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A KASHAN CARPETApproximately 410 x 273cmCondition Report: Overall with wear and signs of use in a domestic settingThere is however a large patch of 'balding' down to the underlying weft, this shows as a darker patch There is colour variation overall, the end with the bald spot is lighter and more 'cream' in colour than at the other end which is a more yellowy-beige Unevenness to the longest edges, also the fringing is of uneven lengths to the short edgesPlease see additional images for visual reference to condition Condition Report Disclaimer

A Derby porcelain shell sweetmeat stand, c.1760-65, unmarked, with three patch marks to underside, modelled as seven scallop shells in three tiers, on a naturalistic shell and seaweed base, the interior of each shell with butterflies and insects, 18cm highCondition Report: Some condition issues. Chips to the rim of the shells, including a larger loss to the rim of one shell. Several small losses and chips to the brocade. Crazing to the shells. General surface dirt to the whole, some rubbed paint to the rims of the shells. 

A George III inlaid mahogany longcase clock, late 18th century, the elaborate broken swan neck pediment with urn finials above gilt scrolling foliate painted glass frieze dated 1787, having reeded Corinthian columns with brass capitals, the trunk with satinwood paterae above moulded Gothic style door flanked by cluster columns, on crossbanded plinth with corresponding columns on ogee bracket feet, the arched painted dial signed SAML COLLIER ECCLES, with Roman and Arabic numerals, subsidiary seconds dial at twelve, date aperture to centre and rolling moon phase dial to arch, the dial centre painted with a shepherd and his lover, the eight day movement striking a bell, with pendulum and weights, 256cm highProvenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.Condition Report: Case: With wear consistent with age and use, to include knocks, scratches, splits and wear. The top with left finial detached but present and split to left side. Knocks and chips to cornice. Cracks and scratches to painted glass frieze. Left column is not sitting straight and has split and minor chips to base. Both columns with minor knocks and scratches and minor tarnishing to caps. Right side of hood has restored vertical splits, the left side with general scratching and restored patch to moulding. Chips and splits to seat board and some nails to case under seat board. Door with splits to veneer and with wooden block glued to frame behind door on lower left and splits to top right. The dental frieze underneath the hood with one missing tooth to the left side and one missing to right side. Trunk with minor discolouration to both sides, splits and warping to right side and minor chips to edges, lifting and minor chip to veneer above door. Door does not sit fully flush and with split to the right of the lower hinge. Plinth base with knocks to moulding, splits and warping to front and minor discolouration to sides. Left moulding has been re-glued as has one of the feet. The other feet with some wear. Backboard to case with holes, large cracks repaired with strip of cloth, and with replaced board to top and bottom sections. Dial: Craquelure and minor losses to paint. Chips to paint to dial edges. Minor rubbing to numerals. Some surface scratching. Tarnishing and bending to hands.Movement: Some scratches to backplate. Pendulum guide slightly bent. Tarnishing and bending to pendulum. Knocks and rusting to weights.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. 

A German stirrup cup in the form of a Long-eared owl, stamped 800, post 1886, with unidentified maker's mark, the cup realistically chased with feathers, approx. 7cm high, approx. weight 3.2oz Condition Report: Please refer to department for condition reportThe cup is in good overall condition. However, the eyes (probably originally glass or gemstones) are now deficient. Some general surface scratching and nicking noted. Outline of cup is slightly out of round. Some fading to gilded interior. Maker's mark slightly rubbed. Possible repair to the tip of one ear (small patch of solder noted here). 

Douglas Wilson, Racehorses, a hand-operated automaton, wire, glass, approx. 28cm high, 24cm wide, 19cm deep; and three other hand-operated wire automata by the same artist; together with Dominic Smith, Sardines, a hand-operated automaton, approx. 11.7cm high, 18cm wide, 17cm deep; another by Dominic Smith, Pilchards, 1998, brass, paper, approx. 15.7cm high; and three other hand-operated automata (9)Sir Nicholas Goodison noted:Racehorses: The bent and twisted wire construction gives the three horses a movement that suggests surging forward in their race. The crank shaft that drives the front and back legs is fashioned so that they are cantering out of phase with each other. The spring wire that represents manes and tails is left unfixed at the tails so that they swish as tails do. The overall effect is verging on the sculptural.Sardines: The sardine tin is partially opened. When the handle is wound the sardines flap their articulated bodies and tails, a little disconcerting for the diner. Dominic Smith studied ceramics at Bath University (and was doing so when he made these two pieces). Before this he worked at Cabaret Mechanical Theatre in Covent Garden where he caught the automata bug.Pilchards: Whoever has opened the tin of Pilchards, Doms Ocean Choice gets a surprise when they jump around in the tin, clearly as fresh as you can obtain. The ingredients (now a legal requirement) are stated as Ingredients, brass fencing, brass rod, solder.Provenance:Racehorses: Purchased, Hitchcocks, Bath, May 1997.Sardines: Purchased, Hitchcocks, Bath, July 1998.Pilchards: Purchased: Hitchcocks, 10 Chapel Row, Bath, England, July 1998.Roseberys do not guarantee the working order of any automata or toy.Condition Report: Douglas Wilson automaton - slightly misshapen consistent with construction of the automaton. Don't sit flush but still operate when wound.  Sardines - With scratching and bending to the metal body, including one of the corners to the underside is heavily bent. The whole piece of crude construction with soldering visible and tarnishing to metal. Moves as designed when wound. With Sir Nicholas Goodison's inventory number to underside (on bent corner) and to SARDINES label to top. Pilchard - of crude construction and with tarnishing to metal. The paper label with patch to the left of PILCHARDS. The white sections with brown spots. Tarnishing to fish. With inventory number to underside. Katita The Hero and Critter - Both in good condition with only minor wear consistent with use. Both with original plastic boxes.Automaton insect - lacking box, some minor scratches and chips to paint to body. Wound by turning outside leg. Inventory number to largest cog.   

A George II silver coffee pot, London, 1757, probably Thomas Whipham & Charles Wright, of elongated baluster form with hinged cover and foliate tipped spout, approx. 25cm high, approx. weight 25.5ozProvenance: Works of Art from the Schroder Collection.Condition Report: Approx. 7.25 inches from top of spout to top of handle. The coffee pot is in good condition commensurate with age. Some general surface scratching, nicking and minor pitting noted. Hallmarks rubbed (but date letter visible). Small patch beneath handle. Handle probably later. Some splits and discoloration noted to handle  and upper pin pushed through slightly.  Ding to foot (out of round). Small repair to hinge area. Cover sits very slightly raised. Some light wear to finial. Some light tarnish in places. Overall a nice piece. 

A Meissen porcelain chinoiserie tea bowl and saucer, c.1723-24, painted in the manner of J.G. Höroldt, the tea bowl with a continuous terrace with chinoiserie figures, one carving rocks with a chisel, a woman with a large vase held by a monkey, the interior with a stylised chinoiserie landscape, the saucer with a figure holding a parasol, his pantaloons enriched in Böttger-lustre, with fantastic beasts nearby, with iron-red double concentric circle supports and cartouches and gilt band rims, the saucer 12.5cm diameterProvenance: The Robert G. Vater Collection of European Ceramics.  Photographs: © Christie's ImagesCondition Report: Overall in good decorative order. The saucer with three small flat chip to the underside of the rim (not visible when viewed face on), crescent-shaped 0.8 cm., 0.5 cm. and 0.3 cm. wide. Tiny flat glaze chip to the side of the footrim. Some wear to the broad gilt band around the rim of the saucer and some wear and minor scratching to the enamels in the centre, particularly to the shoulder of the standing figure. The teabowl in good order with just a little wear to the gilt upper rim and a small patch of wear to the gilt band around the footrim.

A pair of Meissen porcelain turquoise ground teacups and saucers, c.1742-45, blue crossed swords marks, gilders 36. marks, various Pressnummern, the cup exteriors and saucer undersides turquoise ground, each side of the cups reserved with quatrefoil panels with landscape vignettes, the saucers with further scenes within elaborate quatrefoil gilt cartouches with ombrierte scrolls and shells, the saucers 12cm diameter (2)Provenance: The Robert G. Vater Collection of European Ceramics.  Photographs: © Christie's ImagesCondition Report: Overall in good decorative order. One saucer with very, very slight wear to the gilding at 12 o'clock on the cartouche, the other saucer with a small patch of wear to the enamel of the scene at the edge of the cartouche at 7 o'clock. One cup with 0.2 cm oval flake to turquoise ground colour on lower body of cup. The other cup with a similar flake to the ground colour at the mid-point of the body near the edge of the cartouche and with some slight flaking to the gilding around the upper rim.

A George III silver coffee pot, London, 1783, John Kidder, of baluster form, the repousse floral scroll decorated body raised on a circular foot with bead border, the wooden scroll handle to hinged lid with urn-shaped finial, 30.2cm high, approx. weight 25.6ozCondition Report: Good condition commensurate with age. Some surface scratching, nicking and minor pitting noted and some minor dings and bruising to body. Stands steadily on foot. Decoration likely later added. Lid stamped with IK and lion passant. Hallmarks to underside clear. Some splitting and evidence of repairs at hinge join. Small patch to neck near hinge. Some small splits and nicks to handle and some patches of discoloration. Probable small repair to one side of upper handle join. No splits or repairs solder noted to main body. Decoration generally good, some wear to high points in places. Finial sits slightly askew. Overall an attractive coffee pot in good condition commensurate with age.

A German porcelain copper-gilt mounted oval snuff-box and cover, c.1765, the reeded mount contemporary, painted in purple camaïeu, the cover and underside with ships and boats by fortified harbours, the sides with landscape vignettes, the cover interior with a fortified harbour scene with a classical gate and a distant galleon, within scroll-moulded cartouches, the reeded mount contemporary, 8.5cm wide overallProvenance: The Robert G. Vater Collection of European Ceramics.  Photographs: © Christie's ImagesCondition Report: Overall in good order. There is a pinhead-sized chip to the edge of the base at one end. On the interior of the cover there is a firing fault at the rim at one oclock, showing as a small black patch. There are one or two minute scratches to the enamel.

A MOORCROFT POTTERY BERMUDA LILY TABLE LAMP, of compressed baluster form, tube lined with white lily on a green ground, impressed marks to base, with shade, height to top of fitting 25cm (1) (Condition report: appears in good condition with some crazing, untested, small unglazed patch, would benefit from a clean)

FORTY SEVEN LILLIPUT LANE SCULPTURES, from various collections to include Christmas Specials, Christmas Lodge, Collectors Club, Symbol of Membership, Paint Your Own, Blaise Hamlet, Plaques, Millennium etc, mostly boxed and some deeds where mentioned, to include Deer Park Hall 1988 (deeds), Yuletide Inn 1990 (no box), St Stephens Church 1996, Kerry Lodge, Partridge Cottage (no box), The Planetarium (chip to roof, deeds),Double Cottage (deeds), Oak Cottage, Kendal Tea House, Bo-Peep Tea Rooms (chip to roof), two Emmerdale sculptures, Cabbage Patch Corner 2005/2006, two Sugar Mouse 2006/2007 (one with deeds and badge), Nutkin Cottage 2008/2009 (deeds), Castle of the Golden Chalice (no box), Wishing Well Cottage plaque (no plaque), Somerset Springtime plaque (no box), Honeysuckle Plaque - Open Day Special (two doves, deeds), Syon Park Conservatory, Eamont Lodge, The Pottery 1998/99, Badger Rise 2008/09 (no box), Pen Pals 1999 Anniversary (deeds), Honeysuckle Plaque - 10th Anniversary (deeds), Slater Bridge (signed), Milkwood, The Jammy Dodger, Old King Cole etc, and various empty boxes (47) (Condition Report: mostly chipped, rubbed, or boxes written on)

A silver patch box, continental control mark, diameter 38mm

Two khaki British Army Scots Guards dress jackets, 36" chest approx., along with two British Army peaked caps, plus another some holes, one by Herbert Johnson, London, having badge for Scots Guards, leather strap and tartan patch.

Two Military khaki battle dress uniforms, one by The Rego Clothiers Ltd. 1940, size 7, chest 35-36"/waist 30"-31", cloth badges for Scots Guards and diamond shaped red patch depicting a springbox (13 Corps) and the other by Teplick Clothes, size 6, dated Jan 4th 1943 (belonged to Capt TW (dagger) Rees).

An Austin Reed of Regent Street, khaki Military battle dress Jacket having a formation shoulder patch for the 19th Indian division, and medal bars for Major General T.W. (Dagger) Rees.

A Nazi cloth arm-band and shoulder patch, etc.,

Indian black lacquered hide shield/dhal, of circular convex form with strongly outward-turned brim, fitted at its centre with four metal bosses, each of hemispherical form, with traces of silvered foliate decoration, the bosses corresponding on the inside with four iron rings for enarmes D49cmCondition Report:Two further small holes above the four bosses presumably for other smaller bosses.Sizeable patch of loss of lacquer to the outside and smaller patches on the inside.Otherwise reasonably good condition consistent with age and use.

A GROUP OF CHINESE SILK EMBROIDERED PANELS, LATE QING/EARLY 20TH CENTURY. Comprising: two dark blue silk tapering rectangular panels embroidered with phoenix and dragons amongst clouds in gold and silver thread, a rectangular red ground panel embroidered with flowers and symbols, another red ground example with flowers, two long rectangular ivory ground panels embroidered with butterflies, a tiger, horse and birds amongst trees and flowers. The ivory examples 102cm long (the longest) (6)All are cut down fragments from larger textiles. The pair of blue silk examples with some fraying to the edge of the blue silk, there is some slight discolouration to the silk and minor tarnishing and some small loose threads to the gilt and silver thread. The embroidery is very fine. The first of the red ground panels is faded to red ground and worn overall, the second red ground example is brighter in colour, it has some wear, minor staining and small holes to red ground and to blue backing, small areas appear unfinished. One of the ivory panels has a small patch of staining, some minor discolouration and fraying at edges overall.

A RARE CHINESE YAOZHOU / HENAN RUSSET SPLASHED BOWL, SONG DYNASTY (960-1279). A fine example with slightly rounded conical body on a short foot with everted rim decorated to the interior with russet and black glaze thinning at the rim. The exterior almost completely covered in a persimmon coloured glaze with neat circular patch over the 'chicken heart' base, leaving the foot unglazed. Probably of the period (960-1279). 12.7cm diam.Ref: For a similar example described as Song-Jin dynasty, see Christie's 1 June 2016, Lot 3124 - Classic Chinese Art from the Sui to the Song Dynasties. One slight shallow chip to underside of rim. Otherwise in good overall condition with no further signs of damage or repair.

TWO CHINESE PORCELAIN FAMILLE ROSE CIRCULAR DISHES, 20TH CENTURY. Each with iron-red enamel and gilt four character apocryphal Qianlong seal marks, the first decorated with a courtesan reclining on a daybed in a draped interior, within puce lozenge pattern and precious object border, the underside with coral red ground, the second decorated with a court lady wearing flowing robes, holding a tea tray and standing atop clouds, reserved against a turquoise ground, 24cm diam. max. (2)ProvenanceProperty of an English Gentleman, acquired in Taiwan in the 1970s.The example with turquoise ground with a small patch of flaking and deterioration to glaze beside rim, minor discolouration to turquoise ground. Minute wear to enamels to both, overall in good order.

A patch mark 18th century Derby figure of Cupid as a moneylender holding a bag aloft22cm highGood condition

A Tray of military and other badges, includes 1954 military whistle, RTYC Gold thread patch, WW2 medal and various coins which include old copper style coin.

Fante (John) [The Bandini Quartet], 4 vol., comprising Ask the Dust, 1980; Dreams from Bunker Hill, small patch of foxing to title, small ink ownership inscription to endpaper, light toning to head, 1982; Wait Until Spring, Bandini, 1983; The Road to Los Angeles, 1985, limited editions, original cloth-backed decorative boards, 8vo, Black Sparrow Press, Santa Barabara, CA, 1980-85.

Grass (Günter) Local Anaesthetic, jacket with small patch of damp-staining to head, short nick to head of lower joint, 1970; From the Diary of a Snail, 1974; The Meeting at Telgte, 1981; Headbirths or the Germans are Dying Out, 1982, first English editions, original boards, dust-jackets, some light toning, light creasing to head and foot, excellent copies; and 9 others by the same, 8vo (13)

Bellow (Saul) Humboldt's Gift, first edition, signed presentation inscription from the author "A gift to a fellow mastermind" on endpaper, original cloth, slight rubbing to extremities, dust-jacket, spine with slight toning and small patch of surface tearing to foot, light rubbing and creasing to head and foot, light surface soiling, 8vo, New York, Viking Press, 1975.⁂ Apparently inscribed to fellow novelist Herbert Gold although without any inscription to indicate such. Nevertheless the inscription indicates that this copy was likely intended for a fellow writer.

Sansom (William) Fireman Flower and other stories, jacket with two short tears to head of lower panel, 1944; The Body, jacket with closed tear to head of upper panel, light toning to spine, 1949; The Face of Innocence, jacket with light toning to spine and light rubbing to extremities, 1951; A Touch of the Sun, jacket with short tear and creasing to foot of upper joint, patch or soiling to upper panel, 1952, first editions, occasional spotting, original cloth, dust-jackets, spines and corners a little chipped at head, some light marking and surface soiling, but generally excellent overall; and 6 others, Sansom, 8vo (10)

Ruby: a later gilt framed antique oil on canvas still life with fruit and wasp on a table - signed - small old canvas patch

A vintage OXO tin containing a quantity of antique and later military buttons, a German patch, an old flintlock movement, etc.

Continental enamelled white metal patch box, the body decorated with allegorical scenes including Zeus and Europa, Poseidon and others, 7cm long.  Hinge works. middle looks a little bruised and some paintwork rubbed

A late 18th century South Staffordshire or Battersea enamel patch box A Present from Falmouth, with mirrored hinged lid, height 2.5cm width 4cm.

A French Limoges porcelain patch/pill box. 20th century, the green ground painted with floral bouquets, width 6.5cm.

An enamel oval patch box, Battersea or South Staffordshire. The hinged cover inscribed A Pledge of Love, with pink enameled base, width 4.2cm, together with a small gilt metal hand mirror (2).

A boxed Cabbage Patch Kids doll, together with five other Cabbage Patch Kids dolls

A Derby patch mark figural candlestick, circa 1756-1765, with foliate pierced sconce and floral encrusted stem, the acanthus base with two lambs one recumbent, the other nibbling foliage, 24cm high (1) 

A Versace jacket - Jeans Couture - in cerise pink, 1990s, size 12/14, made in Italy. Together with a Fenn Wright & Manson label floral dress in a colourway of pinks/white and black background, size 10, sleeveless with a floral corsage on shoulder, 83 per cent silk and lined in pale pink with corsage details on the left hip (matches or tones with the Versace jacket), 1990s. Also a Paris-made satin coat, white background edged in red piping, with patch pocket and the bustline embroidered in red flowers and foliage, two pockets on hips. Iridescent buttons. 1990s/2000, size 12. Made by Cottonade Paris. Along with a repro evening bag with a metal frame and embellished in colourful sequins.

A grooms wedding outfit 1907 including a mourning coat, with tails, worn by Percy Walter Ratcliffe, with matching waistcoat, grey gloves, in pockets, and lucky sprig of heather, the tailor who made the outfit was Percy J Walker of Canterbury, also including are four Edwardian shirts (discoloured) with age, stiff bibs with detached stiff collars, good suit, 1907; an Edwardian Sunday Best tailcoat and waistcoat from George Andrews of Canterbury, all buttons in tact, the waistcoat has a patch of discolouration on the inside lining, and eight pairs of stiff cuffs 

A 19th Century Bilston oval enamel patch box titled 'A Present from Banbury', A/F, and a French cigar piercer in the form of a Veuve Cliquot champagne bottle. (2)

Twenty-Six Ice Hockey collectors trading cards, by Upper Deck, and others, all event-used (match worn) relic patch cards, some encapsulated.

Baseball signed collectors' memorabilia, including: signed baseball piece by Jose Reyes; signed Topps card by Noah Syndergaard; signed Panini card by Pete Alonso; signed relic patch card by David Wright; a multi-signed baseball on Mets stand; and other cards.

American Football collectors trading cards: Panini Rookie Dual Swatch card signed by Nick Bosa, graded by Beckett 9 mint; Panini worn jersey patch Jimmy Garoppolo; three other signed cards by Panini, Leaf and Upper Deck; and other collectors trading cards.

Football interest trading collectors cards, comprising: Cristiano Ronaldo player worn patch card by Panini; signed Panini cards by Edouard Mendy, Eric Cantona, and Patrice Evra; a graded Panini card for Jadon Sancho by PSA mint 9; and a Panini limited edition swatch card for Anthony Martial. (6)

Three: Sergeant R. H. Haynes, Royal Armoured Corps, a prisoner of war in Stalag IVB 1939-45 Star; Africa Star; War Medal 1939-45, all unnamed as issued, good very fine (3) £100-£140 --- Robert Henry Haynes was born at Southampton on 15 April 1918, and enlisted there on 18 May 1917 for 6 years with the colours and 6 years in the Reserve. He enlisted originally into the 10th Royal Hussars and later served with the 8th Royal Irish Hussars and Royal Armoured Corps. He is confirmed as a prisoner of war in Germany, presumably captured in North Africa. Sold with soldier’s service and pay book (5498204 Sgt. R. H. Haynes, R.A.C.), Soldier’s Release Book Class “A” and various related documents, sergeant’s cloth rank insignia (2) both with Desert Rats embroidered patch, two fibre identity discs (5498204 HAYNES), P.O.W. metal identity disc (Stalag IVB 229283), pair of metal shoulder scales, pair of ‘8.H’ cloth shoulder titles, and 5 cap badges for R.A.C. (plastic and metal), 8th Hussars (2) and 10th Hussars, and a prayer book ‘The gift of S.P.C.K. For use of Prisoners of War’.

A Leitz Summicron-M f/2 35mm Lens, 11310, black, serial no. 3396985, body, G, elements, VG, one tiny light fungal patch to the middle group and some light internal haze, complete with lens hood and maker's box

A Leitz Leica IIf chrome, serial no. 762218, with Leitz Elmar f/3.5 50mm lens, chrome, serial no. 1049561, body, G, shutter working but first curtain sticking, rangefinder patch bright & clear, lens, G, some internal haze, with maker's lens cap, with maker's outfit case,

A Contax IIa 35mm Rangefinder Camera, chrome, body G, shutter working, RF patch clear, together with a Zeiss-Opton Sonnar T f/1.5 50mm lens, optics G, some very light haze & light fungus present,

A Konica I 35mm Rangefinder Camera, chrome, body G-VG, shutter working, leaf shutter sticks a little when opening, optics G-VG, rangefinder patch bright & clear,

SEVEN PIECES OF VICTORIAN PARIAN PORCELAIN, comprising a twin handled vase relief moulded with Little Red Riding Hood and painted details, unmarked, height 22cm, a Copeland stand/ base moulded and painted with a band of buttercups, impressed marks, diameter 19.5cm, another Copeland stand moulded with a band of fruiting vine, impressed mark, diameter 20.5cm, an oval 'GIVE US THIS DAY OUR DAILY BREAD' plate, length 32cm, a pair of leaf moulded dessert plates, unmarked, diameter 21.5cm and another stand with a moulded border of scallop shells, diameter 18.5cm (7) (Condition Report: Copeland buttercup base has heavily worn gilding, the bread plate has a small number of stained firing faults and a small chip to the underside of the rim, one of the pair of leaf moulded plates has a small firing hole to the rim and the other has a patch of white paint to the rim)

THREE 19TH CENTURY UNMARKED PARIAN FIGURES, comprising a Copeland standing figure of Virginia, height 39cm, a figure of a lady emblematic of Autumn, modelled as standing on a circular base and holding a sheaf of corn, height 33.5cm and a figure of a young lady wearing a headdress and carrying a bundle of fruit, height 38cm (3) (Condition Report: Virginia has a broken basket handle, one of the doves has lost its tail feathers, small hole to rear of circular base, chips to the inner rim inside the base, Autumn figure has a chipped thumb and glued repair to the top of the free arm, the figure of the lady wearing a headdress has a chipped piece of fruit at the top of the bundle, the stalk of the item in her hand is missing leaving a rough patch where it joined her robe, a few nibbles and chips around the base)

Arsenal: An Arsenal home football shirt, match worn, 2nd April 2008, UEFA Champions League Quarter-Final First Leg against Liverpool, 2007-08, short-sleeved with Champions League patch to right sleeve, Senderos 6, Size XL, Nike, signed, generally in good condition. Please assess photographs.Provenance: This shirt has come from a single owner collection of football shirts and memorabilia within the UK.

Arsenal: An Arsenal home football shirt, match issued, 2008-2009, short-sleeved with Champions League patch to right sleeve, Ramsey 16, Size L, Nike, unsigned, generally in good condition. Please assess photographs.Provenance: This shirt has come from a single owner collection of football shirts and memorabilia within the UK.

After Mary Gaskell Gillick OBE (née Tutin; 1881-1965), "Eve", a patinated sculpture modelled as a seated baby clasping foliage, dated 1934, signed in the cast "M. Gillick MCMXXXIV", probably cast lead, 47cm highNOTE: A lead "Eve" by Gillick (a companion piece to the previous year's "Adam") was displayed at the Royal Academy in 1934, where it was purchased by Charles Boot.  A painted plaster version of this piece was presented to Leeds Art Gallery by the family of Mary Gillick in 2017. CONDITION REPORT:The piece shows surface wear, scrapes and scuffs to the patinated finish, the odd patch of residue, and the odd small casting fault.

A near pair of late George III mahogany bowfront chests of drawers, circa 1810, each chest with a crossbanded top and reeded edge over a pair of secret frieze drawers, two short and three long drawers, all inlaid with geometric ebony stringing, flanked by projected ring turned, wrythen and reeded pilasters, upon bobbin turned tapering legs, 114cm H x 128cm W x 56cm D (2)Condition reportBoth chests with general marks, stains and light gouges to the top, timber checks/splits to the tops and the sides.Some general light fading, drawers run smoothly although some are a little 'tight'.One chest has very minor veneer chips to the drawer frame, the second chest has a 6cm chip to the rear foot and a 24cm square faded patch to one side.Both chests in good sound condition with minor wear faults only.The only distinguishable difference between the two chests are the handles.In the manner of Gillows, however no makers stamp to the drawers or chest carcass 

JOSEFA TEXIDOR TORRES, known as PEPITA TEXIDOR (Barcelona, 1865- 1914)"Roses and carnations", 1896 .Pair of oils on canvas.Signed and dated one of them.Patch on one of the canvases. Slight lack of polychromy in the frames. Measurements: 74 x 39 cm; 91 x 55 cm (frame).Pepita Texidor was a Spanish watercolourist and painter, who also cultivated techniques such as gouache and oil. Her two brothers, Modest and Josep, also painted and were her first teachers, together with her father José Texidor and the painter Francesc Miralles. Her usual clientele was the Barcelona bourgeoisie of the time, but her fame and prestige transcended the limits of Barcelona, and even Queen Maria Cristina bought works by her. In addition to painting, Pepita Texidor also cultivated music and singing. She formed part of the group of women who fought to be able to exhibit their work in the galleries that usually only exhibited male artists. In this group we find other outstanding women painters of the time such as Lluïsa Vidal, Visitación Ubach, Antònia Ferreras Bertran and Maria Lluïsa Güell.

A large patch work quilt (unbacked) with green material with hexagonal pieces in floral shapes, 205x210 cm

A small glazed bowl, the interior decorated a deer with the initials HV and HR and the date 1791, the base incised HV HR, 14cm diameter CONDITION REPORT: Some discolouration to glaze inside. Shallow rim chip and a further two smaller. Patch of glaze blemishes to exterior.

Etienne Leroy (1828-1876) oil on canvas - 'Fishing Craft on the Lagoon, Venice', signed, 35cm x 65cm, in gilt frame Provenance: Christie's South Kensington, 6th November 1994The canvas has not been re-lined, there are two patch repairs as seen from the images verso. An area of overpainting restoration is visible over one of the areas of patching. A scuff/white mark within the sky. Please see further images on our website. A very pleasing picture.

Henry Stacy Marks (1829-1898) oil on canvas - "What ails the Jester?", signed, titled and inscribed verso, 61cm x 46cm, in gilt frameGenerally good original condition, the canvas has not been re-lined. There are two patch repairs as seen verso and some overpainting visible above the jesters head. Various marks and losses to the frame but not too serious.

A Chinese Beijing rug,early 20th century, with panels of previous objects to a navy field,203 x 134cmCondition ReportHeavily worn and misshapen. In need of a good clean. Numerous large patch repairs.

WWII group of medals and badges to 7886456 Cpl B.P. Barker 3rd County of London Yeomanry (A.K.A Sharpshooters) of 1939-45 star, Africa star, Italy star, France and Germany star 1939-45 Medal and Territorial Efficient Service Medal with Sharpshooter uniform flashes a bullion thread patch of gold crowned crossed keys with three silver rosette with his wristwatch and medal bars.(black and white picture of 3rd County of London Yeomanry in North Africa not included)