We found 24353 price guide item(s) matching your search

A Staffordshire pottery cow creamer and cover, modelled standing with spotted and brushed brown decoration, on a hollow cast plinth base, 14cm high, (damaged); and a Staffordshire pottery cow creamer, in standing pose with iron red patch decoration, on a domed base, 15cm high (restored)

Two Staffordshire porcelaineous cow groups, modelled standing with the seated figure of a milk maid, on naturalistic shaped bases, one printed in blue with the ‘Willow’ pattern, the other cow with iron red patch decoration, 15cm high, circa 1900

A Staffordshire pottery cow creamer and cover, with blue, purple and violet patch decoration, modelled standing on a green mound base, 14cm high, circa 1830 (restored)

A pearlware cow creamer, possibly Yorkshire modelled standing with brown and ochre patch decoration with the seated figure of a milk maid with green glazed coat, on a shaped base, early 19th century, (section of mouth broken and restuck, chip to plinth) 13cm high

A 17th century joined oak refectory table, possibly North Country, first half 17th century, the single plank top with later cleated ends, above three plain frieze rails with moulded edges and a front frieze rail carved with foliage on columnar ring turned legs, with stretchers, 78cm high, 183cm wide, 71cm deep (original patch to replace a knot to the centre of the top, restored)

Tom Thumb BP6a, Tommy Brock BP6a Handle In Large Eye Patch And Tom Kitten Large BP6 (3)

Tommy Brock Handle Out Small Eye Patch BP3a

Tom Kitten In The Rockery BP10a, Tommy Brock Handle In Large Eye Patch BP10a And Tommy Brock BP3b Handle In Large Eye Patch (3)

A silver octagonal vinaigrette with bright cut decoration, ad gilt interior, Birmingham 1804, and a silver patch box with a portrait of Queen Anne on the cover.

Three patch work covers, 19th century, two hexagon shaped and one square, worked mainly in muted colours in variously patterned fabrics, (3).

A late 18th century oval enamel patch box,with gilt metal mounts, the base moulded as a spaniel, the lid inscribed "Esteem the Giver", length 4.3cm, and one other box similar moulded as a pug, a/f, (2).

A pair of 19th Century Staffordshire black patch marked seated spaniels, gilt collars and chains, 9” high, damaged.

A pair of 19th Century Staffordshire flat back figures, each modelled as a child seated on the back of a seated russet patch marked spaniel, 6.75” high. S/D.

A Staffordshire type porcelain figure of a recumbent hound, black patch marked, naturalistic ground, gilt line oval base, 2.75” high, restored.

A Franz Bergman cold painted bronze study two robin red-breasts perched together upon a budding twig signed 6in. and an 18th Century South Staffordshire enamel patch box "A Present For Eliza" 1.5in.

A turned bone circular patch box the lid mounted with a mourning miniature inscribed ABERCROMBIE, circa 1801, diameter 2.4cm. (Sir Ralph Abercrombie 1734-1801, killed in action at Aboukir Bay).

A Derby figure 'Fruit', modelled as boy seated with a hat full of apples in his lap, wearing pink coat and yellow britches, on a gilt scroll moulded base, 14cm high, various incised marks- N8 J G and patch marks, circa 1780, (head restuck, chips)Best Bid

Pink Floyd crew tour jacket, 1987 A 1987 Momentary Lapse of Reason crew leather tour jacket , the jacket has a faux fur collar and has the Pink Floyd circular patch on the left sleeve Pink Floyd Still First In Space. Size XL £150-200US$270.00-360.00

Def Leppard crew leather jacket, 1987-88 A brown leather Def Leppard crew jacket with Leppard Hysteria tour patch on left hand sleeve. Size XL. £100-150US$180.00-270.00

Grateful Dead Jerry Garcia signed medical parka, 1980 A turquoise cotton surgical parka loaned to Jerry Garcia during the 1980 UK Tour. A crew member on the medical team loaned the parka to Jerry during a rain storm at one of the London shows. Garcia returned the smock after signing Jerry on the right hand breast pocket. The smock has a sewn on patch from the military medical corps showning a laurel leaf and her Majesty's crown embroidered HV. £100-200US$180.00-360.00

Mahal rug, north west Persia early 20th century, 6ft.4in. x 4ft.3in. 1.93m. x 1.30m. Slight uneven wear, small patch in field upper right.

Ushak 'Turkey' carpet, west Anatolia about 1900-20, 14ft.7in. x 10ft.3in. 4.45m. x 3.12m. Overall uneven wear, small patch upper left field.

An exceptional Agra carpet, north India second half 19th century, 13ft.9in. x 11ft.11in. 4.19m. x 3.63m. Outer yellow guard missing and small patches top edge, small damaged area with patch upper right field, area of damage and wear lower left side, lower edge slightly ragged. A beautifully coloured carpet with exceptionally fine weave. Ref. Dep.

A Burmese patchwork cover, each patch in shisha (mirror) work sewn down on cotton ground, late 19h-early 20th century, 108in. x 84in. 275cm. x 213cm.

Fachralo Kazak prayer rug, south west Caucasus late 19th century, 7ft.1in. x 4ft.2in. 2.16m. x 1.27m. Uneven wear, heaviest in centre, damage and splits upper right corner of field with patch, worn kinks both sides, slight damage and losses to sides.

Kuba runner, north east Caucasus about 1890-1910, 12ft.4in. x 3ft.4in. 3.76m. x 1.02m. Overall uneven wear, dark brown ground corroded, several worn and broken kinks, damaged area in centre, small patch lower right border.

Seichur rug, Kuba region, north east Caucasus late 19th century, 5ft.1in. x 3ft.5in. 1.55m. x 1.04m. Overall wear, heavy in centre with slight damage, small patch upper right edge, border missing lower end and partly top end. The sea-green ground of this archaic-looking rug is unusual.

A George II salver of shaped circular outline on scroll feet with a shell and gadroon border and an engraved coat of arms the reverse patched and engraved with the scratchweight 40-4 the salver by Edward Wakelin London 1757 the patch hallmarked for London 1788 by Benjamin Mountique 13in (33cm) diameter 40oz.

Two Charlotte Rhead jugs for Crown Ducal tapering jug tube-lined with stylised plants (7in.) bulbous jug with a patch-type design - 6in.

A pair of late 19th Century Staffordshire seated spaniels, russet patch marked and picked out in black with gilt collars and black chains, 6.25" high. S/D.

OIL ON CANVAS PAINTING. Colorful scene of Storm King Mountain in the Hudson River Valley. Contented cattle graze in the foreground. Signed W.D. Hains 1859. The back has a retailer's and preparer's label for Philadelphia and London. Revarnished with some touch up, patch and a few small holes. 30h. 41w. Ogee frame has gold repaint. 39h. 50w.

ORIENTAL RUG. Shirvan. Ivory border, red ground and blue corner medallions. Pile wear with small hole and patch. 4' x 5'4.

OIL PAINTING BY J.G. BROWN. Portrait on canvas of a grandmotherly woman seated in an armchair with her cup of tea. Signed J.G. Brown N.A. 1877 (John George Brown, 1831-1913, New York). Small patch. 21 h. 17w. Modern gold painted frame. 22 1/2h. 18 1/2w.

A Staffordshire enamelled patch box, in the form of a masked female visage, with foliate scroll engraved gilt metal mounts and bale (A/F) Length 4.5cm Provenance: Abbotsford, Melrose

An Austrian 24 bore wheellock sporting rifle by Johann Neureiter, Salzburg, c 1700, 48?" overall, beavy octagonal barrel 35" with deep 7 groove rifling, the breech bearing brass maker's poincon and traces of engraved name, large flat lock with enclosed wheel, the plate chiselled and engraved with rural hunting scene, double set triggers, walnut fullstock with panels of carved decoration to the butt and fluted sliding cover to patch box, plain brass mounts, horn fore end cap. Generally GC (lower cock jaw and screw missing, old patched repair to fore end of stock) Plate 16

Ireland, George III penny, 1805, small patch of discolouration to both sides and a few minor rim nicks, otherwise extremely fine or better

Third Reich, copy badges, Tank, various (5), Demjansk Shield, Police cap badges, one with broken fitting (2), SS cap badges (3), Police cloth (3), Luftwaffe tunic patch and Radio Operators patch, plus copy Iron Cross 2nd Class and three other copy medals, variable condition and quality (20)

Bank of England, £5 note, Catterns, Manchester, 9 June 1933, T/142 02527, consecutive to previous lot, small patch of soiling to obv., showing through to rev., otherwise about very fine

Bank of England, £5 note, Catterns, Manchester, 9 June 1933, T/142 02528, consecutive to previous lot, small patch of soiling to obv., showing through to rev., otherwise about very fine

Bank of England, £5 note, Catterns, Manchester, 9 June 1933, T/142 02529, consecutive to previous lot, small patch of soiling to obv., showing through to rev., otherwise about very fine

Bank of England, £5 note, Catterns, Manchester, 9 June 1933, T/142 02530, consecutive to previous lot, small patch of soiling to obv., showing through to rev., otherwise about very fine

Bank of England, £5 note, Catterns, Manchester, 9 June 1933, T/142 02532, small patch of soiling to obv., showing through to rev., otherwise good fine

Bank of England, £5 note, Catterns, Manchester, 9 June 1933, T/142 02581, small pink spot and small patch of soiling to obv., showing through to rev. and faint ink notation to rev., otherwise fine

Bank of England, £5 note, Peppiatt, Manchester, 22 Jan 1938, T/283 23023, ink notation and small patch of soiling to obv., both showing to rev., otherwise better than fine

Bank of England, £5 note, Peppiatt, Manchester, 21 April 1938, T/298 10105, small ink notation and trace of purple date stamp to rev., both showing slightly to obv. and small patch of soiling, showing to both sides, otherwise almost very fine

A silver patch box Bham 1820

A Sevres trembleuse saucer painted by Etienne-Jean Chabry (working period 1765-1787) with scenes from The Altar of Hymen with gilt foliate borders 15.3cm diameter interlaced LL monogram and date code for 1779; together with an enamel etui case painted with reserve landscapes on a blue ground with raised gilt leafy scrolls 9.5cm high (base missing); and a circular enamel patch box 5.7cm diameter (3)

A Meissen model of a bulldog standing with head turned to the left white with brown patch to face and ear 10cm long blue crossed swords mark early 20th century (minute chip to back foot)

An early 19th century oak circular patch box, the lid inset with silver plaque commemorating the Battle of Trafalgar "Temeraire" and "Victory", diameter 11.5cm

A mid-18th century percussion cap carbine fully stocked with iron mounts, brass mounted patch box and steel ramrod

Derby mask jug painted in the manner of Withers Derby mask jug circa 1770 painted in the manner of Withers with floral sprays patch marks to base (firing cracks to spout enamelled over at the factory with leaves small spout chip) 19cm high

A Georgian Patch Stand or Tazza, the circular tray raised upon a hollow stem with upper triple-annular knop and spherical base knop, on conical folded foot, circa 1740, 15.5cm diameter, 10cm high

A Georgian Patch Stand or Tazza, the circular tray raised upon an inverted baluster stem with upper triple-annular knop and cushion base knop, on domed and folded foot, circa 1740, 16.5cm diameter, 10.5cm high

A George III Silver Toothpick or Patch Box, of neo-classical oval form, bright-cut engraved, with internal mirror, Samuel Pemberton, Birmingham, 1790

An Enamelled Oval Patch Box, with pink base and lid, transfer-printed with a bird and a neo-classical urn with wording "A Pledge of Love", circa 1770-1800, 4.3cm

An Enamelled Oval Patch Box, with deep blue base and lid, enamelled in white with a bird and urn with wording "Love the Giver", circa 1800-20, 4cm

An Enamelled Oval Patch Box, with pink base, the white lid painted with floral sprays and wording "A Token of Esteem", circa 1770-1800, 4.3cm

An Enamelled Rectangular Patch Box, with pink base, the white lid transfer-printed with a tree stump and scroll with wording "A Faithful Friend & Lover", circa 1770-1800, 3.8cm

An Enamelled Oval Patch Box, with pale blue base, the white lid transfer-printed with a bird and neo-classical urn with wording "Constant to thee I'll ever be", circa 1770-1800, 2.2cm

An Enamelled Oval Patch Box, with pale blue base, the white enamelled lid painted in brown with the dates of Birth, marriage and Death of Queen Caroline, dated 1821, 4.3cm