panelled doors with iron hinges, with panelled sides, standing on end style feet. 140.5 cm wide; 138.5 cm high. CONDITION REPORTS: Scuffing/scratching, some staining, water damage and wear to top, some splice/patch repairs, two later hinges, split to one panel to front door, wear/losses to feet, misshaping to top, general wear.