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A DERBY STYLE CHERUB GARDENER holding a basket of flowers and wearing a floral garland, on square base with canted corners and three "patch" marks, 5", and three similar figures (4)

A PAIR OF DERBY CHERUB GARDENERS, 18th century, modelled holding baskets of flowers and floral hair garland, painted in polychrome and highlighted with gilding, on rococo base with "patch" marks, 5". See illustration

A silver mounted crocodile hip flask, of rounded rectangular form, plain pill off drinking cup, initialled, bayonet fitting hinged cover, by James Dixon and Sons, Sheffield 1917, length 17.5cm., plus a George III silver goblet, with a later patch, London 1791, approx. weighable 18oz. (2)

A COLLECTION OF ROYAL DOULTON PIECES to include Pongo from Disney 101 Dalmations, Patch in basket, a spaniel and her puppy resting, a miniature character jug of a huntsman and fox, model No. 6D6545 and two miniature teapots (one missing cover) (6)

Four pieces of South Staffordshire enamelling: c. 1760, comprising: two cane handles, one with an opening lid, a patch box and a dressing table box, all damaged.

[COLLINS MICHAEL]: (1930- ) American Astronaut, Command Module Pilot of Apollo XI, the historic NASA mission which took the first men, Neil Armstrong and Buzz Aldrin, to the moon on 20th July 1969. The personal NASA flight suit worn by Michael Collins, believed to have been used in connection with the Apollo XI mission and removed from his personal locker just six months after the historic flight following his retirement from NASA in January 1970. The sky blue heavy cotton flight suit bears the Flite Wear label of the manufacturers Land Mfg. Co. of Wichita, Kansas, official suppliers to NASA, and has numerous zipped pockets, snap pockets and Velcro patches (one of which, on the chest, would have originally carried Michael Collins` name tag) as well as a circular blue, white and red embroidered NASA logo patch stitched to the chest. From the collection of the former NASA physical conditioning supervisor to the Apollo astronauts, Joe Garino Jr., Accompanied by a letter of authenticity signed by Garino, illustrated with two images of the suit, and stating, in part `Blue Nasa flight suit worn by Michael Collins after his recovery from the Apollo XI mission….` The suit was removed and retained by Garino with the express permission of NASA astronaut L. Gordon Cooper. Signed at the conclusion by Garino and dated 16th April 2008 in his hand. An outstanding and exceptionally rare souvenir of a member of the Apollo XI crew who, along with Armstrong and Aldrin, is recognised as one of the greatest explorers of the 20th century. Some extremely light signs of wear and a few very light, minor stains at the base of the legs. VG Michael Collins was only involved as a crew member for two NASA missions, those of Gemini X (1966) and Apollo XI (1969).

An oval Bilston enamel patch box with internal mirror 2" wide

A French cerise enamel patch box with floral and gilt hand painted decoration and a Spode Imari pattern miniature cup and saucer A/F

George III by Thomas Wilmore bright cut silver patch/pill box, Birmingham 1815

A Victorian card case, Sheffield 1898 with machine turned decoration; together with a circular silver patch box; a silver card holder; an oval pill box and a thimble

A George III 24-pdr iron naval cannon, Samuel Walker & Co. Ltd, late 18th century, From Nelson`s flagship the Foudroyant launched in 1798, The plain cascabel with ring surmount, the vent patch mounted with a reproduction steel gunlock with flint, the barrel with six moulded turns and swamped muzzle, with applied GR Royal monogram, above plain trunnions inscribed W Co and 93, 9ft 10in long, 5.8in bore, on a later stepped wooden carriage built by the late James Close.Provenance: Wallis and Wallis, Lewes, 16th September 1984, lot 1696, sold as a pair (including the following lot) to James Close for £2,000. The James Close Collection of Historic Naval Cannon Visit www.dnfa.com for condition reports.

A Royal Copenhagen pierced vase and a yellow patch box together with a pair of candlesticks, Lynthorpe style vase and teapot and cover, parcel lot

A pair of silver circular patch boxes with embossed lids, a modern silver patch box with decorative paste set lid, a silver pin cushion in the form of a canoe, two Norwegian silver salt spoons and two white metal and gem set scent bottles

A collection of nine 19th century & later snuff & patch boxes. Some horn, faux tortoiseshell and papier-mache, (9).

A George III ivory patch box, of navette form, the hinged cover inset a sulphide portrait bust of Sarah Siddons, with an inset mirror and plush lining, 4in (10cm) l.

An Early XIX Century Enamel Patch Box, the cover painted in black with "British Gratitude To Nelsons Valour" within a laurel wreath over a pale blue body, the interior with a mirror (cracked), 4cms wide. Together with A 1781 Charles III Spanish Reale, bearing inscription dated 1796. (2)

Two Bilston enamel patch boxes and a Versailles porcelain trinket box (a/f). (3)

An enamel patch box in the form of an egg, the yellow ground with reserve panels of figural scenes.

A fine quality Faberge gold and silver enamelled miniature cigar cutter, the `88` marked engine turned body, covered in a violet coloured enamel to a gold trumpet form end, marked with the `56` zolotnik gold standard mark, the thumb piece mounted with a collet set rose cut diamond, the gold bar leading to the cutting blade stamped with the Faberge cryllic `K` mark and a head facing to the left, measuring 40mm long and 12mm wide,(small patch of wear to the enamel only). See illustration on back cover.

A Georgian ivory patch box, lozenge shaped, with gold banding, the cover inset with a vacant cartouche and with mirrored interior, 4" long and a Victorian silver inlaid tortoiseshell purse, with monogram A S, dated 1873, 3 1/4" wide (2) (illustrated).

An early 19th Century Battersea enamel patch box, the fluted body painted with primitive flowerheads, the cover inscribed "Have communion with few, be familiar with one, deal justly with all, speak evil of none", 1 1/2" diameter (illustrated on page 18).

A Derby porcelain figure of Minerva stood with plumed helmet and shield resting on a pile of books with an attendant owl on gilt scrolling base, 36cm high, patch marks, circa. 1760-69, devoid spear and losses to bocage.

A pair of Derby porcelain figures of a Shepherd and Shepherdess he stood with a dog at foot holding a sheet of music, she placing a garland around a lamb, both before flowering trees on gilt scrolling bases, 18.5 cm high, patch marks, circa. 1760-69, losses to leaves and some chips.

A late 18th century Derby (patch marked) porcelain figure of the shepherd`s wife, she stands with a rearing sheep with a garland of flowers about its neck, on a moulded scroll base, 15cm (6in) high, together with a Chelsea Derby figure of the gardener, 14cm (5 1/2in)

Two miniature Oriental scent bottles, a modern Limoges patch box, four Staffordshire jugs and a small Staffordshire pottery group (damage), (a parcel)

LOT OF FAMILY RELATED BRITISH MEDALS insignia, photographs and ephemera, comprising 1st Battn Seaforth Highlanders` Maxim-Shots Date and Birthday Book 1903, of No 2741 J Stewart (details to inner cover), with glengarry badge, 1914-15 Star trio named to `19400 Pte J Dunlop, High:L I `, his Pensions Appeal Tribunal (Assessment), military photographs, a Gordon Highlanders Account Book / Pocket Ledger 1891, of No 3858 David Dunlop, with carrying case, `14996840 Sjt.James Dunlop-The Army Air Corps T.A.`-his 7th Bttn (L.I.) Para Rgt, photographs (including Officers and NCOs with Field-Marshal Montgomery, and The Queen reviewing the Regiment), Parachute Regiment beret badge (plastic), photographs from the Japanese surrender in Singapore 1945, a WWII Japanese Army cloth collar patch, a letter from the Ministry of Defence detailing his career and awards, The Pegasus Daily 24th April 1946, two wartime Daily Worker newspapers, WWII (Glasgow) Civil Defence cloth insignia and a postcard showing the Inspection of City of Glasgow Home Guard 1940, Kaiser Wilhelm II Commemorative bookmark 1813 -1913, personal and other small effects

Set of four Edwardian stirrup cups each with cut decoration,another stirrup cup, set of four Victorian wine glass rinsers, another wine glass rinser, a pair of patch stands, cut bowl, two mugs, three gilt enriched goblets, three other goblets, fifteen sugar crushers, a feeder and four other glasses

AN OFFICER`S SCARLET FROCK OR PATROL JACKET AND AN OTHER RANK`S VEST, WEST INDIA REGIMENT, 1899-1910, the frock of scarlet serge with white wool collar, cuffs and shoulder straps, with four flapped patch pockets and two shallow rear vents, lined in tawny/orange cotton and with a variety of regimental buttons (some moth, staining and damage); the vest of scarlet wool trimmed with yellow cotton lace and gimp and dated 1899 (some damage and staining)

THREE OFFICER`S KHAKI DRILL TUNICS, WEST INDIA REGIMENT OR BRITISH WEST INDIES REGIMENT, CIRCA 1908-20, of varying weights of khaki cotton drill, lacking most insignia (although one with a variety of brass regimental buttons) and each with four flapped patch pockets - the breast pockets with box pleats, one with a tailor`s label of Geo. C. Smellie, Hamilton, Bermuda (all with some wear, moth, staining and damage)

A EUROPEAN BACKPLATE, POSSIBLY ENGLISH OR FLEMISH, CIRCA 1600, formed in one piece with plain inward turns at the neck and arm-openings and a scalloped flange at the waist (repaired at the left with a riveted internal patch), fitted in each lobe of the latter with a brass-capped round-headed lining-rivet, and at each shoulder and each side of the waist with a pair of similar rivets having brass rosette-washers beneath their heads for the attachment of the shoulder-straps and waist-belt respectively (the former partially preserved but later), and decorated with three pairs of incised lines that radiate from the waist to the neck and the shoulders respectively (mottled pitting overall), 40cm; 15 3/4in high. Provenance: Robin Wigington, Stratford-upon-Avon. A similarly decorated breastplate from Warwick Castle was sold in these rooms 25 June 2008, lot 332. Another, with matching backplate, from Brancepeth Castle, Co. Durham, is now in the Royal Armouries Museum, Leeds. See F. H. Cripps-Day 1924, pp. 259-60, fig. 200.

A NORTH ITALIAN BACKPLATE OF SHOT-PROOF WEIGHT FROM A WAISTCOAT CUIRASS, CIRCA 1600, formed of three vertical plates joined to one another at their lower ends by internal hinges and at their upper ends by a transverse internal leather, the outer plates cut with arm-openings and fitted just above the waist with pierced staples, all three plates contributing to a high neck-opening and a waist-flange, the latter fitted at its left and right ends respectively with a later turning-pin and mushroom-headed stud for the attachment of a culet, the main edges of the backplate decorated with inward turns, later notched in the case of those at the arm-openings and in all cases accompanied by single incised lines (variably pitted and worn, the turns at the neck-opening removed at the top of each of the side-plates, the waist-flange repaired with a riveted internal patch at its left end and showing a short crack at the right of the central plate), 41.5cm; 16 1/4in high. Provenance: Robin Wigington, Stratford-upon-Avon. Similarly constructed backplates can be recorded as parts of waistcoat cuirasses in the Wallace Collection, London, Cat. Nos A222-4, the Philadelphia Museum of Art, Kienbusch No.125 and the Collection of the Princes Odescalchi, Rome, Cat. No.116. See J.G. Mann 1962, Vol. I, pp. 165-6, pl. 78; Kienbusch 1963, pp. 85-6, pl. LVIII; and Di Carpegna 1969, p. 23.

A NORTH GERMAN BACKPLATE OF SIEGE WEIGHT, LATE 16TH CENTURY, formed in one piece with a shallow neck-opening and deep arm-openings, each decorated at its edge with a file-roped inward turn accompanied by a pair of incised lines formed as an ogee with a stylised leaf at its centre, and a flange at the waist (repaired at the right with a riveted internal patch), decorated at its edge with a single incised line accompanied by eight (formerly eleven) round-headed lining-rivets, and fitted at each shoulder and each side of the waist with pairs of similar rivets, the latter retaining fragments of a leather waist-belt, the former each accompanied by two pairs of vacant rivet-holes representing the former attachment-sites for shoulder-straps (pitted overall with some cracking and delamination of the metal), 37.5cm; 14 3/4in high. Provenance: Robin Wigington, Stratford-upon-Avon. A contemporary breastplate formerly in the possession of the Ranzau family and now in the library of Schloss Breitenbur, Holstein, has comparable decoration. A slightly earlier breastplate formerly in the Munster Zeughaus and now in the Landesmuseum für Kulturgeschichte zu Münster, Westphalia, is decorated at the centre of its neck with a very similar stylised leaf. See K. Ullmann 1963, figs. 7 & 8.

A continental Bright Cut silver Patch box decorated with Lippizaner horses and floral swags stamped 800 possibly Austrian

A Government service flint lock Baker rifle C1800 the lock stamped "Tower" "GR" with a re ground 30 1/2" barrel with bayonet bar and iron ram rod also a brass patch-box hinged to the butt

Art Deco silver and guilloche enamel patch pot and a fob silver patch pot

Edwin Coley Burne Jones (1833 - 1898), Angel Gabrielle leading beckoning `Sorrow` from the briar patch, initialled and dated 1895, a pencil drawing on paper, laid to card, 19 x 37cm

David Wilde (1918 - 1978); two pencil illustrations "The Damp Patch", 24.5 x 36.5cm and "Thrillseeker", 32 x 25cm, both signed, titled, inscribed verso and mounted (2).

A BILSON AND BATTERSEA ENAMEL PATCH BOX " A TOKEN OF AFFECTION " ( THE HINGE ONLY BEING W A F )

Early 19th Century Staffordshire enamel rectangular shaped patch box, the hinged cover with script `The Gift is Small, But Love is All`, 3.75cm wide

A FINE LATE GEORGIAN SNUFF OR PATCH BOX of truncated ovoid form, in gold-mounted mother-of-pearl the inset hinged cover having piqué-posé decoration on a tortoiseshell ground, 6.5cm long

A CONTINENTAL ENAMEL PATCH BOX, 935 fineness mark and import marks for London 1920, of circular form, the hinged lid enamelled with a courting couple, on foliate embossed ground, 2 1/2" wide (Illustrated)

A Courreges navy and white wool summer coat, circa 1970, Paris labelled and numbered 01161, with curved ribbed wool collar, matching cuffs and belt, angular patch pockets, chest 92cm, 36in

A Courreges day-glow pink tunic, circa 1970, bearing both Courreges Paris and Harrods London labels, with top-stitched panelled bodice, patch pockets to the front, bust 96cm, 38in

An Ossie Clark pale brown snakeskin jacket, late 1960s, lycodonomorphus rufulus, labelled, zip-fastened with pointed collar and cuffs, curved patch pockets, shoulder flaps, chest 92cm, 36in. cf Ossie Clark 1965/74 by Judith Watt where she describes how Ossie came across a stash of snakeskins and decided to use them in his garments,"They were exotic, with added glamour attached to wearing part of a dangerous animal and the association with fetish in clothing oneself in another creature`s skin"

A rare Leigh Bowery sapphire-blue plush jacket, 1980s, labelled Leigh Bowery, London, lined in pink tartan, fastened by two large buttons with giant patch pockets to the front, straps link the collar and lower sleeves, the back with three openings to reveal the lining, chest approx. 142cm, 56in. Leigh Bowery in his diary 1981 writes "I believe that fashion (where all the girls have clear skins, blue eyes, blond blow-waved hair and a size ten figure and where all the men have clear skin, moustaches, short blow-waved hair and masculine physique and appearance) STINKS. I think that firstly individuality is important, and that there should be no main rules for behaviour and appearance. Therefore I want to look as best as I can, through my means of individuality and expressiveness. I think that the clothes I am interested in are strictly the opposite to what`s in mass taste, and that there is a minority that like the same style as me"

Patch-work Quilt

A Royal Doulton Bull Dog, modelled as a seated dog, decorated with a blue jacket advertising `Bull Dog Guinness Robt Porter & Co Ltd London & Liverpool`, `Bull Dog Pilsener Robt Porter & Co Ltd London & Liverpool`, a neck collar `Bull Dog Brand`, one black patch to left eye, printed marks to base, RN 645658, No 168, width 21 cm.

A Royal Doulton Bull Dog, modelled as a seated dog, decorated with a blue jacket advertising `Bull Dog Guinness Robt Porter & Co Ltd London & Liverpool`, `Bull Dog Pilsener Robt Porter & Co Ltd London & Liverpool`, a neck collar `Bull Dog Brand`, one black patch to left eye, printed marks to base, RN 645658, No 168, width 21 cm.

Royal Worcester Connoisseur Collection patch box and cover and a continental oval patch box

Haddington - Thomson, John. Large engraved map, hand-coloured in outline, inset plan of Haddington, 53 x 70cm., framed and glazed, some light foxing; Murphy, W. East Lothian. Edinburgh, [no date]. Approx 9.5 by 12.5cm, hand coloured in outline, small patch of repair, framed and glazed; Fullarton & Co. Haddingtonshire. London, [no date]. Approx 15 by 19.5cm, hand coloured in outline, framed and glazed; and 2 others (5)

A Derby patch mark figure, Allegorical of Autumn, seated holding a scythe and bundle of corn, wearing a floral chaplet in her hair, pierced scroll base, 12cm high, c.1790

A Derby patch mark figure, Allegorical of Summer, seated holding a floral garland, wearing flowers in her hair, pierced scroll base, 12cm high, c.1790

An early 19th century oval South Staffordshire or Bilston enamel patch box, the hinged cover bordered with blue and gold bosses, inscribed " Mortal Man in every act beware Since one wrong step may mar an Age of care Ever thy credit keep tis quickly gone Tho gain`d by many Actions lost by one", mirror to verso, 5cm long, c.1820

An early 19th century oval South Staffordshire or Bilston enamel patch box, the hinged cover decorated in monochrome with stylised urn, mirror to verso, 5cm long, c.1820

A scarce WWI era US Signal Corps Flying Service lightweight khaki summer jacket, with bronze collar discs, flying section sergeant`s stripes, red/blue/white shoulder patch, 3 bullion active service chevrons and discharge chevron, brown composition buttons. GC

A French porcelain patch box with scenes after Angelica Kaufmann, 8cm wide and a silver mounted green glass scent bottle (2)

AN 18TH CENTURY ENAMEL PATCH BOX, oval, the cover painted en grisaille with a study of a rural scene, with interior mirror, 6cm wide (damaged)

A 19th century Baccarat glass patch box with sulphide, of a young Duc de Bordeaux, 2.5 x 6cm (0.98 x 2.34in)

**W**O**, A VICTORIAN SILVER PATCH/PILL BOX having fancy outline, engraved top with period monogram and gilded interior, Birmingham 1887

A SILVER HEART SHAPED PIN DISH, initialled, a Limoges style patch box, and other items (box)