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A Derby Patch Mark asymmetrical rococo vase, painted by the Principle Bird painter, with bird to front and verso, the mouldings picked out in citrus yellow, green and puce, 13cm high, c.1760Rice, Dwennis, Derby Porcelain, p 160, illu 138Provenance: G Cope Collection

A Derby Patch Mark figural group, Pastoral Group, a gallant charms a shepherdess, painted in polychrome enamels, tree stump and outcrop picked out in green and applied with bocage, 15cm high, repairer's monogram JW and numbered 72 in script, c. 1765

A Derby Patch Mark figure, Allegorical of Autumn, seated on a tree stump, he wearing an upturned hat, holding a basket of fruit, wide scroll base, 13.5cm high, c.1760Rice, Denis, Derby Porcelain, 131 illu 89a; Bradshaw, Peter, Derby Porcelain Figures, p73, illu 62; Twitchett, John, Derby Porcelain, P98, illu 62Provenance: The G Cope Collection

A Derby Patch Mark figure, Allegorical of Summer, she stands wearing a broad brimmed hat, with fruit and flowers in her apron, picked out in gilt, 22cm high, c.1770

A Derby Patch Mark figure, French Season, Allegorical of Spring, he stands wearing a black brimmed hat, holding a garland, gilt lined circular base, 21.5cm high, c.1780Bradshaw, Peter, Derby Porcelain Figures, p268, illu 216; Twitchett, John, Derby Porcelain, P139, illu 148Provenance: The G Cope Collection

A Derby Patch Mark figure, Minerva, The Goddess of Wisdom, she stands wearing a feathered helmet, coat of mail and floral bocage, leaning on her shield with Medusa's head in relief, her right hand raised, scroll base, 25cm high, c.1770Bradshaw, Peter, Derby Porcelain Figures, p3347, illus 289Provenance G Cope Collection label

A Derby Patch Mark figure, of a Dresden Shepherd, standing and holding a basket of fruit, a dog seated by his right foot on a scroll base, 27cm high, c.1760Rice, Denis, Derby Porcelain, illu 48; Twitchett, John, Derby Porcelain, P98Provenance: The G Cope Collection

A Derby Patch Mark figure, of a lady seated with dog, 14cm high, c.1770

A Derby Patch Mark figure, of a man with bagpipes, seated wearing feathered headdress, fanciful dress, dog by his side, pierced scroll base, 16cm high, c.1770See Bradshaw, Peter, Derby Porcelain Figures, p96, ill 74; Twitchett, John, Derby Porcelain, p82, illu 74Provenance: The G Cope Collection

A Derby Patch Mark figure, of a Putti, standing scantilly draped with floral chaplet, holding a basket of flowers, 11cm high, incised star for repairer Isacc Farnsworth, c.1775Provenance G Cope Collection label

A Derby Patch Mark figure, of a shepherd playing a reed pipe, taken from a Meissen original by JJ Kandler, he stands wearing a broad brimmed hat, wearing floral breeches, a hound at his side, shaped base applied with leaves and flowerheads, 16.5cm high, c.1760See Bradshaw, Peter, Derby Porcelain Figures, p215, illu 168Provenance: The G Cope Collection

Treasury,John Bradbury, £1, 1914-16, A1/20 61501 (Dugg. T11-2). First prefix for this type. Small patch of smudging on right side, very fine. (1)For further information on this lot please visit Bonhams.com

An Ercol elm nest of tables, 57 cm x 35.5 cm x 42 cm high (largest), 34 cm x 25.5 cm x 36.5 cm high (smallest), an Ercol elm single drawer side table, 47.5 cm x 44.5 cm x 54 cm high and a matching occasional table, 46 cm x 36.5 cm x 38.5 cm high CONDITION REPORTS Nest of tables has some knocks and bumps, etc. to the tops and sides, there is some more damage to the insides of each of the table legs where they have gone in and out of the nest both at the top and on the feet. Single drawer side table has some knocks, bruises througout including one on the left-hand side which is a bit deeper and the single table as a patch of roughness/loss to the varnish. Otherwise all have general wear and tear to include knocks, bumps, etc. conducive with age and use. See images for more details.

* Miniature. A tiny Victorian love token basket, finely carved ebony, patterned with scrolling ribbon and tendril borders, base inlaid with 5 white metal panels, comprising a central square panel engraved with a swallow with letter in its beak, and 4 lunette-shaped panels, 2 engraved with a flower between leaf sprays, the other 2 blank, handle of basket with inlaid white metal oval engraved with monogram 'HC' between carved leaf sprays, 2 x 3cm (.75 x 1ins), together with a small collection of other miscellaneous and miniature items, including: a 19th century ivory pipe tamper; a carved ivory head of a Renaissance-style man, 23 x 23mm; a 19th century pierced bone propelling pencil/dip pen; a miniature plaster head and shoulders portrait of an infant, in circular glazed frame; and a number of small patch boxes and trinkets, of turned wood, ivory, etc.Qty: (17)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

* Trinket Boxes. An art deco Swiss silver and enamel box by F.B.E., Geneve, of circular form with enamel cover decorated with a boat on a lake, the base with a guilloche enamel, the interior gilded and stamped 935, damaged, 5cm diameter, 50g, together with a large collection of boxes including Victorian horn and papier mache snuff boxes, a 19th century French gilt-metal snuff box inset with lapis lazuli panels, 6cm long, an 18th century style pressed brass casket, the lid inset with a watercolour miniature of a young lady, 8.5cm long, an 18th century Bilston enamel patch box, the lid inscribed 'Accept a trifle from a friend', damaged, 4cm long, porcelain table boxes and other itemsQty: (48)NOTESProvenance: John Wait (1927-2014), Chairman of Lipton Tea.

* Clothing. A European doublet, probably 1580-1600 [and later], gentleman's doublet of gold silk velvet, faded from red (with small patch of original colour remaining on right shoulder), with stand-up collar fastened with hammered brass hook and eye, front opening with 17 (of 18) Turk's head buttons, and corresponding buttonholes, 4cm (1.5ins) deep shoulder wings giving way to curving sleeves of gold silk brocade (later - 1720s?), cuffs each with 7 buttons and buttonholes as before, high pointed waist, and 16 shallow laps lined with gold silk, latter each with 2 eyelets threaded with gold satin ribbon tied in a bow (later?), each end terminating in a patterned cast silver-gilt pointed finial (gilding rubbed in places, one finial near-detached), metal braid edging (detached in places), sleeve fabric perishing, with tears and losses, sleeves faded on front side, lined with coarse unbleached linen, and with padded linen-covered belly pieces, that to left side left loose creating a 'pocket' giving access to buttonholes (lined on inside with gold silk), chest 91.5cm (36ins), waist 86cm (34ins), sleeves 56cm (22ins), length 50cm (19.75ins)Qty: (1)NOTESIt is rare for such garments to come onto the market. This doublet is typical of the Elizabethan period, with its snug fit and belly padding giving the fashionable 'pigeon pouter' silhouette, and with its decorative shoulder wings, high pointed waist, and overlapping waist tabs with ties. Similar garments can be seen in the V&A, The Met, and the Museum of Fine Arts, Boston (accession numbers 184-1900, 1978.128, 44.287a-b respectively).

* Clothing. A 1950s Beverley dress, printed cotton summer dress with full gathered skirt, with all over pictorial pattern depicting chic ladies carrying hat boxes, shop fronts with awnings (a hat boutique and a florist), pairs of gloves, and bouquets of flowers, in red, turquoise, grey, black, and yellow, on a pale lime green ground, square neck with printed label at nape "A Beverley Dress", sleeveless but with wide over-the-shoulder straps culminating in a point and secured by a large black button, front opening with three further matching black buttons, side zip, bust 101.5cm (40ins), waist 76cm (30ins), length 108cm (42.5ins), together with a pair of 1950s hand-made cotton curtains, with squared pictorial pattern printed in red, grey, black, green, and turquoise, on a white ground, depicting a wide range of domestic objects, including a grater, oil lamp, coffee pot, stringed instrument, weighing scales, globe, kettle, songbird and cage, etc., gathered with rufflette tape to top edge, 8" tear to lower right corner of one curtain (held together with iron-on patch on reverse), drop 109cm (43ins), width 171.5cm (67.5ins)Qty: (3)NOTESA striking dress, so indicative of the 1950s, in excellent condition.

Ian Fleming: Moonraker, Diamonds Are Forever, Thrilling Cities (2); From Russia With Love and Casino Royale (all Pan Books) along with The Stone Diaries by Carol Shields and Powder and Patch by Georgette Heyer (7)

A GEORGIAN ENAMEL ON COPPER OVAL PATCH BOX, on-glaze printed in black with "Bind me fast or set me free, Give me love or Liberty", with mirrored interior and pink fluted base, together with a similar snuff box "The Surprised Pair/Fair(?), plain interior, pink base, both 1 1/2" wide (2) (Est. plus 21% premium inc. VAT)Patch has cracks all across top, crack through mirror and base cracked inside and out.  Snuff has chipped area to right of banner going through to interior, with loss, two chips to base

A ROYAL DUX BUST, early 20th century, the young fashionable lady wearing a large brimmed hat and frilled dress, on an encrusted shaped base, model 295, pink patch, 19 1/4" high (Est. plus 21% premium inc. VAT)Restorations to flowers, hat brim, frills and neck (possibly been in two)

A PAIR OF ROYAL DUX FIGURAL LAMP BASES, early 20th century, both with a standing figure beside a classical column and a seated working potter, on square bases raised upon four paw feet, model 126, one with pink patch, 15 1/4" high (Est. plus 21% premium inc. VAT)Both bases heavily restored, one having no marks - all obliterated, standing male has restored wrists and seated girl has restored left arm and neck.  Standing female has restored neck, and right arm, two handled amphora restored, minor losses

A ROYAL DUX MODEL OF TWO HOUNDS, early 20th century, seated on an oval base, model 1583, pink patch, 11 1/2" high (Est. plus 21% premium inc. VAT)Generally good, small chip to back of stump

A ROYAL DUX FIGURE GROUP, early 20th century, a girl standing beside a large dog and holding her younger sister on its back, on an oval base with a small vase to the back, model 757, pink patch, 16" high (Est. plus 21% premium inc. VAT)Generally good, no restoration

A ROYAL DUX FIGURE, early 20th century, the young man standing beside his donkey carrying panniers of amphora, on an oval base, model 11462, pink patch, 16 1/2" high (Est. plus 21% premium inc. VAT)Crack to left hand.  Back right leg and tail of donkey restored (tail probably been off), crack across back of donkey, base sprayed underneath (covering cracks?), front left leg of donkey restored

A ROYAL DUX FIGURE, early 20th century, the young Eastern female holding an amphora in her right hand standing barefoot on a rocky outcrop, model 1051, pink patch, 20" high (Est. plus 21% premium inc. VAT)Generally good, no restoration, a little wear to gilding

A PAIR OF ROYAL DUX MIDDLE EASTERN WATER CARRIER FIGURES, early 20th century, the male holding an amphora on his left shoulder and carrying a pail in his right hand, his female companion with a child on her left shoulder and carrying a pitcher, both on dark green moulded bases, models 436 and 437, pink patch, 18" high (Est. plus 21% premium inc. VAT)Handle to pail has old repair, minor but obvious chips to bases, otherwise generally good

A RARE PAIR OF ROYAL DUX YOUNG ARAB STREET VENDORS, early 20th century, the male with a pannier of fruits on his back and carrying dead game birds, his female companion carrying a water pitcher and mug, both barefoot on oval bases, models 399 and 400, pink patch, 12" and 12 1/2" high (Est. plus 21% premium inc. VAT)Minor damages, no apparent restoration

A ROYAL DUX FIGURE GROUP, early 20th century, the young man standing with his lover on a shaped base, model 1513, pink patch, Czech printed mark, 23" high (Est. plus 21% premium inc. VAT)Generally good

A ROYAL DUX EQUESTRIAN GROUP, early 20th century, the old cavalier seated astride his steed leaning down to a young peasant girl holding a pitcher, standing on a flower moulded oval base, model 759, pink patch, 15 1/2" high (Est. plus 21% premium inc. VAT)Generally good, minor chips/flakes to extremities especially plumes

A PAIR OF ROYAL DUX FIGURAL VASES, early 20th century, the young male wearing a goatskin and carrying a bow and quiver and his female companion holding a pitcher, both seated on art nouveau moulded vases on waisted circular bases, models 416 and 417, pink patch, 17" high (Est. plus 21% premium inc. VAT)Both male's feet are restored, right arm and bow restored.  Female generally good but has obvious fritting to base

A ROYAL DUX SMALL BUST, early 20th century, the young lady wearing a green tricorn hat and flower sprigged dress on a swept circular base, model 26, pink patch, 11 1/2" high, together with a pair of Royal Dux style busts of Tyrolean children on swept quatrefoil bases, models 237 and 237, otherwise unmarked, 10" high (Pair & 1) (Est. plus 21% premium inc. VAT)Brim of tricorn hat restored.  Boy's hat feather reconstructed, losses to extremities

A ROYAL DUX "CAN'T YOU TALK?" GROUP, early 20th century, model 2369, pink patch and green printed mark, 7 1/2" high, together with a figural bowl with a young girl standing beside a trough with two sheep, model 12760, pink patch and printed mark, 7 1/2" high, and an art nouveau maiden and conche shell bowl, model 1047, pink patch, 10" high (3) (Est. plus 21% premium inc. VAT)Child and dog good, but not the best modelling.  Trough has a hairline crack running up the fascia.  Shell and girl heavily restored

A ROYAL DUX FIGURAL SMALL CENTRE BOWL, early 20th century, the young peasant boy holding a pitcher and seated on the edge of oblong "pond" with two ducks, model 2986, pink patch and green painted mark, 12" wide overall (Est. plus 21% premium inc. VAT)Plume restored, otherwise good

AN ART NOUVEAU ROYAL DUX FIGURAL SMALL CENTRE BOWL, early 20th century, the two young peasant girls filling a pitcher at a stream on a shaped oblong flower moulded base, model 1646, pink patch and green printed mark, 8" high (Est. plus 21% premium inc. VAT)Generally good, no obvious restoration

A COLLECTION OF SMALL ROYAL DUX FIGURES, early 20th century, comprising a pair of 18th century style dancers, models 313, pink patch, 11" high overall, a pair of Arab water carriers, models 1411 and 1412, inscribed green plaques, 9" high, and a maiden carrying a basket, model 2079, pink patch, 10 1/4" high (2 pairs & 1) (Est. plus 21% premium inc. VAT)Both dancers restored. Arabs generally good bar minor chips.  Girl good but poorly moulded

A ROYAL DUX FIGURE of the Bather, early 20th century, the young girl wearing a swimming costume and seated on a rocky outcrop, model 1380, pink patch, 18 1/2" high (Est. plus 21% premium inc. VAT)Two minor but obvious chips to right foot and left shoe, otherwise good, no restoration

A LARGE PAIR OF ROYAL DUX FIGURES, early 20th century, both in lace trimmed 18th century garb, the young male playing a flute (missing) and his female companion a guitar, pink patch to male only, 36" and 34" high (Est. plus 21% premium inc. VAT)Girl generally good bar typical minor chips to extremities - no restoration.  Boy has restored shoe bows and right hand,  all the left hand of his coat restored, head possibly been off - restoration across hair, cracks to back

A PAIR OF COALPORT CHINA VASES AND COVERS of ovoid pedestal form, painted by H. Chivers with cartouche of fruits on a mossy bank, the gilt highlighted cobalt blue ground with pale lemon borders, signed, printed marks, 12" high (Est. plus 21% premium inc. VAT)One vase cracked and repaired with loss to back top rim, the other has a patch of discoloured glaze/craze to interior

PINK FLOYD - A RARE ORIGINAL CREW ONLY DENIM JACKET for THE WALL   BERLIN TOUR 1990 - WITH EMBROIDERY ON TOP RIGHT FRONT AND SPONSER   PATCH AND LARGE EMBROIDERED DETAIL ON THE BACK Emea Merchandising     NYC.  Size Large

A mid 18th Century Chinese famille rose part tea set, comprising a bullet-shaped teapot and cover, three cups and a saucer, and a Chinese moustache cup, circa 1900/see illustration CONDITION REPORT: There is a small chip to the glaze under the spout of the jug. The finial of the teapot cover has flaked glaze to the tip and a patch to the side as well. There is a firing flaw to the inside of one cup. Otherwise some wear to gilding but overall good.

A Worcester wine funnel, circa 1754, painted in bright famille rose enamels with blue and orange rocks from which grows flowering peony branches and bamboo, 11cm high/Provenance: The Cohen Collection, exhibited Albert Amor Ltd. June 1992 Exhibited: 'Worcester Porcelain 1751-1900': A loan exhibition from Dyson Perrins Museum, Worcester and Private Collections. Dreweatt Neate , 1995 No 4; 'Worcester Porcelain 1751-2001', Albert Amor Ltd 2001/Note: the last polychrome funnel sold at auction was Christie's, 16 December 2010, lot 193, from The Barratt Collection, Crowe Hall, Bath CONDITION REPORT: This is an excellent example. Base rim of the funnel in perfect condition, the upper rim with several minute chips although all appear to be underglaze. Very small firing crack to the body close to the upper rim and only visible to the interior. Enamels bright and in excellent condition. Small glaze fault to the exterior close to the smaller flower clump. Small patch of scratched glaze over the end of one of the long branches also on the exterior.

A Worcester blue scale ground milk jug and cover, circa 1770, painted flower garlands in gilt frame cartouches, 10.5cm high/Provenance: From the collection of Sir Roy Strong and his late wife Dr Julia Trevelyan Oman, Lady Strong CBE/see illustration CONDITION REPORT: A few tiny chips the petals of flower finial on cover, and a small chip to the underside of the rim and to the flange. The body of the jug kin good condition; no chips cracks or restoration. Minor rubbing to gilt line rim and a small scuffed patch on glaze to the side of the cartouche below spout. Enamels and gilding good.

A Ridgeway plate, circa 1850, painted a black grouse within a heather border, 23cm diameter CONDITION REPORT: In good condition - no chips, cracks or restoration. There is some fine glaze crazing over the plate and a small area at 10/11 o'clock on the rim of the well at the front, has a little staining to the crazing. Minor wear to gilding but a rubbed patch to rim at 5 o'clock.

A pair of Chamberlains Worcester dessert tureens and covers, 20.5cm high CONDITION REPORT: One cover with hairline crack from aperture, the other cover with a Y shaped crack bonded and old rivet holes filled. One tureen base with two flat rim chips, one handle with a hairline crack. A few very small chips to square base. The other tureen base with a 1 inch hairline crack to the rim, one handle restored and the other with a hairline crack to each arm. A patch of stained crazing to circular foot, a stained glazed crack to the interior and three tiny chips to cover of square base

Birmingham 1908, purse-shaped, the front applied with iris decoration, the reverse engraved with a presentation inscription, chain handle, fabric interior, 7,8cm wide; and a filigree circular patch box, unmarked,box 40g(2)

Cloth-colour pith helmet flashes which include Q Service Corps, SA Artillery, Natal Mounted Rifles, SA Engineers, Kaffrarian Rifles, Instructional Corps, 6 Batt 1st Reserve Bde and one unidentifiable patch. (12)

A VICTORIAN WALNUT TEAPOY the circular lifting lid opening to reveal two lidded canisters and two cut glass bowls within, all on a wrythen support and tripod base, 41cm diameter x 74cm high Condition: the top with some signs of repair to the veneer, possible patch to the central section of veneer and some slight lifting particularly to one quarter, two or three hairline cracks to the moulded edge, some slight losses associated with the fixing of the hinge within, the cut glass bowls with very minor chips

An Indian white metal patch box, Victorian silver caddy spoon, ashtray and sugar tongs (4).

A Persian woollen Heriz carpet, the red ground having a central medallion issuing scroll flowers and foliage within trailing tramline borders (some fading), 400 X 315CMCondition report: One approx. 5” circular patch repair.Carpet showing fair consistent wear all over, with some very minor patches of slightly deeper wear.Fading throughout, stronger in some areas.Otherwise generally sound and all together.

A SMALL VICTORIAN SILVER HIP FLASK, London 1840, of shouldered sack-form with screw cap, engraved with initials to the centre of an image of the sun. 8.5cm high, 1.9 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks clear and well struck, maker's mark unidentified. Stands upright, slight rocking to base. Bruise to base and dent to right hand side of base rim. Cast line to right hand side pronounced, issuing from dent on base rim, with another minor ding approx. 1cm up. A patch of glue (?) to top of screw cap. Light surface scratches and marks throughout commensurate with age and use

Various collectables including a pietra dura panel modelled as a flower, a horn-handled magnifying glass with silver mounts and patch boxes etc.

James Hardy Jr. (1801-1889) The Anglers Signed, pencil and watercolour heightened with white, together with a further companion example by the same hand depicting a horse, cart and figures, 17.5cm by 27.5cm (2) See illustration each in broadly good clean and bright state of preservation. example featuring the anglers has a small slightly discoloured patch immediately above the central standing firgures head approx 1cm from top edge and a further slightly discoloured patch to upper right hand corner approx 1cm from upper edge. these may have been retouched (?) light surface dirt. there is a cluster of marks or scratches or paper being revealed underneath in and around standing figure to background an to the sky which may or may not be original to the execution of the picture. small cluster of nics or indentations to surface of upper left hand corner some light surface dirt. example with horse cart subtle cockelling to sheet colours good and bright. not examined out of frame

Robert Cleminson (fl.1864-1903) Spaniels with the day's bag Signed, oil on canvas, together with a companion, 39.5cm by 60cm (2) . Example with the sportsman's basket - In an overall good and original state of preservation. The canvas is somewhat loose on the stretcher and is very slightly buckled in places. Horizontal rub mark along top edge from slip. Small vertical canvas tear/losses within the left wing of game bird next to dog's head which is approx 0.5mm in length and less than 0.5mm across. Some very minor rubbing to other edges. Small patch of flaked paint within the rocks on the right hand side edge in line with the hind legs of the standing dog. There is a further very small area of flaked paint within the area between the recumbent dog and the standing dog. Very small loss/losses within the undergrowth approx 10cm directly above the signature. Light surface dirt and discoloured varnish. Second example - The canvas is in a similar state of slightly loose repair (does not have the tare/loss). Some general light rubbing/abrasions to outer edges. There are a relatively few small amount of small/tiny essentially individual losses/flaked paint including just above the mountains on the right hand side, the vegetation within the far foreground and the area between the recumbent dog and the Rabbits. There are a handful of further areas of flaked paint just above the lower edge etc... Relatively light surface dirt and discoloured varnish. Otherwise each in reasonably good and stable condition. Not examined with a UV light.

Tadeusz Styka (1889-1954) Polish Portrait of a haunting beauty Signed and indistinctly inscribed, oil on paper laid to panel, 58cm by 43cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business . on removal from the frame this work is painted on paper or card laid to panel. general rubbing, scratches and scuff to outer edges. covered in a layer of dirt and dark coloured splashes in a vertical fashoin from the sitters left hand shoulder to lower edge other relatively minor abrasions within the chest area and a further patch of surface abrasions / more prominent surface dirt across left hand side of the sitters neck. other brown coloured small splashes within the face mostly containied to her left hand side. further fine slightly diagonal scratch to paint within the lower tips of her fringe right hand side. odd other minor scuffs/scratches to background notably above the signiture and indistinct inscription whenere the paint has been diluted and applied thinly and may be the background colour showing through or where the paint has not been applied fully. very small pock mark to surface just left of her shawl within the skin left hand side. no more than 0.5cm across.

After Sir Anthony Van Dyck (1599-1641) Portrait of Queen Henrietta Maria and child, full length, seated, wearing a brown silk dress holding a child, a dog seated to the left Oil on canvas, 125cm by 100cm Provenance: Marquess of Downshire, Easthampstead Park by descent. See illustration. Frame: Carved wood gesso and gilt frame with significant worm holes and various losses (AF) . Notable warping to stretcher effectively bowing in convex fashion. the original canvas , therefore is adrift and worn at several points. reline of some age which has been painted and adds an additional to stiffening aspect to the overall canvas and surface. Covered in a thick layer of dirt and discoloured varnish, bringing a chalky quality particularly to the edges and areas of the varnish appearing opaque in nature around the chair and edges of the figures. The surface has numerous scratches and abrasions some of which have been restored with associated retouching. corners with retouching clearly visible with the naked eye. there is a patch of effectively three linear marks of retouching towards upper left hand corner and approx 7-8cm full length. some general overpainting and in filing to edges or a significant date and throughout background to a degree. further overpainting an strengthening of a likely date throughout the ochre colour of Henrietta's dress and drapery in general. it is likely that the canvas has been in a damp environment resulting in the general state of the canvas, several patches of lifting/craquelure especially throughout the back ground of the right hand side. evident missing areas of flaked paint and also evident areas of deteriated overpainting and restoration, numerous surface scratches and abbrasions. sold AF

A Good Early 18th Century Joined Oak Refectory Style Dining Table, the four-plank top with cleated ends, with single frieze drawer, on turned legs joined by a moulded H stretcher, 244cm by 80cm by 75cmVery slight movement in joints. Plank top with natural? gaps in boards with some splits. Reasonable uniform colour throughout. Some old decay to drawer linings with later brackets added for strengthening. One of the cleated end sections with patch repair and typical old decay around the block feet. Later feet added for height (see images).

A Late George III Mahogany, Marquetry and Parquetry Decorated Linen Press, early 19th century, the moulded cornice and hinged lid above two moulded cupboard doors inlaid with urns and enclosing four sliding trays, the base with two short over two long drawers, on bracket feet, 131cm by 59cm by 212cmGood cosmetic condition throughout and with fairly uniform colour. The left-hand marquetry panel to the cupboard doors with a small section of marquetry around the urn missing. Left-hand side previous screw holes? have been partly filled and polished. The urn marquetry is lifting slightly also. The opposing side with small split to the marquetry with some small repair work. With key and working lock. Drawers are paper lined. The cock beading generally good with small repair work. Small patch repair on the top drawer and a very small split left-hand end panel. Right-hand end panel with deep scuff mark and the right-hand lower panel with small patch repairs.

A George I Walnut, Crossbanded and Barber Pole Strung Bureau, early 18th century, the quarter-veneered fall enclosing a fitted interior of pigeon holes and small drawers above three small drawers with three long graduated drawers below, on bracket feet, 94cm by 54cm by 106cmCosmetically good and reasonable colour. Small sections of veneer replaced mainly around the back-right corner and left-hand corner. Fall front with further small repairs and patch above the escutcheon. Later handles with some previous handle marks visible (see images). Further small veneer losses around the dust boards and base. Interior with splits to the base section which have been partly filled. Later section of timber spliced in between the hinges. Later bracket feet.

A George III Mahogany and Crossbanded Straight Front Chest of Drawers, circa 1760, the moulded top above two short and three long graduated drawers between column supports, on bracket feet, 92cm by 48cm by 78cmSome variations in colour/fading. Timber rather dry around the top with some shrinkage splits (see images). End panels with fine split. Drawers are oak lined with later handles. Front-left bracket foot with small section of timber missing ?? replaced and locks later. Small patch repair around middle escutcheon. Faults on dust boards between drawers (see images). Patch repair to bottom drawer around escutcheon, with key and working locks.

~ A George III Glazed Mahogany Display Cabinet, late 18th century, the fret carved swan neck pediment above glazed doors enclosing two shelves, on an associated base with two drawers and square chamfered legs joined by a shelf, 67cm by 34cm by 174cmCabinet with variations in colour. The upper section is slightly faded compared to the base. Fret work pediment with repair. Right-hand glazed door with patch repair and further fault. End panels with old handle? marks. Previous escutcheon marks visible. Base - drawer front is split and bottom shelf with further natural ? splits. With key and working lock (see images).