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Lot 253
Three 19th century boxes, the first a Regency rosewood sewing box with brass lion's mask and ring handles.Condition report: Sewing box - Picture on lid nearly lost with losees and stains, ill fitting lock, inside now baize lined, drawer lock broken out and reveneered patchOther two - one may have been re-veneered, feet added, the other has splits and cracking to veneers
Lot 698
THORBURN, Archibald : (1860-1935) Scottish wildlife painter, mainly working in watercolours. His four volume work on British birds is one of the outstanding ornithological works of the 20th century. A four page ALs Addressed from Murrayfield Court, Edinburgh, date March 16th, 1918. To 'Dear' Brooksbank, he discusses the merits of the Yellowshank and the Greenshank, he recalls spending time in the past sketching birds at Lilford Hall. He says he is at the moment spending a 'great deal of time' at Edinburgh Zoo. He is especially self critical, ' I find I have got so many of the figures unsatisfactory and in some cases incorrect, like the Eider for instance. It is not possible to get the position of the Curious triangular green patch on the cheeks...' he has sketch the Eider in ink at the bottom of the page.
Lot 94
William GEAR (1915-1997)Yellow LandscapeOil on canvasSigned, inscribed and dated 'Sept '51 - May '52' to verso38 x 54cmFrom the collection of David Gear (inscribed to verso) Condition report: This work is behind glass and we believe it is perfectly stable, however, it does have some issues.The canvas is not perfectly flat, there is one 5mmx7mm patch of paint loss and some cracking of paint. See images
Lot 554
WILLIAM DIDIER-POUGET (FRENCH 1864-1959)Bruyere a l'aube,oil on canvas74 x 92 cm (29 1/8 x 36 1/4 in.)signed lower right PROVENANCEChristie's New York, 12 April 2007Acquired at the above by the present ownerCONDITIONObserved in frame, the painting appears in age-appropriate condition. The canvas is re-lined and wax lined. Single patch to the verso. Inspection under UV light shows retouching around 10% to the upper left quadrant of the sky and lower right quadrant.framed dimensions: 102 x 120.5 cm (40 1/8 x 47 1/2 in.) Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 390
A collection of vintage wedding items to include a heavy cream silk train with glass beads and sequin trim, a cream silk underskirt with embroidery and glass bead trim, a boxed delicate lace wedding veil and a flower decoration, a 1940's cream wedding long tail back with sweetheart neckline and pointed long sleeve together with a vintage white leather peep toe court shoe by Dolcis, debutant.Condition ReportDirt grime to train and beaded trim coming off in areas, underskirt has a stain and dirt grime with beading patch coming off, wedding dress has stains and dirt grime, veil very delicate holes in places and shoes liner coming out and worn.
Lot 82
A selection of ceramics to include 5 various pieces of Wedgwood Jasperware, a 19thC plate with religious sentiment a/f, an early 19thC patch box a/f, a commemorative cup, a Paragon sugar bowl in metal bamboo stand together with a cranberry glass carafe.Condition ReportWedgwood jug with bent lid, plate with hairline cracks, patch box with extensive damage to enamel. Others in good condition.
Lot 142
A Jaeger Watch Co. Inc. U.S.A. 8 Day Cockpit Timepiece, in blackened metal case, the black dial with luminous Arabic and line numerals, hands and centre sweep seconds hand, marked 8 DAYS JAEGER, 7cm by 6cm; a Second World War Military Top Wind Pocket Watch, the circular black dial with luminous arabic numerals, enclosing a subsidiary seconds dial and maker's name, with luminous hands, in a nickel plated case, the back engraved with broad arrow over G.S.T.P M52811 XX; a Second World War Brass Cigarette Case, the cover set with formation patch and engraved NORTHERN DIVISION ANDENKEN AN DAS RHEINLAND (3)Condition report: Clock in working order, some scrapes and scratches to case. Watch not working.
Lot 201
GEORGE III SILVER VINAIGRETTEthe lid monogrammed ER, the gilt interior with a pierced lid, London 1818; a Victorian silver patch box of rectangular form, Birmingham 1863; a silver pill box decorated with an enamel plaque of a pointer, Birmingham 925; and a silver patch box with marks rubbed, total weight approximately 70g/2.4oz
Lot 3155A
.303 fired cartridge case with later tip, and accompanying letter dated July 2nd 1915 and saying that the bullet was a gift from Princess Mary, a collection of bone and stained counters , a set of 19th century Wilkinson brass travelling scales, a brass magnifying instrument with ivory handle in red leather box, a bone purse, an enamel patch box, rolled gold brooch/watch and faux pearlsThe bullet is accompanied with a letter on H.M.S. Tamar, Hong Kong paper dated July 2nd 1915 and stating, 'I am presenting to you Princess Mary's gift to me. This was actually fired on the Battle Field and Princess M. had silver bullets put in place of the ones fired and given to the Officers. Yours R.S.L.'
Lot 582
A GEORGE I CARVED GILTWOOD AND GESSO WALL MIRRORATTRIBUTED TO JOHN BELCHIER, CIRCA 1720110cm high, 60cm wideCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips and splits. Frame has and old re-gilded surface. Various wear, chips, cracking and some losses to gilt surface - see images. Later metal bracing to the corners at the back of the frame. Mirror plate is replaced. It has a little depletion and a very faint lighter patch to the centre.Backboard is an old replacement. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 428
ASSORTED COLLECTABLES comprising an enamel patch box, the lid inscribed 'LOVE / & live / HAPPY', 22mm diameter; an engraved silver-coloured metal tape measure (lacking end of tape); four miniature metal helmets, including pickelhaubes; a blue glass scent bottle, 44mm high (inclusive of screw top); and other items. Condition Report : Patch box with cracked enamel and chip to lid. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 387
A MATCHED PAIR OF WEYMSS WARE CATS both with sponged black decoration on a white body, both set with green glass eyes, cat facing right possibly with Joe Nekola's Wemyss mark, the other facing left with Wemyss Ware in green and printed Made in England, 32cm high (2) Condition Report: cat facing right - crazed all over, has a unglazed patch to the back of one of it's ears. cat facing left - crazed all over and slight discolouration, has restoration to the feet. There maybe paint flakes and glaze imperfections to some pieces.
Lot 788
AN 18CT GOLD RUBY AND DIAMOND CLUSTER RING set with estimated approx 0.50cts of brilliant cut diamonds. Head of the ring size 13.4mm, finger size M1/2, weight 6gms Condition Report: One of the rubies has been replaced with a garnet. Middle diamond has a tiny patch of carbon dots, rubies have natural inclusions.
Lot 1112
•WYCLYIFFE EGGINTON RI, RCA (BRITISH 1875-1951) APPROACHING STORM Oil on canvas, 40 x 51cm (16 x 20") Provenance: Lyon & Turnbull Studio Sale 17th Sept. 2004 Condition Report: On close inspection there is light cracking in the pigment evident over the darker passages of the upper foreground in the lower right quarter section. There are three small areas of restoration in the lower right quarter section as denoted by darker waxed areas verso, and there is another similar restoration patch of wax corresponding to a small area in the lower left quarter section where a very small fragment of pigment is missing.
Lot 1125
JAMES TAYLOR BROWN (SCOTTISH 1868-1923) AYRSHIRE LANDSCAPE Oil on canvas, signed, 33 x 46cm (13 x 18") Condition Report: On close inspection there is a moderate degree of craquelure over much of the surface and an area where restoration work has been done in the lower left corner with a corresponding patch verso.
Lot 710
HEPWORTH BARBARA: (1903-1975) British Sculptor. A.L.S., Barbara, two pages, 4to, Trewyn Studio, St. Ives, Cornwall, 15th April 1966, to Warren Forma ('My dear dear Warren'). Hepworth announces 'Your letter was a terrific help. As you say - love does heal & contain one', remarking that she is slowly emerging from a dark patch, 'The main thing is to get some food down me - & as the work is hard, one needs more than 1 eggnog per day!' Hepworth further states that Forma's photographs were lovely and gave her a full idea of the exhibition and continues to invite her correspondent to visit in July ('You must choose your sculpture') adding 'My London Ex. of new work opens at Gimpels May 24th. I will be up & down May & June for Lord Mayors Banquets & what have you. I must see you both. I have done a lot of new work. My only answer to “threats” is to work more!! But I must overcome this semi-starvation…..I will send you photos of new work. Also photos of many projects for monumental sculptures. More & more I want colour - & use colour!' In concluding the sculptor remarks 'I think of you both so much. My silence only means a specially sticky patch which has to be overcome'. A letter of interesting content. VG Warren Forma (1923-2014) American Filmmaker & Author, known for his 'Artists at Work' documentary film series of 1963-67 which included 5 British Sculptors (Work and Talk) (1964) featuring Barbara Hepworth, Henry Moore and others.
Lot 126
A posset glass, two jelly or syllabub glasses and a patch stand, circa 1730-60The posset with two trailed loop handles and a serpentine spout to the front, 9.5cm high, the jelly or syllabub glasses including a miniature example moulded with fine vertical flutes and applied with a plain loop handle, 6.2cm high, and a panel moulded example with a pan top above flattened beaded knop and domed foot, 9.8cm high, the patch stand or miniature tazza with a lipped tray set on a short baluster stem and folded conical foot, 8.2cm diam (4)Footnotes:ProvenanceMartin Mortimer Collection (jelly and syllabub glasses)With Christopher Sheppard, 17 October 2003 (posset glass)With Mark West, 24 March 2004 (patch stand)With Delomosne and Son, 8 June 2004 (jelly and syllabub glasses)Graham Vivian CollectionA very similar miniature jelly glass from the Tim Udall Collection is illustrated by Delomosne and Son, 18th Century Glasses for the Dessert (2011), no.24a.For further information on this lot please visit Bonhams.com
Lot 365
A rare South Staffordshire enamel patch box, circa 1815-20Of oval form, the hinged cover printed in outline and hand-coloured with a couple standing before a priest, inscribed above 'The Single Married, the Married happy', reserved on a pale pink ground, 4.7cm wideFor further information on this lot please visit Bonhams.com
Lot 433
Two Derby sweetmeat figures, circa 1780-85Modelled as young men, one black and one white, both figures kneeling and balancing a large shell on their raised knee, their clothes brightly coloured, the scrolled and pierced bases also picked out in enamels and gilding, 22cm high, patch marks (2)Footnotes:A similar model and his female companion from the Lady Charlotte Schreiber Collection is in the Victoria and Albert Museum, accession numbers 414:187/-1885 (Sch. I 302) and 414:187/A-1885 (Sch. I 302A).For further information on this lot please visit Bonhams.com
Lot 379
A South Staffordshire enamel patch box, circa 1793-95Of oval form, the hinged cover painted with the execution of Louis XVI by guillotine on 21 January 1793, the unfortunate king lying prostrate as the blade is raised above his head, title 'La Guillotine', the base in blue, 5.1cm wideFootnotes:The source was a print entitled 'Massacre of the French King, View of La Guillotine; or the Modern Beheading Machine at Paris', taken from a broadsheet by William Lane. A related box from the Mort and Moira Lesser Collection was sold by Bonhams, 19 October 2011, lot 192.For further information on this lot please visit Bonhams.com
Lot 434
A pair of Derby candlestick figures of Italian Farmers, circa 1765Modelled as a well-dressed couple standing on ornate high-scrolled bases before flowering bocage, she holding a hen and he a cockerel, her patterned skirts matching his natty trousers, the bases picked out in pink, turquoise and gold, 17.2cm high, patch marks (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 125
An interesting collection of honeycomb moulded glass, circa 1730-50Comprising a rare teabowl and saucer, saucer 11.9cm diam, a jelly or syllabub glass with a pan top and plain loop handle over a domed foot, 11.5cm high, and a patch stand or miniature tazza, the shallow lipped tray on a short plain baluster stem with shoulder and basal knops, over a gadroon-moulded domed foot, 8cm diam (4)Footnotes:ProvenanceBonhams sale, 21 November 2001, lot 155 (syllabub)Bonhams sale, 7 June 2006, lot 45 (teabowl and saucer)With Christopher Sheppard, 16 June 2006 (patch stand)Graham Vivian CollectionA very similar teabowl and saucer was sold by Bonhams on 7 June 2006, lot 45.For further information on this lot please visit Bonhams.com
Lot 432
A set of four Derby figures of the Seasons, circa 1765Of large size and well-coloured, modelled as seated putti, Spring with an overflowing basket of flowers, Summer with a sheaf of corn and a scythe, Autumn with a basket of red and white grapes and Winter warming his hands over a brazier, the mound bases applied with further attributes, the tallest 17.8cm high, patch marks (4)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 373
Three South Staffordshire enamel boxes, late eighteenth and early 19th centuryWith gilt metal mounts, comprising a rectangular snuff box painted with a rural landscape reserved on a pink and blue gingham ground, an oval patch box printed and hand-coloured with a figural scene, another patch box painted with a basket of flowers on a gilt diaper ground, and a later French box printed with a portrait of a lady, 5.0cm to 6.3cm wide (4)For further information on this lot please visit Bonhams.com
Lot 281
A PAIR OF GEORGE IV BURR ELM AND PARCEL GILT PEDESTAL OCCASIONAL TABLESIN THE MANNER OF GEORGE BULLOCK, CIRCA 1825The crossbanded top with brass stringing, the columns painted to simulate burr elmeach 72cm high, the tops 51cm diameterFor a single plain elm occasional table of the period and of related form, see Christie's, New York, The House Sale, 6th October 2004, Lot 1033 ($3,107). Condition Report: Marks, scratches and abrasions comensurate with age and useSome old chips and splits. Wear chips, splits and fragmentary losses to the gilded areas. The gilded areas may incorporate some old refreshing to gilding. The gilded areas at the base of the stems are fragile and are likely to require stabilising and possible restoration. There is fading overall, evidence of cleaning. Some attention to the surfaces by a restorer could 'neaten' them further and achieve a darker richer colour if sought. The natural grain in the burr elm over time makes it appear as if there are splits int he surface but these can be sympathetically filled and made to look less obvious. An area of one table top has a patch in it, this may possibly be an old repair however it could have equally been done in the making of the table in order to react to a knot or a loss in the veneer. This could equally be treated to appear less obvious if required. The stems of the tables were originally painted. Please refer to the images in regard to their current more faded /worn appearance. There are various old chips and various old wear to the stems. Mounts to the top incorporating the pierced gallery elements are in fair order and are 'heavy gauge' quality. Some minor areas are indented or mishapen as expected for age and use. There are some 'breaks' to the pierced elements. The tables are of solid useable structure. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
Lot 965
Ait Fana navy Montpellier no.18 jersey v Arsenal in the UEFA Champions League Group B, at Stade De La Mosson, 18th September 2012,short-sleeved with UEFA STARBALL and RESPECT sleeve badges, club crest and sponsor logo with special match details patch on the lower right, reverse lettered AIT FANAArsenal defeated Montpellier 2-1, Karim Ait Fana was substituted on in the 67th minute, replacing Anthony Mounier.
Lot 1003
Red Spartak Moscow no.15 substitute's home jersey, circa 1989, by Adidas, long-sleeved with club crest and sponsor logos, reverse numbered 15, bears wear throughout, The Jindo sponsor lettering on the jersey bears evidence that a patch was possibly applied over the logo, signs of old glue. Jindo were only associated with Spartak Moscow in 1989.
Lot 193
Wayne Rooney signed Manchester United 2008 Champions League Winners replica jersey,signed to the front in black marker, FINAL MOSCOW 2008 21st MAY – LUZHNIKI STADIUM embroidered between Nike swoosh and club crest, Champions League star ball patch on sleeve, reverse lettered and numbered; sold with a COA (2)
Lot 195
Cristiano Ronaldo signed 2015-16 Real Madrid replica home jersey,brand new, unworn example with original Adidas tags attached, the shirt with full spec player issue styling, Adidas logo to front along with Adidas shoulder stripes plus Spanish LFP La Liga Official Sipesa Footbal Soccer Badge patch to arm, Climachill shirt technology, comes with COA and photo proof (2)
Lot 895
Unusual grey Atletico Madrid No.1 goalkeeper's jersey bearing a logo patch for the Barcelona 1992 Olympic Games, by Puma, long-sleeved with with club rest and sponsor logoIt is believed the only times Atletico Madrid wore shirts bearing the Barcelona '92 Olympics patch was in away matches during the 1985-86 European Cup Winners' Cup campaign. This was in the run-up to the IOC's decision to announce the Host City in October 1986. The Atletico Madrid goalkeeper during the 1985-86 Recopa was Pato. However, he consistently wore a green shirt. So this jersey would appear to be a colour change version that was never required.
Lot 23
AN ART NOUVEAU ROYAL VIENNA PORCELAIN TABLE LAMP BASE modelled as two young girls, one holding out her skirt containing fruits, standing barefoot on a naturalistically modelled circular base raised upon four open bracket feet, impressed and applied green patch mark, 12" high (Est. plus 21% premium inc. VAT)Converted from a table centrepiece and now fitted for electricity, generally very good, no apparent restoration
Lot 51
A LATE VICTORIAN ROYAL WORCESTER CHINA RETICULATED CABINET CUP AND SAUCER, 1881 (saucer) and 1882, the honeycomb pierced panels enclosing delicately gilded Japonaise landscapes, the double walled cup with pink faux bamboo handle, green, puce and impressed marks, saucer 4 1/4" diameter (Illustrated) (Est. plus 21% premium inc. VAT)No chips, cracks or restoration - excellent bar a small patch of light staining to the saucer
Lot 1
A 19th century Anglo-Indian rosewood profusely carved sideboard, with pierced foliate decoration throughout, with carved lion feet, 119 x 139 x 38cm. CONDITION REPORT There is a small patch repair to the top, with further general wear throughout, including scuffs, scratches, splits, stains, etc, including a split across the front of the bowed section. there is further fading to the carved sections at the front, but overall, a very pleasing piece.
Lot 535
BILLINGTON (?); oil on canvas, vast mountainous landscape with a lake and trees in the foreground, indistinctly signed and titled lower right, 102 x 130cm, framed. CONDITION REPORT There is slight fading or staining to the sky, which is visible. There is a patch to the left-hand side and a further similar patch to the right-hand side, where the paint has been scuffed, as if something has maybe been stuck to it and the adhesive has stripped the top off the paint. The frame has further small nicks, scuffs and scrapes.
Lot 710
VAN HALEN; eleven records to include a White Label pressing of 'Fair Warning' (lacking sleeve), 12" singles 'Why Can't This be Love?', 'Panama', and 'Dreams' with patch, also albums 'Diver Down', 'Women and Children First', '1984', 'Van Halen II', also a stock copy version of 'Fair Warning' (11).
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