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Lot 533
A large Regency mahogany D-end dining table with extra leaf and raised on square tapering supports, 266cm long, 168cm wide, 72cm high. Good colour. Centre leaf a stronger and richer colour. Some superficial marks. Overall in good condition. Some small patch repairs, one to the top edge. Some very slight loss and repair to the beading that runs below the frieze. All brass clips present.
Lot 627
A set of four George III silver navette shaped pedestal salts, Thomas Wallis II, London, 1801, height 58mm, gross 9 oz, with engraved crest.CONDITION: Patch repair to the base of the pedestal of one salt (visible on the inside), one other has possibly been repaired around the whole of the pedestal base.
Lot 154
KENYON HANSEN; a soda fired stoneware twin handled bottle with extended neck, height 32cm. Based in Helena, Montana where he is long term resident at the Archie Bray Foundation for the Ceramic Arts, Hansen is inspired by everyday experiences, patch work quilts, and structure and patterns found in nature, as well as historical pots.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
Lot 28
* Patch Box. A George III period ivory patch box, of circular form, the cover finely inset with doves and arrows painted on glass on a mother of pearl ground within a "jewelled" and geometric border, tortoiseshell lining, some cracks to the ivory and chips to the tortoiseshell, 5cm diameterQty: (1)
Lot 2054
Royal Doulton Art Deco part tea service, with silver bands on a white ground, angular handles, pattern H4244, Rd. No 776716, to include teapot, h17cm, teapot stand, 9 cups, 10 saucers, 10 cake plates, cream jug, and sugar bowl. Also Grindley six square cake plates and a serving plate, decorated with red flowers and black transfer print. Condition on Royal Doulton:Overall condition good with little wear to silver rim or bands, no chips found. 1 cup has hairline crack to underside foot and resulting crazing. 1 cup has minor crazing to underside foot. 2 saucers have crazing to the well of the saucer. Cake serving platter has light surface scratches evident to the silver. Cake plates: 1 with very light surface scratches, 1 worn patch to the silver, 2 with crazing to base, 1 with hairline crack, 1 cracked right through (close to breaking off). Sugar bowl has minor thumb sized crazing to under side. Cream jug has very minor rubbing to silver on the spout. Teapot: lid is crazed. Mild wear to silver on uppermost handle. 1.5cm hairline crack to rim. Feint hairline crack curving from base upwards approx 7cm.See additional images.
Lot 2072A
Hammersley floral painted and printed Queen Anne Part tea service No 13166, comprising: two cake plates, 23cm, 12 side plates 17cm, 12 saucers, 14cm, 8 tea cups, sugar bowl and cream jug Overall condition good. Surface scratches to saucers. No faults found other than those stated as follows:4 cups have hairline crack to base of bowl, sugarbowl 1-2mm nibble to rim, 2 saucers have rough patch (2-3mm) to rim, 1 saucer with shallow (3-4mm) nibble to rim, 1 saucer with 3cm crack from rim towards centre, 1 saucer crazed and hairline crack running half the circumference.Please see additional images.
Lot 174
A modern Art Deco style bronze table lamp in the form of a stylised dancer holding two lights, raised on a stepped black marble base, height 60cm. CONDITION REPORT Electrically untested. Chip to end of nose, deep scratch in bridge of her nose, small but some deep scratches in multiple areas, loss of patination to back of arm, small pitting to thigh, hair on back of top of head has a patch of scratching and discolouration.
Lot 29
An early 20th century glazed bookcase with carved decoration to the frieze, above pair of astragal glazed doors, raised on stile supports, height 92cm, width 95cm, depth 33cm. CONDITION REPORT There is a patch of staining to the top portion, minor signs of surface wear throughout, otherwise OK.
Lot 156
Stephen Elmer (1717-1796)A covey of partridges in a landscapeoil on canvas38.5 x 45cmCondition report: The canvas is lined. There is a fine craquelure throughout. Under UV light there are some isolated specks and touches of infilling to the craquelure, with a slightly larger patch approx. 2 x 1cm which probably relates to a small repaired tear or hole. This has all been done well and the painting is presented in a stable ready to hang condition, in an early 19th century gilt frame.
Lot 213
Henry Crowther (19th-20th century)'Welsh Randy', a Welsh Springer Spaniel signed and dated 1924 l.r., inscribed l.c., oil on canvas31 x 38cmCondition report: The canvas is unlined. Under UV light there is some retouching apparent to the yellow/whites of the sky. There is a small repaired tear to the upper left with corresponding retouching. The tear has re-opened as there is no patch to the reverse. some surface dirt.
Lot 252
Lillian Cheviot (1876-1936)A greyhound and a hare in a Highland landscapesigned l.r., oil on canvas56 x 66cmCondition report: The canvas is not lined. Some superficial surface abrasions. Under UV light there is a patch of retouching to the mid-range hills along the edge, and a larger area to the hills to the right side. There are some further touches to the sky. It is not clear what these were for as the canvas appears stable and the reverse doesn't show up any puncture holes or tears. It is possible a restorer took a small area of paint loss or varnish degredation and put a more general sweep of fresh paint over the top which would be easier to colour match and blend. Generally speaking it looks well presented and ready to hang.
Lot 29
Follower of Munnings, 19th/20th centuryA groom and horses on a hillsideoil on canvas71 x 91cmCondition report: Generally good order, good impasto, original canvas, there is some surface dirt. Something has been splattered on the surface upper left, this appears to be superficial - like coffee or something. On the reverse, there appears to be a patch, see illustration, yet on the front there is no sign of a repair to the surface, or retouching under UV light. May benefit from a light surface clean, otherwise ready to hang.
Lot 60
*Michael Lyne (1912-1989)On the scentsigned l.l., oil on canvas60.5 x 80cm*Artist's Resale Right may apply to this lot.Condition report: There is a small 2cm patch of retouching to the centre of the clouds with a corresponding patch verso - see image. The patch is larger than the repair. Otherwise in generally good order and ready to hang.
Lot 448
A QUANTITY OF ASSORTED PEDIGREE SINDY, PAUL AND PATCH DOLLS, CLOTHING AND ACCESSORIES, including early 'Made in England' Sindy doll in Weekenders outfit, Hong Kong made Sindy in Town and Country outfit, other clothes include Miss Beautiful and the Springtime blouse, Paul doll in casual outfit, other outfits include Time Out, Patch doll in dungarees, other outfits include Birthday Party, Tobbogganing, Swan Lake and Easter Parade, outfits not checked may be missing items and accessories (three boxes) (condition: (dolls only - not clothing) Patch: both complete, minor hair loss, Paul: complete, possible minor paint loss to head, minor scratches and yellowing to torso, Sindy: both complete, auburn hair one has some minor hair loss and minor wear to toes, blonde one very minor hair loss)
Lot 835
A gentleman's 1940's steel Longines black dial manual wind wrist watch, case diameter 34mm, on associated strap.CONDITION: Scratches to the case back and sides. Patch where metal has worn to one side of the case. Scratches to the glass. Dial possibly re-painted?? Watch ticks when wound and the hands adjust. No insignia on winding crown.
Lot 239
Don Balke (North Carolina, B. 1933) "Broad-billed Hummingbird Taking Nectar" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 29c Broad-billed Hummingbird stamp issued June 15, 1992. Deep inside Arizona's Santa Rita Mountains, a tiny bird zips back and forth in a swinging motion that emulates the pendulum of a clock. The display is enchanting, but it is the sound of the little bird's wings that captures the attention, a sound befitting the Wild West location, not unlike the wild screaming of a ricochetting bullet. A male Broad-billed Hummingbird is at it again, attempting to entice a female as his mate. Found along sycamore-lined canyons in west Texas and southeastern Arizona, the Broad-billed Hummingbird is best known for the noisy aerial display and a bright red bill which is present on both male and female. The male is an iridescent gem, with emerald plumage on its belly and back, and a throat patch which is as deep azure as the Southwestern twilight. The brilliant sunlight of the desert brings these colors out in vivid display; in the shade, the male Broad-billed Hummingbird appears almost black. The female, while less colorful, is nonetheless a beauty too, with subtle hues of green, gray and white. Unfortunately, catching a glimpse of these minute jewels is a rarity, for the Broad-billed Hummingbird visits the deserts during the scorching-hot summers when most humans are absent. By the time winter has arrived -- along with the usual flock of vacationers -- these little birds have migrated into Mexico. Image Size: 19.5 x 17.5 in. Overall Size: 21 x 19.25 in. Unframed. (B13731)
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