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Click here to subscribeA small late 18th to early 19th Century Prattware cow creamer and cover with recumbent calf beneath, she with tan and brown sponged patch and dots to the body with a painted pattern (possibly a plait) from the head to the cover, the calf beneath with painted spots, all to an oval base with orange and blue painted flowers, unmarked, length 14cm, height 9cm.
German School (19th Century)Landscape with lady and geese at the edge of a cabbage patch, a town in the distanceindistinctly signed, inscribed and dated 'LeBrandtke(?) Munchen 18--' (lower left) oil on canvas 83.2 x 120.6cm (32 3/4 x 47 1/2in).For further information on this lot please visit Bonhams.com
AN EARLY 19TH CENTURY MAHOGANY AND INLAID BOW FRONT SIDEBOARD, fitted with a single drawer above a reeded wavy apron, flanked by a deep drawer and a cellarette drawer, on square tapering legs with spade feet, width 152.5cm x depth 75.5cm x height 89cm (condition: wear commensurate with age and use, patch of liquid damage to front edge, small area of veneer loss to front)
A Chelsea figure of a lady holding a flower basket, c.1765, H. 17.5cm Condition: unmarked, restoration to her right hand and missing a posy?, losses to encrusted flowers and leaves and fingers on her left hand, unglazed patch on the back of her dress, possibly in manufacture or where something has been lost and ground off?
Two early Derby figures of cherubs, c.1756, H. 12cm Condition: Patch marks, both with tiny losses to flowers and leaves, the figure painted with a flower sprig has restoration around his chin, neck and chest, the second figure has uneven unglazed patches and overglazed firing cracks from manufacture
Dennis Lyall (American, B. 1946) "Amish Blacksmith" Signed lower right. Oil on Canvas painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 34c Double-9 Patch Amish Quilt stamp issued August 9, 2001. Under the spreading chestnut tree / The village smithy stands / The smith a mighty man is he / With large and sinewy hands /And the muscles of his brawny arms /Are strong as iron bands Henry Wadsworth Longfellow's 1842 poem, The Village Blacksmith, harks back to a time long past in American history. Were it not for people such as the "Pennsylvania Dutch," who disdain motorized vehicles and technology, the blacksmith might find himself without traditional work. Actually, "Pennsylvania Dutch" is a misnomer. They are neither "Dutch" nor "Deutsch," but trace their roots to German-speaking Switzerland. "Dutch" is a corruption of the word Deutsch which means "German," a form of the German language is spoken by the so-called Pennsylvania Dutch. The Amish -- whose Old Order sect gives these people their particularly conservative American identity -- are spiritual descendants of the Mennonites, a sect which began during the Protestant Reformation. The Amish are named for Jacob Amman, a 17th C. Swiss Mennonite bishop. True to Reformation traditions -- there is a saying that "only good wood will split" -- nonconforming Amish are splintered into small groups because of faith differences. Being raised bilingually helps differentiate them from outsiders or non-Amish people. The blacksmith personifies the struggle of Amish peoples to maintain their identity in an increasingly technological world, epitomizing the self-sufficiency that protects them from the influences of the modern world. Image Size: 13.5 x 11.5 in. Overall Size: 17 x 14.5 in. Unframed. (B16948)
A large Charlie Bear "Norman" by Isabelle Lee, product number CB194201. Black long haired bear with tan face, chest patch and paw pads. Fully jointed. Hanging bell to neck on a black thong cord. Charlie Bear tag to rear and name tag hanging around neck. Approx. 52cm tall. Being sold on behalf of Hillside Animal Sanctuary.
SS-VT Overseas / Side Cap, earth brown wool base with metal SA/SS style early eagle insignia fitted to triangle patch and mounted to the side of the cap. Totenkopf skull to the centre of pebbled front button. Interior in brown cloth with large SS RZM label stitched in. Size stamped “58”. Very little service wear.please make sure you have read and understood the information in the auction information pagePLEASE MAKE SURE YOU HAVE READ AND UNDERSTOOD THIS INFORMATION BEFORE BIDDINGThis auction comprises a private European collection of Third Reich militaria, mostly consisting of cloth headdress and steel helmets. This collection has been put together over a period of time from private house buys, flea markets (flohmarkt) and internet auction sites.We have been requested by the estate of the collector to offer all lots at a start price of £100, all items are sold on a "sold as viewed basis and are not subject to return". All items offered in this auction are not covered by our usual guarantee of authenticity of items from this period in history. We ask that all interested bidders, study photographs provided or ask for any others they require, these requests must be made at least 24 hours prior to the auction. All bidders must satisfy themselves with what they are bidding on and buying. Many of the items in this collection, if not original, may have been produced using original parts. Buyers must satisfy themselves with what is original and what is not.
Third Reich SA-Gruppe Alpenland M-43 Ski Cap, fine brown wool example with pink cloth top section. Aluminium cap eagle and two brown painted front buttons. To the side is pink backed patch with metal edelweiss emblem. Interior with brown cloth lining and leather forehead sweatband section, this being stamped “QUALITATS MARKE”.please make sure you have read and understood the information in the auction information pagePLEASE MAKE SURE YOU HAVE READ AND UNDERSTOOD THIS INFORMATION BEFORE BIDDINGThis auction comprises a private European collection of Third Reich militaria, mostly consisting of cloth headdress and steel helmets. This collection has been put together over a period of time from private house buys, flea markets (flohmarkt) and internet auction sites.We have been requested by the estate of the collector to offer all lots at a start price of £100, all items are sold on a "sold as viewed basis and are not subject to return". All items offered in this auction are not covered by our usual guarantee of authenticity of items from this period in history. We ask that all interested bidders, study photographs provided or ask for any others they require, these requests must be made at least 24 hours prior to the auction. All bidders must satisfy themselves with what they are bidding on and buying. Many of the items in this collection, if not original, may have been produced using original parts. Buyers must satisfy themselves with what is original and what is not.
Third Reich SA-Gruppe Alpenland Officers M-43 Ski Cap, fine brown wool example with pink cloth top section, piped in aluminium wire. Metal cap eagle and two pebbled front buttons. To the side is pink backed patch with metal edelweiss emblem. Interior with brown cloth lining, size stamped “56”. One small moth nip to underside of the peak.please make sure you have read and understood the information in the auction information pagePLEASE MAKE SURE YOU HAVE READ AND UNDERSTOOD THIS INFORMATION BEFORE BIDDINGThis auction comprises a private European collection of Third Reich militaria, mostly consisting of cloth headdress and steel helmets. This collection has been put together over a period of time from private house buys, flea markets (flohmarkt) and internet auction sites.We have been requested by the estate of the collector to offer all lots at a start price of £100, all items are sold on a "sold as viewed basis and are not subject to return". All items offered in this auction are not covered by our usual guarantee of authenticity of items from this period in history. We ask that all interested bidders, study photographs provided or ask for any others they require, these requests must be made at least 24 hours prior to the auction. All bidders must satisfy themselves with what they are bidding on and buying. Many of the items in this collection, if not original, may have been produced using original parts. Buyers must satisfy themselves with what is original and what is not.
WW2 British Army wrist ‘marching’ compass. Brass body with broad arrow and serial number to back, tan straps one end frayed but with enough length to still wear on wrist. Interior mirror has small wear patch, otherwise all in good working order. Unusual to find a wrist compass from this period.
1820s English black powder musket converted percussion 1840s. Features good oak stock with one small wood patch. 84cm by 19mm smooth bore barrel with inspection stamps to George III visible towards hammer. Lock has no maker marks visible, slight movement to trigger, hammer spring strong, no ramrod. 123cm full length.No license required to own in W.A. Please check with your local licensing authorities regarding ownership/paperwork if you are located outside of W.A. as all sales are incumbent upon the winning bidder having organised this authority. JB Military Antiques takes no responsibility for bidders who have not sought such paperwork before bidding or making payment. Due to size, interstate postage to be organised by purchaser if over 105cms.
Assorted lot British WW1 medals, badges & buttons (20). 1914-15 Star & Victory medal both named 17678 PTE F.HARTLEY. NORTH’D FUS. British Naval LS & GC Medal (GV) name removed; 1939-45 War Medal impressed named 174926 D.E.FANECO; WW1 Wound Badge on copy 1st Bn AIF patch; 2 x merchant navy commemorative badges; wire bullion naval clearance divers badge; cloth shamrock badge; NZ wire bullion Artillery badge; NZ Artillery hat and collar badge (no lugs hat); A.S.C. hat badge; Pathfinders badge; 2 x Gold Coast Regiment shoulder titles, collar badge (damaged lugs) & 3 buttons; 2 x Red Cross Medals 32037 M.F.BRESSEY & 35958 with Red Cross sweetheart stick pin. Pte Hartley KIA. 1st Battalion Northumberland Fusiliers 27/3/1916. No known grave commemorated Menin Gate Ypres.
WW2 M43 German S.S. uniform field cap. Field grey wool body peak (showing folding to centre & period small stitch repair) and fold down flaps (the left flap retaining the SS eagle & swastika patch), retaining both zinc pebbled buttons. Bevo woven Totenkopf patch to top centre. Worn economy silk interior, approx. size 57. Cap shows a lot of service wear and is a really good old salty piece.
dating: about 1890 provenance: Russian Empire, Light skull with blackened cardboard, with leather visor and neck-guard. A gilded imperial eagle on the front, above the shield with another silver crown. Spike with flames on a cross-bar, border finely engraved with floral motifs. Chin-strap with convex scales on buttons with embossed crown, cockade. Morocco leather inside and silk cap (both in bad conditions), the internal peak reinforced with a restored leather patch. Scarce. height 29 cm.
Gentleman's clothing - Burberry tan camel hair coat and a Christian Dior Mac. Burberrys camel coat - label marked R.52 underarm 106cmWear to camel hair on right sleeve approx 3cm and another area and back right shoulder area approx 2cm, tear to lining to top middle vent, tear to lining underarm and some staining Left sleeve to back 2 small patches of missing areas approx 1cm and missing patch to back and to pocket areaSee extra images Mac- heavy staining to lining, Marks to left hand side scuff mark and general water marks to outer material- large size no size label, leather buckles badly worn
NO RESERVE Innes (Hammond) The Lonely Skier, jacket with chipping and creasing to head and foot, staining to rear panel, 1947; The Blue Ice, jacket with chipping and creasing to head and foot, repairs to spine ends verso, 1948; The White South, jacket with Book Society Choice sticker to upper panel, tearing and creasing to upper panel, small patch of staining to lower panel, 1949; The Angry Mountain, jacket price-clipped, spine slightly faded, chipping to head, tape repairs to spine ends, 1950, first editions, original cloth, dust-jackets; and 8 others by the same, 8vo (12)
A mixed group of mostly Royal Doulton ceramic figures to include Disney's Snow White Showcase Doc SW 10 and Bashful SW 16, Robert Harrop The Beano Dandy Collection Desperate Dan Picnic BDS 04, Royal Doulton 101 Dalmatians Patch, Rolly and Freckles DM5, Rolly DM4, Beswick Alice Figure and a Kevin Francis Toby Character jug. Most having boxes.
A group of three Disney Royal Doulton ceramic figures and plate to include The Mickey Mouse Collection Mickey Welcomes The Millennium PN246 limited edition 5/2000, 101 Dalmatians 'Patch, Rolly & Freckles' limited edition 216/3000 and Dumbo FC3 limited edition 980/1500. All with boxes and certificates.
Three English engravings, after the drawings of William Alexander (1767-1816), draughtsman with the 1792 Macartney Embassy to The Qianlong Emperor, comprising: 'The approach of The Emperor of China to his tent in Tartary to receive the British Ambassador'; 'View of the Western Gates of the City of Pekin'; and 'Chinese barges of the Embassy passing through a sluice on the Grand Canal'. Each image published by George Nicol in London on 12-4-1796, and framed and glazed. The largest with overall dimensions of 69 x 55 cm (3)Provenance: The Property of an English Lady, and from a Private UK Collection.For another example of the first engraving listed here, see Victoria & Albert Museum, No.E.600-1945, given to the Museum by Mr. G.H. Clarke. See also British Museum 1872, 0210.4 for Alexander's watercolour over graphite picture of this scene.Whilst we cannot be certain as to how accurate Alexander's portrayal of Qianlong's entourage was here, the image brought some sense of Qing Imperial tradition back to England. Qianlong seems not to have received George III's gifts with particular enthusiasm, and Macartney's attempts to negotiate closer commercial and diplomatic links with Imperial China failed. Alexander, himself, was bitterly disappointed not to visit The Great Wall, recording this regret in his journal entry for 28th August, 1793. Nevertheless, he did draw an excellent view of The Great Wall which has survived [British Library. WD 961.f60]. Alexander was subsequently employed as a curator of Prints and Drawings at the British Museum, 1808-1816, dying at Maidstone in 1816. His self portrait of of 1793, shows him with a strong face, and with an eye patch across the the right eye.. Please note that it has not been possible to take any of these images from the frame; some areas of wear, foxing, and light or other damage extant to both paper and images.Approach: 44 x 29 cm , frame 69 x 56 cmView: 35 x 24 cm, frame 58.5 x 49 cmChinese barges: 35 x 24 cm, frame 59 x 50 cm
MIXED BADGES/TICKETS. A collection of approximately 500 items, mainly badges. to include: 200 Tamla Motown Appreciation Society badges, 50 Crocodile Records badges, The Cribs, The Smiths, Buzzcocks, Arctic Monkeys, The Vapors, Get Behind Me Satan, Twisted Wheel Manchester, The Jam, UB40, MOJO, U2 Boy, Fred Perry, The Charlatans, Rubber Soul, Okeh Records, Lambretta, The Who, Dexy's, The Routes, Trojan, Purple Hearts, Hit Parade, Harvest Records, Stateside Records, Hipshakes, Black Lips, Stiff Records, Reading Rock 70, Record Mirror, Mikey Dread and more. Also to include a patch reading 'The Who', a Four Tet promotional yo-yo, 5 Simply Red concert tickets, a Boardwalk ticket for Primal Scream/The Weeds, 22 Manchester United badges and a quantity of Archie Bronson Outfit heart-shaped guitar picks.
METAL - 7". Blistering bundle of 14 x choice 7". Artists/titles are Iron Maiden - Purgatory (EMI 5184 - Ex+/Ex) and The Trooper (EMI 5397 4 prong), AC/DC - High Voltage (HM 1), Dirty Deeds Done Dirt Cheap (HM 2) and It's A Long Way To The Top... (HM 3), Motörhead - Motörhead (UK original S13 - Ex+/VG), St Valentine's Day Massacre (BRO 116, paper labels) and I Got Mine (BRO 165), Dio - Rainbow In The Dark (DIOP 2, sealed with patch, has creased due to the pressure applied by the shrink), Saxon - Big Teaser, Backs To The Wall and Never Surrender (double 7"), Judas Priest - Breaking The Law and UFO - Lonely Heart (sealed with patch, has creased due to the pressure applied by the shrink). Condition elsewhere is typically VG+ to Ex+.
A BOX CONTAINING A NUMBER OF BELIEVED GENUINE GERMAN WWI/WWII CLOTH INSIGNIA, including a large red/black/white Eagle Swastika with small pin badge, Bevo Eagle, WWI marksman's award patch, Hamburg, Mountain troop, DRL patches, Luftwaffe Rank collar patches in pairs, 'S.S.' hand Scimitar Swastika patch, etc (parcel)
LATE 19TH / EARLY 20TH CENTURY BRITISH SCHOOL, three girls collecting wild flowers on a country track, expansive landscape beyond, oil on board, indistinct signature / date lower right, in gilt slip mount, framed and glazed, approximately 24cm x 19cm (condition: small patch of paint loss on right hand edge, art suppliers label loose on back)
A LATE 19TH CENTURY CONTINENTAL HAND PAINTED MAIOLICA LUSTRE CHARGER, the circular rim decorated with a border of interlinked ovals containing cherub masks, foliate scrolls and flowerheads, the centre with three young men reading/singing from a long scroll, a fourth young man looking pensive, buff glazed underside, unmarked, diameter approximately 39.5cm (condition: there is a sizeable patch of glaze fault on the inner pink border of the rim near the fist of one of the figures, there is a small glaze fault on the wing of a cherub positioned at 9 o'clock, there are wide crazing lines in a number of places)
A PAIR OF GEORGE V SILVER OVAL SAUCE BOATS, wavy rims, 'S' scroll handles, on cabriole legs with hoof feet, makers Adie Brothers Ltd, Birmingham 1935, together with a George V silver octagonal waiter, embossed geometric design to outer edge, on four cast legs, maker's mark partially rubbed, London 1929, a late Victorian silver oval bon bon dish, pierced decoration, makers Atkin Brothers, Sheffield 1894 and an Edwardian silver cream jug of oval form, gadrooned rim, stop reeded body, angular handle and four bun feet, makers Robert Pringle & Sons, Birmingham 1902, approximate gross weight 22.8ozt, 709 grams (5) (condition: one sauce boat has a dent to the body and a small dint to the rim near the handle and one slight upturned hoof although it is still stable on a flat surface, waiter has surface scratches back and front, sits level on a flat surface, the oval bon bon dish has a crease in the base, cream jug has a dent in the base, patch of solder at base of the handle and some wear to gilt interior)
Original vintage travel poster: Weekend in Paris - Holidays on the French Riviera. Poster published to promote organised holidays in France, including weekends in Paris and 10 days holiday on the French Riviera in St Aygulf holiday village. Colourful and stylised design by Abel showing some of Paris' landmarks in the upper half of the poster including the Eiffel Tower, the Arc de Triomphe and Notre Dame de Paris while in the bottom half, a man with a sunny face is lying on a small patch of sandy beach with the blue water of the Mediterranean sea surrounding him. The French Riviera (known in French as the Côte d'Azur) is the Mediterranean coastline of the southeast corner of France, extending from Cassis, on the west to Menton at the France–Italy border in the east, where the Italian Riviera joins. This coastline was one of the first modern resort areas. It began as a winter health resort for the British upper class at the end of the 18th century. With the arrival of the railway in the mid-19th century, it became the playground and vacation spot of British, Russian, and other aristocrats, such as Queen Victoria, Tsar Alexander II and King Edward VII, when he was Prince of Wales. In the first half of the 20th century, it was frequented by artists and writers, including Pablo Picasso, Henri Matisse, Francis Bacon, F. Scott Fitzgerald and Somerset Maugham as well as wealthy Americans and Europeans. After World War II, it became a popular tourist destination and convention site. Many celebrities, such as Elton John and Brigitte Bardot, have homes in the region. Printed in France by Publicité S. J., Paris. Condition: Good condition, folds, tears in margins, creasing in margins, light stains.. Country of printing: France, designer: Abel, size (cm): 100x62, year of printing: 1957.
Original vintage movie poster for the futuristic cult science fiction film Escape From New York directed by John Carpenter and starring Kurt Russell and Lee Van Cleef. Great sci-fi design by French illustrator René Ferracci featuring the New York skyline overshadowed by the face of Kurt Russell as Snake Plissken wearing an eye patch with helicopters shining searchlights and red laser beams onto the city buildings, the tagline reading "1997 New York City is a walled maximum-security prison. Breaking out is impossible. Breaking in is insane." with the stylised white title text and credits below. Printed by W.E Berry LTD. Condition: Good condition, folds, creasing, paper losses.. Country of printing: UK, designer: René Ferracci, size (cm): 76x101, year of printing: 1981.
Linen Crew Patch for the "Revenge Of The Jedi" (1983), this being the preliminary name for the Star Wars film eventually released as the "Return Of The Jedi". Although these items have been reproduced, this item is guaranteed to be original and was given to a carpenter who worked on the film at Elstree Studios and provenance to this affect is supplied.3 1/4" x 5 1/4" (8.3 x 13.4 cm)Condition: Good/ExcellentItem in very good condition.Artist: Unknown Artist£50 - 100VAT Status: M
Eight assorted vintage soft toy dogs including Steiff Condition:- 1950's Bully glove puppet - a little dirty and slightly faded but overall good, no tag or button, length 22cm- Snobby black poodle - button and tag removed, some wear to the tops of the legs, length 10cm- Snobby beige poodle - looks to have the original collar, no sign of any button or tag, faded and dirty, length 14cm- Waldi Spaniel - no button or tag, a little dirty, length 20cm- Bozi - a little dirty, with light wear to tip of tail and a patch on the head, essentially good, collar original, bell oxidised, faded original paper label to collar, length 15cm- 1950's plush dog with paler ears, chest and tail, wear to the plush particularly on the legs, no sign of any tagging or marking, not thought to be Steiff, length 18cm- 1960's mid brown dog - again thought to be of other manufacture, good condition, length 12cm- 1940's dog - faded, rubbed and dirty, with thin metal collar and impressed bell, no sign of any tags or markings, height 20cm
A gold plush teddy bear with plastic eyes, black stitched snout and worn brown leather pads, height 56cm, a smaller later bear, 33cm and a 1920's gold plush seated rabbit, height 29cmCondition:- large bear a little dirty with wear to muzzle, one bald patch on the chest and wear to the leather pads, plush faded more to the front than the back.- other bear very worn to the chest and side with much of the plush missing, red stitching worn, no sign of any labels, small plastic eyes.- rabbit very worn with much of the plush now missing, ribbon probably later, red stitching to mouth, small plastic eyes, no signs of any tags or labels.
Four large vintage plush soft toy cats Condition:- 1950's white plush seated cat with pale blue / green ribbon and brass bell, pale green eyes and pink stitching - a little threadbare, length 24cm- seated once pink? 1950's cat with weighted base, distinctive yellow eyes and black stitching - threadbare with a large patch to back, height 24cm- 1950's standing gold / black tabby cat with revolving head, bright green eyes and pink stitching - no signs of any tags or buttons, faded and little worn, length 30cm- standing gold plush cat, straw filled - probably later multi-colour ribbon, pale green eyes and pink stitching, a little dirty and faded, no sign of any labels or buttons, height 38cm
^ Indian Dagger Kukri c.1900, swollen single edge blade with some gold damascene at forte, one-piece ivory hilt, in its green fabric covered sheath with silver damascened iron mounts, containing twin ivory handled companion knives. Overall 44.5 cms, blade 33cms. Good condition, blade with medium rusted patch at forte.
Ivan Kozlov (B. 1937) "White Winged Scoter - 1994 Russia Duck Conservation" Signed lower right. Original Watercolor painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.This painting was published on the Fleetwood Combination First Day Cover for the 1994 Russia Duck Conservation Stamp and Russian 150 White-winged Scoter stamp issued July 1, 1994. Many ornithologists consider the White-winged Scoters that inhabit East Siberia as separate from the North American species, classing the Russian inhabitants as Palearctic forms known as Velvet Scoters. Frequenting the shores of tundra and taiga areas, as well as seacoasts and open lakes, these magnificent creatures seldom appear on land. Flying low and fast, the wingbeats of White-winged Scoters produce a whistling sound that can be heard up to half a mile away. The distinctive white patch on this duck's dark wing, after which this species was named, easily distinguishes it from other Scoters. Another feature that is used to identify this bird is a white marking around its eyes. White-winged Scoter males are further characterized by their black plumage, while both females and juveniles possess dark brown feathers. Unlike other ducks, the breeding plumage of this Scoter exhibits little color change. It is believed that breeding first takes place after these ducks become two years old. After spending their first summer in flocks at sea, Scoters begin forming pairs the following winter. By spring migration, the newly-formed couples are ready to journey to the nesting site. It is believed that their pairs remain together until the first week of incubation. Females are then left alone to care for their offspring. Image Size: 13.75 x 11.75 in. Overall Size: 20.25 x 15.75 in. Unframed. (B14760)
Fleming (Ian) Moonraker, first edition, issue with "shoot" on p.10, a few small patches of spotting to margins, small patch of light staining to pp. 14-15, dust-jacket, price-clipped, spine lightly faded, spine chipped at head, but a remarkably bright example with strong colouring to upper panel, 8vo, 1955.
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