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A selection of various vintage patch and snuff boxes including modern examples and boxed Halcyon Days enamel

Eight Small Teddy Bears, by Beartown Bears, Lenny Bears, patch bears etc (no odours).

Bible, polyglot.- Biblia Sacra Polyglotta..., edited by Brian Walton, 6 vol., text mostly double-column with parallel Latin, Greek, Hebrew, Samaritan, Ethiopic, Persian and Arabic texts, engraved frontispiece portrait of Walton by Lombart, engraved title in an architectural setting by Wenceslaus Hollar after Webb, 6 engraved maps and plates by Hollar (5 double-page and 1 single) and woodcuts of coins and illustrations in the text, letterpress title printed in red and black, without the 2ff. dedication to Charles II found in some copies, vol. 2 - 6 with half-titles, vol. 1 with tipped in "Advertisement to the Subscribers" f., vol. 3 final gathering duplicated, engraved portrait with repaired tear to upper and inner margins, small patch of worming to engraved portrait and additional title, tears to vol. 1 F2, 3B4 and 4V1 as well as vol.4 B1 and 2F3, vol. 2 half-title margins a little frayed, vol. 4 last 4ff. with loss to margins affecting a few letters of text, the odd small burn- or rust-hole, occasional light foxing or marginal damp-staining, some light creasing, but a good copy generally, contemporary panelled calf, rebacked in 19th century morocco, corners and repaired, a little rubbed, [D&M 1446; Wing B2797], Thomas Roycraft, 1657.⁂ "The London polyglot represented the apogee of Renaissance biblical productions. The work was highly regarded in Europe in intellectual theological circles throughout the seventeenth and eighteenth centuries. Walton's pivotal role in its production was recognized and praised by his contemporaries, while his learned prolegomena to the work drew compliments into the nineteenth century." - Oxford DNB.

Dictionaries & Grammars.- Cotgrave (Randle) A French-English Dictionary... with Another in English and French [by Robert Sherwood], 2 parts in 1 vol., woodcut device on first title, second title within woodcut border, woodcut initials and headpieces, light soiling to first title, light worming to inner margin of first few ff., the odd rust-hole or patch of soiling, contemporary calf, 19th century reback, [Wing C6377], folio, by W.H. for John Williams, 1650.

Le Carré (John) Call for the Dead, first edition, ex-library copy with ink stamps to front and rear pastedowns, title, half-title and front free endpaper, occasional foxing and marking, mostly marginal and fairly light but heavier to pp. 15-18, original boards, light marking to spine, dust-jacket, spine ends and corners a little chipped with some tissue repairs to verso, light discolouration to spine tips, corners and small patch at head of upper panel, but a remarkably bright and excellent example generally, 8vo, 1961.⁂ The author's first novel, an ex-library copy but with the dust-jacket in unusually good condition.

Herbert of Cherbury (Edward, Lord) The Life and Raigne of King Henry the Eighth, first edition, engraved portrait frontispiece by T. Cecill, title in red and black, occasional light browning, the odd patch of soiling, contemporary calf, 19th century reback, rubbing and surface wear, [Wing H1504], E. G. for Thomas Whittaker, 1649; and Sanderson's Compleat History, lacking the first portrait, folio (2)

Portrait miniaturePortrait of a man in a white tunic with a blue, stylised fleaur de lis-type motif.Possibly a Christian Eastern European soldier.Watercolour on ivory backed with card.8.3x6.5cmCondition report: slight curvature to the portrait. fingerprint sized patch top right where the paint has smudged. Slght mottling to surface. Otherwise the condition is good, colours are bright, no cracks or splits to ivory

THIRD REICH STYLE BRASS BUCKLE, an Infantry Assault-type badge, two eagle motif badges, the smaller gilt example stamped 'A 41' to reverse, and a gilt button with fouled anchor, also three cloth patch badges, etc

A Derby stand for a teapot by Zachariah Boreman and William Billingsley, circa 1790Of quatrelobed form, painted with pattern 320 of a circular landscape of two figures walking in a woodland landscape by Boreman, framed by swags of colourful flowers and pale blue foliate branches tied with puce ribbons by Billingsley, a formal gilded border around the rim, 13.7cm wide, crown, crossed batons, D mark and pattern 320 in puce, patch marksFootnotes:ProvenanceViscount St Davids Collection, Bonhams sale, 8 April 2009, lot 294Twinight CollectionA matching teapot and cover is illustrated by Barrett and Thorpe, Derby Porcelain (1971), pl.135.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A large Derby vase, circa 1815Of slender campana form, boldly painted in the manner of William 'Quaker' Pegg with garden flowers including a fine passionflower, red poppy, variegated tulip, roses and chrysanthemums on a striking black ground, the square plinth, foot and lower section with elaborate neoclassical gilding, 32.3cm high, patch marks, crown and crossed batons mark in red, number 24 inside footFootnotes:ProvenanceTwinight CollectionFor a very similar vase, see Bonhams sale, 1 May 2013, lot 123. See also John Twitchett, Derby Porcelain (2002), p.96, colour plate 54.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Two George III enamel patch boxes, South Staffordshire, late 18th c, the lid of the larger painted with a shepherdess at an alter in a landscape, in white beaded frame reserved on a blue ground, the smaller with lavender and pale yellow rosettes in a black and gilt star on a white ground, each with mirror to underside of the lid, 45 and 55mm l Provenance: Sold in these 'rooms, the larger 1 June 2010, £361, the smaller 7 December 2006, £223. Both in apparently good condition, no restoration detected

Walter Stuart Lloyd ARBA (1875-1929) ‘ Sunset St Ives Cambridgeshire, signed and dated 1891, oil on canvas, 74.5 x 126cm Provenance: Sold in these 'rooms, December 3, 2004, £1293 Unlined but for 7 inch narrow patch repair to the tear, approx 2cm area of flaking of the medium extreme lower centre, medium locally unstable and lifting slightly in what is almost certainly the original high quality Victorian giltwood and composition

Three George III enamel patch boxes, South Staffordshire, late 18th c, transfer printed in sepia and painted with The Crescent Buxton, Pump Rooms and Royal Crescent Bath, the base white with a trailing ribbon or pink, each with mirror to underside of the lid, 47 and 52mm l Provenance: (Crescent, Buxton) Included in a small collection sold Christie's, South Kensington 27 April 1989, £289; (the other boxes) Sotheby's, 3 June 1992, £402 Both glass mirrors cracked, the steel mirror to the Buxton box rusty, all with typical slight rust and scratches, in our opinion unrestored

各色板指（六件）帶海水躍魚紋漆盒 comprising: a spinach-green jade ring; a pale celadon jade ring with a patch of russet skin; a white jade ring incised and gilt-traced with Heart Sutra; a yellowish-green coloured stone ring; an amethyst ring; and a translucent pink-coloured ring; all in a red-lacquered circular box with cover decorated by fishlargest: 3.5cm diameter

QC ROYAL ULSTER CONSTABULARY HEAD CONSTABLES PATCH AND BLAZED BADGE

VERY EARLY KC 1903 PATTERN ROYAL IRISH CONSTABULARY HEAD CONSTABLES PATCH

LATE ROYAL IRISH CONSTAULARY HEAD CONSTABLE PATCH

Third Reich insignia etc: a dagger strap plated spring catch, stamped with RZM mark and “15.72” (plating slightly worn); pink on black factory guard’s cloth arm patch; Latvian SS collar patch; Luftwaffe “drop tail” cloth breast eagle; Luftwaffe cloth cap eagle; 2 unused metal dog tags; an embroidered cap cockade; and approximately 40 small size bronzed pips. Average GC £40-60.

Isabelle L Perkin 1860-1943. British. Oil on canvas. “Five Kittens with a Basket and Blanket”. Signed and dater 1897 lower right. Measures 37cm x 57cm. Condition Report – One patch repair. Very good condition.

Algernon Mayow Talmage 1871-1939. British. Oil on canvas. “Cattle Grazing by the Waters Edge”. Signed lower right. Measures 46cm x 61cmCondition Report – Good overall condition. One patch repair.

Thomas Brooks 1818-1891. British. Oil on canvas. “The Pets No2”. Signed lower right and detailed inscription on reverse. Measures 27cm x 39cmCondition Report – Very good overall clean condition. Has a small patch repair.

Manner of Richard Wilson. 19th Century English School. Oil on canvas. “An Italianate Landscape”. Signed lower left. Measures 62cm x 79cmCondition Report – Original condition. Has one patch repair. Presents well.

A small collection of miscellaneous items to include an Edwardian leather bound miniature Book of Common Prayer with silver cover, embossed with cherubs, together with four various early 20th century patch/pill boxes (5)

A hand woven woollen fine Tabriz rug, Mahi design, small worn patch but otherwise good, colours bright, 2.15m x 1.5m

A Shell Motor Spirit rectangular enamel sign by Patent Enamel Ltd, excellent gloss, one patch of yellow restored otherwise very good original condition, 54 x 18".

An enamelled iron street sign for John Adam Street WC2, City of Westminster with iconic black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 82cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Significant patch of rust to centre and sticker mark and buckled in one corner.Note: 20 % VAT is payable on the Hammer Price for this item PLEASE NOTE: COLLECTION OF THE STREET SIGNS WILL BE FROM OUR OFFICE IN CHISLEHURST BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE A COLLECTION TIME.

An enamelled iron street sign for Ashmore Road W9, City of Westminster with iconic black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 71cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Rusting and pitting to edge and patch of loss to enamel to edge. Note: 20 % VAT is payable on the Hammer Price for this item PLEASE NOTE: COLLECTION OF THE STREET SIGNS WILL BE FROM OUR OFFICE IN CHISLEHURST BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE A COLLECTION TIME.

An enamelled iron street sign for Causton Street SW1, City of Westminster, with iconic and black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 81.5cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Some rusting marks to bottom edge. Significant loss of enamel top right corner, rusting patch, some loss to enamel top edge. Lettering fairly good and clear.Note: 20 % VAT is payable on the Hammer Price for this item PLEASE NOTE: COLLECTION OF THE STREET SIGNS WILL BE FROM OUR OFFICE IN CHISLEHURST BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE A COLLECTION TIME.

An enamelled iron street sign for Berners Mews W1, City of Westminster with iconic black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44.5 71cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Significant rusting and enamel wear to bottom left corner and rust patch to bottom right.Note: 20 % VAT is payable on the Hammer Price for this item PLEASE NOTE: COLLECTION OF THE STREET SIGNS WILL BE FROM OUR OFFICE IN CHISLEHURST BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE A COLLECTION TIME.

An enamelled iron street sign for Sutherland Avenue W9, City of Westminster, with iconic and black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 88 cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Large loss of enamel above 'R' and 'L' of Sutherland and a small patch of loss to bottom left, overall some grey markings.Note: 20 % VAT is payable on the Hammer Price for this item PLEASE NOTE: COLLECTION OF THE STREET SIGNS WILL BE FROM OUR OFFICE IN CHISLEHURST BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE A COLLECTION TIME.

Artist: Rudolf Muller (Swiss, 1802-1885). Title: "Dorf in den Alpen". Medium: Oil on canvas. Date: Composed c1852. Dimensions: Frame size: 19 3/4 x 22 3/4 in. (502 x 578 mm). Image size: 16 x 18 in. (406 x 457 mm).Lot Note(s): Signed lower right. Good to very good condition; old patch. Literature/catalogue raisonne: In preparation for submission to Johannes Fichter, Weisslingen, Switzerland, for inclusion in his forthcoming catalogue raisonne of Muller's work. Comment(s): Oil paintings by Muller are scarce. The auction record for one of his paintings is CHF15,000 (US$10,056) (hammer) at Sotheby's Zurich, 6/17/1998, lot #59. He was one of the foremost, and most meticulous, Swiss landscape painters of the 19th Century. [27886-10-1600]

A PAIR OF DERBY PATCH MARK FIGURES The Garland Shepherds, he wears a broad brimmed hat, pink jacket, a dog at his side, she places a floral garland about a ewe's neck, both before bocage, moulded scroll bases, 13cm high, No. 8 to base, c.1770 (see: P eter Bradshaw 'Derby Porcelain figures' colour plate XIII, for similar)

Govinder Nazran , modern limited edition Artist's Proof print with certificate, 'A New Lead for Patch', 14/29, 70 x 35cm

Italian School, 19th Century - Oil on canvas - North Italian lake scene with fishermen and boats on the foreshore, hills beyond, indistinctly signed lower right, 55cm x 81cm, in gilt slip and gilt frame (a/f)Condition report: Canvas has a repaired L-shaped tear to centre, with patch verso. Previously covered with playboard verso. Would benefit from cleaning and professional restoration. Slit to centre of lower edge of frame. Sold as seen.PicturesThe inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

An 18th century silver mug, of baluster form, London 1783, weight 12oz, height 5.25ins - thin patch by handle, handle has been reattached at base

A World War II Irish Emergency Medal with two 1939-1946 bars and original ribbon, also an acorn and oak leaf patch - sold with The Service Medal with X bar and St. Patrick blue ribbon - named to 69478 J. Carroll - both boxed, also IDF cap badge and three others

Robert Fowler (Scottish 1853 - 1926), oil on canvas, rural scene, signed, 40cm x 56cm, unframedSeveral patch repairs with spots of overpainting not visible from the front, generally good

19th century oil on canvas, Dutch style still life, signed with monogram EV, 67cm x 51cm, unframedCanvas patch along the bottom edge not visible from the front, generally good

19th century European School oil on canvas, girl at the fountain, unsigned, 60cm x 45cm, framedDirty, 3 old patch repairs not visible from the front, frame slightly scratched, generally good condition

W Ottway Murray (20th century Irish), oil on canvas, Donegal landscape, signed, 37cm x 58cm, framedGood condition, 2 small patch repairs with spots of overpainting not visible from the front

Charles White, pair of small 19th century oils on canvas, rural scenes, signed, 15cm x 23cm, unframedGood untouched condition, 1 canvas has 2 tiny patch repairs

HRH Queen Elizabeth II Christmas present, 2002, Halcyon Days enamel patch box, bearing Royal crest and interior inscribed 'The Golden Jubilee Presented by Her Majesty the Queen Christmas 2002', boxed.Provenance: The vendor's worked for the Royal Mail as the Royal Household's postman.

HRH Queen Elizabeth II Christmas present, 2012, a Halcyon Days enamel patch box, with Royal coat of arms to lid and inscribed to interior 'The Diamond Jubilee presented by Her Majesty The Queen Christmas 2012', with certificate, boxed.Provenance: The vendor's worked for the Royal Mail as the Royal Household's postman.

A collection of WWII and later German cloth badges, comprising; two German Army breast badges; four Waffen-SS arm badges; two Luftwaffe breast badges; a Jager arm badge; a Finnish Lion patch; an Iron Cross patch; an NSFK chevron; a Jagdgeschweader 77 patch; and others. (qty)

A group of three WWII and later German belt buckles and a cloth patch, comprising; a Deutsche Reichsbahn belt buckle, and cloth patch; a German Labour Service belt buckle; and a post-War Army belt buckle and a later reproduction belt buckle. (5)

A 19th century mahogany-cased 30-hour circular dial wall clock, white painted dial with Roman numeral hour markers, dial diameter 30cm, not seen working, with pendulumMovement - not seen working. Dial - crazing and craquelure all over with some paint lifting and a couple of small patch repairs.Glass - clean.Hands - slightly worn.Case - has a couple of small splits.

A 19th century oak-cased 30-hour circular dial wall clock, by J J Stockall & Sons Ltd of Clerkenwell Road, white painted dial with Roman numeral hour markers, dial diameter 30cm, not seen working, with pendulumMovement - not seen working. Dial - lightly crazed all over with a couple of small patch repairs.Glass - clean.Hands - slightly worn.Case - good.

OMEGA - an Art Deco stainless steel open-face keyless-wind slimline pocket watch, silvered dial with quarterly Arabic numerals, blued steel hands and subsidiary seconds dial, 15 jewel movement, serial no. 7930597, case no. 8873341, case width 47mm, not currently workingMovement - not working and main spring detached. Dial - quite dirty with surface marks and discolouration patch at 6.Glass - cracked.Hands - good.Case - general wear and marks.Crown - adjusting smoothly.Notes - in need of repair.

A DIAMOND SOLITAIRE RING set with an estimated approx 0.55ct brilliant cut in an eight claw setting, bright yellow metal mount, hallmark lost, finger size J, weight 1.8gms Condition Report: I cannot give you a full diamond appraisal, i.e the 4 C's as I am not qualified to do so. I can tell you what I can see with knowledge of inclusions and quality of gem stones up to Gemmology Association Certificate level. By eye nice and bright and a good colour, no chips but unpolished out clear inclusions to the girdle, with a loope there is a patch of crystals with a tiny tiny bit of carbon to one side cant be seen by eye .

A SUBSTANTIAL PLATINUM THREE STONE DIAMOND RING set with estimated approx 3.55cts of old cut diamonds, in platinum crown mounts, finger size Q1/2, weight 4.9gms Condition Report: I cannot give a full diamond appraisal, i.e the 4 C's as I am not qualified to do so. I can tell you what I can see with knowledge of inclusions and quality of gem stones up to Gemmology Association Certificate level. Overall; By eye a bright sparkly substantial diamond ring, not top colour posibly in the region of I to K colour, as it does draw a little yellow when compared to other diamonds. Middle;- 8.02 x 8.15 x 4.35mm =1.80cts, By eye, a bright sparkly diamond, hand cut not perfectly round. Very thin girdle in places, with tiny tiny nibbles. A clear feather and grey carbon spot to the table, no eye visible. A further patch with a little carbon towards one edge, appears like a hazy patch by eye if you are really looking for it. . Side one;-6.41 x 6.28 x 3.65mm=0.93cts visibly not round, has a large cleavage flake to the under girdle, I don't think it has been chipped off, I think it is an unpolished flaw, to remove it would have lost a lot of the weight. Side two;-6.51 x 6.35 x 3.14mm= 0.82cts, another area of very thin girdle with tiny nibbles out of it. Tiny carbon spots to the table, and some further towards the girdle. Mount;- area of wear/flattening to the top and bottom of the shank from rubbing on another ring with associated wear to the under bezel, plenty of metal there to tidy this up if you felt necessary. Claws ok at the moment, some a bit on the thin side.

LENNARD LEWIS (British, 1826-1911) watercolour, a view over Lake Lucerne, signed bottom right, framed and mounted 58cm x 48cm.Condition - some spots of foxing, one particular larger patch on the left side.

Modern Summer Pattern Flight Suit, olive green cloth flight suit with Velcro pads for wear insignia would have once been present. Working zips to the front, pockets and arms etc. Complete with the label to the interior. Accompanied by a American tropical type flight suit with American flag patch and embroidered Boeing insignia to the breast. (2 items)

WW1 Period American Air Service Tunic, khaki four pocket service tunic with American eagle tunic buttons. One arm with embroidered 30th Aero Squadron patch and the other arm with American Air Service patch. Rank insignia to the lower sleeve and a New York tailors label to the interior.

Grouping of WW2 German Third Reich Badges, Insignia & Medals, consisting of original and reproduction items, including Naval other ranks breast eagle, Luftwaffe pilots badge, War Service Cross medal 2nd class, Iron Cross 2nd class, Luftwaffe collar patch guls, breast eagles, etc.

A box containing five Valeton mini guitar effect pedals - Coral Series Comprince Vintage compressor; Loft Series OD-10 Overdrive; AD-10 Analog Delay; CH-10 Analog Chorus; and PH-10 Anolog Phaser. Four patch cables are also included but NO power leads.

A silver salver circa 1830, possibly by Edward Farrell, of shaped circular form with cast pie crust and foliate border on three scroll feet, with later scrolling shell and foliate engraved decoration, armorial crest to centre depicting a fist clutching an anchor, 22cm diameter, 10.62oztCR; There is a patch of solder repair to the central of the salver, around the central crest (see pictures). There appears to be repair to to the legs. There is also signs of previous splits and repairs to the border of the dish. Some thinning to the border of the salver. There is heavy scratching and wear to the front, reverse and feet on the piece. The central crest is heavily worn, and there is wear to the engraved floral border. The hallmarks are heavily worn. Please see pictures for illustration.  

A Victorian figured walnut twin pedestal desk, the rectangular thumb moulded top with rounded corners and inset leather skiver, over three frieze drawers, upon twin pedestals each with three graduated drawers and a plinth base, with inset ceramic castors, 75cm H x 123cm W x 71cm D Provenance; Llangedwyn HallCondition reportExtensive scuffs, ring marks and wear to the skiver, light 'blistering' patch to the veneer on the desk top.Three knob handles are missing.Overall grimy and would benefit from a clean and polish, no visible evidence of woodworm 

A George V silver cigar case by Adie Brothers, Birmingham 1922, of rectangular form, the enamelled cover depicting a four-horse drawn carriage, push button mechanism opening to reveal gilt interior and yellow elasticated strap, 13.3cm x 8.5cm, weight 5.98oztCR; Overall condition is good. Enamel is in good order, no cracks, chips or losses exposing the silver beneath - scratching and wear only.Small dent to reverse, small patch of solder repair to a corner on the reverse, but no other dents, splitting, thinning or repair. Moderate scratching and wear to silver commensurate with age and use.Push button mechanism works correctly, opening smoothly and closing securely, however the cover does not sit completely flush.Gilt interior is moderately worn and scratched. Lettering and marks to interior are crisp and clear. Elastic to interior is stretched and has become detached at one side.  

A selection of 19th century Staffordshire figures, to include a pair of seated cats, anchor marks to the reverse, 7cm high, a young girl tying her shoe lace, 9cm high and a model elephant, 6.5cm high, with a Bloor Derby figure of a praying girl, 9cm high, a Lowestoft teabowl, 8cm diameter and a miniature Coalport cup, 3.5cm high (7) (at fault) CONDITION REPORT:All piece show rubbing to the gilt highlights throughout.  The praying figure shows a small loss to the right hand ring finger and a firing fault to to the front right tassel foot. The elephant shows evidence of extensive repair, including a patch to the body. 

A WILLIAM IV FLAME MAHOGANY BOOKCASE, c.1830, of rectangular form with cavetto cornice above twin glazed panel doors, enclosing shelving, the lower section with frieze drawer and covered base on turned baluster legs. 205cm high, 109cm wide Condition Report: Shelves not adjustable Very good conditionStrong colour, original glassLower cupboard door with repair patch evident from the inside No warping in doors, with working key for lower and upper sectionLight surface marks, otherwise no issues to report