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Click here to subscribeQUEEN - Collection of 2 x box sets and 1 x LP to include A Night at the Opera 30th Anniversary Edition LP in envelope and The Crown Jewels 25th Anniversary box - both sealed + Live at the Rainbow (box set in presentation case with poster, VHS, pin badge, sew on patch and 12" Collecton CD - Ex to Ex+).
QUEEN - Collection of 6 x box sets to include Love For An Hour/Is Love Forever (3 x double CDs, badge, 4 x stickers and 2 x booklets - Ex+), The Crown Jewels 25th Anniversary box (8 x CD box + booklet in velvet case - Ex+), Live at the Rainbow (box set in presentation case with poster, VHS, pin badge (missing front), sew on patch and 12" Collecton CD - Ex), The Miracle (CD, cassette (sealed), booklet and photo print - box has some storage wear, contents generally Ex+), Greatest Hits Vol 2 (CD (sealed), VHS, book - box has some storage wear, contents generally Ex+) and 40 Years of Queen (hardback book in outer slipcase with CD, poster and various inserts - Ex to Ex+).
An 18th Century Burr and Figured Ash Bacon Settle, circa 1800, the ogee moulded cornice above an upper compartment with two panelled doors, two large cupboard doors below on H form hinges enclosing hanging space, the outswept flat armrests with pad terminals above a seat with two short and one long cockbeaded drawer below, raised on a plinth base, 104cm by 57cm by 183cm Provenance: removed from Kirklees Hall, West Yorkshire For a similar example see Knell (David) English Country Furniture 1500-1900, pg.332, pl.91 Lovely colour and patina. Numerous old worm holes, mostly filled. Dowel repairs visible to top of right arm support. Feet with triangular patch repair. New moulding missing to each corner and side panel. Later brasses and hinges. Section of cornice end panels replaced. Left hand drawer below the seat with triangular section of timber patched in the corner. 300914
An 18th Century Burr and Figured Ash Bacon Settle, circa 1800, the ogee moulded cornice above an upper compartment with two panelled doors, two large cupboard doors below on H form hinges enclosing hanging space, the outswept flat armrests with pad terminals above a seat with two short and one long cockbeaded drawer below, raised on a plinth base, 104cm by 57cm by 183cm Provenance: removed from Kirklees Hall, West Yorkshire For a similar example see Knell (David) English Country Furniture 1500-1900, pg.332, pl.91 Lovely colour and patina. Numerous old worm holes, mostly filled. Dowel repairs visible to top of right arm support. Feet with triangular patch repair. New moulding missing to each corner and side panel. Later brasses and hinges. Section of cornice end panels replaced. Left hand drawer below the seat with triangular section of timber patched in the corner. 300914
An Edwardian 9ct gold hinged bangle. The foliate and scroll engraved front panel, to the tapered half-bangle. Hallmarks for Birmingham, 1902. Inner diameter 6.1cms. Weight 6.9gms. Overall condition good. Some surface wear and discolouration in keeping with age. Small patch of acid staining to the inside of the front panel.
A collection of small silver, including: an Austrian silver and enamel oval small box, in a leather case (damages); a Scottish market cairngorm and banded agate oval pendant, unmarked; two silver topped glass ointment jars; a German Art Nouveau oval pill box, post 1886 0.8 standard (maker`s mark mis-struck); a late 18th century South Staffordshire oval patch box (damages); and another item.
ENGLISH SCHOOL, 19TH CENTURY PORTRAIT OF WILLIAM ROBSON; PORTRAIT OF MRS ROBSON, A PENDANT bust length, 74 x 62cm (2) ++ Both professionally conserved and reframed for the present owners some years ago. The portrait of Mr Robson laid down, portrait of his wife unlined but with three small patch repairs verso
A bronze Water Dropper, late Ming dynasty (1368-1644), in the form of a recumbent water buffalo, surmounted by a figure, small details missing, probably in the casting, 11cm, original wood stand, distressed (2) ?? ????????, 50% of arms and some details missing, probably through casting. Antiquated patch mark to belly underside. Stopper missing. The stand - a quarter section missing from the base, the remaining section broken and glued.
A bronze Vase, late 19th century, the onion body encircled by three dragons, four character Qianlong mark, dents, 28cm ?????? ???????? ®????¯????, A small brown patch top onion body - possibly an earlier repair. Dents throughout. Casting mark to base of neck. Previously polished though some years ago.
An attractive pair of ko-Imari Jars and Covers, c.1670, each ovoid body painted with yellow and blue peony growing from turquoise leaves and with other yellow and red flowers, the shoulders with spearheads below fret, the domed covers with heavy blue knops, both with basal and other cracks, one cover repaired, wear, 28cm (4) , One cover broken in two and glued, one third of interior rim missing, four rivet holes, a large and a small chip to outer rim. Tiny enamel chip to knop. The other cover with no obvious faults. Jar one - 4cm vertical hairline crack, 20cm x 6cm patch of crazed and brown glazing. A wavy hairline crack running under the base and 3cm up the side, some enamel losses. Jar two - Patches of brown crazed glazing. 3cm horizontal firing crack just below centre of body. Some enamel losses.
A display Tansu, Meiji period, the frame as a Torii gate with three shelves above two sliding doors, on a lacquer ground with gilt floral decoration throughout, 97.4cm wide 38cm deep 86cm high , Scratches, knocks and scrapes to the majority of edges throughout the whole piece. 1.5 x 1cm patch of lacquer missing from the centre of the top, shelf below with damaged left edge.
A lacquer Scroll Box, mid 19th century, attractively decorated with a cockerel on a drum beneath pine and convolvus, the inside nashiji, corner repairs, wear, 45cm , lid - chips and wear to gold laquer of top cockerall, corners of laquer box are split and chipped, there is a patch of damage to the top side of the box, and general knocks and scratches throughout, some moulded edge missing to each corner. Base - general rim chips throughout, small patches of laquer missing to underside.
A red silk skirt, with panels of Liu Hai`s toad on a rock with cash and with lotus flowers, a marriage skirt, embroidered with dragons, machine made borders and another skirt, bordered in butterflies and lotus flowers on a white silk ground, the rest carmine, all 1930s, some wear (3), toad skirt - tear to the waist, a further repaired section to the waist, small patch of staining throughout. butterflies and lotus flowers - some staining to waist band. dragons - very minor loose threads, and some small patches of staining.
A blue and white dish, c1750, with pie crust rim enclosing an island with bamboo and peony, 27cm, and a dish in Kangxi style with two cockerels, 28cm, Cockerel plate - outer rim to foot rim hairline crack, small chips on rim, numerous chips to foot rim. Octagonal dish - lots of rim fritting and a large chip to rim, noticable patch of scratchiing to the main image.
A bronze Water Dropper, late Ming dynasty (1368-1644), in the form of a recumbent water buffalo, surmounted by a figure, small details missing, probably in the casting, 11cm, original wood stand, distressed (2) ?? ????????, 50% of arms and some details missing, probably through casting. Antiquated patch mark to belly underside. Stopper missing. The stand - a quarter section missing from the base, the remaining section broken and glued.
An attractive pair of ko-Imari Jars and Covers, c.1670, each ovoid body painted with yellow and blue peony growing from turquoise leaves and with other yellow and red flowers, the shoulders with spearheads below fret, the domed covers with heavy blue knops, both with basal and other cracks, one cover repaired, wear, 28cm (4) , One cover broken in two and glued, one third of interior rim missing, four rivet holes, a large and a small chip to outer rim. Tiny enamel chip to knop. The other cover with no obvious faults. Jar one - 4cm vertical hairline crack, 20cm x 6cm patch of crazed and brown glazing. A wavy hairline crack running under the base and 3cm up the side, some enamel losses. Jar two - Patches of brown crazed glazing. 3cm horizontal firing crack just below centre of body. Some enamel losses.
A display Tansu, Meiji period, the frame as a Torii gate with three shelves above two sliding doors, on a lacquer ground with gilt floral decoration throughout, 97.4cm wide 38cm deep 86cm high , Scratches, knocks and scrapes to the majority of edges throughout the whole piece. 1.5 x 1cm patch of lacquer missing from the centre of the top, shelf below with damaged left edge.
A blue and white dish, c1750, with pie crust rim enclosing an island with bamboo and peony, 27cm, and a dish in Kangxi style with two cockerels, 28cm, Cockerel plate - outer rim to foot rim hairline crack, small chips on rim, numerous chips to foot rim. Octagonal dish - lots of rim fritting and a large chip to rim, noticable patch of scratchiing to the main image.
Zoe Benbow, British b.1963- "Afternoon Nap"; oil on canvas, signed, titled and dated 1996 reverse of the canvas, 106.5x106.5cm, (may be subject to Droit de Suite) CONDITION REPORT: oil on canvas in a wooden white painted frame the frame is not painted white on the reverse with drip marks from painting the front with stapled canvas salvage with three canvas patches adhered to the reverse one patch is over the inscribed artists name, not the signature recto the black painted area of the canvas is tacky, dust and hairs have adhered to this area in the top right section where the canvas is painted cream there are signs of crazing and cracking overall in fair condition
18TH CENTURY ENGLISH SCHOOL "Lady in lace-trimmed dress, a spray of roses at her breast", portrait study, head and shoulders, oil on canvas, initialled "JW" and dated "1763" above her shoulder, 54 cm x 43 cm. CONDITION REPORTS Overall the painting is dirty and requires cleaning and sympathetic restoration. The main body of the painting particularly to the shawl and face has distinctive craquelure. There is a large patch of paint missing above her right shoulder and a hole beneath. The paint and canvas are indented where the stretchers meet the canvas - visible all round. There is slight paint loss above her head and to the right of her head. Under UV light there appears to be restoration to the flowers at her breast suggesting either this is a later addition or repainted and also to the bottom right hand corner there is a large black patch suggesting restoration.
An 18th Century gilt metal chatelaine with all over repoussé work decoration of classical figures and scrolling acanthus, the clip supporting three various boxes, one as a necessaire containing a spoon, penknife, scissors, ivory tablet with pencil inscriptions, the other two as bonbonnieres/patch boxes, housed in a leather case a card inscribed "The words written on ivory tablet in this chatelaine are by Jane Falk whose parents opposed her marriage. She is supposed to have written and passed the tablet to her lover (afterwards her husband Captain John George Wordeman) with whom she ran away and married in Falmouth Parish Church 1763 March 11th). She died in 1775 at Riga, Russia. CONDITION REPORTS Has general wear and scratching all over conducive with age and use. One patch box has Roman tally marks scratched into it, necessaire bottom finial has a pin hole and two dents, case interior in a somewhat distressed state and exterior has wear, scratches, etc. conducive with age and use (see photos) please note that this is not gold, catalogue description now reads gilt metal. 17cm long. Gross weight approx 128g.
A Turkish prayer rug with central field of purple and blue within a stepped stylised floral decorated border in purple, taupe and green, 183 cm x 110 cm, together with a Persian rug, the central panel set with floral decorated medallion on a pink ground within a stepped pink, blue and olive floral decorated border, 192 cm x 136 cm, and a brown striped saddle bag, 154 cm x 85 cm (3). CONDITION REPORTS The brown prayer rug is very damaged all around the central panel. It is threadbare all the way round and is generally in very poor condition overall with the thread being very thin throughout and the corners very tatty. Very faded. The red ground rug again is very thin and threadbare throughout. All corners have sections missing and one edge has half the panel missing (please see images). The stripy rug is generally very dirty and in poor condition with wear to edges and poor repairs. There is a patch repair about 5 cm x 5 cm along one end and generally overall in poor condition particularly at corners and edges.
EARLY 19TH CENTURY ENGLISH SCHOOL "Gentleman in black coat and white stock", a portrait study, half length, oil on canvas, unsigned, 76.5 cm x 63.5 cm. CONDITION REPORTS Under UV light shows small spots of restoration throughout, from general restoration to secure the piece, appears to have been professionally restored, in particular there is a patch approx. 10 x 4 cm to the background on the right-hand side of the face (but not on the face itself), and there are numerous other small areas of restoration throughout - some to the face area but generally quite even throughout, generally the picture is very dirty with some flaking to the oil lower left side towards edge of frame in at least half a dozen places (see photo) - largest area approx. 1 x 1 cm, some cracking to the oil particularly lower left corner (probably from heat damage) there are at least three or four spots of white paint dropped on the picture towards background, picture appears to have been re-lined but some considerably time ago as is very browned and dirty. Frame has cracking throughout conducive with age, is extremely dirty, giltwork is quite rubbed throughout, various pin head size chips to the giltwork on close inspection, however the general overall impression is that it looks reasonably complete, there is an area on front left-hand side approx. 4 x 5 cm in the background which is discoloured and looks whiter than the rest of the frame.
THOMAS LUNY (1759-1837) "Fisherfolk pulling nets to the beach with various sailing vessels along the coastline in the background", oil on panel, signed and dated 1829 bottom left, 30 cm x 40.5 cm. CONDITION REPORTS In a reasonably modern frame which appears to be in good condition with just a few minor knocks, Large central split across the picture running right through the board (see images) measures 11.5 cm long, some cracking to the oil throughout but paintwork appears to be secure, has clearly had some professional restoration, on the right-hand side approx two thirds of the way down from the top right by the mount there has clearly been some flaking to the paintwork which appears to have been professionally secured (see images), under ultra-violet light the only obvious sign of restoration is the small patch already mentioned on the right-hand side, and a little bit of touching up along the bottom edge of the frame where it has clearly rubbed, other than that we would suggest that the painting has had some professional cleaning in the past and general care to secure the oil to prevent flaking where it has cracked, overall however it appears that the paintwork is solid. The painting is on a wood panel, and the wood has warped. Some small flakes/losses along the crack.
EARLY 19TH CENTURY ENGLISH SCHOOL "Gentleman in black coat and white stock", a portrait study, half length, oil on canvas, unsigned, 76.5 cm x 63.5 cm. CONDITION REPORTS Under UV light shows small spots of restoration throughout, from general restoration to secure the piece, appears to have been professionally restored, in particular there is a patch approx. 10 x 4 cm to the background on the right-hand side of the face (but not on the face itself), and there are numerous other small areas of restoration throughout - some to the face area but generally quite even throughout, generally the picture is very dirty with some flaking to the oil lower left side towards edge of frame in at least half a dozen places (see photo) - largest area approx. 1 x 1 cm, some cracking to the oil particularly lower left corner (probably from heat damage) there are at least three or four spots of white paint dropped on the picture towards background, picture appears to have been re-lined but some considerably time ago as is very browned and dirty. Frame has cracking throughout conducive with age, is extremely dirty, giltwork is quite rubbed throughout, various pin head size chips to the giltwork on close inspection, however the general overall impression is that it looks reasonably complete, there is an area on front left-hand side approx. 4 x 5 cm in the background which is discoloured and looks whiter than the rest of the frame.
A Stobwasser type papier mache circular box and cover detailed with a highland scene, 9cm diameter, a fruitwood carved circular lidded patch box, relief carved with Napoleon, a tortoiseshell and brass inlaid snuff box, 8.3cm wide, a shell and gilt metal mounted patch box, a blue and gilt floral glass scent bottle and stopper, and a white metal scent bottle, relief engraved all over with flowers, and centred by a bumble bee, 8cm (6).
A gilt metal mounted mottled brown agate circular patch box, a seal formed as an Art Nouveau lady, a desk seal formed as a bust of a youth wearing a hat, a gilt metal mounted oval Wedgwood jasperware plaque, designed as the figure of a child with a dog, a rectangular brass devotional plaque depicting religious figures, and another plaque.
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