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A WW2 style German "Espana" Condor Legion arm patch.

A WW2 Chindit patch for the Burma campaign.

A USA Phantom "ghost" unit patch for the Inflatable tank and deception unit from post D-Day operations.

A very interesting archive collection of the Gould family, likely a Jewish family, containing WW2 ephemera about the Gould family. Included are naval telegrams from the No. 109 Torpedo boat, passports for William Frederick Gould, a printed copy of a changed birth certificate to William Frederick Miller, among information regarding other Gould brothers. Among are badges and tags related to their military exploits, including the Torpedo boat No. 109 ribbon band, a HMS Cumberland band, an intriguing printed Pegasus patch from late in the war, a HMS Courage band that has been trimmed down, a dog tag for a Pte E. Kaine among other badges, patches and documentation. An intriguing lot for those who enjoy researching the past lives of others, with plenty of information to keep you busy.

A German WW2 pennant flag, bearing a swastika patch to either side. No mounting points.

Three 18th Century "patch mark" Derby porcelain figures - lady with lute, 7.25ins, girl with posy, 6.75ins and man with dog, 6.75ins, and a pair of Continental porcelain figures of musicians, after Derby originals, 8.25ins high (spurious painted puce mark to base)

A Kane (John Hurt) space burial miniature from Ridley Scott's sci-fi horror Alien. Kane was the first victim of the alien as it burst from his chest during his iconic death scene. After Kane's gory demise, he was given a burial in space, his body jettisoned from the Nostromo's airlock. To achieve the scene, a miniature airlock set was created, with miniature exteriors of the hulking Nostromo ship. The miniature was then fired out of the airlock, creating the illusion of being sucked into space. These sets, as well as the Nostromo itself, were built by a team at Bray Studios. At least two different scales of this miniature were created for the scene, this being a larger one. The miniature is made of wood and features hand-painted detailing, including a serial number, patch and plaque just under the head. The piece features metal straps and pins, around which string is laced to give the impression of Kane's body being tightly bound. It has some wear from production use and age. The paint has been stabilised to stop it flaking away, but some small cracks remain. The model is presented on a custom-built display stand with a wooden base and a metal rod inserted into the feet. Dimensions (displayed): 24 cm x 10 cm x 14 cm (9 1/2" x 4" x 5 1/2")£8000-10000 M

Ray Stantz' s(Dan Aykroyd) Ghostbuster jumpsuit from Ivan Reitman's supernatural comedy Ghostbusters. Stantz and his fellow Ghostbusters donned their jumpsuits to track and capture the ghosts haunting New York City. This jumpsuit is made from two different shades of khaki material, features brass zippers, and includes both the "STANTZ" name patch on the left chest and the Ghostbusters logo patch on the right sleeve. It has pockets on the front, back, legs, and left sleeve. There is visible marking and stitching remnants on the left leg where the suit's rubber hose connector was once fastened. The jumpsuit exhibits some signs of wear and aging. While it was intentionally constructed of two different shades of khaki material, the contrast between the materials is now much greater due to one of them becoming heavily discoloured with age; this fading giving the affected material a warmer, pink-coloured hue. The unaltered colour is more prominent in areas not exposed to light, such as underneath the collar.£10000-15000 Ω

Dr. Egon Spengler's (Harold Ramis) jumpsuit from Ivan Reitman's action-comedy sequel Ghostbusters II. Spengler wore his jumpsuit throughout the film, from the initial reunion of the Ghostbusters,to their triumph over evil spirit Vigo the Carpathian (Wilhelm von Homberg). Wrinkles and stitchings around the patches screen-match the garment to early scenes when the team investigated the museum holding Vigo's haunted portrait. Conceived by costume designer Gloria Gresham, the jumpsuit is made of tan-coloured polycotton. It has a metal zip front, two breast pockets, two hip pockets, a pocket on the left arm, two thigh and shin pockets on each leg, a thin pouch on the left inner thigh, and four pen slots by the ankle. The waist and wrist cuffs are adjustable with Velcro, and the ankle cuffs are adjustable with metal zips. The jumpsuit features Spengler's signature name patch in red text on a black background sewn onto the left breast, and the Ghostbusters logo patch sewn onto the right upper arm. A manufacturer tag with a handwritten label reading "Harold Ramis" is found within. The jumpsuit shows minor wear from production use and remains in very good overall condition.£10000-15000 M

A set of crew caps and photographs from Steven Spielberg's Indiana Jones trilogy. These items come from the personal collection of legendary producer Robert Watts. The lot consists of 10 pieces: three crew caps and a mixed lot of seven on-set and promotional photographs. Custom-made by The Thinking Cap Company for the crew, the red cotton cap features an embroidered patch featuring the Raiders of the Lost Ark logo and is considered extremely rare. The blue cotton cap features the Indiana Jones and the Temple of Doom logo embroidered on the front. Made from cotton and netting, the black cap bears the Indiana Jones and the Last Crusade title artwork. Some of the photographs feature Harrison Ford and director Steven Spielberg, while one behind-the-scenes photograph from Indiana Jones and the Last Crusade shows Sean Connery (Professor Henry Jones) joking with Steven Spielberg, Harrison Ford and Robert Watts. The lot shows signs of age, including curling corners on the photos, trailing threads and slight yellowing on the caps' interior white fabric. One of the photos exhibits three diagonal scratches. Dimensions (largest photo): 26 cm x 21 cm (10 1/4" x 8 1/4")£1000-1500 M

A production-used early draft script, crew jacket, soundtrack cassette and promotional binder from Tim Burton's superhero film Batman. The script is 106 pages, credited to Sam Hamm (screenplay) and Bob Kane (characters), and bound in a red marbled card cover with a label that reads "original draft with Robin". Several handwritten annotations appear in blue pen on pages 15 and 18, and a pink tag bookmarks page 83. The crew jacket is made of black leather (size XL) and has a black faux-fur detachable collar, a patch depicting the Joker (Jack Nicholson) on the left arm, and the Batman logo on the back. The promotional binder contains 44 pages detailing the storyline of the film, a pre-release soundtrack cassette, and biographies of the cast and director. They are all held in a black card folder with the Batman logo. The Batman soundtrack was the eleventh studio album by Prince, who created all the songs for the film. Dimensions (script): 30 cm x 23 cm x 1 cm (12" x 9" x 1/2"); (binder): 30 cm x 23.5 cm x 1 cm (12" x 9 1/4" x 1/2"); (cassette): 11 cm x 7.5 cm x 2 cm (4 1/4" x 3" x 1")£1000-1500 M

Captain Hadley's (Clancy Brown) badge and embroidered patch from Frank Darabont's Academy Award-nominated prison drama The Shawshank Redemption. The sadistic Hadley wore his captain's badge and an embroidered patch on his Shawshank State Prison uniform. This faux-gold badge, specific to Hadley's position at the prison, features an eagle motif and the text "Shawshank State Prison ME. - State of Maine" around Maine's state emblem. The yellow, blue, and grey embroidered iron-on fabric patch, like those worn by Hadley's fellow guards, features an image of the prison's facade on the front and fusible webbing on back. The patch exhibits minor signs of wear, including a frayed bottom. Dimensions (badge): 7 cm x 4.5 cm x 1 cm (23/4" x 2" x 1/2"); (patch): 9.5 cm x 7 cm x 1 cm (31/2" x 23/4" x 1/2")£600-800 Ω Δ

Dr. Daniel Jackson's (James Spader) costume from Roland Emmerich's sci-fi adventure Stargate. Jackson changed into his costume before stepping through the stargate and remained in it throughout the film. The costume includes an olive-green jacket, a pair of trousers, and a T-shirt. The button-up cargo jacket has a patch reading "U.S. AIR FORCE" on the left chest and a white patch featuring three red lines and three blue stars on the lower-right chest. The costume also includes a pair of black leather lace-up boots and black socks. It exhibits minor wear, including staining to the T-shirt and a small intentional cut for a squib effect in the lower-left front of the jacket.£2000-3000 Ω

A dinosaur handler costume from Steven Spielberg's Academy Award -winning action-adventure Jurassic Park. Dinosaur handlers wore their uniforms at the beginning of the film as they attempted to load a velociraptor into its paddock. The costume consists of an orange hard hat, a grey shirt and a pair of grey trousers. The "Fibre-Metal" hard hat is made from dense plastic, and includes a plastic Jurassic Park logo on the front. Both the long-sleeved button-up shirt and trousers are made of cotton, by Camo Distributors. The heavy shirt includes four patch pockets with buttoned flaps, and has a Jurassic Park patch stitched to the left arm. The trousers are made of a similar material, with a button-up fly, adjustable sizing bands at the hips, and patch pockets on the legs. The shirt is labeled "XL" and has "Jophrey" handwritten on the label. The trousers are size M. The ensemble shows minor wear due to production use and age. Dimensions (hard hat): 28 cm x 22 cm x 20 cm (11" x 8 1/2" x 8")£2000-3000 M

A crew cap from Steven Spielberg's action-adventure Indiana Jones and the Raiders of the Lost Ark. Crew members were given these caps while working on set. This style of cap was also worn by Spielberg himself in famous behind-the-scenes footage of the film. The cap was manufactured by The Thinking Cap Co. and is made of beige cotton with mesh panels. An embroidered Raiders of the Lost Ark patch is attached to the front. It shows signs of age and wear, the light pink sweatband inside shows some staining, and the top of the hat shows some discolouration and trailing threads. In addition, the adjustable buckle is held together with brown gaffer tape.£300-500 M

Jack O'Neil's (Kurt Russell) costume from Roland Emmerich's sci-fi adventure Stargate. Colonel O'Neil led a group of military specialists through an ancient portal to a planet on the other side of the galaxy.The costume includes a moss-coloured military jacket with several decorative patches on the chest and collar, as well as identification patches on the front reading "O'NEIL" and "U.S. AIR FORCE"; a matching pair of trousers labelled "O'NEIL"; a black T-shirt labelled "O'NEIL HERO"; a pair of black fingerless gloves; a black beret with a patch embossed on the front; a black belt labelled "HERO"; a pair of sunglasses in a black plastic case; a mesh tactical vest labelled "O'NEIL", with several pouches, including a large one on the back containing a piece of foam; a tactical belt featuring a gun holster and a pouch containing a faux walkie-talkie; a resin stunt knife with a leather sheath attached to a nylon strap via Velcro; and a pair of black boots labeled "O'NEIL". The costume exhibits some wear throughout, including some staining and discolouration on the shirt, and wear on the sunglasses and gloves.£4000-6000 Ω

Cosmonaut Boris' (Jim Dowdall) spacesuit from Richard Lester's superhero sequel Superman II. Boris wore his spacesuit on the moon as the Artemis II's crew was attacked by General Zod (Terence Stamp), Ursa (Sarah Douglas) and Non (Jack O'Halloran). The spacesuit is made of cotton, with a reflective plastic film and a metal helmet neck ring. It features six knobs with missing dials, four metal panels fixed to the arms and legs, two white patches, and a red, white and blue Soviet patch. The costume has open slots at either side of the waist and a zip-up back. It shows signs of wear from aging. The reflective film is peeling from the suit, and the neck ring has broken away. The patches have been moved from the shoulders to the chest, while the Soviet patch has fallen off entirely, leaving glue residue on the right arm from alterations (it was previously situated on the left shoulder). There are also strips of glue residue where the gloves and boots were fastened.£1500-2500 †

Benny Hill's (Benny Hill) boy scout costume from the classic comedy sketch series The Benny Hill Show. Benny Hill and his cast performed a variety of comedy skits and musical numbers featuring recurring costumes, a common one being his boy scout uniform. This particular costume was used in a promotional photo shoot for Radio Times magazine in December 1991. The costume consists of a pair of olive-green shorts; a brown felt hat with leather tassles and metal details; a brown leather belt with metal details; a pair of brown leather-and-rubber boots; a khaki-green collared shirt with a black, white and purple Scouts patch embossed over one breast pocket, four green-and-yellow patches, and two pairs of red tassels embossed on the sleeves; a forest-green-and-yellow neckerchief with a brown leather slide; a pair of beige cotton socks; a pair of red tassels with nylon straps; and a metal-and-plastic Swiss army knife. The shirt, shorts and boots are labelled "Benny Hill" on the interior. There are some signs of wear on the belt.£2000-3000 Ω

Captain Apollo's (Richard Hatch) tunic from Glen A. Larson's sci-fi television show Battlestar Galactica. The leader of the Galactica's squadron of Colonial Vipers wore his tunic as part of his uniform throughout the series. Made of tan velvet, the tunic displays a round Colonial patch on the upper right sleeve. A combination of a metallic faux-gold and black-and-brown chequerboard-patterned trim decorate the collar and cuffs. The front of the garment features a strip of Velcro running down the left side and shoulder, while two hook fastenings secure the collar. The inside of the neckline features black handwritten text reading "40 Apollo", and "R.Hatch" has been written on the lining. Two pinholes are present on the collar, indicating where Apollo's rank insignias were once secured. The lot exhibits signs of wear.£3000-5000 M

Buffy's (Kristy Swanson) cheerleader costume from Fran Rubel Kuzui's supernatural action comedy Buffy The Vampire Slayer. Having been tasked with protecting the world from vampires, cheerleader Buffy encountered several of the creatures, including her former friend (Sasha Jenson), among a group of parade floats at her school. This costume consists of a yellow cheerleading shirt labelled "BUFFY", which features purple details and a yellow-and-purple patch embossed on the front, as well as a pair of matching shorts with purple details, labelled "BUFFY FOX" on the interior. The costume exhibits some production-applied dirt stains throughout the skirt.£1500-2500 Ω

A Pete “Maverick” Mitchell (Tom Cruise) and Nick “Goose” Bradshaw (Anthony Edwards) ejection model miniature from Tony Scott’s action drama Top Gun. Radar Intercept Officer Goose died while ejecting during a dogfight with a Russian jet, though his partner, renegade pilot Maverick, survived. Model miniatures were affixed to the canopies of the jet miniatures to simulate ejection. This resin miniature comes with a striped helmet labeled “Mitch” (likely as a humorous nod to Top Gun model maker Mitchell Romanauski), a green launch suit with a VF-1 Eagle patch, an oxygen mask, and an ejector seat. The design details — such as “Mitch” rather than “Goose VF-1” being marked on the helmet, miscolouring of the stripes, and the blurred eagle insignia on the sides — are not accurate to either characters’ life-size ensemble. Miniature artists often took artistic liberties with figures not intended to be seen closely on camera. This model exhibits glue residue on the seat. Dimensions: 8.5 cm x 6.5 cm x 12.75 cm (3 1/4" x 2 1/2" x 5")£2000-3000 Ω Δ

A Starfleet communicator badge from Star Trek: The Next Generation. Starfleet officers wore their badges on the left breasts of their uniforms, and used them to communicate with other crew around the ship. It is made of resin and painted faux-gold and faux-silver. It is in the shape of the arrowed Starfleet emblem and has a small Velcro patch on the back where it would have been attached to the actor's costume. The back of the badge remains unpainted. The communicator has some wear from production use and age, with scuffing and scratches, while some of the paint has become wrinkled and discoloured. Dimensions: 5 cm x 4.5 cm x 0.5 cm (2" x 1 3/4" x 1/4")£800-1200 M

Zeus Carver's (Samuel L. Jackson) costume from John McTiernan's action sequel Die Hard With a Vengeance. After nearly being blown up in a ship explosion by terrorist Simon Gruber (Jeremy Irons), Zeus and John McClane (Bruce Willis) tracked Gruber back to his hideout. This costume consists of a navy blue nylon and bird feather coat affixed with three paramedic patches; a button-up cotton shirt with a tag labelled "Zeus"; a pair of charcoal trousers labelled "Zeus"; a cotton bandage; a pair of black socks; a pair of woollen gloves; a black leather belt; and a pair of leather dress shoes labelled "Zeus Stunt". The costume exhibits significant production-made damage throughout, including several faux bloodstains and a loose patch on the jacket; visible wear on the trousers; and faux blood, ink and dirt stains on the shirt, as well as multiple large tears and a missing sleeve.£1500-2500 Ω

Data's (Jonathan Ke Quan) stunt coat from Richard Donner's adventure film The Goonies. Data wore his distinctive long coat throughout the entire adventure that he and his friends went on to find infamous pirate One-Eyed Willy's long-lost treasure.This olive green cotton-and-polyester blend double-breasted trench coat is emblazoned with 28 distinct patches. Each patch was selected from leftover costume materials from previous productions. For example, Data's "Artanis Productions" ("Sinatra" spelled backwards) is believed to come from the 1965 film None But the Brave, while an Apollo 18 patch was likely made for the 1985 mini-series Space. The coat is labelled "stunt" on the interior. It exhibits some signs of wear from age and intentional distressing, including tears and fraying to the edges of the bottom and sleeves, and staining in shades of red, black, and brown throughout the piece. The staining may have occurred after production.£15000-20000 Ω

Forrest Gump's (Tom Hanks) clean Bubba Gump Shrimp Co. cap from Robert Zemeckis' Academy Award-winning drama Forrest Gump. Gump wore his hat after establishing a successful shrimping company named after his friend, Bubba Blue (Mykelti Williamson). The hat, which at first was clean, became increasingly distressed as Gump wore it while running from one coast of the USA to the other and back. This crimson, one-size-fits-all adult baseball hat is embossed with a red, white, blue and pink patch featuring the Bubba Gump Shrimp Co. name and graphic. The patch exhibits minor wear from use.£4000-6000 Ω

Jim's (Christian Bale) brown leather flying jacket from Steven Spielberg's Oscar-nominated Second World War epic Empire of the Sun. Jim wore his jacket throughout his time in the internment camp, with the distressing of the patch on the back a close match to that seen on his jacket near the end of the film during the camp's forced evacuation. Costume designer Bob Ringwood earned an Academy Award and BAFTA nomination for his contribution to the film. A brown leather bomber jacket made by Schott, the piece features a China Burma India Theater patch on the arm and a large 'blood chit' patch on the back. A black "J" is written in the collar. The jacket is missing its detachable faux-fur collar and displays significant wear from use, including tears to the leather and lining on the left breast pocket, both arms, and to the wool cuffs and waist.£2000-3000 M

A US astronaut spacesuit from Peter Hyams' sci-fi sequel 2010: The Year We Make Contact. Doctors Walter Curnow (John Lithgow) and R. Chandra (Bob Balaban) donned spacesuits to make the spacewalk between the Leonov and Discovery One. This cream-coloured polyester spacesuit comprises a jacket, a pair of trousers, a pair of boots, and one glove. Some components are labeled for the Center Theatre Group, who likely created the costume. The jacket has multiple pockets, metal eyelets, a stuffed-polyester tube, and a Velcro enclosure. The arms feature three red nylon stripes (left) and an embroidered American flag patch (right). The waist and inseams of the trousers have Velcro enclosures. The boots have metal snaps, Velcro backs, and white non-slip soles. The glove has a metal loop for tightening. The jacket is marked "4-27-82 Stage 30" and the trousers "2010 USA". The spacesuit exhibits wear, including rips, stains, and fabric pilling. The right glove is missing.£1500-2500 Ω

Mark Watney's (Matt Damon) "Iron Man" cut glove and Ares IV mission patch and decal from Ridley Scott's sci-fi film The Martian. Watney cut his pressure-suit glove to go "Iron Man" and propel himself to Melissa Lewis' (Jessica Chastain) Manned Manoeuvring Unit in space. Patches were worn by the astronauts to signify which mission they represented. The glove is made from a white synthetic fabric with detailed grey rubber finger and palm sections, and features a small hole on the palm. A white mesh lining is fitted within. Labelled "Ares IV", the embroidered patch displays black, white and primary-coloured designs, and is backed with Velcro. The circular decal has the "Ares III" insignia and features the astronauts' names. The glove shows minor wear, with the rubber padding having cracked and come away in some places. Dimensions (glove): 37 cm x 20 cm x 7 cm (14 1/2" x 8" x 2 3/4"); (patch): 12.5 cm x 10 cm x 0.5 cm (5" x 4" x 1/4"); (decal): 7 cm x 7 cm x 0.1 cm (2 3/4" x 2 3/4" x 1/8")£2000-3000 † Δ

Spock's (Leonard Nimoy) science officer costume from Gene Roddenberry's sci-fi television series Star Trek: The Original Series. This costume was worn exclusively by Spock in the second season, and screen matches the tunic worn in episodes "The Ultimate Computer" and "The Omega Glory", based on the placement and stitching of the Science Division patch. The costume comprises a blue velour tunic and a pair of black fabric trousers. The tunic features a pair of faux-gold rank braids on both sleeves, indicating the rank of First Officer, and has a Starfleet science patch made of reflective faux-gold material with black embroidery affixed to the left breast. The collar is made of a loose-weave black fabric and would have featured hook closures, which were removed some time during or after use on the production. The collar has lost most of its elasticity due to age, which is common in such costumes. The zipper fitted along the left side €“ used by actors to get into the tunics and commonly known to fail through use €“ has been removed, and the seam for the zipper stitched closed. The trousers feature Velcro strips on the side, rear and on the right-hand pocket for attaching communicators and phasers during wear, a trait seen only in the costumes of principal characters. Both garments were uniquely tailored for Nimoy in the role of Spock, with side-stitching used to reduce the size of the tunic's chest; some of this side-stitching has come away over time. The bottom cuffs of the trousers were modified for use in Rodenberry's unproduced sequel series Star Trek: Phase II, and the tunic displays some light fading. The name "Nimoy" is handwritten on the interior of the trousers' left pocket. Acquired directly from Paramount Studios during the early 1990s, and offered with original Paramount Archives wardrobe tags, the costume remains in very good overall condition.£50000-70000 M

A production-used script and pair of "Victory by Wings" patches from James Cameron's sci-fi action sequel Aliens. Ferro (Colette Hiller) and Spunkmeyer (Daniel Kash) wore patches on their flight suits and body armour while on board the USS Sulaco, and while flying their "Bug Stomper" dropship. Credited to director James Cameron, the script is labelled as "Final Draft September 1985" and is bound within a blue card cover which features "100" written in silver on the top-right corner. The script comprises 106 unannotated pages printed on white US Letter paper. The round patches are screen-printed on blue cotton and display an eagle perched on a shield, with a banner at the bottom reading "Victory by Wings" and several yellow stars. The lot displays minor wear from production use including minor yellowing to the pages, a water stain on the script's cover, and the edging of the patches has begun to fray. Dimensions (script): 28.5 cm x 22 cm x 1.5 cm (11 1/4" x 8 3/4" x 1/2"); (patch): 10 cm x 10 cm x 0.5 cm (4" x 4" x 1/4")£500-700 † Δ

Rooster Cogburn's stunt eyepatch from Paramount Pictures' Academy Award-nominated Western True Grit. Cogburn wore his signature eyepatch throughout the film while hunting for the man who murdered Mattie Ross' father. This stunt eyepatch is made of a rigid see-through mesh painted brown to appear opaque, and is moulded to a polyester-padded brown leather strap. A wardrobe tag marked for Cogburn's stunt double comes with the piece. The patch has cracks to the leather from use and age. Dimensions: 11.5 cm x 6.5 cm x 4 cm (4 1/2" x 2 1/2" x 1 1/2")£800-1000 Ω

Forrest Gump's (Tom Hanks) screen-matched distressed Bubba Gump Shrimp Co. cap from Robert Zemeckis' Academy Award-winning drama Forrest Gump. Gump wore his increasingly weathered hat while running from one coast of the USA to the other and back. This hat is screen-matched to a photograph of Gump seen in a photo album on screen. This crimson polyester, one-size-fits-all adult baseball hat is embossed with a red, white, blue and pink patch featuring the Bubba Gump Shrimp Co. name and graphic, and has a tag reading "To Robin Miller set dressing €˜Money hat'", for property master Robin L. Miller. The hat is intentionally distressed and stained by production with grime and dirt throughout to appear extensively worn.£8000-10000 Ω

An "E.T. and Me" crew hat from the production of Steven Spielberg's sci-fi family film E.T. the Extra-Terrestrial. An alien stranded on Earth befriended a young boy (Henry Thomas), who helped him call back his spaceship. E.T. and Me was an early working title for the film, with crew hats featuring the title frequently seen being worn by crew members in behind-the-scenes images.This adult-size cotton baseball hat is emblazoned with an "E.T. and Me" patch on the front, and features a mesh back, and a plastic size adjuster on the reverse. It exhibits minor signs of use and wear, including light staining. Dimensions: 20.25 cm x 23 cm x 8.25 (8" x 9" x 3 1?4")£400-600 Ω Δ

A hand-drawn and printed John Mollo Hoth rebel technician design sketch with fabric swatch from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. Rebel technicians worked at Echo Base on the ice planet Hoth. This printed, three-hole-punched copy of a design sketch for a technician's costume was created and annotated by costume designer Mollo, who used it as a working document during preproduction. The sketch is labelled "Black Combat Boots" in pen and features a hand-drawn rendering of a rebel technician's hat next to the printed sketch. A cream, orange, grey, and red sample for a Hoth uniform insignia patch is stapled to the left corner. The sketch and swatch exhibit some folding and creasing, as well as some tape residue on the paper surface. Dimensions: 30.50 cm x 21.75 cm (12" x 8 1/2")£1500-2500 Ω *Sold without copyright; see copyright notice in the Buyer's Guide

A crew jacket from the production of Ridley Scott's sci-fi classic Blade Runner. This black The Cloth Tattoo zip-up bomber jacket (size M), given as a gift to the crew of the film, is made of satin polyester with a hand-embroidered silver-and-red threaded patch reading "Blade Runner" in both English block and Japanese characters. A note in the jacket pocket marked "Lorna's jacket" is rendered in graphite on paper letterhead belonging to the film's visual effects auditor, Diana Gold.[2] While satin jackets from this era are frequently heavily faded, this jacket retains its original jet-black color and exhibits only minor signs of wear, while the note exhibits some creases and punctures.£800-1000 Ω

An archive of behind-the-scenes stills, a Lucasfilm Ltd annual from 1983, and a set of crew stickers from the original Star Wars trilogy. This item comes from the personal collection of legendary producer Robert Watts. Comprising a set of 12, the black-and-white stills were taken during the filming of A New Hope and show key cast members, droids, director George Lucas and others. Annuals were gifted to Lucasfilm employees during their yearly picnic at Skywalker Ranch. This set of stickers includes two triangular stickers designed by Ralph McQuarrie and a sheet of uncut stickers featuring Return of the Jedi's original title "Revenge of the Jedi" with an image of Yoda. The lot is completed by a colourful embroidered patch of the same Yoda design. The lot exhibits minor wear, including light scratches, plucks around the patch outline, and crease lines, notably on the annual cover and uncut sticker sheet. Dimensions (annual): 28 cm x 22 cm x 1 cm (11" x 8 3/4" x 1/2"); (each photo): 20 cm x 25.5 cm (8" x 10"); (sticker sheet): 19 cm x 25 cm (7 1/2" x 10")£300-500 M

Doug MacRay's (Ben Affleck) bus driver costume from Affleck's crime thriller The Town. MacRay dressed in a bus driver uniform disguise while making his final getaway from the city after pulling off a robbery. This costume consists of a navy-coloured jacket with a pair of patches; a light blue short-sleeved button-up shirt with a pair of patches, labelled "DOUG" on the interior; a pair of navy-coloured trousers; and a navy baseball cap with a patch and the number "67093" embossed on the front. There is some mild staining on the jacket and fraying on the lettering on the baseball hat.£600-800 Ω

A Raccoon City Police badge from Alexander Witt's action-horror sequel Resident Evil: Apocalypse. Police detectives wore their badges at the police station when Jill Valentine (Sienna Guillory) burst in and shot the infected prisoners. The steel badge which reads "Raccoon Police", is pinned to two black leather patches fastened together with Velcro. On the reverse of the patch is a metal clip to attach the badge to clothing. The piece shows some wear from production use, including some scuffing on the leather and the badge itself. Dimensions: 8.5 cm x 8 cm x 2.5 cm (3 1/3" x 3 1/4" x 1")£300-500 M

A gilt metal and enamel patch box with mirrored interior

A collection of The Big Lebowski items including a sealed The Big Lebowski Fan Kit from Germany, containing the DVD, a t shirt, glass tumblers and other items, plus a The Big Lebowski collection to include a tenth anniversary DVD box set in the form of a bowling ball (unfortunately the DVDs are missing), the film on laserdisc (a rare find), the soundtrack on vinyl (sealed), a Funko Wacky Wobbler talking bobble-head figure of The Dude, a Funko POP figure of Maude, the soundtrack on CD, a coaster, a pack of playing cards and a boxed The Big Lebowski kit containing a The Dude shirt patch, magnet, rug mousepad and a severed toe - NO RESERVE

Collection of porcelain patch and pill boxes together with an enamel box, another with a micro mosaic lid, an oval brass box with a portrait miniature panel to the lid etc. (6)

A box of miscellaneous books, to include Donald Sotheby New Tales of Robin Hood, Maysie Greig It Happened One Flight, Alice Regan Rice Mrs Wigg's of the Cabbage Patch etc

Assorted bone china ornaments, to include dalmations; together with Worcester and other patch boxes etc

A Cabbage Patch doll and a Winnie the Pooh soft toy (2)

Notts and Derby (Sherwood Foresters) EIIR Cloth Patch (Gold and Silver braid), an excellent patch.

An 18th century navette shaped gold framed mourning pendant, the classical female stands holding a spindle before a monument inscribed 'VIRTUE', the reverse set with hair and gold initials, bright-cut engraved gold frame, approx 3cm x 5cm over loop, unmarked yellow metal tests as approx 15ct goldCondition: good overall, no obvious signs of damage or repair, minor nibble to edge of glass, on the reverse the glass is etched with initials (the image shows a large patch on the reverse, this is just remnants of an old sticker)

Ephemera. Collection of early Victorian packaging boxes for confectionery, transfers or jewellery. Card construction, some with hand-coloured engraved or lithographic labels, one stipple-engraved design showing lady ice skating; one box (depicting young lady) contains transfers for Valentines ('Gently and Sweetly', 'Unity is Strength' and so on); two boxes contain transfers of costumes and topographical views. Together with a Victorian beauty patch box, pink & gold card construction with glass lid (still containing patches), by L. Panafieu of Paris (8)

A Late XVIII Century Enamel Patch Box, of lobed circular form, the cover painted with a Continental harbour scene, the base with flowers, 5cm diameter; Another, circular Continental patch box, painted with harbour scenes within beadwork and a turquoise ground, 4.2cm diameter. (2)

A Late XVIII Century Enamel Patch Box, with hinged cover, of fluted oval form, painted with a central spray of flowers in a scrolling cartouche, beside floral sprigs against a purple and pink ground, 6cm long; A Further Patch Box, of lobed oval form, painted with flowers within beadwork bands, the interior with mirrored lid, 4.5cm long. (2)

Lindsay (David) Devil's Tor, first edition, light spotting to endpapers, original cloth, spine faded, dust-jacket, price-clipped, spine a little browned, spine ends and corners a little chipped, small patch of staining to lower panel, light spotting to upper panel, a few small nicks or tears to head and foot but overall an excellent example, 8vo, 1932.⁂ A bright and excellent example of a rare work, Lindsay's fifth and the last published during his lifetime. Devil's Tor has been referred to as Lindsay's magnum opus and, like his better-known A Voyage to Arcturus, is concerned with deep exploration of its metaphysical themes.

A CURIOUS GEORGE III OVAL SILVER PATCH BOX with gilt interior, concave sides and base, the lid engraved with a question mark 3.5cm by 2.5cm - lion passant mark and maker's stamp of C & K

A 19TH CENTURY CIRCULAR TREENWARE PATCH BOX with painted gun dog scene to the lid 4.5cm diameter

3rd pattern percussion Brunswick Rifle by London Small Arms Company, originally .704 calibre, (bore enlarged to .750 musket calibre) Crown V.R. Lock dated 1870, with patch box, bayonet bar and folding leaf back sight, 117cm long Section 58(2) Antique /obsolete calibre, can be owned without a licence.

18th Century South Staffordshire enamel on metal oval patch box, the black printed lid printed with the bust of a woman and inscribed 'When this you see remember me', the hinged lid interior with mirror, the box with pink enamel, width 40mm (AF).

Early papier-mache patch box, old painted tin, sel. of miniature thimbles and assorted bone pieces

Selection of dress jewellery incl. beads, brooches, pearls, powder compact, patch box (8 individual pieces)

Gerard Dillon (1916-1971)Girl in a BogOil on board, 45.7 x 64cm (18 x 25¼'')SignedProvenance: With the Dawson Gallery, Dublin; Sale Christie's, London, 08/05/08, Lot 120.In his treatment of Connemara subjects Gerard Dillon found some of the conventions of synthetic cubism useful. In common with his two artist friends, George Campbell and Arthur Armstrong, the challenges posed by depicting the long landscape shapes of Connemara, particularly in the area just behind the Mountain of Errisbeg which dominates the village of Roundstone and easily seen from the artist’s Island dwelling on Inis Lacken, were considerable. With no foreground interest one had to be constructed. Jack Yeats, Paul Henry, Charles Lamb and Maurice MacGonigal all had the same problems to resolve and all found roughly similar methode d’emploi to achieve this. Part of it is the use of the signature as a note of colour behind which the landscape recedes and, like Norah McGuinness, the use of reeds or rocks also was found to be a useful device. Seán Keating found the use of a massive figurative shape in the foreground to be doubly useful by setting the place and the tone or the mood of the work which he wished to convey in as rapid a manner as possible to the viewer. Here, Dillon has taken the landscape of the bog road which runs from the Roundstone junction with the Toombeola road westward over the bogs, on the north western flank of Errisbeg. This was a land described in 19th century offers for development and mining as being the ‘El Dorado’ of Ireland. Indeed, there had been some gold found in this area in the 19th century but not enough to keep prospectors and their spending power in Connemara. The time is spring as the farmer with turbary rights (rights to commonage and to cut turf) is burning off the gorse, the smoke of which can be seen behind the red cart, the horse is not visible, obviously grazing some patch of grass and the man is scything the tops of scraws, those loose peaty bits which grow grass and always replaced to preserve the bog cuttings in order to prepare for the next stage of saving the turf for the following winter’s fires.The artist evolved some very personal pictorial approaches to his work in order to find his own picture making voice or, if you prefer, a pictorial style. This is the sort of day with which the pastoral idyll conveys with clarity and force as well as great charm and the child has come up close to see what the artist is doing. So, the painter made her the focus of his large design and allows the shapes of bog cuttings to be seen as a long pattern behind the child’s head and the rising shapes of the uplands behind Clifden in the far-off distance. Like Colin Middleton, Dillon has made a pattern of the marks of the slane (the turf cutting implement) behind the child’s head and the work is a mixture of nature observed and synthetic cubism to give his composition a sense of the naïve, a faux sense let it be said to convey a kind of retrieved memory by a child, for Dillon was often childlike himself in his essential inner innocence.Ciarán MacGonigal

A Post-Second World War RAF Uniform, to a Flight Engineer, comprising a jacket with qualification brevet patch, medal ribbons for British Empire Medal, 1939-45 Star, Atlantic Star, Defence Medal, War Medal and General Service Medal, with QEC staybrite buttons, another jacket with staybrite buttons, two pairs of trousers and a greatcoat with brass KC buttons (5)

A Collection of Seven British Second World War 1940 Pattern Battledress Blouses, one dated 1941, size 13, with Royal Artillery shoulder title and TT Divisional patch; one dated 1945, size 12 with cloth shoulder titles to REME; one size 10 and with Border Regiment shoulder title; three with labels for 1943 size 13, 1945 size 15 and Made in South Africa, 1946 size 12; one unlabelled; also, four pairs of battledress trousers - two dated 1951 and 1965 (11)

A Small Quantity of Militaria, including a pair of embroidered cloth shoulder titles to the Perth Regiment, Canada, a shoulder patch to Wallasey, cap badges including Lancashire Fusiliers, RFC and RAF, buttons, King's silver war badge, a gilt metal powder compact with badge to the Scots Guards, a an officer's plated collapsible tumbler cup in leather case etc