ROBERT HOME (BRITISH 1752-1834) PORTRAIT OF LIEUTENANT-COLONEL WILLIAM SYDENHAM AND HIS WIFE, WITH ST THOMAS'S MOUNT, MADRAS IN THE BACKGROUND Oil on canvas 77.5 x 92.1cm (30½ x 36¼ in.)Painted circa 1791.Provenance: Arthur Tooth, London, 1946-7 (advertisement in The Connoisseur, March 1946) Private collection, UK Literature: Mildred Archer, India and British Portraiture 1770-1825, London 1979, pp.306-8, pl.212 William Sydenham (1752-1801), the son of Samuel Sydenham and Alice (née Chapman) of Minehead, came from a distinguished Devonshire family. He joined the East India Company's Madras Artillery as a Cadet in 1768. In 1776 he married Amelia Prime, niece of General Horne, who had also served with the Artillery in India. In 1786, at the time of the war with Tipu Sultan of Mysore, Sydenham was promoted to Lieutenant-Colonel in command of the First Battalion at St Thomas's Mount near Fort St George, Madras, which can be seen in the background of this painting. Home was a fine landscape painter and detailed landscape backgrounds give extra vividness to his portraits. William Sydenham was promoted to Major-General, Commandant of Artillery and AuditorGeneral of Fort St George in January 1801, but died in June of that year. Robert Home was an important recorder of British India in the late eighteenth and early nineteenth century. He studied with Angelica Kauffmann and between 1773 and 1778 worked in Italy. He exhibited twenty paintings at the Royal Academy between 1770 and 1789. His wife died in 1790 and the following year travelled to Madras to seek his fortune, just as General Cornwallis was setting off with the Grand Army for the Third Mysore War against Tipu Sultan. Home accompanied the campaign, making sketches of the forts and engagements; he later produced prints of Select Views in Mysore (1794) and paintings of Lord Cornwallis receiving the sons of Tipu Sultan as hostages and The death of Colonel Moorhouse (both c.1793-4; National Army Museum, London). Influenced by Thomas and William Daniell, who visited Madras in 1792, Home produced a number of landscapes which show exquisite attention to architecture and Indian life. In 1795 Home moved to Calcutta; he made a happy second marriage and his children joined him in India, all four sons becoming members of the East India Company's army. Home, a punctual, amiable and hardworking man, became the chief portrait painter in Calcutta. He painted the Governor-General of India, Marquis Wellesley, and his brother Major-General the Hon. Sir Arthur Wellesley (the future Duke of Wellington), as well as other generals and judges. He made a short visit to Dacca in 1799 to paint the Nawab Nasrat Jang. Home's successful portrait practice was threatened by competition from Thomas Hickey, who arrived in Calcutta in 1807, and by the dashing and eccentric George Chinnery, who arrived in 1811. In 1814 Home took up the post of Court Painter to the Nawab of Oudh at Lucknow. He worked for the Anglophile Nawab Ghazi-ud-din Haidar for thirteen years, painting portraits and court life, and designing Ghazi's crown when he was made King of Oudh in 1819, as well as carriages, boats, furniture, even an elephant goad. Home retired to a 'handsome establishment' at Cawnpore after Ghazi-ud-din's death in 1827, dispensing 'extensive hospitality to the residents of the station' until his own death at the age of eighty-two in 1834 Condition Report: The canvas has been lined. Light craquelure throughout however the paint surface appears stable. There is an old repair (approx. 5cm) running vertically through one of the soldiers to the left of the canvas, and this is visible in natural light. There is a further, very small patch of overpaint visible in natural light, to the sitter's skirt (approx. 5mm). Rubbing and abrasions to the framing edges. Inspection under UV light reveals scattered retouching and infilling throughout.Condition Report Disclaimer
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EDWARD WILLIAM STOTT (BRITISH 1855-1918) TREES OLD AND YOUNG, SPROUTING A SHADY BOON FOR SIMPLE SHEEP Oil on canvas Signed (lower left) 38 x 46cm (14¾ x 18 in.)Painted in 1888.Provenance: Bridgeman Images (listed as Springtime) Waterhouse and Dodd, London Private Collection Literature: Webb. V, Edward Stott, A Master of Colour and Atmosphere, Sansom & Company, 2018, p. 56, ill. No. 19William Edward Stott was a British artist born in Lancashire. He attended Manchester School of Art before furthering his studies in Paris from 1880, enrolling first at the studio of Carolus-Duran, and then between 1882 and 1884, at the Ecole des Beaux-Arts under Alexandre Cabanel.He returned to England and helped to found the New English Art Club in 1886, which at its inception had 50 members. The idea behind this new group was that it would be an exhibiting society for artists influenced by Impressionism and rustic naturalism. Among its members were Sir George Clausen, Philip Wilson Steer, Walter Sickert, and Henry Herbert La Thangue.In 1906, Stott was elected Associate of the Royal Academy of Arts. 1888 was an important year for the members of the New English Art Club as it marked the opening of the New Gallery. Founded by J. Comyns Carr and Charles Edward Hallé, it was completed in time to house the annual summer exhibition on 8th May. The theme of shepherds and their flocks played an integral part in the portraying of rural life, and proved a popular subject at the New Gallery exhibitions. Certain artists focused on shepherds herding sheep into pens, whereas others depicted the shepherd and his flock at rest, as is the case with Trees Old and Young, Sprouting a Shady Boon for Simple Sheep. The title of the work is taken from Book I of Keats' poem Endymion (1818), of which a collection of his poems was published in 1884, four years before Stott produced his work. The reference to poetry in his painting was typical of New Gallery artists who found inspiration in combining art and poems. Both Alfred East and Arthur Tomson referenced lines from poems in their 1888 exhibition pieces. Condition Report: The canvas has not been lined but it does appear to have been strengthened with a primer (probably at the time of conception), which has caused the canvas to undulate slightly in some areas. Some very light scattered craquelure throughout with a slightly heavier patch to the centre lambs, which is starting to lift. In addition there are two small areas of loss (to the centre left lamb), each approx. 5mm. There is a third area of loss (approx. 5mm) to the grass left of the same lamb's leg which has been overpainted, and this can be seen in natural light. Inspection under UV light reveals the aforementioned area of retouching, but no further evidence of restoration or repair.Condition Report Disclaimer
Four enamel Patch/Pill Boxes, two of them with inscriptions 'Who opens this muft have a kifs' and 'You are witty and pretty', A/F, a copper Pill Box with enamelled seascape scene and stamped 'G of H Ltd' underneath, two small Card Boxes, a miniature gilt metal Chair made from watch movement, and a Match Box All four Patch Boxes have faults and are cracked and have restoration. The octagonal paper/card floral Box has some splitting ands some small tears and is discoloured in places. Small copper Box appears to be in good order, just a few small surface scratches to the copper.
Space. Apollo XVI Collection. Charlie Duke Signed 10 x 8 inch colour photo. 10 x 8 inch colour photo showing Mattingly Young and Duke. First Day Cover Postmarked April 20th, 1972. Mission Patch included. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
A Regency inlaid mahogany Pembroke tableThe oval moulded top with satinwood cross-banding, inlaid with a band of meandering foliage, the frieze with boxwood stringing around a single drawer with opposing faux drawer front, inlaid with pendant swags, raised on tapering square section supports inlaid with pendant flowers and capped with brass castors.99cm wide (open) x 81cm deep x 71cm highCondition:Generally good with some minor cosmetic marks consistent with age and use. Some marks, tiny stains and patinated scratches to the top. Small patch to veneer near the inside edge of one leaf. Evidence of old worm inside the flies.
ROYAL DUX PORCELAIN ART NOUVEAU FIGURAL CENTREPIECE modelled as a young maiden standing between a pair of clam shells resting on a circular seaweed moulded base, model number 1125, pink patch, 13 1/2" high (Est. plus 24% premium inc. VAT)Condition Report: No cracks or restoration, very minor rubbing to gilding on extremities
A ROYAL DUX PORCELAIN FIGURAL GROUP, mid 20th century, modelled as a lady in a sedan chair accompanied by two gallants, all in 18th century style garb, a recumbant dog at their side, on an oval base raised upon bracket feet, model number 1970, small pink patch and printed marks, 15" high (Est. plus 24% premium inc. VAT)Condition Report: One of the back brackets holding the wooden bar is damaged with loss, otherwise good.
A ROYAL DUX PORCELAIN FIGURAL VASE, early 20th century, modelled as a young maiden holding a long necked string instrument in her left hand, standing beside a tall 'wall' vase inscribed with musical notation and encrusted with flowers, a small posy vase resting on a rocky outcrop and on a naturalistically moulded base, model number 471, pink patch mark, 15 1/4" high (Est. plus 24% premium inc. VAT)Condition Report: tiny chips to petals of uppermost flower and leaves below, no restoration
CARLO FALCINI (Florentine School, 1848-1938)"The Madonna della Sedia", inscribed to reverse "Carlo Falcini dipinse da Firenze 1838", oil on canvas, (tondo), 30" diameter, framed (Est. plus 24% premium inc. VAT) Condition Report: Repair patch visible to the back of the canvas. Overall paint surface is stable a with some areas of craquelure. Ingrained dirt and scratches to the paint visible in a number of areas.The frame with wear and ingrained dirt.
A ROYAL DUX PORCELAIN ART NOUVEAU FIGURAL VASE, early 20th century, modelled as a young maiden wearing a long green dress, holding a book in her left hand and standing beside a stump vessel on a circular base, model number 1192, pink patch mark, 17 1/4" high (Est. plus 24% premium inc. VAT)Condition Report: tiny chips to flower in hair, a little wear to gilding, otherwise good, no restoration
A very good collection of sweetheart brooches (Mother of Pearl), enamel, silver, embroidered padded patch inc S. .S Himalaya, S. S. Orion, RAFVR, Ypres, Northumberland Fusiliers, Rest Centre Service, National Reserve Berwickshire, Tyneside Scottish, Prince of Wales feathers with gem insert, Artists Rifles, NAAFI, Somme, Ballina etc.
A South Staffordshire enamel bodkin case, 9cm wide, and three other enamel items; a patch box, thread holder and needle case***CONDITION REPORT*** Tatting shuttle a tiny chip to each pointed end. Other three are quite badly damaged, as shown - bodkin case with large chips revealing copper; top of cover with old repair. Blue-ground box cover badly cracked with a small missing section at centre; hinge incomplete and brass mount detached from box. Oval box damaged as shown; cover with further cracks and missing enamel at hinge area. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 18th century walnut bureau, width 97cm, depth 50cm, height 104cm***CONDITION REPORT***Top has a new veneer patch. Fall front spot stained. Scratched to veneer and has a filled central split. Handles are replacements. Some later veneer patches to front, feet are scuffedPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A handsome 19th century silk patch worked quilt, worked in repeating octagon shapes, in a large selection of 19th century printed and woven brocaded silks on a black and brown velvet background, edged with a 19th century wide red and gold woven silk border, the quilt lined with a thick cotton, 228cm x 212cm***CONDITION REPORT***Some silk octagons are torn or perished from age, but with conservation can be replaced, the lining has become discoloured with age but could be replaced.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
This collection includes a nutmeg medal from Connecticut, a souvenir medal from Fort Fisher, a ribbon topper pin from Westchester, PA, a Patriotic Order Sons of America (P.O.S.A.) ribbon from Washington with a Little Red School House medal from 1879, an Ulysses S. Grant US Mint Employees Parade Coin marked 1879, an award from the Philadelphia In-Door Horse Show from 1917, a Marine Corps. patch, and the Great Council of Pennsylvania IMP'D ORM Degree of Pocahontas with ribbon and a Liberty Bell stamped Bastian Bros. Co. to the back. Issued: late 1800's to early 1900'sDimensions: 4"L x 0.25"W x 2.75"HCondition: Age related wear.
38 unboxed Lilliput Lane cottages - The Rising Sun, Treetops, Hen Party, Dovecote, Nutkin Cottage, Hollytree House, Yuletide Visitors, Burns Cottage, Hazelnut Hall, Partridge Cottage, Queen Of Hearts x 2, Arithmetic at the Old School House Walney, Fruits of the Sea, Rockerbye Baby, Tunnel of Love, Afternoon Tea, Sadlers Inn, Cabbage Patch Corner, The Gingerbread Shop, Fisherman's Bothy, Rydal Cottage, Chestnut Cottage, Mince Pie, Holy Christmas, Millbeck Cottage, Golden Days, Pillar Cottage Hawkshead, Finders Keepers, Welcome Gnome, Snowed Dovecote, Pride & Joy, Dream Catchers, The Sandcastle, Gold Top, Little Summerhouse, Ullswater Boat House, Old Tom's Timeless Tavern
MARCO REUS 2016 DFB-POKAL FINAL MATCH WORN #11 BORUSSIA DORTMUND JERSEYThe 2016 DFB-Pokal Final decided the winner of the 2015/16 DFB-Pokal, the 73rd season of Germany's premier knockout football cup competition. It was played on 21st May 2016 at the Olympia Stadion in Berlin. Borussia Dortmund, who had lost in the two previous finals, faced Bayern Munich, the record titleholders. Bayern won 4-3 on penalties, as the match had finished 0-0 after extra time, giving Bayern their 18th title.The yellow Pume #11 jersey was worn by the German professional footballer Marco Reus in the aforementioned match. The jersey has the name "REUS" and #11 applied on the back. "BVB 09" patch with two stars, Puma logo, sponsor, and match day patch are applied on the front. The appropriate tournament patches are applied to sleeves. The jersey contains rubber stickers inside it. Made in Georgia. Sized L.The jersey remained unwashed and displays a heavy wear.
CRISTIANO RONALDO UEFA EURO 2020 MATCH WORN #7 PORTUGAL JERSEYA Nike red #7 Portugal jersey which was worn by the professional footballer Cristiano Ronaldo during the UEFA Euro 2020 Campaign. Cristiano Ronaldo has won the Euro 2020 Golden Boot and finished as UEFA EURO 2020 Alipay Top Scorer thanks to his five goals at the tournament. As a result, the Portugal international has added another individual accolade to his glittering trophy cabinet, despite his team getting knocked out in the round of 16. While adding to his extraordinary scoring tally, his campaign ultimately ended in disappointment as Portugal, the defending champions, bowed out of the tournament in the round of 16. On an individual level, four of his five goals at Euro 2020 arrived from the penalty spot. Ronaldo scored twice from the spot late in the game during Portugal’s 3-0 win against Hungary in their tournament opener. His double allowed him to overtake Michel Platini’s long-standing record of 9 European Championship goals. He then added a sublime effort in the 4-2 loss against Germany, where he rolled back the years by sprinting the length of the pitch to round off a rapid counterattack. The Juventus forward then added another two penalties in Portugal’s enthralling 2-2 draw against France in their final group game. His two goals against France took his international total for Portugal to 109, matching the world-record mark set by former Iran forward Ali Daei. The short-sleeved jersey features the name "RONALDO'' and #7 applied on the back. The Nike swoosh, #7, Portugal crest, and "UEFA NATIONS LEAGUE WINNER" patch applied to the chest. The Unique "2016 UEFA EUROPEAN CHAMPIONS" patch applied on the right sleeve, and "RESPECT" patch on the left sleeve. The wash label is screen printed on the inside of the jersey. Made in Indonesia. Sized L.The jersey comes with a letter of authenticity which states that this jersey originates from the collection of the Brazil Team technical coordinator Marcos Moura Teixeira whose ID copy accompanies the letter.
LIONEL MESSI 2008/2009 MATCH WORN #19 BARCELONA AWAY JERSEYLionel Messi wore this number "19" Nike brand FC Barcelona shirt during the 2008 season. The collared, long-sleeve blue jersey features the FC Barcelona crest over the heart, the "UNICEF" name and logo across the front, and the Champions League soccer ball patch on the right sleeve. Messi started wearing the number "10" shirt during the 2008-09 season. The Argentinian would go on to score 474 goals in 520 career appearances for FC Barcelona, helping the club win ten La Liga and four Champions League titles. He has also won the Ballon d'Or, awarded annually to the best player in the world, a record six times. The sizing tag faded due to player's use.
PHILIPP LAHM JULY 8th, 2006 FIFA WORLD CUP MATCH WORN #16 GERMANY JERSEYThis Adidas #16 short sleeve jersey was worn by the German footballer Philipp Lahm in the 2006 FIFA World Cup Match between Germany and Portugal that was held on July 8th, 2006 in Mercedes-Benz Arena Stadium, Stuttgart, Germany, to decide the third place team. Germany won the match with a (3-1) result and earned their third place rank. the jersey shows evident signs of wear. The jersey type is Formotion and has the authentic 2006 FIFA World Cup patch on the right sleeve. Size M. The jersey comes with a letter of provenance.
DIEGO MARADONA 1988/1989 MATCH WORN #10 NAPOLI JERSEY WITH MATCH WORN AND SIGNED CAPTAIN ARMBANDThe late Diego Maradona is widely considered one of the best footballers of all time. The legendary Argentine nicknamed “El Pibe de Oro” (“The Golden Boy”) was selected alongside Pelé as FIFA’s Player of the 20th Century. The 5' 5" magician with lightning-fast feet starred for the Argentina National Team from 1977-1994, leading his country to the World Cup title in 1986. In Argentina’s 2-1 quarterfinal victory over England, Maradona scored two of the most famous goals in soccer history just a few minutes apart – the notorious “Hand of God” followed by FIFA’s “Goal of the Century” in which he dribbled through the entire English defence.Diego's club career began in 1977 with the Argentinos Juniors and later the Boca Juniors in his native country before embarking on an 11-year tenure in Europe with three clubs. His most significant run was certainly with SSC Napoli in Serie A (1984-91) as he single handedly turned the Italian franchise into a champion. After arriving from FC Barcelona on a then-record transfer fee (12 million euros) two years earlier, Diego brought Napoli its first ever Serie A league title in 1986-87. They also won the Coppa Italia that same year for the rare double. In 1988-89, Napoli won the UEFA Cup for its first European title and then took home its second Serie A championship in 1989-90, making Maradona a worshipped deity in Naples and throughout Southern Italy until the end of time.Presented here is a Maradona match worn Napoli jersey from the 1988-89 season. The short-sleeved pullover in blue satin material has the SSC Napoli crest sewn on the upper right chest and team sponsor "Mars" pressed on the centre of the shirt. On the upper left chest is the "NR" patch from Italian apparel company Nicola Raccuglia, maker of this shirt. Diego's iconic number "10" is sewn on the back om white fabric. This jersey originates from the collection of Diego Maranoa's son Diego Jr. (Diego Sinagra).
SGT. FURY AND HIS HOWLING COMMANDOS #18, 21(x2), 23, 27, 35, 38, 51, 54, 58, 60, 61, 64, 65, 67, 68, 72, 76, 78, 79, 83(x2), 84, 85, 132, 136-138, 139(x2), 163(x2), 165, 166 (34 in Lot) - (1965/1981 - MARVEL - US & UK Price Variant) - Includes the origin of Nick Fury's eye-patch + the first appearances of Eric Koenig & Corporal Ricketts Johnson
James Bond - Various collectables. Yves Saint Laurent Rouge Pure 007 lipstick (sealed), Corgi passenger figure for Aston Martin (possibly repro), Gilbert Dr No James Bond figure with missing hand / gun, James Bond 007 Goldfinger board game (board only), James Bond postcards x 4, CartaMundi Casino Royale playing cards, a Moulded stack of poker chips showing the face of Valentin Zukovsky from The World Is Not enough (1999), Bollinger Casino Royale chip, a twelve pack of Stoke Park golf balls in a Goldfinger 50th Anniversary box, 007 Ford Mustang Diamonds Are Forever (1971) crew repro patch; Additional non James Bond items - International Spy Museum fridge magnet, Robocop figures x 3 with backing cards, Man / Girl From UNCLE 1960s collectors cards x 25, Joytel cassette player, Werewolf of London figure by Sideshow Toy, Classic Carry on / Hammer Films presentation pack stamp set, Venini artglass CD rom. (17) Provenance: Part of the Steve Oxenrider James Bond Collection
Three jadeite bangles, of graduating sizes. The first, a "floating flower" green and white jade bangle has an internal diameter of approximately 6.5cm and weighs 60.09 grams; the second a diameter of 7cm, approximate weight 55 grams; the third 5.8 cm with an approximate weight of 39.58. Condition report: Untested for treatment. The two smaller bangles are free from damage or impediment. The largest floating flower green bangle has a hairline crack at the point where the jadeite has a lilac patch.
CIRCA 1950's PAINTED METAL KITCHEN CABINET, possibly by Sheer Pride, drop flap door with white enamel work surface, 180 (h) x 88 (w) x 36cms (d)Provenance: private collection NarberthComments: surface rust, drawer handle rivets loose, part of one side rubbed down to bare metal, patch of fresh paint applied, appears complete and original, inspection advised
MaxMara Studio Black White Cotton Wool Mix Skirt, with fringed detail and flared hem below (size 12) with tags,MaxMara Weekend Black Jersey Straight Skirt, zip fastening (size L),MaxMara Weekend Wool Checked Blazer, with patch pockets, lapels, button fastening, partially lined (size 10), Cacharel Black Silk, Cotton, Cashmere Mix Black Cardigan, with long black sleeves, v-neck and wool ribbon style mounts to the press stud fastening,Brora Black Cashmere Sleeveless Jumper with high neck, relaxed style, (size M/L) original tags, Jaeger Grosgrain Style Cotton Mix Skirt in black and white graphic print (12),(6)
Brora Purple Wool Panelled A-Line Skirt with buttoned patch pockets (size 14), Burberry London Cashmere Pale Lavender Cardigan three quarter length sleeves, v-neckline, button fastening (M),Emporio Armani Wool Cashmere Polo Neck with long sleeves, cut away detail to the hem at the back in red (size 44) and Another Similar in Pink (size 46),Prada Milano Cotton Pleated Blue Skirt (size 44).(5)
Missoni Black Merino Wool Skirt, graduated multi pleat with elasticated waist (size 14),Brora Black Cashmere Cardigan with three quarter length sleeves, round neck with silvered trim to the buttons, top of pockets, diamante style buttons (size 12),Paul Smith Black Label Leather Skirt, panelled designed with stylised patch pockets to the front (size 44), Paul Smith Black Label Merino Wool Polo Neck Jumper, black and grey floral silk inserts to the side seams, long sleeves (size M),Jaeger Black Wool Tunic Style Long Dress with scooped neckline with black overtstitching, three quarter length sleeves, buttons to the cuffs, belt (size L),(5)
Assorted Ladies Modern Paul Smith Clothing, comprising a black wool blend crew neck jumper striped with blue, green, red and pink metallic yarn (size M),purple long sleeve cardigan, patch pockets and a pinstripe of grey to the neckline and arms (size L),navy single breasted blazer with single button fastening, three patch pockets and a button detail to one side of the notched collar (size 44),silk shirt printed with blue, red and yellow geometric design (size 42),grey floral silk shirt with black and cream trim to the cuffs (size 38),red wool cardigan with velvet trim to the button placket (size XL),(6)
Circa 1990s Bottega Veneta Small Grey Intrecciato Shoulder Bag, in woven nappa leather, gilt-tone hardware, zip fastening, leather shoulder strap, caramel suede lining with zipped internal pocket, includes a Bottega Veneta mirror, 20cm by17cm with a later dust bagSmall patch of wear to the leather near the base, some small spot stains to the inside.
Machine Made Carpet of Oriental Design, the pale camel field of flowing vines enclosed by brick red borders of meandering vines, 317cm by 268cmSome wear to ends and selvedges. Several patches of wear to the pile, a few small stains and slightly larger stained patch (see images), evidence of colour run.
Walter G. POOLE (1916-1988) Untitled, 1947 Oil on canvas, signed and dated '47, 73 x 60cm, framed 87 x 74cmThis interesting piece has been thinly painted on to the canvas, some areas of paint appear thinner than others causing the texture of the canvas to be seen (please see additional images). There appears to be a patch of surface dirt present to the left hand side of the piece (please see additional images).
Graham Vivian SUTHERLAND (1903-1980) Design for a Dust Jacket Watercolour, signed and dated 1950, 20.2x32.8cm, to verso annotations and notes to a designer.The collection of Julian Andrews, British Council arts envoyThis work has an old repair as can be seen from the old paper patch on the back, there are minor corner creases. Otherwise, the condition is good.
Omar Ramsden (1873-1939) - an Arts & Crafts planished silver sugar caster, of stylised form with square footed base with rope twist edging, elaborate relief Art Nouveau flowers and vine design to all four panelled sides, and planished pierced screw top of rounded shape, approx. 16.5cm high, hallmarked by Omar Ramsden, London, 1921, with etched 'Omar Ramsden, Me Fecit' to underneath (nearly ineligible), and later square panel to base also inscribed 'Omar Ramsden, Me Fecit'. Weight: approx. 289.6 grams (9.3ozt) Further details: overall slightest tilt / misshapen, couple of dents to cover, tarnishing, minor scratching and marks to whole piece. The base has later silver square patch added later replacing a stopper, so original hallmarks and etched signature are nearly ineligible.
A framed and glazed display featuring an image of the Apollo 7 crew, a copy of a signed first day cover and an embroidered patch, 50.5cm x 48cm including frame **Please note that these signatures are not authenticated and it is up to the potential buyer to satisfy themselves as to the veracity before purchase**
Lumen M Winter (1908-1982), 'Steeds of Apollo', limited edition print 432/500, signed in pencil lower right hand side, mounted, framed and glazed. 61cm x 43.2cmThis Limited edition print was produced in 1981 from an original painting by Lumen Martin Winter, painted in 1969. Steeds Of Apollo was chosen for the theme of the flight and was also used for the crew patch. The print was produced in an artist-signed limited edition of 500 of which a sub edition of 100 belonging to Jack Swigert have been co-signed by Swigert and fellow Apollo 13 Astronauts, Jim Lovell and Fred Haise. After Swigerts death the Crew signed editions were passed to Jim Lovell and it is from that Jim Lovell collection that this print is taken.Below the print is an Apollo 13 Crew Beta Cloth Patch that was flown to the moon onboard the Command Module, Odyssey, this is also from Jim Lovell's personal collection.The Steeds Of Apollo Print comes with Jim Lovell's personally signed certificate of authenticity. **Please note that these signatures are not authenticated and it is up to the potential buyer to satisfy themselves as to the veracity before purchase**
A framed and glazed display featuring an image of the Apollo 13 crew, a copy of a signed first day cover and an embroidered patch, 58.6cm x 50.7cm including framed **Please note that these signatures are not authenticated and it is up to the potential buyer to satisfy themselves as to the veracity before purchase**
TWO STAFFORDSHIRE ENAMEL PATCH BOXES, C.1790. The lid of the larger green enamel box has the legend "Ah Simple Fair Refuse a Kiss You'll never gain the Man you Wish". The smaller pink box has "Esteem the Giver" to the lid. 2.5 & 2.3 cm. PROVENANCE: From the Private Collection of the Late George Withers (1946-2023)
Quantity of Second World War British, American and German cloth insignia to include 10th battalion Norfolk Home Guard, 8th American Airforce, USAAF armament specialist qualification patch, US army cheverons, Canadian New foundland volunteers ribbon with maple leaf, Third Reich NSRL/DRL bronze cloth sports badge and two cloth scottish flag with red rampent lion on field of yellow flags.
Very Rare, Second World War Photo album of 6th (Royal Welch) Parachute Battalion Training at Ringway, Near Manchester, August 1942. Comprising of approximately 40 photographs showing paratrooper jump training to include landing, moving aperture, swings, falls, WAAF Parachute packer, balloon jump, emplaning before jumping and the carrier pigeon etc, all captioned together with airborne insignia to include Jump wings, red Royal Welch Fusiliers Cloth shoulder titles, Pegasus Patch and Royal Welch Fusiliers black cloth collar flash.- Photographs taken by War Office offical photographers: LT E.G. Malindine, LT. L. Puttnam and Lt. Taylor
Quantity of Rhodesian Bush War insignia to include C (Rhodesia) squadron SAS padded wings, Pair of Southern Rhodesia Shoulder titles, Royal Rhodesian Regiment shoulder title, P.A.T.U Rhodesian police Anti terroism unit patch, Police support unit ("Black Boots") patch, Rhodesian Army Formation badge, Pair of Northern Rhodesia cadet corps insignia patches 1954-1980 Lusaka NRCC, Rhodesian Tird Brigade patch, Rhodesian Internal Affairs hat badge etc
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24353 item(s)/page